Heinrich Gotthold Arnold

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Self-portrait Heinrich Gotthold Arnold (around 1830)

Heinrich Gotthold Arnold (born March 4, 1785 in Lomnitz , † May 3, 1854 in Dresden ) was a German draftsman, painter and graphic artist.

Life

Heinrich Gotthold Arnold, son of Lomnitz pastor Christian Gottlieb Arnold, learned the technique of copperplate engraving in Dresden around 1800 as a pupil of Christian Gottfried Schulze and in 1803 switched to painting with Johann David Schubert at the Royal Art Academy in Dresden . As a portrait painter in oil and miniature, he made several trips through Saxony. In 1812 he went with his family from Dresden, where he also gave lessons in painting and drawing, to Chemnitz , but returned to Dresden. He himself became a professor - teacher of the 1st painting class - at the Dresden Art Academy and drawing master at the Art School in Meißen. One of his students was Meno Mühlig .

In addition to numerous copies, including works by Tizian and Guido Reni in the Old Masters Gallery in Dresden, he created figural scenes, portraits and altar paintings for churches in Saxony and Poland, including in 1842 a Christ with apostles for the village church in his home town, which was rebuilt in 1841. He regularly sent his works to the exhibitions of the Dresden Academy, for example copies as drawings from 1802 to 1804, two drawings in 1805 - a nude after nature and Cato in Utika, to whom a child brings a sword , 1806: Cato, which son and friend for her Ask to preserve his life , as well as several sheets of black chalk from the life of Cato in preparation for further paintings. After that he only exhibited oil paintings: copies, portraits "based on nature" and his own compositions.

His self-portrait is in the Neue Meister gallery of the Dresden State Art Collections .

One of Arnold's daughters married the draftsman Richard Püttner .

Works (selection)

  • Hygiea feeding Aesculapi's serpent , 1808
  • The youth, who are made aware of the transience of time by an old man , exhibited: Academic Art Exhibition Dresden 1819
  • Family activities , exhibited: Academic Art Exhibition Dresden 1829
  • The little seamstress ; afterwards engraving by Carl Heinrich Beichling for the illustrated chronicle of the Saxon Art Association, 1829
  • The little knitter ; Acquisition of the Saxon Art Association. After this engraving by Carl Heinrich Beichling for the illustrated chronicle of the Saxon Art Association, 1829
  • The little reader ; afterwards engraving by Pfau for the illustrated chronicle of the Saxon Art Association, 1829
  • The calendar reader ; afterwards engraving by Pötschke for the picture chronicle of the Saxon Art Association, 1833
  • Farewell to the Soldier , exhibited: Academic Art Exhibition Dresden 1835
  • A reading mother , exhibited: Academic Art Exhibition Dresden 1839

Portraits

  • Portrait of Senator Freiberger , 1812: Chemnitz art collections
  • Self-portrait, half-length portrait to the right, the face facing the viewer , around 1830; Dresden, New Masters Gallery, purchased in 1874
  • Portrait of the knight Spontini , exhibited: Tiedge Foundation, Dresden 1842
  • Portrait , copy after Anton Graff, oil painting
  • Portrait of Carl August Böttiger , drawing

Altar and holy pictures

  • Christ on the Cross / St. Rochus in the Desert , altar painting, exhibited: Academic Art Exhibition Dresden 1820
  • The torture of St. Bartholomew , altarpiece, 1821
  • Maria Rosaria , altar painting for a church in Poland, 1823
  • Praying Constantia / St. Augustina , altar painting, 1823
  • Christ blessing the children , 1832: Freiberg in Sachsen, Petri-Kirche
  • Christ appears to his disciples, including Thomas , inscribed on the reverse: "Received from Professor Arnold by the widow in June 1857. Draft for the church in Lomnitz". Gift from Pastor Ziller. Sacka , church.
  • Christ appears to his disciples, including Thomas , altar painting for the church in Lomnitz, 1842 oil / canvas, ins. right: Hein. Arnold / Prof. pinx. 1842 .

