Alfred Stöger

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Alfred Stöger (born July 21, 1900 in Möllersdorf , Lower Austria ; † January 12, 1962 in Mödling , Lower Austria) was an Austrian stage actor, film director and film producer .

Live and act

The native of Lower Austria began studying art history and philosophy in Vienna shortly after the end of the First World War and completed his doctorate . He began his stage career in 1922 as an actor in Darmstadt . In 1923 Stöger went to Dresden , where he was able to work as a director for the first time the following year. In 1926 he was appointed senior director at the United Municipal Theater in Kiel for four years .

In 1930 Stöger came to Berlin , where he initially appeared as director and dramaturge of the strongly Catholic passion plays. Later he found one or the other small role at the Schiller Theater or at the summer stage in Ehrenfriedersdorf .

After years of less successful activity at the theater, the Austrian finally switched to German film, for which, after a short assistantship in 1935/36 (with “ Viktoria ”, “ Family Parade ”, “ People with the Sunstroke ”, “ White Slaves ”) he has been working since Was able to work as a director in early autumn 1936. Until May 1939, Stöger directed an abundance of short films, with the 1937 German version of Marc Allégret'sLa dame de Malacca ”, “ Other World ”, from which he directed dialogue.

In the late spring of 1938, the Bavarian nature film producer Hubert Schonger signed Stöger for two fairy tale film adaptations (“ Schneeweißchen und Rosenrot ”, “ Tischlein deck dich ”). It was not until the summer of 1939 that Stöger finally seemed to succeed in making full-length feature films, but the war prevented continued employment. After only three completely irrelevant productions, Stöger returned to Vienna at the end of the war.

There he founded his own production company, the Wiener Mundus-Film , in 1946 , with which he made his theatrical productions. Stöger's post-war work is disappointing and of considerable banality. In the late 1950s he concentrated on directing theater productions and filmed several plays, often under the direction of Leopold Lindtberg . These include the theater classics Wilhelm Tell , Don Carlos and Maria Stuart . In addition, Stöger produced several comedies with Hans-Joachim Kulenkampff . In 1961 Stöger ended his film career and in the same year was appointed lecturer at the Institute for Theater Studies. He died just a few months later near Vienna.

Movies

as a director
  • 1936: Fox, you stole the goose (short film)
  • 1936: Stülke and Lehmann (short film)
  • 1936: is Schulte arrested? (Short film)
  • 1936: What does the cat purr with? (Short film)
  • 1937: The Honorary Post (short film)
  • 1937: crystal or porcelain (short film)
  • 1937: Die Hosenknöpf (short film)
  • 1937: The Beloved Voice (short film)
  • 1937: Guest in your own home (short film)
  • 1937: Glück im Winkel (short film)
  • 1937: Have a good trip, Mr. Meyer (short film)
  • 1937: Müller versus Müller (short film)
  • 1937/38: A deliberate act (short film)
  • 1938: Klimbusch does the weekend (short film)
  • 1938: Wedding night (short film)
  • 1938: Set the table
  • 1938: Snow White and Rose Red
  • 1938: The Lord in the House (short film)
  • 1938: Customer service (short film)
  • 1938: The Man with the Pssst (short film)
  • 1938: The Wildfire (short film)
  • 1939: Fright in the evening hour (short film)
  • 1939: The Big Lot (short film)
  • 1939: The good old days (short film)
  • 1939: Hurray! Finally the alarm (short film)
  • 1939: Customer service (short film)
  • 1939: Affair
  • 1941: What a fruit
  • 1943: Young people make music
  • 1944: game
  • 1947: triumph of love
  • 1947: Rendezvous in the Salzkammergut
  • 1948: The Seal of God
  • 1949: My friend who can't say no ( Mein Freund Leopold )
  • 1950: Power of Love / The Wallnerbub ( The Year of the Lord )
  • 1951: Johannes and the 13 beauty queens
  • 1951: Dance into happiness
  • 1954: Immortal Mozart (co-director)
  • 1955: Götz von Berlichingen (co-director)
  • 1956: Wilhelm Tell (co-director)
  • 1957: He wants to make a joke (co-director)
  • 1959: Maria Stuart (co-director)
  • 1960: Don Carlos (co-director)
  • 1961: The Farmer as Millionaire (co-director)
as (co-) producer, production or line manager

literature

  • Ludwig Gesek (Ed.): Small Lexicon of Austrian Films , Vienna 1959, p. 61
  • Johann Caspar Glenzdorf: Glenzdorf's international film lexicon. Biographical manual for the entire film industry. Volume 3: Peit – Zz. Prominent-Filmverlag, Bad Münder 1961, DNB 451560752 , p. 1679.

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