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'''No Wave Cinema''' was a [[Colab]] sponsored<ref>Marc Masters, (2007) ''No Wave'', Black Dog Publishing, London, p. 141</ref> boom (1976–1985) in [[underground film]]making on the [[Lower East Side]] of [[New York City]]. Its name, much like its cousin [[No Wave]] music, was a stripped down style of guerrilla filmmaking that emphasized mood and texture above other concerns.
'''No Wave Cinema''' was a [[Colab]] sponsored<ref>Marc Masters, (2007) ''No Wave'', Black Dog Publishing, London, p. 141</ref> boom (1976–1985) in [[underground film]]making on the [[Lower East Side]] of [[New York City]]. Its name, much like its cousin [[No Wave]] music, was a stripped down style of guerrilla filmmaking that emphasized mood and texture above other concerns.<ref>[http://www.luxonline.org.uk/articles/no_wavelength(1).html NO WAVELENGTH: THE PARA-PUNK UNDERGROUND: [[Village Voice]] film critic [[Jim Hoberman]] discusses the New York New Wave film scene, including lo-fi super 8 films of [[Vivienne Dick]]]</ref>


This brief movement, also known as New Cinema (after a short-lived screening room on [[St. Mark's Place (Manhattan)|St. Mark’s Place]] run by several filmmakers on the scene), had a significant impact on both underground film, spawning the [[Cinema of Transgression]] (Beth B, [[Richard Kern]], [[Nick Zedd]], Tessa Hughes Freeland and others) and a new generation of independent filmmaking in New York ([[Jim Jarmusch]], [[Tom DiCillo]], [[Steve Buscemi]], and [[Vincent Gallo]]).
This brief movement, also known as New Cinema (after a short-lived screening room on [[St. Mark's Place (Manhattan)|St. Mark’s Place]] run by several filmmakers on the scene), had a significant impact on both underground film, spawning the [[Cinema of Transgression]] ([[Scott B and Beth B]], [[Richard Kern]], [[Nick Zedd]], Tessa Hughes Freeland and others) and a new generation of independent filmmaking in New York ([[Jim Jarmusch]], [[Tom DiCillo]], [[Steve Buscemi]], and [[Vincent Gallo]]).<ref>[http://www.luxonline.org.uk/articles/no_wavelength(1).html NO WAVELENGTH: THE PARA-PUNK UNDERGROUND: [[Village Voice]] film critic [[Jim Hoberman]] discusses the New York New Wave film scene, including lo-fi super 8 films of [[Vivienne Dick]]]</ref>


Filmmakers associated with the movement included [[Charlie Ahearn (director)|Charlie Ahearn]], Beth B and Scott B, [[Manuel DeLanda]], [[Vivienne Dick]], Jim Jarmusch, Richard Kern, Eric Mitchell, James Nares, [[Amos Poe]], [[Susan Seidelman]], [[Casandra Stark Mele]], Nick Zedd.
Filmmakers associated with the movement included [[Charlie Ahearn (director)|Charlie Ahearn]], Beth B and Scott B, [[Manuel DeLanda]], [[Vivienne Dick]], Jim Jarmusch, Richard Kern, Eric Mitchell, James Nares, [[Amos Poe]], [[Susan Seidelman]], [[Casandra Stark Mele]], Nick Zedd.

Revision as of 15:32, 14 June 2013

No Wave Cinema was a Colab sponsored[1] boom (1976–1985) in underground filmmaking on the Lower East Side of New York City. Its name, much like its cousin No Wave music, was a stripped down style of guerrilla filmmaking that emphasized mood and texture above other concerns.[2]

This brief movement, also known as New Cinema (after a short-lived screening room on St. Mark’s Place run by several filmmakers on the scene), had a significant impact on both underground film, spawning the Cinema of Transgression (Scott B and Beth B, Richard Kern, Nick Zedd, Tessa Hughes Freeland and others) and a new generation of independent filmmaking in New York (Jim Jarmusch, Tom DiCillo, Steve Buscemi, and Vincent Gallo).[3]

Filmmakers associated with the movement included Charlie Ahearn, Beth B and Scott B, Manuel DeLanda, Vivienne Dick, Jim Jarmusch, Richard Kern, Eric Mitchell, James Nares, Amos Poe, Susan Seidelman, Casandra Stark Mele, Nick Zedd.

In 2011, French filmmaker Céline Danhier made a documentary film entitled BLANK CITY. The film presents an oral history of No Wave Cinema through interviews with Jim Jarmusch, John Waters, Steve Buscemi, Debbie Harry, Fab 5 Freddy, Thurston Moore, Richard Kern, Jack Sargeant, Amos Poe, Susan Seidelman, Charlie Ahearn, and Nick Zedd. The soundtrack includes Patti Smith, Television, Richard Hell & The Voidoids, James Chance and the Contortions, Bush Tetras, Sonic Youth and many more.[4]

See also

References

  1. ^ Marc Masters, (2007) No Wave, Black Dog Publishing, London, p. 141
  2. ^ NO WAVELENGTH: THE PARA-PUNK UNDERGROUND: Village Voice film critic Jim Hoberman discusses the New York New Wave film scene, including lo-fi super 8 films of Vivienne Dick
  3. ^ NO WAVELENGTH: THE PARA-PUNK UNDERGROUND: Village Voice film critic Jim Hoberman discusses the New York New Wave film scene, including lo-fi super 8 films of Vivienne Dick
  4. ^ "Blank City" - official film website

External links

  • Official Myspace page for "Llik your idols", a documentary about the Cinema of Transgression & No Wave Cinema