literature

  • Hans Heinrich Füßli (Ed.): New additions to the general artist lexicon and its supplements (...). First issue A. Orell, Füßli & Compagnie, Zurich 1824, pp. 168–169.
  • Georg Kaspar Nagler (ed.): New general artist lexicon. First volume. A - Boe. EA Fleischmann, Munich 1835, p. 166.
  • Otto Wigand (Ed.): Wigand's Conversations-Lexikon. For all stands (...). First volume. A - Baratinsky. Otto Wigand, Leipzig 1846, p. 648.
  • Friedrich von Boetticher : painter works of the 19th century. Contribution to art history I-1. Dresden 1891.
  • Michael Bryan: Arnold, Heinrich Gotthold . In: Robert Edmund Graves (Ed.): Bryan's Dictionary of Painters and Engravers . 3. Edition. Volume I (A-K). George Bell & Sons, London 1886, p. 52 (English, digitized version ).
  • Wilhelm SchmidtArnold, Heinrich Gotthold . In: Allgemeine Deutsche Biographie (ADB). Volume 1, Duncker & Humblot, Leipzig 1875, p. 588.
  • Hans Vollmer: Arnold, Heinrich Gotthold . In: Ulrich Thieme , Felix Becker (Hrsg.): General Lexicon of Fine Artists from Antiquity to the Present . Founded by Ulrich Thieme and Felix Becker. tape 2 : Antonio da Monza-Bassan . Wilhelm Engelmann, Leipzig 1908, p. 130-131 ( Textarchiv - Internet Archive ).

Individual evidence

  1. occasionally from wrong reading Lomütz
  2. Belziger at the State School (Fürstenschule) St. Afra in Meißen: Christian Gottlieb Arnold from Belzig, April 25, 1768 - April 29, 1774, son of a lawyer, born October 31, 1754. Was pastor in Lomnitz near Radeberg in 1781, + 22 October 1797 after a hospital visit (website Belzig State School)
  3. 1809 Address: SV (Seevorstadt) Festungsgraben 543 (Dresden address calendar for the year 1809. Ernst Arnold, Dresden 1809)
  4. Royal Saxon Court, Civil and Military State in 1828. G. Reimer, Leipzig (1828), p. 234: Academy of Fine Arts in Dresden and Leipzig together with the drawing school in Meissen. GeneralDirection: Se. Your Excellency Mr. Heinrich Graf Vitzthum von Eckstätt / Special Directorium inside the Academy in Dresden: Mr. Prof. Ferdinand Hartmann (...). P. 235: 2) Teachers in the lowest or 1st class of the Mahler Academy. Mr. Heinrich Arnold, member of the academy, special supervisor of the first class of the art school and inspector of the academic building, the inventory and the art exhibition. P. 236: III. SignSchool zu Meißen, C. Members: Heinrich Arnold, first drawing master at the KunstSchule, also inspector of the academic building, etc.
  5. ^ Morgenblatt for educated classes. Kunstblatt 1819, No. 18, p. 70/71: Something about the 1819 in the Königl. Saxon. Academy of the Arts Dresden exhibited works of art: No. 363: Oil sketch. This little picture was painted very carefully and diligently; and the idea spoke for the artist's feeling
  6. ^ EH Toelken: About this year's art exhibition in Dresden , in: Berliner Kunst-Blatt. 10th issue. October 1829. Schlesinger, Berlin (1829), p. 242: No. 753. Family Activities, by H. Arnold. The mother comes up to a group of domestic children and turns her attention to the smallest boy playing. The play is praiseworthy in the drawing and the composition of the figures, only almost everyone has lowered their eyes and their mother's eyes are blinking; the color clay lacks the necessary cleanliness. The same is true of the knitting girl No. 736, of the catalog. P. 283: The little embroiderer, oil painting. Acquisition of the Saxon Art Association. P. 277 [on the poetry of the content]: (…) [the] knitting little girl from Arnold (No. 736.), who looks so industriously, cleverly and self-satisfied about the praise she has received on her work; (...).
  7. ^ Morgenblatt for educated classes. Kunstblatt Nr. 94, 1820, p. 375 Two large works (...). A Christ on the cross over life size and a Saint Roch in the desert; the composition of the latter was functional, the figure of the saint was quite noble and expressive, but the whole thing made little impression because of the lack of contrast and strength in the chiaroscuro and coloring, which had a dull and grayish tone
  8. Directory of the works of art publicly exhibited on August 3rd, 1823 in the Royal Saxon Academy of the Arts in Dresden. (1823), p. 35: No. 357. Maria Rosaria. The Mother of God appears to the praying Dominicus. On a bowl, an angel presents the heavenly roses, which in the hands of the holy child are transformed into the rosary that St. Dominicus receives from the child's right hand. A painting in oil ordered by Heinrich Arnold, a teacher at the Art Academy
  9. Cornelius Gurlitt (arrangement): Descriptive representation of the older architectural and art monuments of the Kingdom of Saxony, Issue 37, 1914, p. 288
  10. Cornelius Gurlitt (arrangement): Descriptive representation of the older architectural and art monuments of the Kingdom of Saxony, volume 26, part 2. Meinhold, Dresden 1904, p. 81
  11. Fig .: www.dorfkirche-lomnitz.de ›church tour