Karl Elleder

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In 1920, Karl Elleder designed the emergency money for his adopted home Gars am Kamp and added humorous slogans to the individual notes: “Gold crowns and silver guilders / Like the nickel, have long since disappeared. - That's why we still invented the emergency currency in addition to our debts! "

Karl Elleder (born June 15, 1860 in Korneuburg ; † January 8, 1941 in Gars am Kamp ) was an Austrian caricaturist and illustrator who drew for German and Austrian newspapers and magazines and illustrated calendars, children's and fairy tale books and since 1910 as Writer has published his own fiction texts.

Life

The book "Max Butziwackel" illustrated by Elleder

The full-time customs officer Karl Elleder formed self-taught in Krems and Vienna from; Illustrated among others the “Cadettengeschichten” by Hofrath Oskar Teuber and the “Lachcabinett”, which “ C [arl] M [ichael] Ziehrer presented at the very highest court in Vienna”. As a part-time job, Elleder was in demand for the humorous magazines " Fliegende Blätter ", " Meggendorfer Blätter ", " Die Muskete ", " Mocca " and "Faun". As early as 1911, the “ Österreichische Illustrierte Zeitung ” pointed out Elleder's special position among the “Viennese cartoonists”: “A humorist who almost completely abandons the political satire and decides to accompany the unprejudiced jokes of the family jokes with graceful, cheerful pictures or to serve the children artistically good humorous food in their body sheets is Karl Elleder, a Viennese autodidact whose pleasant little pictures can often be found in the "Fliegende Blätter", in " Figaro " etc. [...] because he is in Abroad is valued more than here, hardly knows in Vienna as a local artist. "

Elleder was friends with the Viennese painter Carl Zewy (1855–1929), who around 1910 worked with Elleder's Gars neighbors, the then art student and later film director Fritz Lang . Elleder had been married to Theresia Grasser since 1905 and was thus the son-in-law of the Austrian arms manufacturer Carl Grasser, who died in 1902 .

Large parts of Elleder's drawing and literary estate were acquired by the graphic artist and illustrator Bernhard Oberdieck , whose website offers a vivid selection of Elleder's graphic work, which contributed significantly to Elleder's rediscovery by the GarsZeitbrücke Museum ”.

Work (selection)

Karl Elleder's "Always the Same" (from: Die Muskete , July 29, 1926).

Illustrated books

  • Carl Michael Ziehrer : "The musical laughter cabinet" (1887).
  • Oskar Teuber: "Fleet stories from the uniformed world" (1890).
  • Helene Sarner: A book for children. Fairy tales, fables and poems. (Berlin) 1905.
  • Egon Hugo Strassburger: “On a journey through life. Wisdoms and Follies ”. Cover picture and vignette (1907).
  • Luigi Bertelli: " Max Butziwackel the Ant Emperor " (German translation . 1920).
  • Johannes Gebhardt: "Old and New Fairy Tales". With 6 colorful panels and many pictures in the text by Karl Elleder (1929).
  • Adolf Holst : "The children in the forest". With pictures by Karl Elleder (1933).
  • Klara Meister: “Funny life. A Susi story in verse ”. Pictures by Karl Elleder (1933).

Own texts with Elleder illustrations

Published

  • The orphan. Story from insect life. In: Johannes Gebhardt: Old and New Fairy Tales, Volume I. Alfred Hahns Verlag (Leipzig), 1910.
  • "The blacksmith of Drosendorf " (1912). In: Philipps Bücherei, Volume 6 (Verlagshaus Jakob Philipp, Vienna, around 1921).
  • "The Cursed Prince" (1914). In: Philipps Bücherei, Volume 10 (Verlagshaus Jakob Philipp, Vienna, around 1921).
  • "The Forest Woman" (1927). In: " Kleine Volks-Zeitung ". January 1, 1927, p. 18.
  • "The hermitage". In: Rahma -Post [After 1926].

