Max Grünberg (actor)

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Max Grünberg (born December 17, 1876 in Berlin ; † September 29, 1943 there ) was a Berlin actor who played theater in the 1910s and then appeared in 18 silent and three sound films between 1918 and 1934. He has appeared in comedy, crime and period films. Twice, in 1922 and 1926, he was cast in the role of the poet Heinrich Heine . In Hans Kyser's Luther film from 1927 he played the painter Albrecht Dürer . He worked for the directors Richard Eichberg , Johannes Meyer , Erich Schönfelder , Jaap Speyer , Arthur Teuber , Fritz Wendhausen , Friedrich Zelnik and Willy Zeyn .

Grünberg also appeared in cabaret, e.g. B. in Trude Hesterberg's "Wilder Bühne", which opened in September 1921, where he read texts by Salomo Friedlaender (pseudonym: Mynona) and Victor Auburtin . Here he stood on stage with colleagues such as Fritz Kampers , Harald Paulsen and Resi Langer.

He was also a guest on Berliner Rundfunk. In the colorful evenings of the " Funkstunde " he recited works by Fritz Engel, Jenö Heltai , Alfred Lichtenstein , Mynona, Paul Schlesinger (pseudonym: Sling) and Theobald Tiger . There were texts from Expressionist to Dadaist style, often also of sharp-tongued social criticism.

After 1934 there are no more films with him known.

He is not to be confused with his namesake, the violinist, concertmaster and composer Max Grünberg, who lived from 1852 to 1940.

Filmography

  • 1918: Poor little Eva [book: Walter Schmidthässler ], [GECD # 17877]
  • 1918: The fool kissed her [book: Arthur Teuber , GECD # 30482]
  • 1919: nun and dancer [book: Johanna Lachmann, GECD # 30803]
  • 1920: Satan's Supper [book: Walter Schmidthässler]
  • 1921: The passenger from No. 7
  • 1921: Memoirs of a valet, Part 1 - Martin, the Foundling
  • 1921: The Secrets of Berlin, Part 1 - The Dark City
  • 1921/22: The only witness (role: Maurice Autreville, secret agent)
  • 1922: The five Frankfurters (role: Heinrich Heine)
  • 1922: Marie Antoinette - A Queen's Life (Role: Marat)
  • 1923: The merchant of Venice
  • 1923: Miss Raffke
  • 1924: The motor bride , also: love, suffering and sport (role: Heinz Ellhof, Geiger)
  • 1925: Elegant Pack (Role: Detective)
  • 1925: Nameless heroes, also: Infantryman Scholz
  • 1926: The laughing cricket (role: Heinrich Heine)
  • 1928: Luther - A film of the German Reformation (role: Albrecht Dürer)
  • 1929: We stick together firmly and faithfully (Role: Judiciary Scharf)

Sound films

literature

  • Helga Bemmann: Berliner Musenkinder-Memoiren: a cheerful chronicle from 1900-1930. Lied der Zeit Musikverlag, Berlin 1981, OCLC 497318934 .
  • Christian Dewald: Workers' cinema . Left film culture of the First Republic (= proletarian cinema in Austria. Volume 1). Verlag Filmarchiv Austria, 2007, ISBN 978-3-902531-28-5 .
  • The response: With supplement German Export Revue. Weekly newspaper for politics, literature, export and import. Volume 46, 1927, p. 899 “… to be mentioned: Nelly Pirchoff, Olga Bartos-Trau, Eduard Lichtenstein, Hans Ritter, Max Grünberg and Paul Guttmann. ... In addition to inadequate European actors, one saw Japanese actors and actresses ... "
  • Funk-Hour Aktiengesellschaft: A Review. 1928, p. 147.
  • Gero Gandert : 1929 - The film of the Weimar Republic. A Handbook of Contemporary Criticism . Verlag de Gruyter, 1993, ISBN 3-11-011183-7 .
  • Max Herrmann-Neisse: Cabaret . Collected Works. Verlag Zweausendeins, 1988, p. 41.
  • Rudolf Hösch: Yesterday's Cabaret : Based on contemporary reports, reviews and memories. Volume 1: 1900-1933. Henschel Verlag, 1969.
  • Siegfried Jacobsohn (Ed.): The Schaubühne . 1913, p. 127: "Berlin (Small Theater): Max Grünberg 1909/14"
  • Sabine Zolchow, Johanna Muschelknautz (Ed.): I do everything with my legs--: the actor Curt Bois. Verlag Vorwerk 8, 2001, ISBN 3-930916-40-1 , pp. 94 and 190.
  • Günther Rühle : From the Empire to the Republic, 1913–1925 (= time and theater. Compiled by Günther Rühle. Volume 1). Propylaen Verlag, p. 858 “... which turned the drama into a little family tragedy with an arbitrary outcome and just let the actors go ... The father: Robert Garrison; the son: Fritz Odemar; the Miss: Thila Hummel; the friend: Max Grünberg. "
  • Günter Seehaus: The New Schaubühne (= New Schaubühne. Research on the history of theater. Volume 2; Neue Schaubühne. Volume 2). Laokoon-Verlag, 1964, pp. 163, 176.
  • Ernst Leopold Stahl: Gemma Boić: the memory of an artist . Edition 2. Verlag H. Hohmann, Darmstadt 1916.
  • Ernst Leopold Stahl: The Mannheim National Theater: A Century of German Theater Culture in the Reich. J. Bensheimer publishing house, Mannheim / Berlin / Leipzig 1929.
  • Hugo Zehder (Ed.): The New Schaubühne. Volume 1, Verlag Neue Schaubühne, 1919, pp. 28 and 109 “Of the actors, Max Grünberg should be mentioned as a stranger and Lore Busch as a lady. Grünberg, filled with sky-storming defiance and a bursting longing for knowledge, walking through the purgatory of torments ... "

