Eroticism on the school desk

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Movie
Original title Eroticism on the school desk
Country of production Federal Republic of Germany
original language German
Publishing year 1968
length 94 minutes
Age rating FSK 18
Rod
Director Hannes Dahlberg
Roger Fritz
Eckhart Schmidt
script Hannes Dahlberg
production Artur Brauner
music Wolf Hartmayer
camera Michael Marszalek
Hubertus Hagen
Gernot Roll
Niklaus Schilling
cut Hertha Abicht
occupation

Erotik auf der Schulbank is a German feature film in three episodes from 1968. Directed by Hannes Dahlberg , Roger Fritz and Eckhart Schmidt . The main roles were cast with Helga Anders , Ewa Strömberg and Ortrud Gross . The script is by Hannes Dahlberg. In the Federal Republic of Germany, the film was released for the first time on August 2, 1968.

action

In three episodes events are described that actually happened in the years before the film was made:

First case: Monika (Director: Hannes Dahlberg)

A young teacher has a relationship with a 17-year-old student. When the girl is expecting a child from him, the teacher faces jail according to relevant judgments, although he loves his student and wants to get married. The girl's mother is still fingering a good match for her daughter; the young teacher reports himself.

Second case: Sybille (Director: Roger Fritz)

A 15-year-old, out of reputation addiction, invents a relationship with her bachelor director, provides her friends with cleverly constructed evidence and ultimately leads him to suspect that he has molested her. The man commits suicide.

Third case: Fantasy (Director: Eckhart Schmidt)

Case three tells of the day and night dreams of a 13-year-old student who falls in love with his pretty teacher, but sees her fiancé as a rival, injures him with a shot and is then only painstakingly brought back to reality.

criticism

The lexicon of international film draws the following conclusion: “The film that (according to the distribution advertisement)“ boldly tackles a problem that one hears and reads about again and again ”flirts with this problem at best without wresting too profound knowledge from it. Three young directors of the “New German Film” are trying to thread their way into the fashionable “Enlightenment” trend of the late 1960s. ”The Protestant film observer has a slightly better opinion of the film:“ In three scenes shot according to facts, the film tries To show the precociousness and sexuality of youth without getting to the bottom of the resulting problems. Unimportant in terms of film, poking around in problems with no correct answers is perhaps even better than keeping them silent. Possible for adults as a basis for discussion. "

Web links

Individual evidence

  1. a b Source: Evangelischer Filmbeobachter , Evangelischer Presseverband München, Review No. 31/1966, pp. 389–390
  2. rororo-Taschenbuch No. 6322 (1988), p. 897