Bavarian State Opera
The Bavarian State Opera in Munich is one of the most renowned opera houses in the world and can look back on a remarkable history and tradition. World premieres, which were noted throughout Europe, took place around 1700.
Venues
The performances take place in the National Theater on Max-Joseph-Platz, in the Prinzregententheater , in the Alten Residenztheater (Cuvilliés-Theater) or in the Reithalle Munich . The opera house is played by the Bavarian State Orchestra .
The Munich Opera Festival , one of the world's most important music festivals , has also been held here since 1875 .
The detailed history and architecture of the house are described in the article National Theater Munich .
history
The Bavarian State Opera emerged from the Court Opera , although the Bavarian State Orchestra existed a long time before. Munich's first opera house, the opera house on Salvatorplatz , was expanded at the instigation of Electress Henriette Adelheid of Savoy in 1657 and can therefore be considered the oldest in the German-speaking area (apart from the Vienna Court Opera , which also dates back to the mid-17th century). In 1753 the theater in the Residenz became the main venue, where the court continued to play Italian operas . Mozart's Idomeneo was premiered here in 1781 . When the first standing German theater troupe under Elector Karl Theodor, after the dissolution of the Italian opera, moved as the “National Schaubühne” to the “Electoral Court and National Theater” (as the Old Residence Theater was called from 1795), the dilapidated house on Salvatorplatz was able to do so To be closed in 1799. It was canceled three years later. A large Royal Court and National Theater was then built from 1810 to 1817. It had to be rebuilt twice: once after a major fire in 1823-25 and 1958-63 after the Second World War .
Today the Munich State Opera - together with the Bavarian State Orchestra and the Bavarian State Ballet - offers a dense repertoire with almost 350 operas and ballet performances a year.
World premieres
A publication by the Bavarian State Opera recorded 106 opera premieres between 1818 and 2001. Accordingly, the following list is not to be considered exhaustive.
- October 2, 1753, Catone in Utica by Giovanni Ferrandini and Pietro Metastasio ( Residence Theater )
- January 13, 1775, La finta giardiniera by Wolfgang Amadeus Mozart and Giuseppe Petrosellini (?) ( Opera House on Salvatorplatz )
- January 29, 1781, Idomeneo by Wolfgang Amadeus Mozart and Giambattista Varesco (Residenztheater)
- February 1, 1782, Semiramide by Antonio Salieri and Pietro Metastasio (Residenztheater)
- January 27, 1807, Iphigenie in Aulis by Franz Danzi and Karl Reger (Residenztheater)
- June 4, 1811, Abu Hassan by Carl Maria von Weber and Franz Carl Hiemer (Residenztheater)
- December 23, 1812, Jephtha's vows by Giacomo Meyerbeer and Aloys Schreiber (Residenztheater)
- November 9, 1817, Gli amori di Teolinda by Giacomo Meyerbeer (first performance in the Residenztheater after the world premiere in Verona in 1816)
- October 7, 1849, Benvenuto Cellini by Franz Lachner , Henri-Auguste Barbier and Léon de Wailly (German from:?)
- June 10, 1865, Tristan and Isolde by Richard Wagner
- June 21, 1868, The Mastersingers of Nuremberg by Richard Wagner
- September 22nd, 1869, Das Rheingold by Richard Wagner
- June 26, 1870, Die Walküre by Richard Wagner
- June 29, 1888, The Fairies by Richard Wagner
- January 23, 1897, Königskinder (melodrama version) by Engelbert Humperdinck and Elsa Bernstein
- October 10, 1897, Sarema by Alexander von Zemlinsky , Adolf von Zemlinszky and Arnold Schönberg
- January 22nd, 1899, The Bearskin by Siegfried Wagner
- November 27, 1903, Le donne curiose by Ermanno Wolf-Ferrari and Luigi Sugana (German by Hermann Teibler) (Residenztheater)
- March 19, 1906, I quattro rusteghi ( The Four Ruffians ) by Ermanno Wolf-Ferrari and Giuseppe Pizzolato (German by Hermann Teibler)
- December 11, 1906, Das Christ-Elflein by Hans Pfitzner and Ilse von Stach
