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== Biography ==
== Biography ==
Carmelo Gómez Celada was born on 2 January 1962 in [[Sahagún, Spain|Sahagún]], [[province of León]], and worked the land there as a farmer together with his father until moving to [[Salamanca]], where he joined theatre groups.<ref name="aisge">{{Cite web|url=https://www.aisge.es/imprimir.php?v=carmelo-gomez-premio-en-el-festival-de-gijon&print=ok|website=Aisge|first=Nacho|last=Amenedo|date=11 November 2013|title=Carmelo Gómez, premio “Nacho Martínez” en el Festival de Gijón}}</ref><ref>{{Cite web|url=https://drupal.gijon.es/sites/default/files/2019-04/2013_catalogo_51ed.pdf|title=Premio Nacional de Cinematografía Nacho Martínez|page=16|publisher=[[Gijón International Film Festival|Festival Internacional de Cine de Gijón]] 51|access-date=9 June 2022}}</ref> He graduated from the Madrid's [[RESAD]].<ref>{{Cite web|url=https://elpais.com/diario/1996/10/27/madrid/846415488_850215.html|website=[[El País]]|first=Ritama|last=Muñoz-Rojas|title=La Escuela de Arte Dramático estrena sede por primera vez en sus cien años de existencia|date=27 October 1996}}</ref> He made his feature film debut with a minor role in ''[[Voyage to Nowhere]]'' (1986), followed by another small role in ''[[Bajarse al moro]]'' (1988).{{Sfn|Stone|2007|p=47}}<ref>{{Cite web|url=https://www.diariodeleon.es/articulo/cultura/cinco-leoneses-de-pelicula/201011140500001138550.html|date=14 November 2010|first=Verónica|last=Viñas|title=Cinco leoneses de película}}</ref><ref name="aisge" />
Carmelo Gómez Celada was born on 2 January 1962 in [[Sahagún, Spain|Sahagún]], [[province of León]], and worked the land there as a farmer together with his father until moving to [[Salamanca]], where he joined theatre groups.<ref name="aisge">{{Cite web|url=https://www.aisge.es/imprimir.php?v=carmelo-gomez-premio-en-el-festival-de-gijon&print=ok|website=Aisge|first=Nacho|last=Amenedo|date=11 November 2013|title=Carmelo Gómez, premio "Nacho Martínez" en el Festival de Gijón}}</ref><ref>{{Cite web|url=https://drupal.gijon.es/sites/default/files/2019-04/2013_catalogo_51ed.pdf|title=Premio Nacional de Cinematografía Nacho Martínez|page=16|publisher=[[Gijón International Film Festival|Festival Internacional de Cine de Gijón]] 51|access-date=9 June 2022}}</ref> He graduated from the Madrid's [[RESAD]].<ref>{{Cite web|url=https://elpais.com/diario/1996/10/27/madrid/846415488_850215.html|website=[[El País]]|first=Ritama|last=Muñoz-Rojas|title=La Escuela de Arte Dramático estrena sede por primera vez en sus cien años de existencia|date=27 October 1996}}</ref> He made his feature film debut with a minor role in ''[[Voyage to Nowhere]]'' (1986), followed by another small role in ''[[Bajarse al moro]]'' (1988).{{Sfn|Stone|2007|p=47}}<ref>{{Cite web|url=https://www.diariodeleon.es/articulo/cultura/cinco-leoneses-de-pelicula/201011140500001138550.html|date=14 November 2010|first=Verónica|last=Viñas|title=Cinco leoneses de película}}</ref><ref name="aisge" />


