Josef Wilhelm Wallander

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Josef Wilhelm Wallander , portrait photo from a lexicon around 1900

Josef Wilhelm Wallander , also Vilhelm Wallander or Joseph Wilhelm Wallander (* May 15, 1821 in Stockholm ; † February 6, 1888 there ), was a Swedish history , genre and portrait painter , lithographer and caricaturist of the Düsseldorf School .

Life

Josef Wilhelm Wallander , caricature by Fritz von Dardel , 1882

Wallander, son of the Stockholm painter Per Emanuel Wallander and his wife Maria Sofia Lundberg, began his secondary school career with a degree in architecture . He also practiced as a wall. Soon, however, he enrolled for art studies at the Royal Art Academy in Stockholm . Supported by the Swedish nobleman and patron Gustav Trolle-Bonde (1773-1853), he made several drawings and watercolors of the castle and its surroundings at Säfstaholm Castle. During this time (1849–1852) he created his first important oil painting under the title Market in Vingåker . From 1853 to 1862 he stayed  in Düsseldorf - with interruptions through study trips to Paris and Italy . He took private lessons with the painter Rudolf Jordan , of him in his interest in folklore - folklore promoted genre painting. From 1855 to 1861/1862 Wallander was a member of the Düsseldorfer Künstlerverein Malkasten , the social center of an international, especially Scandinavian artist colony on the Rhine, in which Alfred Wahlberg , Vincent Stoltenberg Lerche , August Malmström , Christian Fredrik Ytteborg , Knud Bergslien , Sophus Jacobsen , Hans Dahl and Morten Müller stayed. In addition to Marcus Larson , Wilhelm Koller , Alfred Dumont , Henry Lot and Charles Wimar , he took part on the Malkastenbühne in the international production of the play Pannemann's Traum . He also took part in artist festivals that took place in the Fahnenburg of the lawyer and writer Anton Fahne . Wallander then returned to his hometown, where he first became an associate member and later a full member of the Royal Art Academy. From 1867 to 1886 he held a teaching post there as a full professor.

Works (selection)

Signild bränner sig inne i sin jungfrubur ( Signild and Hagbard ) , 1861
Folkmarknad i Västerås (Market in Västerås) , color lithograph after an oil painting, 1865
  • Marknad i Vingåker (Market in Vingåker) , 1852, after a sketch from 1849
  • En söndagsafton i Kleinbremen (A Sunday evening in Kleinbremen)
  • Politiserande bönder
  • Kaffesystrarna
  • The gamle kurtisören
  • Vikingen , 1853
  • Humleskörd i Österåker , 1856
  • Bröllopsdans i Vingåker , 1857
  • Blomsterplockerskor , 1858
  • Svenska folket sådant det ännu lefver vid elfvom på berg och i dalom (The Swedish people as they still live on the rivers, in the mountains and valleys) , series of pictures, painted in 1858, published in 1864/1865 as lithographic panels by Albert Verlag Bonnier
  • Björnjakt , 1861 (joint work with Alfred Wahlberg )
  • Movits i klämma , 1857
  • Conserts on Tre Byttor , 1861
  • Ulla Vinblad dansar menuett , 1861
  • Signild bränner sig inne i sin jungfrubur (Signild and Hagbard) , 1861
  • Klosterrofvet , 1863
  • Bruden kommer , 1865
  • Folkmarknad i Västerås (Market in Västerås) , color lithograph after an oil painting, 1865
  • Besök i en stångjärnshammare , 1866
  • Auction at en gammal herrgård , 1866
  • Väfva vadmal , 1875
  • Vaktparaden , 1878
  • Öfverrumpling , 1878
  • Skogsbrand , 1881
  • Judeförföljelse , 1885

literature

Web links

Commons : Wilhelm Wallander  - Collection of images, videos and audio files

Individual evidence

  1. Bettina Baumgärtel , Sabine Schroyen, Lydia Immerheiser, Sabine Teichgröb: Directory of foreign artists. Nationality, residence and studies in Düsseldorf . In: Bettina Baumgärtel (Hrsg.): The Düsseldorf School of Painting and its international impact 1819–1918 . Michael Imhof Verlag, Petersberg 2011, ISBN 978-3-86568-702-9 , Volume 1, p. 442
  2. Sabine Schroyen: “A true brotherhood seems to reign among them.” The artists' association Malkasten and its international members . In: Bettina Baumgärtel (Ed.), Volume 1, p. 276
  3. Cf. Bettina Baumgärtel: The Düsseldorf School of Painting and its international charisma . In: Bettina Baumgärtel (Ed.), Volume 1, pp. 32, 34 (Figure 11), 48 (footnote 44)
  4. ^ Wend von Kalnein : The influence of Düsseldorf on painting outside Germany . In: Wend von Kalnein (Ed.): The Düsseldorf School of Painting . Verlag Philipp von Zabern, Mainz 1979, ISBN 3-8053-0409-9 , p. 200