The Hesselbach company

from Wikipedia, the free encyclopedia
Television series
Original title The Hesselbach company
Country of production Germany
original language German
Year (s) 1960-1967
Episodes 51 in 3 seasons
genre Family series
Theme music Willy Czernik
First broadcast January 22nd, 1960 on German television
occupation

The Hesselbach company is a German family series from 1960. It is based on the figures of the Hesselbach family. The directors were Wolf Schmidt and Harald Schäfer . Lia Wöhr was the producer of the series .

content

The series is about the everyday trivialities of the Hesselbach family and thus traces the petty-bourgeois milieu of the still young Federal Republic. Karl "Babba" Hesselbach ( Wolf Schmidt ) is the owner of a small printing house, publisher of the weekly newspaper Weltschau am Sonntag and is married to Mamma Hesselbach ( Liesel Christ ). The scenery takes place somewhere in Hessian , only in the last season the location of the action is placed in the fictional town of Steintal.

In the first season, the focus is on daily work in the publishing house. Interpersonal events in the company mainly form the basis of actions. But also specific problems of the economic miracle are addressed (e.g. raw material scarcity and labor shortage). Towards the end of the first season, the children of the Hesselbach family, Heidi ( Rose-Marie Kirstein ) and Peter ( Dieter Henkel ), come back from boarding school and join the family business.

This lays the foundation for the second season: the family comes to the fore and the actions shift more towards family events (love, marriage and birth). This season also includes the only two episodes that are played abroad. A vacation trip takes the Hesselbachs to Cannes and later Mr. Hesselbach to a congress in Tokyo . The episode The Tokyo Congress is the only episode that was actually partially filmed abroad.

At the beginning of 1963, the series was first criticized, which after three years of Hesselbach episodes on television and before nine years on radio, were due to the viewer's fatigue. Wolf Schmidt reacted by bringing the series to a temporary end with episode 42, with Mr. Hesselbach retiring and handing over the management of the publishing house to his authorized signatory and son-in-law Fred Lindner ( Joachim Engel-Denis ).

At the end of 1966, the Hesselbachs returned to the screen with a more modern concept. The actions were based now more on the person Karl Hesselbach, which is also from the titles Mr. Hesselbach and ... be seen. The episodes of the third and final season mainly deal with local political episodes in which Mr. Hesselbach acts as a city councilor in Steintal. Here, too, current social issues were dealt with and an attempt was made to increasingly address young viewers. This was only partially successful. In the summer of 1967, the Hessischer Rundfunk stopped the series, although Wolf Schmidt had already written other episodes.

background

1960 to 1961 the television series was shown on ARD . It was here that the Frankfurt folk actress Liesel Christ had her first appearance as Mamma Hesselbach. The series made the New Hessian Regiolekt known throughout Germany. The lowest viewing participation for the first season was 63 percent and the highest was 94 percent, making the series one of the early street sweeps . However, at that time there was only one television program in the Federal Republic .

From the end of 1961, the second season went on air under the title Die Familie Hesselbach . The change from company to family was also discussed by Babba Hesselbach at the end of the episode Das Zimmer . Turning to the camera, he realizes that in the future it will have to be more about the family than the company and uses trick technology to change the series title with his own hand. In the credits, the Hesselbach employees tell the audience what that will mean for their roles. The viewing participation of the second season was between 70 and 84 percent this time. Even the start of ZDF broadcasting on April 1, 1963, could hardly lower the ratings .

The last season was broadcast from 1966 to 1967 (title: Mr. Hesselbach and ... ). This is where the competition from ZDF made itself felt: the viewing participation was between 29 and 67 percent. The final episode ran on June 7, 1967.

The signature melody, the so-called Hesselbach polka, was composed by Willy Czernik . There was an individual variant for each episode.

Episodes

First broadcast in brackets

The Hesselbach company

  • 01. the document (January 22, 1960)
  • 02. The Techtelmechtel (February 5, 1960)
  • 03. the criminal case (February 19, 1960)
  • 04. The specialist (March 18, 1960)
  • 05. The big customer (April 11, 1960)
  • 06.Sabotage (May 13, 1960)
  • 07. the breakdown (June 10, 1960)
  • 08. Black Friday (July 15, 1960)
  • 09. The rumor from the service (August 19, 1960)
  • 10. The raise (September 23, 1960)
  • 11. The company outing (October 14, 1960)
  • 12. A Minister Comes (November 25, 1960)
  • 13. A Certain Conscience (December 23, 1960)
  • 14. The extension (January 20, 1961)
  • 15. More women in politics !? (February 17, 1961)
  • 16. The Tüchelchen (March 17, 1961)
  • 17. The family business (April 14, 1961)
  • 18. The Piggy Bank (May 17, 1961)
  • 19. Modernization (June 23, 1961)
  • 20. The Thunderstorm (July 21, 1961)
  • 21. Secret Items (August 11, 1961)
  • 22. The Dirt Edge (September 15, 1961)
  • 23. The Roaring Deer (October 13, 1961)
  • 24. The Room (November 17, 1961)

The Hesselbach family

  • 25. Simulators (December 15, 1961)
  • 26. The Inheritance (January 12, 1962)
  • 27. Telefonitis (February 16, 1962)
  • 28. The Festival Performance (March 16, 1962)
  • 29. Allergia maritalis (April 13, 1962)
  • 30. The Wedding (May 11, 1962)
  • 31. The Thief (June 22, 1962)
  • 32. The Party (July 13, 1962)
  • 33. The Vacation (August 10, 1962)
  • 34. The Jubilee (September 21, 1962)
  • 35. Remote Massage (October 19, 1962)
  • 36. The Fortune Teller (November 16, 1962)
  • 37. The stroller (December 14, 1962)
  • 38. The Blackmail (January 11, 1963)
  • 39. The Regards (February 15, 1963)
  • 40. The Alumni (March 15, 1963)
  • 41st Tokyo Congress (April 24, 1963)
  • 42. Valuables (May 29, 1963)

Mr. Hesselbach and ...

  • 43. Mr. Hesselbach and the Film (October 19, 1966)
  • 44. Mr. Hesselbach and the Enemy (November 23, 1966)
  • 45. Mr. Hesselbach and the ward (December 29, 1966)
  • 46. ​​The Count of Hesselbach (January 25, 1967)
  • 47. Mr. Hesselbach and Art (February 22, 1967)
  • 48. Mr. Hesselbach and the Jewel (March 22, 1967)
  • 49. Mr. Hesselbach and the Greyhound (April 19, 1967)
  • 50. Mr. Hesselbach and the Festival (May 17, 1967)
  • 51. Mr. Hesselbach and the Ball (June 7, 1967)

Literature & DVDs

  • DVD collections by the Hesselbach company, the Hesselbach family and Mr. Hesselbach. hrMedia
  • Harald Schäfer: The Hesselbachs. Memories of a successful family series from the early days of television. Frankfurt / Main: Fischer. 1996. ISBN 3-89501-394-3

Web links