Heinrich Hermanns

from Wikipedia, the free encyclopedia
Flower market on the canal promenade
Dordrecht , lithograph, 1890
San Marco in Venice
View of Mainz , 1933

Heinrich Hermanns (born May 19, 1862 in Düsseldorf ; † December 21, 1942 ibid) was a German lithographer as well as landscape , vedute and architecture painter from the Düsseldorf School .

Career

In 1883 Hermanns finished his education at the Städtisches Realgymnasium, Klosterstrasse Düsseldorf and studied from 1883 to 1893 at the Art Academy Düsseldorf , where he was a student of Eugen Dücker (1886/1887), Heinrich Lauenstein , Georg Heinrich Crola and Johann Peter Theodor Janssen . In 1888/1889 he achieved the status of a master student of Dücker. 1889 founded Hermanns - in response to the exhibition policy associated with the Art Academy Art Association of the Rhineland and Westphalia - with Olof Jernberg , Eugen Kampf and Helmuth Liesegang the "Lucas-Club", an advanced combination of landscape painters, the suggestions of the Hague School and the Tried to combine the Barbizon School with the achievements of Impressionism . In 1891 the "Lucas Club" was subordinated to the newly founded Free Association of Düsseldorf Artists , from which, however, in 1899 the "St. Lukas Club "(founded by Hermanns, Jernberg, Liesegang, August Deusser , Otto Heichert , Arthur Kampf , Gustav Wendling , among others ) and the" Vereinigung von 1899 "split off.

Hermanns developed a particular fondness for the landscapes of Holland, West and Northwest Germany, which he painted with rich colors and a wide application of paint. Hermanns undertook long study trips to Italy (Northern Italy, especially Lake Garda, Naples and Sicily), France, Spain and the Netherlands (especially Amsterdam and other cities in Holland). In later work he increasingly turned to architectural painting ( city ​​views and interiors), often using watercolors and trying to reproduce less the architectural details and more the moods of the light and the atmosphere. Until the 1930s Hermanns exhibited at major German art exhibitions ( Munich Glass Palace 1889, 1891; Large Berlin Art Exhibition 1893–1918; Düsseldorf-Munich Art Exhibition, Kunstpalast Düsseldorf 1932 ). His works found their way into numerous European and American collections. Hermanns was a member of the artists' association Malkasten from 1891 to 1913 and 1930 to 1942 . In 1900 Hermanns was appointed by Wilhelm Schäfer to the artistic advisory board of the cultural magazine Die Rheinlande . In 1904 he received a small gold medal at the Great Berlin Art Exhibition .

On his 70th birthday in 1932, Richard Klapheck praised Hermanns as the “most versatile representative of Eugen Dücker's landscape school at the Düsseldorf Academy”, who, in addition to creating “genuinely Dutch” landscapes and street images of Holland and the Niederrheins dedicated "his cultivated watercolors" to the discovery of the "unknown Spain" as well as the representation of impressive church interiors and who "was one of the first to venture to portray the heroic image of the Lower Rhine-Westphalian industry."

Works (selection)

  • Fishing boats in Katwijk , 1889.
  • Dordrecht , 1890, lithograph
  • Portrait of a Lady in Fur , 1891, oil on canvas
  • At the Grafenberg Forest
  • Naples, view of the port and Mount Vesuvius , oil on canvas
  • Taormina , 1893, oil on canvas
  • View of Hofgartenstrasse , around 1895
  • View of Ratinger Strasse with the Malkastens club , presumably 1898.
  • Evening in Dordrecht , between 1902 and 1910
  • Vegetable market in Amsterdam ,
  • Lot in Amsterdam , oil on canvas
  • Amsterdamer Gracht , oil on canvas, around 1910, looted art
  • General view of the major exhibition in Düsseldorf in 1915 , around 1913/1914
  • Flower market on the canal promenade , oil on canvas
  • Flower market at the Spanish Steps in Rome , oil on cardboard
  • San Marco in Venice , oil on cardboard
  • Münster, the Prinzipalmarkt in winter , oil on canvas
  • On the Italian coast , watercolor / gouache on cardboard
  • Ironworks in the Ruhr area , watercolor on paper
  • View of a steelworks on a canal in the Ruhr area , watercolor on paper
  • Racking in the ironworks , watercolor on paper
  • View of Mainz , 1933.