In 2013, at the [[Gijón International Film Festival]], he received the [[Nacho Martinez|Nacho Martinez award]].<ref>{{cite web |title=Gijón International Film Festival |url=https://www.imdb.com/event/ev0000285/2013/1/?ref_=ev_eh |publisher=imdb.com |accessdate=22 August 2018}}</ref>
In 2013, at the [[Gijón International Film Festival]], he received the [[Nacho Martinez|Nacho Martinez award]].<ref>{{cite web |title=Gijón International Film Festival |url=https://www.imdb.com/event/ev0000285/2013/1/?ref_=ev_eh |publisher=imdb.com |accessdate=22 August 2018}}</ref>
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| 2002 || ''[[Carol's Journey|El viaje de Carol]]'' (''Carol's Journey'') || Adrián || || align = "center" | {{Sfn|Caparrós Lera|2005|p=207}}
| 2002 || ''[[Carol's Journey|El viaje de Carol]]'' (''Carol's Journey'') || Adrián || || align = "center" | {{Sfn|Caparrós Lera|2005|p=207}}
|-
|-
| 2002 || ''[[Nos miran]]'' (''They're Watching Us'') || Juan || || align = "center" | <ref>{{Cite web|url=https://variety.com/2002/film/reviews/they-re-watching-us-1200545623/|website=[[Variety (magazine)|Variety]]|date=7 October 2002|title=They’re Watching Us|first=Jonathan|last=Holland}}</ref>
| 2002 || ''[[Nos miran]]'' (''They're Watching Us'') || Juan || || align = "center" | <ref>{{Cite web|url=https://variety.com/2002/film/reviews/they-re-watching-us-1200545623/|website=[[Variety (magazine)|Variety]]|date=7 October 2002|title=They're Watching Us|first=Jonathan|last=Holland}}</ref>
|-
|-
| 2002 || ''[[La playa de los galgos]]'' || Martín || || align = "center" | {{Sfn|Caparrós Lera|2005|p=200}}
| 2002 || ''[[La playa de los galgos]]'' || Martín || || align = "center" | {{Sfn|Caparrós Lera|2005|p=200}}
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| 2007 || ''{{ill|Oviedo Express|es}}'' || Benjamín Olmo || || align = "center" | {{Sfn|Nogueira Otero|2018|p=304}}
| 2007 || ''{{ill|Oviedo Express|es}}'' || Benjamín Olmo || || align = "center" | {{Sfn|Nogueira Otero|2018|p=304}}
|-
|-
| align = "center" | 2015 || ''{{ill|Breathless Time|es|Tiempo sin aire|lt=Tiempo sin aire}}'' (''Breathless Time'') || Iván || || align = "center" | <ref>{{Cite web|url=https://www.hollywoodreporter.com/movies/movie-reviews/breathless-time-tiempo-sin-aire-798295/|website=[[The Hollywood Reporter]]|title=‘Breathless Time’ (‘Tiempo Sin Aire’): Film Review|date=28 May 2015|first=Jonathan|last=Holland}}</ref>
| align = "center" | 2015 || ''{{ill|Breathless Time|es|Tiempo sin aire|lt=Tiempo sin aire}}'' (''Breathless Time'') || Iván || || align = "center" | <ref>{{Cite web|url=https://www.hollywoodreporter.com/movies/movie-reviews/breathless-time-tiempo-sin-aire-798295/|website=[[The Hollywood Reporter]]|title='Breathless Time' ('Tiempo Sin Aire'): Film Review|date=28 May 2015|first=Jonathan|last=Holland}}</ref>
|-
|-
| align = "center" | 2022 || ''[[What Lucía Saw|Llegaron de noche]]'' (''What Lucia Saw'') || {{ill|José María Tojeira|es|lt=Padre Tojeira}} || || align = "center" | <ref>{{Cite web|url=https://www.rtve.es/noticias/20220125/trailer-llegaron-noche-imanol-uribe-jesuitas-salvador/2268223.shtml|website=[[RTVE]]|title=Tráiler de 'Llegaron de noche': Imanol Uribe recrea la masacre de los jesuitas en El Salvador|date=25 January 2022}}</ref>
| align = "center" | 2022 || ''[[What Lucía Saw|Llegaron de noche]]'' (''What Lucia Saw'') || {{ill|José María Tojeira|es|lt=Padre Tojeira}} || || align = "center" | <ref>{{Cite web|url=https://www.rtve.es/noticias/20220125/trailer-llegaron-noche-imanol-uribe-jesuitas-salvador/2268223.shtml|website=[[RTVE]]|title=Tráiler de 'Llegaron de noche': Imanol Uribe recrea la masacre de los jesuitas en El Salvador|date=25 January 2022}}</ref>
