Johann Chrysostomus Winck

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Johann Chrysostomus Winck, self-portrait

Johann Chrysostomus Winck (also: Wink ; baptized on January 22nd, 1725 in Eichstätt ; † March 10th, 1795 ibid) was an altar leaf and Stations of the Cross painter of the late Rococo period, who mainly worked in the Prince Diocese of Eichstätt .

biography

He was born as the first son of the prince-bishop-of-Eichstätt Guard corporal Augustin Winck and his wife Walburga, nee. Beef, born and entered on January 22nd, 1725 in the baptismal register of the parish of Our Lady. He had six siblings.

It is uncertain where he received his artistic training and where he went on a journey as a journeyman. In 1747 he married Maria Theresia Franziska born in Rottenburg am Neckar . Dosch. Two sons can be identified from the marriage: the later Munich still life painter Johann Wolfgang Amandus Winck (* 1754; † 1817) and the later Eichstätter priest Josef Willibald (* 1756; † 1800).

After his wife's death in 1757, he returned to Eichstätt, where he married the painter and engraver daughter Elisabeth Peschon on February 5, 1762. In 1764 the daughter Rosa Anna was born († 1765); At that time he was already “civis et pictor”, a citizen of the city of Eichstätt and owner of a painter's justice. In 1765 the son and later Eichstätt painter Lucas Willibald Gundekar († 1815) was born.

Around 1752/53 he helped his 13 years younger brother Christian Winck (1738–1797; from 1769 electoral Bavarian court painter) to an apprenticeship with his friend, the painter and fresco artist Anton Scheitler (1718–1791) in Eggenfelden , Lower Bavaria , whom he had previously arranged the marriage with the local painter's daughter Maria Magdalena Maisthuber; the father Augustin Winck came from Unterrohrbach, a place near Eggenfelden. During a stay in Freising, Winck painted a holy grave together with the prince-bishop's court painter Johann Baptist Deyrer . He is also said to have brought the young Ignaz Alexander Breitenauer , the later and last court sculptor of the Hochstift Eichstätt, to the workshop of the local sculptor Joseph Angerer .

He could not have been the court painter of Eichstättisch-prince-bishop, since other artists carried this title during his lifetime.

plant

Altar pictures and Stations of the Cross with 14 stations (partly missing), all painted in oil on canvas, have survived from his works created for church interiors, among others in:

  • Altenberg near Denkendorf , branch church St. Gertraud: Altar sheet “Hl. Gertrud von Helfta ”, signed, around 1760
  • Berching , Parish Church of the Assumption of Mary: side altar leaves, partly signed, dated 1759
  • Bergen , pilgrimage church Heilig Kreuz : side altar sheet “St. Franz Xaver ”, signed, 1765; Way of the Cross, signed, not dated, made in 1773/74; Side altar sheet "Saint Leonhard", signed, around 1765
  • Biesenhard , Parish Church of St. Johannes Baptist: Way of the Cross, signed, not dated
  • Böhming near Kipfenberg, Filialkirche St. Johannes Baptist: Kreuzweg, around 1770 (attribution)
  • Burgoberbach , Parish Church of St. Nikolaus: Way of the Cross, signed, before 1770
  • Dinkelsbühl : in the Georgskirche Kreuzweg, signed; painting “Christ on the Mount of Olives” in the rectory (attribution)
  • Meßbach bei Dörzbach, Trinity Church: side altar sheet “Hl. Joseph ", around 1776/77 (attribution)
  • Eberswang , Filialkirche St. Alban / St. Sola: Stations of the Cross with presumably self-portrait at the 10th station, signed, not dated
  • Eichstätt: In the former Capuchin monastery painting “Salomon” (attribution) and “Miracle of St. Anthony of Padua in Rimini ”; painting “Esther before Ahasver”, signed, dated 1769 as a municipal art possession; in the seminary “Death of St. Franz Xaver ”, signed, dated 1780
  • Ellingen : in the Georgskirche painting “Circumcision of Jesus”, signed, dated 1778, “The Last Supper”, “The Resurrection of Christ”, “The Adoration of the Magi”, signed, dated 1778, “Outpouring of the Holy Spirit”, signed; in St. Maximilian three paintings from a series of 4 "Scenes from the life of St. John of Nepomuk", signed, 1782
  • Gebsattel , parish church St. Laurentius: Way of the Cross (attribution)
  • Möning bei Freystadt , parish church St. Willibald: High altar sheet “Maria with Willibald and Walburga”, signed, probably from 1753
  • Neuburg an der Donau : In Heilig Geist Kreuzweg, signed, dated 1769; in the study seminar painting “Christ falls under the cross” and “Descent from the Cross”, around 1770 (attribution), painting “Glory of St. Angela Merici ”, signed, dated 1769, painting“ St. Anna with Marienkind ”on the south side altar, signed, dated 1766; in St. Peter “St. Expeditus, Märtyrer ”(attribution); in St. Wolfgang high altar sheet “Last Communion of St. Wolfgang ", around 1770 (attribution)
  • Oberisling , Filialkirche St. Martin: High altar sheet “Mantle division of St. Martin ", commission from 1791 (attribution)
  • Rohrdorf near Rosenheim (attribution of the Way of the Cross) (Bauer, p. 102, 127)
  • Wachenzell , Parish Church of St. Johannes Baptist: High altar sheet "Baptism of Christ", signed, around 1770
  • Wemding , parish church St. Emmeram: Rosary Brotherhood picture (former altar panel), late 18th century (attribution), “Crucifixion” (former high altar panel), 1791; Painting “St. Kinship ”in the former Capuchin monastery church, signed, around 1790