Unpublished

  • “The Journey to Grillenheim” (around 1934). Estate manuscript.
  • "Frog Prince". Narrated and illustrated by Karl Elleder. 7 drawings. Estate manuscript.
  • "The Little Mermaid". Narrated and illustrated by Karl Elleder. 4 drawings. Estate manuscript.
  • " Butzemann ". Narrated and illustrated by Karl Elleder. 4 drawings. Estate manuscript.
  • "The forest woman". Narrated and illustrated by Karl Elleder. 5 drawings. [Second version]. (1926).
  • "Moortrude". Narrated and illustrated by Karl Elleder. 5 drawings. Estate manuscript.
  • "The black lake". Narrated and illustrated by Karl Elleder. 4 drawings. Estate manuscript.
  • "The magic powder". Narrated and illustrated by Karl Elleder. 6 drawings. Estate manuscript.
  • "The rear penny ". Narrated and illustrated by Karl Elleder. 6 drawings. Estate manuscript.
  • "The Elixir". Narrated and illustrated by Karl Elleder. 8 drawings. Estate manuscript.
  • "Hahngickl". Narrated and illustrated by Karl Elleder. 5 drawings. Estate manuscript.
  • "The cradle festival". Narrated and illustrated by Karl Elleder. 7 drawings. Estate manuscript.
  • "Gokulorum". Narrated and illustrated by Karl Elleder. With 6 pictures. Estate manuscript.
  • "The unlucky one". A true fairy tale in words and pictures. With 4 illustrations. Estate manuscript.
  • "The Book Scorpion". A story from insect life in words and pictures. 6 drawings. Estate manuscript.
  • "The snail". For the time being lost estate manuscript.
  • "The orphan". A story from insect life in words and pictures. 5 drawings. Estate manuscript.
  • "The parasitic wasp ". A story from insect life. 6 drawings. Estate manuscript.
  • "The hermitage". A slap story in words and pictures. 7 drawings. Estate manuscript.
  • "Muckenschnabel". Narrated and illustrated by Karl Elleder. 6 drawings. Estate manuscript.
  • "The vagabonds". Estate manuscript.
  • "The magical". A fairy tale in words and pictures. With 7 illustrations. Estate manuscript.
  • "The beggar". In words and pictures by Karl Elleder. Estate manuscript.

Order graphics (selection)

  • Emergency money for the market town of Gars am Kamp (1920) (The four emergency money notes were also shown in 1920 in Julius Kiennast's chronicle of the market in Gars in Lower Austria , on page 32).
  • Title vignette for Julius Kiennast's chronicle of the Gars market in Lower Austria. Gars 1920.

Museum reception

  • "Stars in Gars" exhibition (April 7th to October 1st, 2017). Zeitbrücke Museum , Gars am Kamp.
  • “Children and Books” exhibition (November 10th to December 10th, 2017). Zeitbrücke Museum, Gars.

literature

  • FW: “Viennese cartoonists”. In: "Österreichische Illustrierte Zeitung". November 1, 1911, pp. 348-50, p. 350.
  • Hermann Clemens Kosel (Ed.): Biographies of Viennese artists and writers (= German-Austrian artists and writers lexicon. Vol. 1). Society for the Graphic Industry, Vienna 1902, Volume 1 (1902). P. 244.
  • Friedrich Wilhelm Illing: "Karl Elleder, the Humperdinck of the brush". In: German-Austrian daily newspaper . January 4, 1925.
  • Obituary: "A fairy tale poet of the brush". In: Neues Wiener Tagblatt . June 12, 1941, p. 5.
  • Andreas Weigel : "Oh, how bad that nobody knows: the painter and illustrator Karl Elleder". In: Andreas Weigel: “Stars in Gars. Create and enjoy. Richly illustrated history of the summer resort Gars-Thunau from its beginnings to the present. ”In: Stars in Gars. Create and enjoy. Artists in the summer. Published by the Museumsverein Gars, Zeitbrücke-Museum Gars (Gars 2017) pp. 9–174, here: pp. 78–82. ISBN 978-3-9504427-0-0 .

Web links

Individual evidence

  1. ^ Oskar Teuber in the Vienna History Wiki of the City of Vienna
  2. ^ Hermann Clemens Kosel (ed.): Biographies of Viennese artists and writers (= German-Austrian artists and writers lexicon. Vol. 1). Society for the Graphic Industry, Vienna 1902, Volume 1 (1902). P. 244.
  3. Michael Koscher's work on Rob-Verlag in Vienna provides detailed information on the magazines “ Mocca ” and “Faun”.
  4. ^ FW: "Viennese Caricaturists". In: "Österreichische Illustrierte Zeitung". November 1, 1911, pp. 348-50, p. 350).
  5. Carl Zewy in Vienna History Wiki of the city of Vienna
  6. Stars in Gars: New details on the Garser artist Karl Elleder.
  7. a b Full-page advertisement in: Österreichische Illustrierte Zeitung. November 27, 1921. p. 17.
  8. Since the 1920s, the margarine manufacturer has published the “Rahma-Post” magazine for children and young people as a marketing measure. In 1926 the brand name "Rahma" had to be changed to Rama because of the deliberate but misleading allusion to " Rahm ", which allows an approximate dating of the publication for the period after 1926.