Ray Bradbury

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Ray Douglas Bradbury
Ray Bradbury in 1975. Photo by Alan Light.
Ray Bradbury in 1975.
Photo by Alan Light.
OccupationWriter
NationalityUSA
GenreScience Fiction
Notable worksThe Martian Chronicles, Fahrenheit 451
Website
http://www.raybradbury.com/

Ray Douglas Bradbury (born August 22 1920) is an American literary, fantasy, horror, science fiction, and mystery writer best known for his 1953 dystopian novel Fahrenheit 451 and The Martian Chronicles, a 1950 book which has been described both as a short story collection and a novel. He is widely considered to be one of the greatest and most popular American writers of speculative fiction during the twentieth century.

Beginnings

Bradbury was born in Waukegan, Illinois, to a Swedish immigrant mother and a father who was a power and telephone lineman.[1] His paternal grandfather and great-grandfather were newspaper publishers.[2]

Bradbury was a reader and writer throughout his youth, spending much time in the Carnegie Library in Waukegan. He used this library as a setting for much of his novel Something Wicked This Way Comes, and depicted Waukegan as "Green Town" in some of his other semi-autobiographical novels — Dandelion Wine, Farewell Summer — as well as in many of his short stories.[3]

He attributes his lifelong habit of writing every day to an incident in 1932 when a carnival entertainer, Mr. Electrico[4], touched him with an electrified sword, made his hair stand on end, and shouted, "Live forever!"

The Bradbury family lived in Tucson, Arizona, in 1926–27 and 1932–33 as his father pursued employment, each time returning to Waukegan, but eventually settled in Los Angeles in 1934, when Ray was thirteen.

Bradbury graduated from the Los Angeles High School in 1938 but chose not to attend college. Instead, he sold newspapers at the corner of South Norton Avenue and Olympic Boulevard. He continued to educate himself at the local library, and having been influenced by science fiction heroes like Flash Gordon and Buck Rogers, he began to publish science fiction stories in fanzines in 1938. Ray was invited by Forrest J Ackerman to attend the now legendary Clifton’s Cafeteria Science Fiction Club. Here Ray met the writers Robert A. Heinlein, Emil Petaja, Fredric Brown, Henry Kuttner, Leigh Brackett, and Jack Williamson. Launching his own fanzine in 1939, titled Futuria Fantasia, he wrote most of its four issues, each limited to under a hundred copies. Bradbury's first paid piece was for the pulp magazine Super Science Stories in 1941, for which he earned $15.[5] He became a full-time writer by the end of 1942. His first book, Dark Carnival, a collection of short works, was published in 1947 by Arkham House, a firm owned by writer August Derleth.

A chance encounter in a Los Angeles bookstore with the British expatriate writer Christopher Isherwood gave Bradbury the opportunity to put The Martian Chronicles into the hands of a respected critic. Isherwood's glowing review followed and substantially boosted Bradbury's career.

Ray Bradbury married Marguerite McClure (1922–2003) in 1947, and they had four daughters.

Works

Main article: List of works by Ray Bradbury

Although he is often described as a science fiction writer, Bradbury does not box himself into a particular narrative categorization:

First of all, I don't write science fiction. I've only done one science fiction book and that's Fahrenheit 451, based on reality. Science fiction is a depiction of the real. Fantasy is a depiction of the unreal. So Martian Chronicles is not science fiction, it's fantasy. It couldn't happen, you see? That's the reason it's going to be around a long time—because it's a Greek myth, and myths have staying power.[6]

On another occasion, Bradbury observed that the novel touches on the alienation of people by media:

In writing the short novel Fahrenheit 451 I thought I was describing a world that might evolve in four or five decades. But only a few weeks ago, in Beverly Hills one night, a husband and wife passed me, walking their dog. I stood staring after them, absolutely stunned. The woman held in one hand a small cigarette-package-sized radio, its antenna quivering. From this sprang tiny copper wires which ended in a dainty cone plugged into her right ear. There she was, oblivious to man and dog, listening to far winds and whispers and soap-opera cries, sleep-walking, helped up and down curbs by a husband who might just as well not have been there. This was not fiction.[7]

Besides his fiction work, Bradbury has written many short essays on the arts and culture, attracting the attention of critics in this field. Bradbury was a consultant for the American Pavilion at the 1964 New York World's Fair and the original exhibit housed in Epcot's Spaceship Earth geosphere at Walt Disney World [8][9][10].