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== Bibliography ==
== Bibliography ==
* {{Cite book|title=La Pantalla Popular. El cine español durante el Gobierno de la derecha (1996-2003)|first=José María|last=Caparrós Lera|url=https://books.google.com/books?id=1wJ8Hoa5FDEC&pg=PA76|location=Tres Cantos|publisher=[[Ediciones Akal]]|year=2005|isbn=978-84-460-2414-9}}
* {{Cite book|title=La Pantalla Popular. El cine español durante el Gobierno de la derecha (1996-2003)|first=José María|last=Caparrós Lera|url=https://books.google.com/books?id=1wJ8Hoa5FDEC&pg=PA76|location=Tres Cantos|publisher=[[Ediciones Akal]]|year=2005|isbn=978-84-460-2414-9}}
* {{Cite journal|last=Davies|first=Ann|year=2009|title=Criminality and the left in Spanish retro noir films|journal=Journal of Iberian and Latin American Studies|volume=15|issue=1|pages=15–28|doi=10.1080/14701840903160085|publisher=[[Routledge]]}}
* {{Cite journal|last=Davies|first=Ann|year=2009|title=Criminality and the left in Spanish retro noir films|journal=Journal of Iberian and Latin American Studies|volume=15|issue=1|pages=15–28|doi=10.1080/14701840903160085|publisher=[[Routledge]]|s2cid=161930513 }}
* {{Cite journal|last=Durán Manso|first=Valeriano|publisher=[[Complutense University of Madrid|Ediciones Complutense]]|year=2019|url=https://revistas.ucm.es/index.php/ARAB/article/view/60729/4564456549320|journal=Área Abierta|issn=2530-7592|doi=10.5209/ARAB.60729|location=Madrid|title=Nostalgia y melodrama en el cine de José Luis Garci (1982-1996)}}
* {{Cite journal|last=Durán Manso|first=Valeriano|publisher=[[Complutense University of Madrid|Ediciones Complutense]]|year=2019|url=https://revistas.ucm.es/index.php/ARAB/article/view/60729/4564456549320|journal=Área Abierta|issn=2530-7592|doi=10.5209/ARAB.60729|location=Madrid|title=Nostalgia y melodrama en el cine de José Luis Garci (1982-1996)|s2cid=239586522 }}
* {{Cite journal|location=Madrid|publisher=[[Consejo Superior de Investigaciones Científicas]]|title=El cine de Pilar Miró. Homenaje y puente hacia la literatura|first=Concepción|last=Fernández Soto|first2=Francisco|last2=Checa y Olmos|trans-title=Pilar Miró's Films. A Tribute and Link to Literature|doi=10.3989/arbor.2010.741n1008|journal=Arbor|volume=CLXXXVI|issue=741|year=2010|pages=79–88|issn=0210-1963}}
* {{Cite journal|location=Madrid|publisher=[[Consejo Superior de Investigaciones Científicas]]|title=El cine de Pilar Miró. Homenaje y puente hacia la literatura|first1=Concepción|last1=Fernández Soto|first2=Francisco|last2=Checa y Olmos|trans-title=Pilar Miró's Films. A Tribute and Link to Literature|doi=10.3989/arbor.2010.741n1008|journal=Arbor|volume=CLXXXVI|issue=741|year=2010|pages=79–88|issn=0210-1963}}
* {{Cite book|location=Jefferson, NC|publisher=[[McFarland & Company, Inc., Publishers]]|title=Rape-Revenge Films: A Critical Study|first=Alexandra|last=Heller-Nicholas|edition=2nd|year=2021|isbn=978-1-4766-8649-3|url=https://books.google.es/books?id=WUooEAAAQBAJ&pg=PA142}}
* {{Cite book|location=Jefferson, NC|publisher=[[McFarland & Company, Inc., Publishers]]|title=Rape-Revenge Films: A Critical Study|first=Alexandra|last=Heller-Nicholas|edition=2nd|year=2021|isbn=978-1-4766-8649-3|url=https://books.google.com/books?id=WUooEAAAQBAJ&pg=PA142}}
* {{Cite book|url=https://books.google.es/books?id=pgj8TonlszwC&pg=PA97|title=Contemporary Spanish Cinema|first=Barry|last=Jordan|first2=Rikki|last2=Morgan-Tamosunas|publisher=[[Manchester University Press]]|location=Manchester and New York|year=1998|isbn=}}
* {{Cite book|url=https://books.google.com/books?id=pgj8TonlszwC&pg=PA97|title=Contemporary Spanish Cinema|first1=Barry|last1=Jordan|first2=Rikki|last2=Morgan-Tamosunas|publisher=[[Manchester University Press]]|location=Manchester and New York|year=1998|isbn=9780719044137}}
