Barney Kessel's career began at the age of 14 in his native Muskogee. There he was the only white man to play in a swing band. His first job in Los Angeles , where he moved in 1942, he had in 1942 in the Chico Marx Orchestra , which the comedian Chico Marx had founded. One of his first recordings can be heard in the short film Jammin 'The Blues with Lester Young (May 1944). His first singles came out on the small record label Atomic Records , recorded on June 7, 1945 in Los Angeles, Atom Buster / What Is This Thing Called Love? (Atomic 209) and Slick Chick / Man I Love (Atomic 210). Until December 1945 he worked in the band of Charlie Barnet , until 1946 also with Artie Shaw , for whom participated in over 70 titles. With musicians from Shaw's band such as Dodo Marmarosa and Herbie Steward , the first recordings were made under his own name. He first appeared on February 26, 1947 in the cast of Charlie Parker ’s New Stars for the LP The Bird Loves The Blues . He later played with Benny Goodman , Lester Young, Billie Holiday and Oscar Peterson (LP Peterson Plays Cole Porter , recorded on November 25, 1951) with. Barney Kessel is seen as a defining guitarist of modern jazz in the 1950s. On March 28, 1955 he had put together his Barney Kessel Septet , with which he recorded the LP Barney Kessel, Vol. 3, To Swing Or Not To Swing . The Barney Kessel Quintet recorded the LPs Barney Kessel, Vol. 2 and Vol. 1 . In addition, Kessel has worked on countless recordings such as Red Norvo , Roy Eldridge , Harry Sweets Edison , Ben Webster , Stuff Smith , Woody Herman and Buddy DeFranco . From 1953 on he released a number of albums; The trio LPs with the Poll Winner formation with bassist Ray Brown and drummer Shelly Manne , which were made between 1957 and 1959, stand out in particular . On August 30, 1957, he first appeared as an accompanist for Peggy Lee on their single Listen To The Rockin 'Bird / Uninvited Dream .
The April 24, 1961 for Duane Eddy resulting Instrumentalhit Ring of Fire was the first session of Barney Kessel in the recording studios of Los Angeles with other renowned musicians under the name of The Wrecking Crew . From then on, this work became his main occupation. With that he changed stylistically from jazz to Californian pop-rock , because he accompanied artists such as Elvis Presley , Dean Martin , Beach Boys (“Wouldn't It Be Nice”) or Frank Sinatra . He was part of the Wall of Sound created by Phil Spector , for example in the Righteous Brothers ' global hit You've Lost That Lovin 'Feelin' . Kessel has appeared on almost all of these artists' hits, including albums such as Pet Sounds by the Beach Boys. With Wouldn't It Be Nice you can hear his unusual playing with the 12-string guitar as an intro for 4 bars .
In early 1969 Kessel gave up his studio activity and played the programmatic album Feelin 'Free (February 1969) with Bobby Hutcherson and Elvin Jones . As a freelance musician, he played in a duo with Herb Ellis and in a trio with Charlie Byrd . He also published the teaching work The Guitar , wrote other music didactic works and gave master classes all over the world. His most famous seminar was The Effective Guitarist .
Kessel has not been able to perform since a stroke in 1992. He died of a brain tumor, leaving behind his third wife, Phyllis Van Doren-Kessel, and two sons, producers and musicians, Dan and David Kessel, who has worked with Phil Spector, John Lennon, Cher and Leonard Cohen.
Based on Charlie Parker's style, Barney Kessel renewed the way of playing jazz guitar . He was one of the first guitarists to play the jazz style bebop on this instrument . Kessel is also one of a number of jazz guitarists including Tiny Grimes , Oscar Moore , Irving Ashby and Chuck Wayne who play in the Charlie Christian tradition . Like Jimmy Raney , he developed his innovations into his own style, in which he above all integrated Christian's chord playing into his style ( Attila Zoller ).
