Viktoria Schmidt-Linsenhoff

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Viktoria Schmidt-Linsenhoff (2004), photo: Andreas Thull

Viktoria Schmidt-Linsenhoff (born August 21, 1944 in Cottbus ; † February 14, 2013 in Frankfurt am Main ) was a German art historian and professor with a particular research interest in the fields of gender studies and post-colonial studies .

life and work

Schmidt-Linsenhoff studied art history, classical archeology and modern German literature . In 1973 she received her doctorate from Erich Hubala at the University of Kiel with a thesis on Guido Reni . A one-year traineeship enabled her to join the collection of paintings and graphics at the Frankfurt Historical Museum as a curator .

Following a substitute professorship at the University of Oldenburg (1990) and working at the Institute for Cultural Studies in Essen (1992), Schmidt-Linsenhoff was Professor of Art History with a focus on women's studies at the University of Trier from 1992 until her retirement in 2008 . Her interdisciplinary research was institutionalized with the Center for Postcolonial and Gender Studies (CePoG) founded on her initiative in 2005, of which she remained a member of the Advisory Board until her death , now including the course "Intercultural Gender Studies".

Viktoria Schmidt-Linsenhoff was from 1986 to 1991 co-editor of the art history journal Kritischeberichte .

From 2001 to 2004, Schmidt-Linsenhoff initially took on the Käthe-Leichter visiting professorship at the University of Vienna and then taught at the University of Cotonou in Benin . This was followed by a stay in the USA as a visiting professor at Dartmouth College , New Hampshire .

In 2008 she made the film Der Hof together with her partner, the filmmaker Dieter Reifarth . This is a documentary about the court of the Senegalese artist Joe Ouakam, known under the name Issa Samb .

Projects

  • 1997–2000 DFG project The Subject and the Others. Interculturality and gender difference from the early modern era to the present
  • 1999–2002 Member of the research group Feminism and Enlightenment 1650–1850: a Comparitive History (University of London)
  • 2000–2006 Research Training Group Identity and Difference. Gender construction and interculturality 18. – 20. Century (speaker)
  • 2004–2013 member of the Graduate School Slavery, Bondage and Compulsory Labor, Forced Labor
  • 2005–2013 Center for Postcolonial and Gender Studies at the University of Trier (founding member and management)

Movie

  • La Cour - Der Hof , director: Dieter Reifarth; Viktoria Schmidt-Linsenhoff; Documentary, 2012, Germany / Senegal, 85 min

Publications (selection)

  • Guido Reni in the judgment of the 17th century. Studies on literary reception history and catalog of reproduction graphics . Dissertation. Kiel 1974.
  • Slave or citizen? French Revolution and New Femininity 1760–1830 . Exhibition catalog Historisches Museum Frankfurt, Frankfurt 1989.
  • with Herbert Uerlings, Karl Hölz ​​(ed.): The subject and the others. Interculturality and Gender Difference from the 18th Century to the Present . Berlin / Bielefeld / Munich 2001.
  • with Karl Hölz, Herbert Uerlings (Ed.): White looks. Gender myths of colonialism . Marburg 2005.
  • Aesthetics of Difference. Postcolonial Perspectives from the 16th to the 21st Century . 2 vol. Marburg 2010. 2nd edition 2014. ISBN 3-89445-434-2 , ISBN 978-3-89445-434-0

literature

  • Detlef Hoffmann, Daniela Hammer-Tugendhat , Alexandra Karentzos: Obituary Viktoria Schmidt-Linsenhoff. In: Critical Reports 41, 2013, 2, pp. 2–5.

Web links

Individual evidence

  1. memorial page by Viktoria Schmidt-Linsenhoff. In: trauer.sueddeutsche.de. Retrieved August 24, 2016 .
  2. Silke Förschler, Kerstin Schankweiler, Melanie Ulz, Kea Wienand, obituary for Viktoria Schmidt-Linsenhoff . In: Journal for Gender Research and Visual Culture 54, 2013, pp. 118–123, here p. 119 ( PDF ).