Adolph Schlyssleder

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Adolph Schlyssleder , also Adolph Schlissleder, Schlyßleder, Schiessleder (born June 28, 1909 in Munich , † May 3, 1995 in Stephanskirchen ) was a German film editor , assistant director and director .

Life

The native Adolph Schlissleder attended a photography school after attending secondary school . In 1937 he began his cinematic activities as an assistant director under the name Adolph Schiessleder - an activity that he carried out into the early 1960s. Only in the case of the white and blue Schwank Der Hochtourist did he get the opportunity to direct in the middle of World War II . Otherwise, Schlyssleder, who had meanwhile undergone further training in the cutting room , concentrated on his second full-time activity from 1944: that of a master cutter.

Until well into the 1970s, the Bavarian was responsible for editing numerous rather simple entertainment films; In the first half of the 1950s, mainly from Bavarian fabrics from the Peter Ostermayr production. In 1955, Schlyssleder accepted an invitation to France and criticized the German final version of Max Ophüls ' masterpiece Lola Montez , which was also the most important film of his entire career. His later works - again mainly comedies - are of lesser importance.

Schlyssleder also occasionally worked for television.

Filmography (as editor)

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