Always on weekdays
| Movie | |
|---|---|
| Original title | Always on weekdays |
| Country of production | Germany |
| original language | German |
| Publishing year | 1963 |
| length | 87 minutes |
| Age rating | FSK 18 |
| Rod | |
| Director | Michael Burk |
| script |
Per Schwenzen , Alexander Badal , Michael Burk |
| production | Ludwig Waldleitner |
| music | Franz Grothe |
| camera | Klaus von Rautenfeld |
| cut |
Elisabeth Neumann (as Lisbeth Neumann) |
| occupation | |
| |
Every weekday there is a German film fun game from 1963 with Hanns Lothar and Geneviève Cluny in the leading roles.
action
Felix is a headstrong young man with great ambition: he collects doctorates like other postage stamps. Now the Studiosus, who lives in Munich-Schwabing, wants to do his third doctorate, this time in law. But spring and the corresponding feelings towards the lovely femininity come between him. One day he meets the pretty Australian art student Jery. At first the two can't stand each other, but then the girl falls in love with the new doctoral student. The pretty girl from Down Under tries to win the heart of the brisk young man with love tips she has taken from a guide. Word of this soon got around in the hip Schwabing student world, and from then on Felix became a popular crush among young women. In order to live up to his - undeserved - reputation as Casanova, he is no longer allowed to simply indulge in Jery, and Felix then begins to pretend the role of an antibourgeois womanizer. Numerous entanglements ultimately lead to Felix not gaining another doctorate, but winning the hearts of his loved ones.
Production notes
Every Weekday was written in spring 1963 and premiered on May 30, 1963.
The title alludes to the great Greek film success from 1960, Never Sundays , with Melina Mercouri in the leading role.
The buildings designed by Wolf Englert were carried out by Bruno Monden . The costume designs come from Margot Schönberger. Ernst Steinlechner took over the production management.
Reviews
"We allow ourselves a small correction of the film title: never on weekdays and never on Sundays."
In Paimann's film lists it says: A similarly often-seen fable of finding oneself, which is presented in a modern but not exaggerated manner, is staffed with established offspring and has a homely, bohemian touch thanks to Munich-Schwabing's atmosphere. "
In Films 1962/64 the following can be read: "Silly comedy, which is rather boring due to lack of imagination and primitive dialogue."
Web links
- Every weekday in the Internet Movie Database (English)
- Always on weekdays at filmportal.de
Individual evidence
- ↑ Source: Hamburger Abendblatt from June 1, 1963
- ↑ Weekdays always in: Paimann's film lists
- ^ Films 1962/64. Critical notes from three years of cinema and television. Handbook VII of the Catholic film criticism. Düsseldorf 1965, p. 196
