Peter Röhrig

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Peter Röhrig (* 1923 in Berlin ) is a German , former film architect .

Live and act

Röhrig came to film at an early age through his father, the famous film architect Walter Röhrig . Peter Röhrig gained his first experience at the age of 17 as a camera volunteer for Karl Ritter's 1940 propaganda film About Everything in the World . After another camera volunteer service in 1941 with Josef von Báky's “Annelie”, Röhrig moved up to the camera assistant for the Rühmann comedy Quax, the Bruchpilot, that same year . He was then drafted.

At the beginning of 1948, Peter Röhrig was able to design film structures for Heinz Laaser's small Berlin production company Ondia Film for the first time. Since 1953, Röhrig has been regularly active in scene design, mostly working with more established colleagues such as Emil Hasler , Rolf Zehetbauer and Gabriel Pellon and implementing their designs. In addition to conventional entertainment, he was also involved in one or the other ambitious production such as Before Sunset and the Devil in Silk . Later, from 1959 to 1961, he also furnished one or the other production with Freddy Quinn .

At the beginning of the 1960s, Peter Röhrig's cinema career was largely over, and he only received one or two assignments from television. After long years of abstinence from film, he returned to cinema work in 1976 for Jürgen Goslar's gruff slave film Slavers . After that, Peter Röhrig finally disappeared from the public eye.

Filmography

as a film architect at the cinema, unless otherwise stated

Individual evidence

  1. Kay Less : The film's great personal dictionary . The actors, directors, cameramen, producers, composers, screenwriters, film architects, outfitters, costume designers, editors, sound engineers, make-up artists and special effects designers of the 20th century. Volume 6: N - R. Mary Nolan - Meg Ryan. Schwarzkopf & Schwarzkopf, Berlin 2001, ISBN 3-89602-340-3 , p. 599.

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