Carl Beines

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Carl Beines (born December 15, 1869 in Rheydt , † October 8, 1950 in Bad Wörishofen ) was a German conductor , music teacher and composer .

Life

Beines took violin lessons from the age of seven and went on a concert tour through Belgium and Holland at the age of 13. From 1883 to 1889 he studied at the Cologne Conservatory with Franz Wüllner . From 1884 to 1894 he worked as first violinist in the Gürzenich Orchestra and conducted choral societies. From 1894 to 1909 he worked as a conductor and singing teacher in Baden-Baden , Karlsruhe and Freiburg im Breisgau , and with Richard Strauss and Felix Weingartner he directed music festivals in Karlsruhe (1905), Baden-Baden (1906) and Freiburg (1910). In 1909 he moved to Freiburg, where he took over the management of the Oratorio Society and, from 1911, the Concordia. Here he also worked again as a singing teacher. From 1915 to 1917 he worked as a singing teacher, first in Berlin-Schöneberg, then from 1917 to 1923 in Munich. From 1923 lecturer at the Landestheater Darmstadt , from October 1926 to around 1944 singing master (teacher for voice training and higher art singing) at the local academy for music . After the war he lived in Bad Wörishofen.

Beines method (1933)

Richard Tauber , Herbert Ernst Groh , Josef Herrmann and Joachim Sattler were among his students .

He composed songs for voice with piano accompaniment, male choirs, choral works with orchestra, orchestral pieces and the operetta Die Gemsjagd , which was premiered in Barmen in 1909 .

Carl Beines was married and had three daughters.

Works

  • We sat together. Song for a voice and pianoforte.
  • Come over! "My trembling heart". Song for a voice and pianoforte
  • With love "How do I love you". Song for a voice and pianoforte
  • Spring came. Song for a voice and pianoforte
  • The drinker's delight on the Rhine. song
  • The chamois hunt. Operetta. A "Krax'l-Schwank" in 3 acts by Emil Tschirch and Carl Weisenberg. Music by Carl Beines. Op. 90. Bote & Bock, Berlin 1909. Premiere November 28, 1909; Barmen, city theater.

Fonts

  • The right and wrong singing tone: a teaching of singing, based on the basic laws of true art and its technique, and solving the problem of singing on the basis of the principle of totality (the union of physical and mental functions) . Arnold, Darmstadt 1923.

Web links

Individual evidence

  1. Erich H. Müller: German Musicians Lexicon, Dresden 1929 and Hesse's musicians calendar 1943
  2. Beines, Carl… on composers-classical-music.com