literature

  • Hans Paffrath (Ed.): Lexicon of the Düsseldorf School of Painting 1819–1918. Volume 2: Haach – Murtfeldt. Published by the Kunstmuseum Düsseldorf in the Ehrenhof and by the Paffrath Gallery. Bruckmann, Munich 1998, ISBN 3-7654-3010-2 .
  • Hans Vollmer (Ed.): Artist Lexicon . Volume 2, EA Seemann Verlag, Leipzig 1955.

Web links

Wikisource: Heinrich Hermanns  - Sources and full texts
Commons : Heinrich Hermanns  - collection of pictures, videos and audio files

Individual evidence

  1. Nicole Roth: How modern is the Düsseldorf School of Painting? In: Bettina Baumgärtel (Hrsg.): The Düsseldorf School of Painting and its international impact 1819–1918 . Volume 1, Michael Imhof Verlag, Petersberg 2011, ISBN 978-3-86568-702-9 , pp. 254, 261 (footnote 27), 374
  2. From 1887 he traveled to the Hümmling several times . - Cf. Andreas Eiynck: The old Emsland . Sutton Verlag, Erfurt 2008, ISBN 978-3-86680-341-1 , p. 84 (online)
  3. ^ Düsseldorf-Munich Art Exhibition, Kunstpalast Düsseldorf, May 14th - August 31st 1932 , website in the portal eifel-und-kunst.de , accessed on August 29, 2014.
  4. Inventory list , website in the malkasten.org portal , accessed on August 29, 2014.
  5. Section Heinrich Hermanns of the website Paintings by German Artists ( Memento of the original from October 18, 2014 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. , accessed on the portal acco.efecto.at on August 30, 2014.  @1@ 2Template: Webachiv / IABot / acco.efecto.at
  6. Sabine Brenner: “Awakening the Rhineland from its slumber!” To the profile of the cultural magazine Die Rheinlande (1900–1922) . Grupello Verlag, Düsseldorf 2004, p. 89.
  7. ^ Richard Klapheck : Heinrich Hermanns. For his 70th birthday (May 19). In: Art for everyone. Painting, sculpture, graphics, architecture. Issue 9, June 1932, p. 280 (digitized version)
  8. Works of art with incomplete or unclear provenance ( Memento of the original from October 17, 2014 in the Internet Archive ) Info: The archive link has been inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. , Website in the portal landesmuseum-hannover.niedersachsen.de , accessed on August 29, 2014. @1@ 2Template: Webachiv / IABot / www.landesmuseum-hannover.niedersachsen.de
  9. Cat. No. 21 Heinrich Hermanns: Taormina in the portal auktion-bergmann.de , accessed on August 28, 2014.
  10. Irene Markowitz : Poor painter - painter prince. Artist and society. Düsseldorf 1819–1918 . Stadtmuseum Düsseldorf, Düsseldorf 1980, p. 10.
  11. Register of the images in: The Düsseldorf School of Painting and its International Radiation 1819–1918, Peterberg 2011, Volume 1 + 2 , PDF, p. 18. ( Memento of the original from September 23, 2015 in the Internet Archive ) Info: The archive link became automatic used and not yet tested. Please check the original and archive link according to the instructions and then remove this notice. , accessed on the duesseldorfer-malerschule.com portal on August 30, 2014.  @1@ 2Template: Webachiv / IABot / www.duesseldorfer-malerschule.com
  12. Heinrich Hermanns, oil painting, “Amsterdamer Gracht”, around 1910 ( Memento of the original from September 3, 2014 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. . Website in the auctionata.de portal , accessed on August 29, 2014. @1@ 2Template: Webachiv / IABot / auctionata.de
  13. Kerstin Krupp: Stolen art: Unbureaucratic reparation . Article from April 11, 2014 in the berliner-zeitung.de portal , accessed on August 29, 2014.
  14. ^ Ironworks in the Ruhr area , website in the van-ham.com portal , accessed on August 29, 2014.