Bradbury was a close friend of Charles Addams and collaborated with him on the creation of the macabre "Family" enjoyed by New Yorker readers for many years and later popularized as The Addams Family. Bradbury called them the Elliotts and placed them in rural Illinois. His first story about them was "Homecoming," published in the New Yorker Halloween issue for 1946, with Addams illustrations. He and Addams planned a larger collaborative work that would tell the family's complete history, but it never materialized. In October 2001, Bradbury published all the Family stories he had written in one book with a connecting narrative, From The Dust Returned, featuring a wraparound Addams cover. [11]

Adaptations of his work

File:Rb451.jpg
Oskar Werner and Julie Christie in Fahrenheit 451 (1966).

From 1951 to 1954, 27 of Bradbury's stories were adapted by Al Feldstein for EC Comics, and 16 of these were collected in the paperbacks, The Autumn People (1965) and Tomorrow Midnight (1966).

Also in the early 1950s, adaptations of Bradbury's stories were televised on a variety of shows including Tales of Tomorrow, Lights Out, Out There, Suspense, CBS Television Workshop, Jane Wyman's Fireside Theatre, Star Tonight, Windows and Alfred Hitchcock Presents. "The Merry-Go-Round," a half-hour film adaptation of Bradbury's "The Black Ferris," praised by Variety, was shown on Starlight Summer Theater in 1954 and NBC's Sneak Preview in 1956.

From 1985 to 1992 Bradbury hosted a syndicated anthology television series, The Ray Bradbury Theater, for which he adapted 65 of his stories. Each episode would begin with a shot of Bradbury in his office, gazing over mementoes of his life, which he states (in narrative) are used to spark ideas for stories.

The Martian Chronicles became a three-part TV miniseries starring Rock Hudson which was first broadcast by NBC in 1980.

In 1984, Michael McDonough of Brigham Young University produced "Bradbury 13," a series of thirteen audio adaptations of famous Ray Bradbury stories, in conjunction with National Public Radio. The full-cast dramatizations featured adaptations of "The Man," "The Ravine," "Night Call, Collect," "The Veldt," "Kaleidoscope," "There Was an Old Woman," "Here There Be Tygers," "Dark They Were, and Golden Eyed," "The Wind," "The Fox and the Forest," "The Happiness Machine," "The Screaming Woman" and "A Sound of Thunder". Famed voiceover actor Paul Frees provided narration, while Bradbury himself was responsible for the opening voiceover; Greg Hansen and Roger Hoffman scored the episodes. The series won a Peabody award as well as two Gold Cindy awards. The series has not yet been released on CD but is heavily traded by fans of "old time radio".

Director Jack Arnold first brought Bradbury to movie theaters in 1953 with It Came from Outer Space, a Harry Essex screenplay developed from Bradbury's screen treatment, "The Meteor". Three weeks later, Eugène Lourié's The Beast From 20,000 Fathoms (1953), based on Bradbury's "The Fog Horn," about a sea monster mistaking the sound of a fog horn for the mating cry of a female, was released. Bradbury's close friend Ray Harryhausen produced the stop-motion animation of the creature. (Bradbury would later return the favor by writing a short story, "Tyrannosaurus Rex", about a stop-motion animator who strongly resembled Harryhausen.) Over the next 50 years, more than 35 features, shorts, and TV movies were based on Bradbury's stories or screenplays.

In 1969, The Illustrated Man was brought to the big screen, starring Oscar winner Rod Steiger, Claire Bloom & Robert Drivas. Containing the prologue, and three short stories from the book, the film received mediocre reviews.

Oskar Werner and Julie Christie starred in Fahrenheit 451 (1966), an adaptation of Bradbury's novel by François Truffaut. A new film version of Fahrenheit 451 is being planned by director Frank Darabont. In 2002, Bradbury's own Pandemonium Theatre Company production of Fahrenheit 451 at Burbank's Falcon Theatre combined live acting with projected digital animation by the Pixel Pups. In 1984 Telarium released a video game for Commodore 64 based on Fahrenheit 451.[2] Bradbury and director Charles Rome Smith co-founded Pandemonium in 1964, staging the New York production of The World of Ray Bradbury (1964), adaptations of "The Pedestrian," "The Veldt" and "To the Chicago Abyss."

Five episodes of the USSR science fiction TV series This Fantastic World adapted Ray Bradbury's stories I Sing The Body Electric, Fahrenheit 451, A Piece of Wood, To the Chicago Abyss and Forever and the Earth.[12] And a Soviet adaptation of "The Veldt" was filmed in 1987. [13]

The 1998 film The Wonderful Ice Cream Suit, released by Touchstone Pictures, was written by Ray Bradbury. It was based on his story "The Magic White Suit" originally published in the Saturday Evening Post in 1957. The story had also previously been adapted as a play, a musical, and a 1958 television version.

