Sabine Wegner

Sabine Wegner (* 1955 in Mönchengladbach ) is a German actress .

Life

She received her training from 1976 to 1979 at the Folkwang School in Essen . In 1979 she started her first engagement at the State Theater in Stuttgart . There she was seen in several productions by Hansgünther Heyme , such as Elisabeth in Don Carlos (1979), in the title role of Minna von Barnhelm (1980), as Carola Martin in the German premiere of Ariane Mnouchkine's theater adaptation of the novel Mephisto (1981) or Lucile in Danton's death . She played various other roles under other directors, for example Mascha in Die Möwe (1983).

In 1984/85 she worked at the Schauspiel Frankfurt , where she portrayed Eve in Der zerbrochne Krug and Amalia in Die Räuber . From 1985 to 1988 she worked at the Thalia Theater in Hamburg . Here she played Célimène in Der Menschenfeind (1986, with Hans Christian Rudolph ) and Molly in Frank Wedekind's The Marquis of Keith .

She became known to a larger audience as Gudrun Ensslin in Reinhard Hauff's 1986 film Stammheim . She took on the same role in George Tabori's Stammheim project in the same year in the Hamburg campaign nail factory .

From 1988 to 1991 she was engaged at the Schaubühne am Lehniner Platz , where she performed Camille in Pierre Corneille's Horace (1989), the sleep woman in Die Zeit und das Zimmer by Botho Strauss (world premiere 1989) and the older sister in Bernard-Marie Koltès ′ Roberto Zucco (first performance 1990) embodied.

From 1992 to 1996 she was a member of the ensemble of the Deutsches Schauspielhaus in Hamburg. There she played Countess Orsina in Emilia Galotti (1992), appeared in the world premiere of Critique in Fortress by Rainald Goetz (1993), in Peter Handke's Kaspar (1996) and Maxim Gorkis Sommergäste (1997). Since then she has appeared in various theaters. In Vienna she was seen as the artist museum Alma in Joshua Sobol's “ Alma ” (director: Paulus Manker ). She is married to the actor Walter Kreye . The couple have two children.