Max Pohl

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Max Pohl
Max Pohl: Portrait and role models as "Wurzelsepp" and "Mephisto", 1898. Photo by court photographer Julius Cornelius Schaarwächter.
Max Pohl and wife, 1905. Photo by Zander & Labisch .

Max Pohl (born December 10, 1855 in Nikolsburg , Moravia , Austrian Empire , † April 7, 1935 in Berlin , Germany ) was an Austrian actor .

Life

Pohl had Jura studied and in this field of study PhD . During his student days, the native of South Moravia appeared twice in student performances, for example as Spiegelberg in Die Räuber in 1876 and the following year as Geßler in Wilhelm Tell . In the autumn of 1878 Pohl made his debut as a professional actor at the city theater of the Styrian Marburg (now Slovenia's Maribor ). In 1879 Pohl moved to Leipzig , 1882 to Hamburg and the following year to the German Theater in Moscow .

In the following years Max Pohl played a number of classic character roles, such as Mephisto , Shylock , Falstaff , the judge of Zalamea , King Lear and Nathan the Wise , especially at the Deutsches Theater and the Royal Theater in Berlin, where he had received several engagements since 1884. But Pohl also appeared again and again in folk plays, especially in performances based on models by Ludwig Anzengruber . There he was seen regularly in the roles of strange, idiosyncratic old men.

During the Weimar Republic , the elderly artist also found employment in a number of cinema films. His last appearance in front of the camera was old Karamasoff in Fedor Ozep's film The Murderer Dimitri Karamasoff . It was to remain Pohl's only sound film. Max Pohl was also active in associations; from 1901 to 1908 he was President of the Cooperative of German Stage Members .

Max Pohl was buried in the Schöneberg II cemetery in Berlin.

Filmography

literature

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