* {{Cite book|first=Santiago|last=Juan-Navarro|chapter=''Tierra'' (''Earth'') (1996)|page=370–371|title=The Encyclopedia of Contemporary Spanish Films|editor-first=Salvador|editor-last=Jimenez Murguía|editor-first2=Alex|editor-last2=Pinar|publisher=[[Rowman & Littlefield]]|isbn=9781442271333|year=2018}}
* {{Cite book|first=Santiago|last=Juan-Navarro|chapter=''Tierra'' (''Earth'') (1996)|page=370–371|title=The Encyclopedia of Contemporary Spanish Films|editor-first=Salvador|editor-last=Jimenez Murguía|editor-first2=Alex|editor-last2=Pinar|publisher=[[Rowman & Littlefield]]|isbn=9781442271333|year=2018}}
* {{Cite journal|title=Oviedo Express, de Gonzalo Suárez: el género degenerado (una vez más)|first=Xosé|last=Nogueira Otero|issue=17|year=2018|journal=Quintana|doi=10.15304/qui.17.5181|location=Santiago de Compostela|publisher=[[University of Santiago de Compostela|Universidade de Santiago de Compostela]]|url=https://revistas.usc.gal/index.php/quintana/article/view/5181}}
* {{Cite journal|title=Oviedo Express, de Gonzalo Suárez: el género degenerado (una vez más)|first=Xosé|last=Nogueira Otero|issue=17|year=2018|journal=Quintana|doi=10.15304/qui.17.5181|location=Santiago de Compostela|publisher=[[University of Santiago de Compostela|Universidade de Santiago de Compostela]]|s2cid=182719246 |url=https://revistas.usc.gal/index.php/quintana/article/view/5181}}
* {{Cite book|url=https://books.google.es/books?id=5gUWAqpUPK0C&pg=PA99|page=98–99|title=Stars and Masculinities in Spanish Cinema: From Banderas to Bardem|first=Chris|last=Perriam|publisher=[[Oxford University Press]]|year=2003|isbn=0-19-815996-X}}
* {{Cite book|url=https://books.google.com/books?id=5gUWAqpUPK0C&pg=PA99|page=98–99|title=Stars and Masculinities in Spanish Cinema: From Banderas to Bardem|first=Chris|last=Perriam|publisher=[[Oxford University Press]]|year=2003|isbn=0-19-815996-X}}
* {{Cite book|url=https://books.google.es/books?id=3qVOP086WJUC&pg=PA214&lpg=PA214|page=214|title=Spanish and Latin American Filmmakers: Julio Medem|first=Rob|last=Stone|publisher=[[Manchester University Press]]|location=Manchester and New York|year=2007|isbn=978-0-7190-7200-0}}
* {{Cite book|url=https://books.google.com/books?id=3qVOP086WJUC&pg=PA214|page=214|title=Spanish and Latin American Filmmakers: Julio Medem|first=Rob|last=Stone|publisher=[[Manchester University Press]]|location=Manchester and New York|year=2007|isbn=978-0-7190-7200-0}}
* {{Cite book|chapter-url=https://www.academia.edu/1124439/Whittaker_Tom_La_noche_de_los_girasoles_Night_of_the_Sunflowers_palimpsests_of_genre_palimpsests_of_violence_in_Delgado_M_and_R_Fiddian_eds_Spanish_Cinema_1973_2010_Politics_Landscape_and_Memory_Manchester_University_of_Manchester_Press_2013|first=Tom|last=Whittaker|chapter=La noche de los girasoles/Night of the Sunflowers (Jorge Sánchez-Cabezudo, 2006): palimpsests of genre, palimpsests of violence|title=Spanish cinema 1973-2010. Auteurism, politics, landscape and memory|editor-first=Maria M.|editor-last=Delgado|editor-first2=Robbin|year=2013|editor-last2=Fiddian|pages=158–159|publisher=[[Manchester University Press]]|isbn=978-0-7190-9658-7}}
* {{Cite book|chapter-url=https://www.academia.edu/1124439|first=Tom|last=Whittaker|chapter=La noche de los girasoles/Night of the Sunflowers (Jorge Sánchez-Cabezudo, 2006): palimpsests of genre, palimpsests of violence|title=Spanish cinema 1973-2010. Auteurism, politics, landscape and memory|editor-first=Maria M.|editor-last=Delgado|editor-first2=Robbin|year=2013|editor-last2=Fiddian|pages=158–159|publisher=[[Manchester University Press]]|isbn=978-0-7190-9658-7}}


