Igino Benvenuto Supino

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Igino Benvenuto Supino (born September 29, 1858 in Pisa , † July 4, 1940 in Bologna ) was an Italian painter and art historian .

Live and act

Igino grew up in the house of his wealthy Jewish father, the art lover and coin collector Moisè Supino (1812–1878). After attending school he stayed in Pisa and apprenticed to the history painter Alessandro Lanfredini (1826–1900). In 1883 he moved to Antonio Ciseri at the Florentine Accademia . In Florence he met the Macchiaioli Giovanni Fattori and Telemaco Signorini who appreciated his first essays. On Symbolism interested, he became friends with Vittorio Corcos on. In Florence he took part in exhibitions from 1885 to 1889.

Igino Supino turned to the study of art history; has attended lectures from Pasquale Villari and Alessandro D'Ancona at the Istituto di Studi Superiori di Firenze since 1886 . From then on he preferred the positivistic art historiography over the painting profession. From 1888 to 1889 he wrote in Rome , inspired by the art historian Adolfo Venturi (1856–1941), contributions a. a. for the satirical paper Don Chisciotte (published 1887–1899).

In 1889 he returned to his hometown as the state Ispettore agli Scavi e Monumenti della Provincia di Pisa and devoted himself to the study and care of the works of art of the Middle Ages and the Renaissance. For this purpose, he was commissioned by the city of Pisa as Conservatore della Pinacoteca Civica in 1892 with the reorganization of the municipal museum that he was able to open in 1893. In the meantime he published numerous art historical works, for example on Giovanni Pisano , Tino di Camaino and Giovanni Bologna .

In 1896 he moved with his family to Florence and took over the management of the Museo nazionale del Bargello . In 1904 he became director of this museum. In November 1906 he followed a call as professor of aesthetics and art history at the University of Bologna . In 1933 he retired, but worked for another five years at his alma mater at the art history institute that he had once co-founded. In 1938 he was denied entry according to the then applicable racial laws . In the last two years of his life, for example, he wrote another volume on art in the churches of Bologna in his house in Via Dante Alighieri in Bologna. The latter work remained unfinished.

Fonts (selection)

  • Il Camposanto di Pisa . Fratelli Alinari, Florence 1896 (Italian, archive.org ).
  • Beato Angelico . Fratelli Alinari, Florence 1898 (French, archive.org ).
  • Il medagliere mediceo nel R. Museo nazionale di Firenze (secoli XV – XVI) . Fratelli Alinari, Florence 1899 (Italian, archive.org ).
  • Sandro Botticelli . Fratelli Alinari, B. Seeber, Florence 1900 (Italian, archive.org ).
  • L'arte di Benvenuto Cellini . Fratelli Alinari, Florence 1901 (Italian, archive.org ).
  • Fra Filippo Lippi . Fratelli Alinari, Florence 1902 (Italian, archive.org ).
  • Arte pisana . Fratelli Alinari, Florence 1904 (Italian, archive.org ).
  • Les deux Lippi . Fratelli Alinari, Florence 1904 (French, archive.org ).
  • Gli albori dell'arte fiorentina: Architettura . Fratelli Alinari, Florence 1906 (Italian, archive.org ).
  • I ricordi di Alessandro Allori . Tipografia Barbèra, Florence 1908 (Italian, archive.org ).
  • L'architettura sacra in Bologna nei secoli XIII e XIV . Nicola Zanichelli, Bologna 1909 (Italian, archive.org ).
  • La pala d'altare di Iacobello e Pier Paolo dalle Masegne nella chiesa di S. Francesco in Bologna . Tipografia Gamberini e Parmeggiani, Bologna 1915 (Italian, archive.org ).
  • Giotto . Istituto di edizioni artistiche, Florence 1920.
  • La basilica di San Francesco d'Assisi . Zanichelli, Bologna 1924.
  • Iacopo dalla Quercia . Casa editrice Apollo, Bologna 1926.
  • L'arte nelle chiese di Bologna . 2 volumes, Zanichelli, Bologna 1932.

literature

  • Angelo De Gubernatis : Dizionario degli Artisti Italiani Viventi: pittori, scultori, e Architetti . Successori Le Monnier, Florence 1889, pp. 499-500 ( digitized ).
  • Miscellanea di storia dell'arte in onore di Igino Benvenuto Supino . Olschki, Florence 1933 (Festschrift, with list of publications).
  • Supino, Igino Benvenuto . In: Hans Vollmer (Hrsg.): General lexicon of fine artists from antiquity to the present . Founded by Ulrich Thieme and Felix Becker . tape 32 : Stephens – Theodotos . EA Seemann, Leipzig 1938, p. 297 .
  • Paola Bassani (Ed.): Igino Benvenuto Supino (1858-1940). Omaggio a un padre fondatore . Polistampa, Florence 2006, ISBN 88-596-0037-5 .
  • Beatrice Paolozzi Strozzi, Silvio Balloni (eds.): Il metodo e il talento. Igino Benvenuto Supino primo direttore del Bargello (1896–1906). Catalogo della mostra (Firenze, 5 March – 6 July 2010) . Mauro Pagliai Editore, Florence 2010, ISBN 978-88-564-0094-6 .
  • Marinella Pigozzi (ed.): Igino Benvenuto Supino e Carlo Volpe in dialogo con le arti . Edizioni Tip.Le.Co, Piacenza 2012, ISBN 978-88-86806-15-2
  • Franco Angiolini, Monica Baldassarri (eds.): I Supino. Una dinastia di ebrei pisani fra mercatura, arte, politica e diritto (secoli XVI – XX) . Pacini, Ospedaletto (Pisa) 2015, ISBN 978-88-6315-931-8 .
  • Cristina Galassi: La prima serie di "Rivista d'arte" (1904–1917 / 18): dal "triumvirato" di Igino Benvenuto Supino, Corrado Ricci e Giovanni Poggi alla direzione unica di Giovanni Poggi . In: Annali di critica d'arte 12, 2016, pp. 285–342.

Web links

Remarks

  1. ^ Beato Angelico
  2. ^ The Medici medal collection in the Museo nazionale del Bargello, Florence
  3. Sandro Botticelli
  4. Benvenuto Cellini
  5. ^ Fra Filippo Lippi
  6. Filippo Lippi and his son Filippino are meant
  7. Beginnings of Florentine Art: Architecture
  8. Alessandro Allori
  9. ^ Italian Jacobello dalle Masegne (around 1350 in Venice - 1409)
  10. Ital. Pierpaolo dalle Masegne
  11. Giotto
  12. ^ La basilica di San Francesco d'Assisi
  13. Iacopo dalla Quercia