Bernd Aldenhoff
Bernd Aldenhoff (born June 14, 1908 in Duisburg , † October 8, 1959 in Munich ) was a German opera singer ( tenor ). He was considered one of the outstanding hero tenors of the 1940s and 1950s and was known for his powerful voice and always sure heights.
Life
Bernd Aldenhoff was born in Duisburg as the eleventh child of a master carpenter, grew up in an orphanage and initially learned his father's trade. He passed the journeyman's examination with "very good".
In 1932 Walter Felsenstein , who was senior director in Cologne at the time, became aware of Aldenhoff. So he was accepted into the choir of the Duisburg-Bochum City Theater under the protection of Saladin Schmitt . Further stations as a choir singer were the Cologne Opera and the State Theater Stuttgart . He was also trained as a soloist by Julius Lenz , who also taught Ludwig Suthaus , in Cologne.
In the following year, an engagement as a soloist at the Cologne Opera followed. Here he first sang lyrical tenor roles: Lyonel in Martha von Friedrich von Flotow , Pinkerton in Madame Butterfly and Matteo in Arabella (Strauss) . In the world premiere of the opera Der Heidenkönig by Siegfried Wagner he sang Radoma. His career took him to the Darmstadt Theater in 1934, to Erfurt in 1935 , to Düsseldorf in 1938 , to the Semperoper in Dresden in 1943 and finally to the Munich State Opera in 1952 , of which he was a member until his death.
He switched to the difficult subject via Bajazzo and became a celebrated Wagner singer at an international level in the post-war period . Wieland Wagner heard Aldenhoff as Siegfried in Leipzig, and when he sang in 1950 in Bayreuth, Herbert von Karajan also agreed to an engagement. He fully met the high expectations of the first “post-war Siegfried” of “Neubayreuth” with his winning portrayal and, with all his impact, always cultivated art of singing. He did not design the figure as a heavy hero, but rather soothingly youthful. The end of the Siegfried Premiere 1951 he crowned with a high C . At the Bayreuth Festival between 1951 and 1957 he could be heard repeatedly as Siegfried in Siegfried and Götterdämmerung . The most important performances are documented as recordings.
In 1939 he made a guest appearance at the Frankfurt Opera as Manrico in Il trovatore and as Riccardo in Un ballo in maschera by Verdi . Here he sang regularly between 1952 and 1957. In 1937 he sang for the first time as Tannhäuser in the “Bayreuth des Nordens”, the forest opera Sopot . Further guest performances were the Vienna Volksoper in 1940 , the Komische Oper Berlin in 1950 , and the Vienna State Opera as Walther von Stolzing in Die Meistersinger von Nürnberg and as Otello , in 1954 Teatro Comunale Florence as Parsifal, 1954 and 1955 Metropolitan Opera New York as Tannhäuser, Tristan and Parsifal, 1955 the Grand Opéra Paris as Siegfried, 1957 Royal Opera House Covent Garden London as Siegfried in Götterdämmerung , 1957 Théâtre de la Monnaie Brussels and 1959 Milan Scala as Erik.
His last appearance was in 1959 in his hometown at the Duisburg City Theater in a performance by Siegfried . He died at the age of only 51 and at the height of his career of food poisoning in Munich. His grave is in the forest cemetery there , old part.
A street was named after Bernd Aldenhoff in 2006 when a new housing estate was built in the Sängerviertel of Dresden-Nickern.
Trivia
- At a performance of The Troubadour alongside Astrid Varnay , Ira Malaniuk and Josef Metternich in Munich, he sang the Stretta so gorgeous that the raging audience did not rest until he had repeated it.
- Aldenhoff's big problem was his lack of artistic compromise when working with directors, namely Wieland Wagner. This annoyed Aldenhoff so much that he left the Green Hill in 1952 and only stood in for the sick Wolfgang Windgassen in 1957 .