Web links

Individual evidence

  1. among others at the Small Theater in Berlin (between 1909 and 1914, cf. S. Jacobsohn, Schaubühne 1913, p. 127), in Düsseldorf, in Alfred Bernau's Deutschem Theater in Cologne and at the Nationaltheater Mannheim, where he performed in Wedekind roles such as the Moritz appeared in “Spring Awakening”, cf. Seehaus p. 163 “1916. Alice Lisso as Wendla and Max Grünberg as Moritz have had good successes in both “Spring Awakening” premieres of the Deutsches Theater ... ”, u. 176 "... two actors who already stood out in Wedekind roles in Alfred Bernau's German Theater in Cologne (Alice Lisso: Princess Alma; Max Grünberg: Schwarz, Filippo) ...". Cf. also EL Stahl, Mannheimer Nationaltheater p. 309 “This performance, almost a dozen almost entirely self-made, bloody young actors [...] came later: Lore Busch, Alice Lisso, Teresina Oster, Franz Everth, Robert Garrison, Max Grünberg ... "
  2. recte Dr. Salomon Friedlaender, cf. Salomo Friedlaender / Mynona: Grotesken I. Collected writings. With e. Introduction v. Detlef Thiel. Verlag BoD - Books on Demand, 2015, ISBN 978-3-7386-8877-1 . Also: Bemman p. 105 “… who read the stories of Mynona and Victor Auburtin”, Hösch p. 199 “Trude Hesterberg was a determined supporter of young talents. The actors Fritz Kampers , Harald Paulsen , Max Grünberg and Resi Langer were among the “newcomers” . Friedrich Hollaender also worked as a composer for the "Wilde Bühne" ... ", EL Stahl, Gemma Boić p. 36" Colleagues like Hesterberg, alongside Kate Kühl, Wilhelm Bendow, Hermann Vallentin, Max Grünberg and Paul Nikolaus ... "
  3. 1886-1971, Diseuse, on her cf. exilarchiv.de , Bemman, Musenkinder p. 122, 127.
  4. Funk-Hour Aktiengesellschaft: A Review. 1928, p. 147: "Within these colorful evenings, actors appeared who, like Max Grünberg, performed plays by Mynona, Theobald Tiger, Fritz Engel, Heltai, Sling, Alfred Lichtenstein during such entertainment ..."
  5. Max Grünberg: Master of the Violin. Deutsche Verlags-Anstalt, Stuttgart 1925, DNB 573578249
  6. ↑ based on a literary model: Paul Langenscheidt : Paragraph one hundred and fifty. Crimes Against the Sprouting Life. Berlin 1907.
  7. ^ A piece about the five sons of Mayer Amschel Rothschild , the progenitor of the famous Frankfurt banking dynasty . The sons come from their European adopted homes once again to their mother Gundula in Frankfurt, who still lives in the small house on Frankfurt's Judengasse.
  8. anti-war film, cf. C. Dewald: Workers' cinema . 2007, p. 320: "From the film team only the cameraman Marius Holdt and the actors Ernst Pittschau and Max Grünberg had already participated in several films"
  9. Jll. Film courier. 8th year, No. 547, 1926, ill. at emovieposter.com (accessed April 26, 2016)
  10. Ivan Dimov, Sarah Esser: What happened to "DÜRER"? malschule.de : “There are only two films about Dürer. One is from 1928 and is by Hans Kyser (the actor Max Grünberg plays Albrecht Dürer). Fifty years later, in 1978, a DEFA film was made about Dürer's contemporary Jerg Ratgeb (Albrecht Dürer was portrayed by Martin Trettau). That's it. "(June 20, 2011)
  11. with Siegfried Arno and Kurt Gerron , cf. Gandert 1929, pp. 721-723 on no.211
  12. Director: Kurt Gerron, with Hans Albers and Luise Rainer
  13. with Martha Eggerth (1912–2013), cf. HH Prinzler , April 10, 2016.