life and work
Masson studied at the age of 14 at the Art Academy in Brussels , where he lived from 1904, and continued his studies in Paris at the École Nationale Supérieure des Beaux-Arts with Paul Baudoin . When the First World War broke out , he signed up as a volunteer, which resulted in a serious injury to him in 1917.
Initially, Masson was influenced by Cubism . At the beginning of the 1920s he had a studio on rue Blomet in Paris; his neighbor, with whom he became friends, was Joan Miró . In 1924 he joined the surrealists around André Breton , but soon left the group again when the members were increasingly divided and quarreled. A lifelong friendship linked him to the ethnologist and writer Michel Leiris , who also belonged to the Surrealists. In 1928 Masson illustrated the erotic novel Le Con d'Irène (German: Irènes Möse ) published by Louis Aragon under the pseudonym Albert de Routisie with 150 etchings .
Masson was also a close friend of Georges Bataille , who gathered the “dissident” Surrealists around him in the early 1930s. Masson was instrumental at the called Bataille launched magazine Acéphale with, the one of the fakes Elisabeth Förster-Nietzsche adjusted Nietzsche advocated -Lektüre; he was also active at the Collège de Sociologie . In 1938 he exhibited works in Paris, together with domestic and foreign artist colleagues, as part of the Exposition Internationale du Surréalisme in the Galerie Beaux-Arts.
At the beginning of the Second World War , Masson lived in Spain, then emigrated to the United States during the advance of the Germans in 1942 (at times he also lived in Martinique ) and returned to France in 1945.
There is a constant existential unrest in Masson's works, which reflects the two world wars and crises of his time. His work, which is constantly changing stylistically, radiates inventiveness and great creative power. During his time with the Surrealists in Paris in the 1920s and 1930s, Masson developed a lyrical, spontaneous, abstract style of painting (psychic automatism / écriture automatique ). Masson was one of the first painters to consciously seek access to the irrational, the unconscious. One of these works is the Vingt-deux dessins sur le thème du désir (Twenty-two drawings on the subject of desire), which were created in a very short time.
In addition to numerous paintings - for which he occasionally also used unusual materials such as clay or sand - he also created sculptures, stage sets and book illustrations. Masson made a ceiling painting for the Théatre Odéon in Paris.
In 1977 he was elected an honorary member of the American Academy of Arts and Letters .
- La métamorphose , (1938), oil on canvas
- The poet Kleist , (1939), oil on canvas
- Gradiva , (1939), oil on canvas, Musée National d'Art Moderne , Center Pompidou , Paris
- Femme tourmentée , (1942), bronze sculpture, work of art in public space, Old Port , Montreal
- La Pythie (Pythia) , (1943), 30.5 x 106.5 cm; Musée National d'Art Moderne, Center Pompidou, Paris
- Arbre-femme (Femme luminaire) , (1973), bronze, patinated dark brown, mirror glass, light bulb, in: A forest of sculptures - Simon Spierer Collection , Hessisches Landesmuseum Darmstadt
- Barbara Sietz (Ed.): André Masson. Collected Writings Volume II (Batteries Volume 70). Berlin, Matthes & Seitz publishing house (Klewan collection) 2005. 280 pp. ISBN 3-88221-297-7 (first collected copy of Masson's main writings).
- Ina Busch, Simon Spierer, Ina Boike, Lutz Fichtner, Valentina Anker, Ernst Wegener, Wolfgang Fuhrmannek: A forest of sculptures. Simon Spierer Collection . Hatje Cantz Verlag 2005, catalog for the exhibition in the Hessisches Landesmuseum Darmstadt. ISBN 3-7757-1609-2
- Jürgen Claus : André Masson , in: Jürgen Claus: Theories of contemporary painting . Rowohlt, Reinbek 1963
- Kai Buchholz, Klaus Wolbert, ed .: André Masson. Images from the labyrinth of the soul. Frankfurt 2003
- Martin Ries: André Masson: Surrealism and His Discontents , Art Journal, NY, vol. 61, no.4, winter 2002
- Christian Debize: André Masson, a German way? In: Germany - France. Dialogues of Art in the 20th Century. Edited by Beate Reifenscheid. Koblenz 1999 ISBN 3933040345 pp. 58-64
- Literature by and about André Masson in the catalog of the German National Library
- Painting by Masson
- Masson at the Tate Gallery (English)
- Kurzbiografie (English)
- Materials by and about André Masson in the documenta archive
- cf. Stephan Moebius : The sorcerer's apprentices. Sociological history of the Collège de Sociologie 1937-1939. Constance: UVK, 2006. ISBN 3-89669-532-0
- Honorary Members: André Masson. American Academy of Arts and Letters, accessed March 15, 2019 .
|BRIEF DESCRIPTION||French painter, printmaker and sculptor|
|DATE OF BIRTH||4th January 1896|
|PLACE OF BIRTH||Balagny-sur-Thérain , Oise department|
|DATE OF DEATH||October 28, 1987|
|Place of death||Paris|