Martina Pippal

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Martina Pippal (born May 11, 1957 in Vienna ) is an Austrian art historian and artist .

biography

Martina Pippal is the daughter of the painter Hans Robert Pippal (1915–1998) and the architect Eugenie Pippal-Kottnig (1921–1998).

By working in her father's studio , Martina Pippal had practical experience in dealing with artistic techniques from an early age and therefore decided to study art history , classical archeology , history and theology at the University of Vienna (1975–1981). From 1978 to 1991 Martina Pippal was Hermann Fillitz's (study) assistant at the Institute for Art History at the University of Vienna, where she has been an associate professor in the field of early and high medieval art as well as modern and contemporary art since her habilitation in 1991.

In the mid-1990s Martina Pippal resumed her own artistic activity.

Fonts

  • with Hermann Fillitz : Treasure art: The goldsmith and ivory work from Austrian treasuries of the High Middle Ages. Residenz-Verlag, Salzburg 1987, catalog no. 4-6, 8-13, 18-25, 40, 45, 46, 48-63, 68, 69, 77, 78, 81-99, 101, 104-114, pp. 407 ff.
  • The parish church of Schöngrabern . An iconological study of their apse reliefs. (= Series of publications by the Commission for Art History of the Austrian Academy of Sciences. Volume 1). 2nd Edition. Publishing house of the Austrian Academy of Sciences, Vienna 1996, ISBN 3-7001-1911-9 . See: Stone Bible (Schöngrabern)
  • The Pericope Book of St. Erentrud : Theology and Daily Politics. Holzhausen Verlag, Vienna 1997, ISBN 3-900518-62-9 .
  • A short history of art in Vienna. Verlag CH Beck , Munich 2000, ISBN 3-406-45858-0 . (A short History of Art in Vienna. CH Beck Verlag, Munich 2000)
  • Medieval Art - An Introduction: From the Beginnings of Christian Art to the End of the High Middle Ages. UTB Böhlau, Vienna / Cologne / Weimar 2010 (3rd edition), ISBN 3-205-77455-8 .
  • with Otmar Rychlik and Elisabeth Voggeneder: Hans Robert Pippal : Between innovation and tradition. Böhlau, Vienna 2003, ISBN 3-205-77137-0 .
  • with Falko Daim and Peter Bednár: The early medieval wall paintings of Moravia and Slovakia - archaeological context and production technology analysis. Collection of articles. Wagner, Innsbruck 2008, ISBN 978-3-7030-0457-5 .
  • with 22 portraits by Hans Robert Pippal : Like in a circus: memories of an artist's child. Violetta Ritterling Verlag, Vienna 2008, ISBN 978-3-9502482-0-3 .
  • Movement and being moved. Painting and sculpture from 1897. In: Hannes Androsch (Ed.): Austria. History, present, future. Brandstätter Verlag, Vienna 2010, ISBN 978-3-85033-300-9 , pp. 251-289. (also published in English and Chinese)
  • Soshana and Austrian Modernism - Attempt at Positioning. In: A. Bäumer, A. Schueller (Eds.): Soshana. Life and work. Springer Verlag, Vienna – New York 2010, ISBN 978-3-7091-0274-9 , pp. 52–117.
  • Linde Waber - artist, networker, mentor, mater familias. In: R. Deppe et al. (Ed.): Waber retrospective and companions. Linde comforts Schubert. Exhibition catalog. Verlag Mandelbaum, Vienna 2010, ISBN 978-3-85476-332-1 , pp. 6-8.
  • The binding and the pictorial decoration of the sacramentary. In: The Sacramentary of Heinrich II. Manuscript Clm 4456 of the Bavarian State Library in Munich. Commentary volume of the facsimile edition. Facsimile Verlag, Gütersloh / Munich 2010, pp. 29–38 and 51–124.