The musical instrument manufacturer Gibson dedicated its own signature guitar model to Kessel in 1961 . The Gibson Barney Kessel Custom, an archtop electric guitar with a double cutaway , was manufactured until 1970. Three other signature models had previously been dedicated to Barney Kessel by the guitar manufacturer Kay in 1957 ; however, the endorsement only lasted until 1960.
- Vol. 1: Easy Like ( Contemporary Records , 1953/1955)
- Vol. 2: Kessel Plays Standards (Contemporary Records, 1954/1955)
- Vol. 3: To Swing or Not to Swing (Contemporary Records, 1955) with Sweets Edison , Georgie Auld , Jimmy Rowles
- The Tatum Group Masterpieces Vol. 5 (Pablo, 1955)
- Music to Listen to Barney Kessel by (Contemporary Records, 1956)
- The Poll Winners ( Contemporary Records , 1957) with Shelly Manne , Ray Brown
- Let's Cook! (Contemporary Records, 1957)
- The Poll Winners Ride Again (Contemporary Records, 1958) with Shelly Manne , Ray Brown
- Kessel plays Carmen (Contemporary Records, 1958)
- The Poll Winners Three! (Contemporary Records, 1959) with Shelly Manne , Ray Brown
- Some Like It Hot (Contemporary Records, 1959) with Art Pepper
- The Poll Winners - Exploring the Scene! (Contemporary Records, 1960) with Shelly Manne , Ray Brown
- Barney Kessel's Swingin 'Party at Contemporary (Contemporary Records, 1960)
- Workin 'Out with the Barney Kessel Quartet (Contemporary Records, 1961)
- Barney Kessel Trio Live in Los Angeles at PJ's Club (live recordings from 1965 to 1973, Gambit Records)
- Feeling Free (Contemporary Records, 1969) with Bobby Hutcherson , Elvin Jones
- Reflections In Rome (RCA Victor LISP 34012, 1969) with Giovanni Tommaso (Bass), Daniel Humair (Drums) & Vincenzo Restuccia (Drums)
- The Poll Winners - Straight Ahead (Contemporary Records, 1957) with Shelly Manne , Ray Brown
- Great Guitars (Barney Kessel, Herb Ellis and Laurindo Almeida , 1975 live) 2008
- Solo ( Concord Records , 1981)
- Spontaneous Combustion (Contemporary Records, 1987) with the Monty Alexander Trio
- Red Hot and Blues (Contemporary Records, 1988) with Bobby Hutcherson , Kenny Barron , Rufus Reid , Ben Riley
- Joachim-Ernst Berendt and Günther Huesmann: The jazz book . Frankfurt / M., Fischer paperback, 1994.
- Ian Carr , Digby Fairweather , Brian Priestley : Rough Guide Jazz. The ultimate guide to jazz. 1800 bands and artists from the beginning until today. 2nd, expanded and updated edition. Metzler, Stuttgart / Weimar 2004, ISBN 3-476-01892-X .
- Richard Cook , Brian Morton : The Penguin Guide to Jazz on CD . 6th edition. Penguin, London 2002, ISBN 0-14-051521-6 .
- Martin Kunzler : Jazz Lexicon . Reinbek, Rowohlt, 1988
- Maurice Summerfield: The Jazz Guitar - Its evolution and its players (English). Ashley Mark Publishing 1978. ISBN 0-9506224-1-9
Individual references / comments
- Obituary in The Times
- Compare Berendt / Huesmann: Das Jazzbuch, p. 395
- Quoted from Kunzler: Jazzlexikon, p. 620
- George Gruhn & Walter Carter: Electric guitars and basses, p. 77. Press Projekt Verlag, Bergkirchen 1999. ISBN 3-932275-04-7
Tony Bacon, Dave Hunter: Totally Guitar - the definitive Guide (English),
Guitar Encyclopedia , pp. 502 ff. Backbeat Books, London 2004. ISBN 1-871547-81-4
|BRIEF DESCRIPTION||American jazz guitarist|
|DATE OF BIRTH||October 17, 1923|
|PLACE OF BIRTH||Muskogee , Oklahoma|
|DATE OF DEATH||May 6, 2004|
|Place of death||San Diego , California|