Lots
- d'Albert: "Lowlands", Pedro
- Beethoven: “Fidelio”, Florestan
- Flotow: "Martha", Lyonel
- Kienzl: "The Evangelimann", Matthias
- Leoncavallo: "The Bajazzo", Canio
- Offenbach: "Hoffmann's Tales", Hoffmann
- Pfitzner: "Poor Heinrich", Heinrich
- Puccini: "La Boheme", Rudolfo
- Puccini "Madame Butterfly", Pinkerton
- Strauss: "Salome", Herod
- Strauss: "Elektra", Aegisth
- Strauss: "Ariadne on Naxos", Bacchus
- Strauss: "Arabella", Matteo
- Strauss: "The love of Danae"
- Strauss: "The Egyptian Helena", Menelaus
- Tomasi: "Don Juan de Manara", title role
- Verdi: "Il Trovatore", Manrico
- Verdi: “Un ballo in maschera”, Riccardo
- Verdi: "Otello", Otello
- Wagner: "The Flying Dutchman", Erik
- Wagner: "Tannhäuser", Tannhäuser
- Wagner: "Lohengrin", Lohengrin
- Wagner: "Mastersingers of Nuremberg", Walther von Stolzing
- Wagner: "Tristan and Isolde", Tristan
- Wagner: "Valkyrie", Siegmund
- Wagner: "Siegfried", Siegfried
- Wagner: "Götterdämmerung", Siegfried
- Wagner: "Parsifal", Parsifal
- Wagner (Siegfried) "The Heidenkönig", Radoma
- Wagner-Régeny: "The favorite", Fabiano
- Weber: "Der Freischütz", Max
Discography
- D'Albert: Tiefland - Orchester des NDR, Rudolf Alberth, 1953
- Beethoven: Ninth Symphony - Gewandhausorchester Leipzig, Abendroth, 1950
- Beethoven: Fidelio - Staatskapelle Dresden, Joseph Keilberth, 1948
- Pfitzner: The Rose from the Love Garden - Bavarian Radio Symphony Orchestra, Robert Heger, 1953
- Strauss: Salome - Staatskapelle Dresden, Joseph Keilberth, 1948
- Strauss: Salome - Bavarian State Opera, Joseph Keilberth, 1955
- Strauss: Elektra - Bavarian State Opera, Hans Knappertsbusch 1956
- Strauss: The Egyptian Helena - Bavarian State Opera, Joseph Keilberth, 1956
- Tomasi: Don Juan von Mañara - Bavarian State Opera, André Cluytens, 1956
- Wagner: The Flying Dutchman - Orchestra of the NDR, Wilhelm Schüchter, 1951
- Wagner: The Mastersingers of Nuremberg - Sächsische Staatskapelle Dresden, Rudolf Kempe, 1951
- Wagner: Siegfried - Bayreuth Festival, Herbert von Karajan, 1951
- Wagner: Siegfried - Bayreuther Festspiele, Joseph Keilberth, 1952
- Wagner: Siegfried - Bayreuth Festival, Hans Knappertsbusch 1957
- Wagner: Siegfried - Zurich Opera House, Robert F. Denzler 1959
- Wagner: Götterdämmerung - Bayreuth Festival, Knappertsbusch, 1951
- Wagner: Götterdämmerung - Bavarian State Opera, Hans Knappertsbusch, 1955
- Wagner: Parsifal - Symphony Orchestra of Cologne Radio, Richard Kraus , 1949
- Weber: Der Freischütz - Sächsischer Staatskapelle Dresden, Rudolf Kempe, 1949
- Living past - Bernd Aldenhoff (recordings 1946–1949)
- A portrait of Bernd Aldenhoff
- Forest Opera Sopot - The Bayreuth of the North and its singers
- A Portrait of Marianne Schech - Excerpts from Act 2 Parsifal, Orchestra of the Bavarian State Opera, Eugen Jochum
- Georg Hann Arias 1942–43 Recordings - Excerpt from Rheingold
- Leonie Rysanek sings Beethoven / Wagner / Verdi - excerpt from Aida
- Josef Metternich - Rare and Unreleased Recordings - Excerpts from Otello
- Tiana Lemnitz Vol 2 - Wagner scenes - excerpts from The Mastersingers of Nuremberg
Audio samples
- Richard Strauss: The Egyptian Helena - Act 1 (MP3; 32.0 MB)
-
Richard Strauss: The Egyptian Helena - 2nd act (MP3; 33.6 MB)
Helena: Leonie Rysanek, Menelaus: Bernd Aldenhoff, Altair: Hermann Uhde, The omniscient shell: Ira Malaniuk
Prinzregententheater, Munich 1956 - Joseph Keilberth -
Richard Wagner: Schmiedelied from Act 1 Siegfried (MP3; 2.0 MB)
Siegfried: Bernd Aldenhoff; Mime: Paul Kuën; Conductor: Joseph Keilberth; Bayreuth Festival Hall, August 14, 1952 -
Richard Wagner, Siegfried Act 1: “Hey, Mime! Hurry! What is the name of the sword? ” (MP3; 1.0 MB)
Siegfried: Bernd Aldenhoff; Mime: Paul Kuën; Conductor: Joseph Keilberth; Bayreuth Festival Hall, August 14, 1952 -
Richard Wagner, Siegfried Act 1: “Hoho! Hoho! Hohei! ” (MP3; 522 kB)
Siegfried: Bernd Aldenhoff; Mime: Paul Kuën; Conductor: Joseph Keilberth; Bayreuth Festival Hall, August 14, 1952 -
Richard Wagner: Act 2 Götterdämmerung (MP3; 53.5 MB)
Brünnhilde: Astrid Varnay; Siegfried: Bernd Aldenhoff; Hagen: Ludwig Weber; Alberich: Heinrich Plantl; Gunther: Hermann Uhde; Gutrune: Martha Mödl
Conductor: Hans Knappertsbusch Festspielhaus; Bayreuth, August 4, 1951
Web links
- Works by and about Bernd Aldenhoff in the catalog of the German National Library
- Biography with many photos
- Biography on the website of the Bayreuth Festival
- Biography from Riemann Musik Lexikon: Person Teil, Mainz 1972
- Bernd Aldenhoff in the Munzinger archive ( beginning of article freely accessible)
- Photos with Bernd Aldenhoff. Deutsche Fotothek, accessed on June 2, 2015 .
Individual evidence
- ↑ Bernd-Aldenhoff-Strasse. Retrieved June 2, 2015 .
personal data | |
---|---|
SURNAME | Aldenhoff, Bernd |
BRIEF DESCRIPTION | German opera singer (tenor) |
DATE OF BIRTH | June 14, 1908 |
PLACE OF BIRTH | Duisburg |
DATE OF DEATH | October 8, 1959 |
Place of death | Munich |