Liselotte Strelow

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Liselotte Strelow (born September 11, 1908 in Redel , Pomerania , † September 30, 1981 in Hamburg ) was a German photographer .

Life

Scene from Die Fledermaus with Edel von Rothe, performance at the Düsseldorf Opera House in 1954, photographed by Liselotte Strelow
Edel von Rhote in Das Goldfischglas , Düsseldorfer Opernhaus 1954, photographed by Liselotte Strelow

The farmer's daughter went to Berlin in 1930, where she took photography courses at the school of the Lette Association . In 1932 she learned in the studio of the Jewish photographer Suse Byk , after which she was employed by Kodak (Germany). In 1938 she took over the studio from Suse Byk on Kurfürstendamm . The studio and most of its photo archive were destroyed in a bomb attack in the winter of 1944.

After fleeing Pomerania in 1945, she first went to Detmold , and in 1950 she opened a studio on Königsallee in Düsseldorf . She specialized in portrait and theater photography. She soon made known her pictures in collaboration with Gustaf Gründgens and Elisabeth Flickenschildt . After the Deutsche Bundespost had selected its portrait of Federal President Theodor Heuss in 1959 as the basis for a stamp series , it was able to choose its client. Her portraits of Konrad Adenauer , Rudolf Augstein , Maria Callas , Uwe Johnson and Thomas Mann as well as Ingeborg Bachmann , Gottfried Benn , Joseph Beuys , Lea Steinwasser , Jean Cocteau , Marlene Dietrich and Hildegard Knef became famous .

Liselotte Strelow was a member of the Society of German Photographers (GDL) and the German Society for Photography (DGPh). A photographic part of the estate - mainly portrait photographs - is in the Rheinisches Landesmuseum in Bonn, the much larger theater- photography part of the estate in the theater museum of the state capital Düsseldorf , formerly: Dumont-Lindemann Archive.

Prices

Solo exhibitions (selection)

  • 2008/2009: Rheinisches Landesmuseum Bonn
  • 2009: Historical Museum Frankfurt
  • 2010: Willy Brandt House, Berlin
  • 2010: Kunsthalle Erfurt
  • 2019: Liselotte Stresow PICTURE STORIES, Johanna Breede PHOTOKUNST

literature

  • Liselotte Strelow. The manipulated human image or the art of being photogenic . Econ, Düsseldorf 1961
  • Liselotte Strelow. Portraits 1933–1972 (exhibition catalog, Bonn 1977), edited by Klaus Honnef, Cologne 1977, ISBN 3-7927-0344-0
  • Johanna Wolf-Breede: Liselotte Strelow. Portrait of a portrait photographer. Munich 1987, MA - Ludwig Maximilians University, Munich 1987
  • Liselotte Strelow (1908-1981). Memories (exhibition catalog, Bad Bevensen), ed. by Detlef Gosselk and Heide Raschke, with texts by Klaus Honnef and Johanna Wolf-Breede, Lüneburg 1989
  • Sidney Darchinger: Face as an event: Liselotte Strelow. Portrait photography 1939–1974 . Bonn 1997. Dissertation Bonn 1994
  • Liselotte Strelow. Moments of Truth - Pictures of a Century . With a text by Marlene Rytlewski, Hinstorff, Rostock 2006, ISBN 3-356-01146-4
  • Liselotte Strelow: Retrospective 1908–1981. Hatje Cantz, Ostfildern 2008, ISBN 978-3-7757-2238-4

Web links

Individual evidence

  1. Christiane Kuhlmann : Moving Body - Mechanical Apparatus. On the media entanglement of dance and photography in the 1920s using the examples of Charlotte Rudolph, Suse Byk and Lotte Jacobi . Peter Lang, Frankfurt a. M. 2003. Diss. Bochum 2001, p. 109
  2. Liselotte Strelow: Retrospective 1908-1981. P. 16
  3. [1] Slimming at 35 degrees in the shade, pp. 20, 21 on the portrait of Liselotte Strelow by Lea Steinwasser
  4. Liselotte Strelow (1908–1981) - retrospective  ( page no longer available , search in web archivesInfo: The link was automatically marked as defective. Please check the link according to the instructions and then remove this notice. Historical Museum Frankfurt; Press release@1@ 2Template: Toter Link / www.prophoto-online.de  
  5. Liselotte Strelow. Retrospective 1908–1981 (PDF file; 845 kB), photo-archiv.info, accessed on October 17, 2012