Jean Bourgoin
Jean-Serge Yves Bourgoin (born March 4, 1913 in Paris , † September 3, 1991 there ) was a French cameraman .
Life
Bourgoin attended the École de photographie in Paris and then became an assistant to Jean Isnard , Jules Kruger , Jean Bachelet and Christian Matras . In the 1930s he worked in various films by Jean Renoir . For example in Eine Landpartie as assistant to Claude Renoir or in Die große Illusion as assistant to Matras.
During the Second World War he hardly worked as a cameraman and organized the resistance of the French cameramen. After the war, he worked with Yves Allégret on several films and then with André Cayatte on his judicial trilogy consisting of jury court , We Are All Murderers and The Black Files . A collaboration with Orson Welles followed . For Jacques Tati's first color film, Mein Unkel , he developed his own color dramaturgy together with the director. The modern district was shown in flashy colors and the district of the protagonist Monsieur Hulot in earthy and warm tones.
He and Walter Wottitz were engaged for the lavishly staged war film The Longest Day by directors Ken Annakin , Andrew Marton and Bernhard Wicki from 1962 . Both received the film award in the category Best Camera (black and white) for their work at the 1963 Academy Awards . After further American film productions, he still worked on a Germinal film adaptation and withdrew from the film business in 1972 after the following films.
Filmography (selection)
- 1936: A country party (Une partie de campagne)
- 1937: The great illusion (La grande illusion)
- 1943: A Fatal Family (Goupi Mains Rouges)
- 1949: A woman in the saddle (Manèges)
- 1949: The port bar of Marseille (Hans le marin)
- 1950: jury court (Justice est faite)
- 1952: Smugglers at work (La maison dans la d'une)
- 1952: We are all murderers (Nous sommes tous des assassins)
- 1953: Before the Flood (Avant le déluge)
- 1954: They didn't break (Les Chiffonniers d'Emmaüs)
- 1954: Mr. Satan personally (Mr. Arkadin)
- 1955: The black file (Le Dossier noir)
- 1956: Scream of Conscience (Les assassins de dimanche)
- 1957: The secret of the three junks (La rivière des trois jonques)
- 1957: The king's best man (La Tour, prends garde)
- 1958: My uncle (Mon oncle)
- 1958: Goha
- 1959: Orfeu Negro
- 1959: A girl for a summer (Une fille pour l'été)
- 1959: A rapier and three lace panties (Le tre eccetera del colonnello)
- 1960: Treason by Order (The Counterfeit Traitor)
- 1962: Gigot, the mute from Montmartre (Gigot)
- 1962: The Longest Day (The Longest Day)
- 1963: Chagall
- 1965: never on Saturdays (Pas question le samedi)
- 1968: Shot trip to San Remo (Les Cracks)
- 1970: The Other's Beloved (Qui?)
literature
- Kay Less : The film's great personal dictionary . The actors, directors, cameramen, producers, composers, screenwriters, film architects, outfitters, costume designers, editors, sound engineers, make-up artists and special effects designers of the 20th century. Volume 1: A - C. Erik Aaes - Jack Carson. Schwarzkopf & Schwarzkopf, Berlin 2001, ISBN 3-89602-340-3 , p. 492.
- Michel Chion : The Films of Jacques Tati. Toronto 2003, ISBN 1-55071-175-X .
Web links
- Jean Bourgoin in the Internet Movie Database (English)
Individual evidence
- ↑ Michel Chion: The Films of Jacques Tati. Toronto 2003, ISBN 1-55071-175-X .
personal data | |
---|---|
SURNAME | Bourgoin, Jean |
ALTERNATIVE NAMES | Bourgoin, Jean-Serge Yves (full name) |
BRIEF DESCRIPTION | French cameraman |
DATE OF BIRTH | March 4, 1913 |
PLACE OF BIRTH | Paris , France |
DATE OF DEATH | 3rd September 1991 |
Place of death | Paris , France |