Christopher Paudiß

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Self-Portrait
Loth and his daughters (around 1649, Budapest Picture Gallery )

Christoph Paudiß (* 1630 in Lower Saxony , † 1666 in Freising , Bavaria) was a Bavarian painter of the Baroque and early age a pupil of Rembrandt in Amsterdam, which led to the nickname "Bavarian Rembrandt".

Life

After many posts, for example in Stuttgart (1656), Prague, Dresden (1659–1660), Vienna and Salzburg, he became court painter to Prince-Bishop Albrecht Sigmund von Freising for the last four years of his life . He was married twice.

He had to contend with economic difficulties throughout his life. He died shortly after the Prince-Bishop withdrew his funding on the occasion of an artist competition (lost by Paudiß). His house, inhabited between 1664 and 1666, was in Heiliggeistgasse, between the Heiliggeistspital and the former St. Georg boys' school; the house no longer exists. The previous name at this point was "Im Barthof", now " Christopher-Paudiß-Platz ".

plant

He painted still lifes, portraits, animal pictures, history pictures and, above all, large pictures of poor people in the country. His paintings and frescoes often depict gloomy everyday motifs; He rarely painted portraits, however. In doing so, he was guided by the art of Rembrandt. The Freising Diocesan Museum has the largest collection of his paintings (15, five of which are on loan ). In 2007 the exhibition Christopher Paudiß - Der Bavarian Rembrandt? instead of.

list

(Selection)

  • Portrait of a young man in a fur hat , around 1660 ( Hermitage St. Petersburg since at least 1859)
  • Portrait of a Man, private collection , around 1661 (Budapest)
  • The old farmer with the calf and the butcher , 1662 ( Diözesanmuseum Freising )
  • Freezing children
  • The marauder
  • Self-Portrait
  • Portrait of a heather in a high cap . Oil on canvas, 59 × 51.5 cm ( Gemäldegalerie Alte Meister Dresden, cat. 1930, no. 1995, the picture was the focus of a looted art negotiation in 2001)
  • Old farmer with shouldered calf, young woman and billy goat , around 1663/1664, canvas 170 × 234 cm, signed lower left "Christofher Paudiß", Alte Pinakothek Munich, inv. 15168 (issued)
  • Kitchen still life , 55 cm × 69.5 cm
  • Kitchen table with pipe, herrings and beer
  • Expulsion of the merchants from the temple , 1665, formerly high altar picture of the Benediktuskirche Freising (Diözesanmuseum Freising)
  • Coming home from the market
  • St. Jerome , 1656/58
  • The torture of St. Thimeo , formerly an altarpiece from the Salzburg Cathedral (Kunsthistorisches Museum Vienna)
  • Loth and his daughters , 1649

literature

Web links

Commons : Christoph Paudiss  - Collection of images, videos and audio files

Individual evidence

  1. Alternative spellings: Christofher or Christopher
  2. Alternative spellings: Pautitz , Paudiss or Bauditz (Kurt Malisch: Pauditz (Paudiss, Bauditz), Christoph. In: Karl Bosl (Hrsg.): Bosls bayerische Biographie. Pustet, Regensburg 1983, ISBN 3-7917-0792-2 , p 574 f. ( Digitized version.), And Christopher Paudiß (Diözesanmuseum Freising) [1] ; other alternative spellings of names: Pauditz, Christoph; Bauditz, Christoph; Paudiz, Christoph; Paudisch, Christoph; Pudiß, Christoph; Baudies, Christoph; Paudiss, Christian based on www.deutsche-biographie.de . Paudiss, Christoph. Accessed May 11, 2014.
  3. Birth and death dates are not saved, they vary
  4. See the title of the exhibition catalog Peter Steiner (Ed.) Christopher Paudiß 1630–1666. The Bavarian Rembrandt? , Schnell and Steiner, Regensburg 2007, ISBN 978-3-7954-1994-3 .
  5. Peter B. Steiner: Christopher Paudiß. About Freising's most important painters , April 1, 2012, in: www.fink-magazin.de .
  6. quoted from Peter B. Steiner: Christopher Paudiß. About Freising's most important painters , April 1, 2012, in: www.fink-magazin.de .
  7. Return of the portrait of a Heiducken in a high cap to www.heiducken.de (Julia Heiduck) 2001
  8. ^ Publisher's text .