== External links ==
== External links ==

Revision as of 18:21, 21 June 2022

Carmelo Gómez
Born
Carmelo Gómez Celada

(1962-01-02) 2 January 1962 (age 62)
Sahagún, Spain
OccupationActor

Carmelo Gómez Celada (born 2 January 1962) is a Spanish actor. He is the recipient of two Goya Awards, for best supporting actor in The Method and best leading actor in Running Out of Time. A very popular actor in 1990s Spanish cinema, working under the likes of Julio Medem, Pilar Miró and Imanol Uribe, he is a recurring co-star of Emma Suárez.[1]

Biography

Carmelo Gómez Celada was born on 2 January 1962 in Sahagún, province of León, and worked the land there as a farmer together with his father until moving to Salamanca, where he joined theatre groups.[2][3] He graduated from the Madrid's RESAD.[4] He made his feature film debut with a minor role in Voyage to Nowhere (1986), followed by another small role in Bajarse al moro (1988).[5][6][2]

In 2013, at the Gijón International Film Festival, he received the Nacho Martinez award.[7]

Filmography

Film

Year Film Role Notes Ref.
1986 El viaje a ninguna parte (Voyage to Nowhere) [5]
1988 Bajarse al moro [5]
1991 Vacas Manuel / Ignacio / Peru Irigibel [8]
1992 Después del sueño Amós [9]
1993 La ardilla roja (The Red Squirrel) Félix [10]
1994 Canción de cuna (Cradle Song) Pablo [11]
1994 Días contados (Running Out of Time) Antonio [12]
1994 El detective y la muerte (The Death and the Detective) The Dark Man [13]
1995 Entre rojas
1996 Tierra (Earth) Ángel [14]
1996 Tu nombre envenena mis sueños (Your Name Poisons My Dreams) Ángel Barciela [15]
1996 El perro del hortelano (The Dog in the Manger) Teodoro [16]
1997 Territorio comanche (Comanche Territory) José [17]
1997 Secretos del corazón (Secrets of the Heart) Tío [18]
1998 Mararía Fermín [19]
1999 Entre las piernas (Between Your Legs) Félix [20]
1999 Extraños Goyo Lamarca [21]
2000 El portero (The Goalkeeper) Ramiro Forteza [22]
2000 La gran vida (Living It Up) Martín [23]
2002 El viaje de Carol (Carol's Journey) Adrián [24]
2002 Nos miran (They're Watching Us) Juan [25]
2002 La playa de los galgos Martín [26]
2004 Hay motivo
2006 La noche de los girasoles (The Night of the Sunflowers) Esteban [27]
2007 Oviedo Express Benjamín Olmo [28]
2015 Tiempo sin aire (Breathless Time) Iván [29]
2022 Llegaron de noche (What Lucia Saw) Padre Tojeira [es] [30]

Television

Stage

  • La cena (2004–2005).
  • Elling (2012).

References

  1. ^ Heredia, Sara (26 March 2021). "Qué fue de Carmelo Gómez: el actor de moda de los 90 que fue vetado y dejó el cine". Sensacine.
  2. ^ a b Amenedo, Nacho (11 November 2013). "Carmelo Gómez, premio "Nacho Martínez" en el Festival de Gijón". Aisge.
  3. ^ "Premio Nacional de Cinematografía Nacho Martínez" (PDF). Festival Internacional de Cine de Gijón 51. p. 16. Retrieved 9 June 2022.
  4. ^ Muñoz-Rojas, Ritama (27 October 1996). "La Escuela de Arte Dramático estrena sede por primera vez en sus cien años de existencia". El País.
  5. ^ a b c Stone 2007, p. 47.
  6. ^ Viñas, Verónica (14 November 2010). "Cinco leoneses de película".
  7. ^ "Gijón International Film Festival". imdb.com. Retrieved 22 August 2018.
  8. ^ Stone 2007, p. 214.
  9. ^ "'Después del sueño', de Mario Camus, en 'Historia de nuestro cine'". Diez Minutos. 8 November 2019.
  10. ^ Stone 2007, p. 215.
  11. ^ Durán Manso 2019, pp. 117–118.
  12. ^ Jordan & Morgan-Tamosunas 1998, p. 97.
  13. ^ Perriam 2003, pp. 98–99.
  14. ^ Juan-Navarro 2018, pp. 370–371.
  15. ^ Davies 2009, p. 19; Fernández Soto & Checa y Olmos 2010, p. 85
  16. ^ Caparrós Lera 2005, p. 75.
  17. ^ Perriam 2003, pp. 34.
  18. ^ Caparrós Lera 2005, pp. 88–89.
  19. ^ Perriam 2003, pp. 86–87.
  20. ^ Perriam 2003, p. 113.
  21. ^ Perriam 2003, p. 83.
  22. ^ Caparrós Lera 2005, p. 152.
  23. ^ "La buena vida". Fotogramas. 29 May 2008.
  24. ^ Caparrós Lera 2005, p. 207.
  25. ^ Holland, Jonathan (7 October 2002). "They're Watching Us". Variety.
  26. ^ Caparrós Lera 2005, p. 200.
  27. ^ Whittaker 2013, p. 158; Heller-Nicholas 2021, p. 142.
  28. ^ Nogueira Otero 2018, p. 304.
  29. ^ Holland, Jonathan (28 May 2015). "'Breathless Time' ('Tiempo Sin Aire'): Film Review". The Hollywood Reporter.
  30. ^ "Tráiler de 'Llegaron de noche': Imanol Uribe recrea la masacre de los jesuitas en El Salvador". RTVE. 25 January 2022.

Bibliography

External links