  • Gustav Mahler and the visual arts - history of a relationship. In: E. Partsch et al. (Ed.): Contextualizing Mahler - Mahler in context. Böhlau Verlag, Vienna 2010, pp. 257–281, ISBN 978-3-205-78496-8 .
  • The function of the “schedula” and the role of technology in the construction of reality using the example of the enamel work of Nicolaus von Verdun in Klosterneuburg. In: Between handicrafts and art. The “Schedula diversarum artium”. Edited by Andreas Speer , Maxime Maurège, Hiltrud Westermann-Angerhausen . Miscellanea Mediavalia. Publications of the Thomas Institute of the University of Cologne 37. De Gruyter, Berlin / Boston 2014, ISBN 978-3-11-033477-7 , pp. 163–180.
  • Mascha and Margarita - a journey into the heart of art: to “Las Meninas” by Diego Velázquez . Violetta Ritterling Verlag, Vienna 2014, ISBN 978-3-9502482-2-7 .
  • Scouting party in no man's land. For the 18th conference of the Association of Austrian Art Historians (VÖKK): “Newest Art History”. Where is recent art history going? at the Institute for Art History at the University of Vienna , 6. – 8. November 2015 . In: Current Art History. Announcements of the Association of Austrian Art Historians, vol. XXXII, 4/15, pp. 2–3.
  • The Book of Pericopes of St. Peter . A Romanesque masterpiece from the earlier possession of St. Erentrud in Salzburg , Bayerische Staatsbibliothek Munich, St. Peter in Salzburg, around 1150. CODICES SELECTI, Vol. CXXII. Akademische Druck- und Verlagsanstalt , Graz 2015, pp. 1–4, 7–10.
  • The Book of Pericopes of St. Peter . Complete facsimile edition of Cod. 15903 of the Bavarian State Library in Munich . Completely reproduced facsimile of Cod. 15903 of the Bayerische Staatsbibliothek in Munich. Comment from Martina Pippal. Akademische Druck- und Verlagsanstalt, Graz 2016, ISBN 978-3-201-02010-7 , pp. 1–123.
  • Zigzag, ramp, multiplex point of view - art-historical comments on the structural principles of “Gothic” painting. In: Natascha Adamowsky (Ed.): Digitale Moderne. Matthias Zimmermann's model worlds . Hirmer Verlag, Munich 2018, ISBN 978-3-7774-2388-3 , pp. 202–227.
  • To locate the ruler's anointing in the frame of reference 'First Testament'. A contribution to the discussion. In: Walter Pohl , Maximilian Theseberger , Bernhard Zeller (eds.): New ways of early medieval research. Balance sheet and perspectives. Research on the history of the Middle Ages, Vol. 22, Verlag Österreichische Akademie der Wissenschaften, Vienna 2018, ISBN 978-3-7001-8155-2 , pp. 391–398.
  • Memento Mori. Big theater in the smallest format . In: im Kinsky, Vol. 9, ed. v. Auction house im Kinsky , Vienna 2018, pp. 48–51.
  • "Las Meninas" by Diego Velázquez - the answer to the riddle? In: Sylvia Ferino-Pagden (Ed.): Velázquez . Suggestions, proposals, solutions. Writings of the Kunsthistorisches Museum, Vol. 18, ed. v. Sabine Haag , Kunsthistorisches Museum, Vienna 2018, ISBN 978-3-99020-155-8 , pp. 166–195.
  • Portraits - why? My glittering world . In: Martina Pippal. People_Pictures, ed. v. Art forum Leoben. Exhibition cat. Art Forum Leoben, January 17th - March 2nd, 2019. Graphic by Gotthard Fellerer , Leoben 2018, pp. 2–9.

Solo exhibitions

  • 2008: Chiasma: mixed media / photography , Altenburg Abbey Orangery
  • 2012: intense. Flower painting, roses, Szaal Gallery, Vienna
  • 2019: People_Pictures . Painting 2006–18 by Martina Pippal, Kunstforum Leoben

literature

Web links

personal data
SURNAME Pippal, Martina
BRIEF DESCRIPTION Austrian art historian and artist
DATE OF BIRTH May 11, 1957
PLACE OF BIRTH Vienna