Works can also be found in the Baroque Gallery of Augsburg ("Transfiguration of St. Walburga", altar sheet; "Last Communion of St. Wolfgang", oil sketch, signed), in the Bavarian National Museum in Munich ("Rebekka and Eliser at the fountain", signed), in the Historical Museum Regensburg (votive picture "Saints in front of the Siboto Madonna in Eichstätter Dom", dated 1759), in the Salzburg Baroque Museum ("Allegory of Autumn", attribution; "Glory of a St. Bishop", oil sketch) and in the Würzburg Museum at the cathedral ("Martyrdom of St. Thekla", oil painting, signed). The Cathedral Treasury and Diocesan Museum in Eichstätt has a signed self-portrait from around 1760/65 .

literature

  • Felix Mader : The art monuments of Middle Franconia I. City of Eichstätt. Munich 1924, especially p. 351.
  • Regina Bauer: The stations of the cross by Johann Chrysostomus Winck. Eichstätt 1989 (Eichstätt, Catholic University, unpublished master's thesis).
  • City of Eichstätt, Series: Architectural Monuments in Bavaria, Bavarian State Office for Monument Preservation, Munich, 1989, 270 pp.
  • Christina Grimminger: Johann Chrysostomus Winck (1725-1795). An outstanding artist personality of the Eichstatt rococo painting. In: The Minster. Journal for Christian Art and Art History. 48, 2, 1995, pp. 151-155.
  • Peter Stoll: An altarpiece by Johann Chrysostomus Wink in the parish church of Messbach. Augsburg 2009. ( full text )
  • Peter Stoll: Johann Chrysostomus Wink, Christian Thomas Wink and the Way of the Cross of the parish church of Rohrdorf. Augsburg 2010. ( full text )

Individual evidence

  1. Mader, City of Eichstätt, p. 351.
  2. Grimminger, p. 151.
  3. ^ Bauer, p. 2.
  4. ^ Bauer, p. 3; Grimminger, p. 151.
  5. Stoll, Rohrdorf, p. 2; Bauer, p. 3.
  6. Grimminger, p. 151.
  7. ^ Bauer, p. 5.
  8. ^ Collective sheet of the historical association Eichstätt , 25./26. Vol., 1910/11, p. 80.
  9. Stoll, Rohrdorf, p. 12.
  10. Grimminger, p. 152; Bauer, p. 109, note 17.
  11. Grimminger, p. 155.
  12. Grimminger, p. 152.
  13. ^ Bauer, pp. 82, 128; Grimminger, p. 155.
  14. ^ Bauer, p. 126.
  15. ^ Bauer, p. 127.
  16. ^ Bauer, pp. 79, 126.
  17. ^ Bauer, p. 39.
  18. Stoll, Meßbach, p. 2.
  19. ^ Felix Mader: The art monuments of Middle Franconia. Eichstätt District Office. Munich 1928, p. 93; Bauer, pp. 39, 126.
  20. Mader, City of Eichstätt, p. 670
  21. Mader, City of Eichstätt, p. 351; Bauer p. 127 f.
  22. ^ Bauer, p. 128f .; Grimminger, p. 155.
  23. ^ Bauer, pp. 90, 127.
  24. ^ Friedrich Hermann Hofmann, Felix Mader: The art monuments of Upper Palatinate and Regensburg . Book XVII. City and District Office Neumarkt . Munich 1909, p. 217; Bauer, p. 4
  25. Bauer, pp. 104, 126, 128; Grimminger, p. 155.
  26. Grimminger, pp. 153, 155.
  27. Mader, Eichstätt District Office, p. 338; Bauer p. 128.
  28. Adam Horn: The art monuments of Swabia. III. District of Donauwörth. Munich 1951, pp. 549, 567.
  29. ^ Bauer, p. 128.
  30. http://www.museum-am-dom.de/katalog/details.php?id=516
  31. Grimminger, pp. 153–155.