Honors and awards

2004 National Medal of Arts award recipient Ray Bradbury with President George W. Bush and his wife Laura Bush.

Controversy over Fahrenheit 9/11

In 2004 it was reported that Bradbury was extremely upset with filmmaker Michael Moore for using the title Fahrenheit 9/11, which is an allusion to Bradbury's Fahrenheit 451, for his documentary about the George W. Bush administration. Bradbury expressed displeasure with Moore's use of the title but stated that his resentment was not politically motivated.[19] Bradbury asserts that he does not want any of the money made by the movie, nor does he believe that he deserves it. He pressured Moore to change the name, but to no avail. Moore called Bradbury two weeks before the film's release to apologize, saying that the film's marketing was set in motion a long time ago, and it was too late to change the title. [20]

Documentaries about Ray Bradbury

  • Bradbury's works and approach to writing are documented in Terry Sanders' film Ray Bradbury: Story of a Writer (1963).

Further reading

  • William F. Nolan, The Ray Bradbury Companion: A Life and Career History, Photolog, and Comprehensive Checklist of Writings, Gale Research (1975). Hardcover, 339 pages. ISBN 0-8103-0930-0
  • Donn Albright, Bradbury Bits & Pieces: The Ray Bradbury Bibliography, 1974-88, Starmont House (1990). ISBN 155742151X. Never published but available in manuscript at The Center for Ray Bradbury Studies.
  • Robin Anne Reid, Ray Bradbury: A Critical Companion, Greenwood Press (2000). 133 pages. ISBN 0313309019
  • Jerry Weist, Bradbury, an Illustrated Life: A Journey to Far Metaphor, William Morrow & Company (2002). Hardcover, 208 pages. ISBN 0-06-001182-3
  • Jonathan R. Eller and William F. Touponce, Ray Bradbury: The Life of Fiction, Kent State University Press (2004). Hardcover, 570 pages. ISBN 0-87338-779-1
  • Sam Weller, The Bradbury Chronicles: The Life of Ray Bradbury, HarperCollins (2005). Hardcover, 384 pages. ISBN 0-06-054581-X

References

General references:

  • Tuck, Donald H. (1974). The Encyclopedia of Science Fiction and Fantasy. Chicago: Advent. pp. 61–63. ISBN 0-911682-20-1.

Specific references:

  1. ^ Certificate of Birth, Ray Douglas Bradbury, August 22, 1920, Lake County Clerk's Record #4750. Although he was named after Rae Williams, a cousin on his father's side, Ray Bradbury's birth certificate spells his first name as "Ray."
  2. ^ Their immigrant ancestor was the royally-descended Thomas Bradbury who married Mary Perkins of Ipswich, Massachusetts, who was convicted of witchcraft at the Salem witch trials, but escaped and was not hanged.
  3. ^ Sites from these works which still exist in Waukegan include his boyhood home, his grandparents' home next door (and their connecting lawns where he and his grandfather gathered dandelions to make wine) and, less than a block away, the famous ravine which Bradbury used as a metaphor throughout his career.
  4. ^ In His Words. RayBradbury.com.
  5. ^ [1][dead link]
  6. ^ Books: Grandfather Time (Weekly Alibi . 09-27-99)
  7. ^ Quoted by Kingsley Amis in New Maps of Hell: A Survey of Science Fiction (1960).
  8. ^ Ray Bradbury. "In 1982 he created the interior metaphors for the Spaceship Earth display at Epcot Center, Disney World." http://www.raybradbury.com/bio.html
  9. ^ Ray Bradbury. "The images at Spaceship Earth in DisneyWorld's EPCOT Center in Orlando? Well, they are all Bradbury's ideas." http://www.raybradbury.com/articles_town_talk.html
  10. ^ Ray Bradbury. "He also serves as a consultant, having collaborated, for example, in the design of a pavilion in the Epcot Center at Walt Disney World." Referring to Spaceship Earth ...http://www.raybradbury.com/articles_book_mag.html
  11. ^ Bradbury, Ray, From The Dust Returned: A Novel. William Morrow, 2001.
  12. ^ Template:Ru icon State Fund of Television and Radio Programs
  13. ^ Veld at IMDb Edit this at Wikidata
  14. ^ 2007 Special Awards from the Pulitzer Prize website]
  15. ^ Search Page Top - Academy Awards Database - AMPAS
  16. ^ Icarus Montgolfier Wright at IMDb Edit this at Wikidata
  17. ^ Distinguished Contribution to American Letters Award with his acceptance speech.
  18. ^ Wilson, Stephen M. (2008). "2008 SFPA Grandmaster". The Science Fiction Poetry Association. SFPA. Retrieved 2008-08-03.
  19. ^ Ray Bradbury: "Michael Moore is an asshole"
  20. ^ Weller, Sam (2005). The Bradbury Chronicles: The Life of Ray Bradbury. New York: HarperCollins. pp. 330–331. ISBN 0-06-054581-X.

External links

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