- December 4, 1909, Il segreto di Susanna (Susannen's secret) by Ermanno Wolf-Ferrari and Enrico Golisciani (German by Max Kalbeck )
- March 28, 1916, Der Ring des Polykrates by Erich Wolfgang Korngold , Leo Feld and Julius Korngold and; Violanta by Erich Wolfgang Korngold and Julius Korngold
- June 12, 1917, Palestrina by Hans Pfitzner ( Prinzregententheater )
- November 30, 1920, The Birds by Walter Braunfels (based on Aristophanes )
- November 15, 1924, Don Gil de las calzas verdes by Walter Braunfels (after Tirso de Molina )
- November 12, 1931, The heart of Hans Pfitzner and Hans Mahner-Mons
- July 24, 1938, day of peace for Richard Strauss , Joseph Gregor and Stefan Zweig
- February 5, 1939, The Moon by Carl Orff
- October 28, 1942, Capriccio by Richard Strauss and Clemens Krauss
- March 29, 1956, Don Juan de Manara by Henri Tomasi (Prince Regent Theater)
- August 11, 1957, The Harmony of the World by Paul Hindemith (Prinzregententheater)
- November 27, 1963, Betrothal in San Domingo from WERNER EGK (after Heinrich von Kleist )
- August 1, 1972, Sim Tjong by Yun I-sang and Harald Kunz
- July 9, 1978, Lear by Aribert Reimann and Claus H. Henneberg
- May 10, 1981, Lou Salomé by Giuseppe Sinopoli and Karl Dietrich Graewe
- July 22, 1985 Le Roi Bérenger (King Bérenger I) by Heinrich Sutermeister (after Eugène Ionesco )
- November 8, 1985, Night by Lorenzo Ferrero and Peter Werhahn (after Novalis )
- January 25, 1986, Belshazar by Volker David Kirchner and Harald Weirich
- July 7, 1986, Troades by Aribert Reimann and Gerd Albrecht (after Euripides and Franz Werfel )
- July 6, 1991, Ubu Rex by Krzysztof Penderecki (after Alfred Jarry )
- July 1, 1996, Slaughterhouse 5 by Hans-Jürgen von Bose (after Kurt Vonnegut )
- January 11, 1997, Venus and Adonis by Hans Werner Henze and Hans-Ulrich Treichel
- May 24, 1998, What you want from Manfred Trojahn and Claus H. Henneberg
- June 28, 2000, KANON for private company by Ruedi Häusermann ( Cuvilliés-Theater )
- October 30, 2000, Bernarda Albas house by Aribert Reimann (after Federico García Lorca )
- June 27, 2002, K. Project 12/14 by Hans-Jürgen von Bose (based on Franz Kafka ) (Cuvilliés-Theater)
- July 17, 2003, The Face in the Mirror by Jörg Widmann and Roland Schimmelpfennig (Cuvilliés-Theater)
- October 27, 2006, The enclosure by Wolfgang Rihm and Botho Strauss
- June 30, 2007, Alice in Wonderland by Chin Un-suk and David Henry Hwang
- February 22nd, 2010, The Tragedy of the Devil by Péter Eötvös and Albert Ostermaier
- October 27, 2012, Babylon by Jörg Widmann and Peter Sloterdijk
- January 31, 2016, South Pole by Miroslav Srnka and Tom Holloway
Directors
Term of office | Intendant |
---|---|
1824 to 1848 | Johann Nepomuk of Poissl |
1848 to 1851 | Karl Theodor von Küstner |
1851 to 1858 | Franz von Dingelstedt |
1868 to 1892 | Karl von Perfall |
1893 to 1906 | Ernst von Possart |
1907 to 1912 | Albert Freiherr von Speidel |
1912 to 1918 | Clemens von Franckenstein |
1918 | Viktor Schwanneke (interim) |
1919 to 1924 | Karl Zeiss |
1924 to 1934 | Clemens von Franckenstein |
1934 to 1935 | Hans Knappertsbusch (interim) |
1935 to 1938 | Oskar Walleck |
1938 to 1940 | Clemens Krauss (State Opera Director) |
1945 to 1952 | Georg Hartmann |
1952 to 1967 | Rudolf Hartmann |
1967 to 1976 | Günther Rennert |
1976 to 1977 | Wolfgang Sawallisch (interim) |
1977 to 1982 | August Everding |
1982 to 1993 | Wolfgang Sawallisch (State Opera Director) |
1993 to 2006 | Sir Peter Jonas |
2006 to 2008 | Kent Nagano (overall artistic direction), Roland Schwab and Ulrike Hessler (directorate) |
since 2008 | Klaus Bachler |
Music directors
Unless otherwise stated in the following, the title of the musical director of the court or state opera has been “general music director” since 1836.
Term of office | musical director | title |
---|---|---|
1836 to 1867 | Franz Lachner | |
1867 to 1869 | Hans von Bülow | Hofkapellmeister |
1870 to 1877 | Franz Wüllner | Hofkapellmeister |
1872 to 1896 | Hermann Levi | |
1894 to 1896 | Richard Strauss | Hofkapellmeister |
1901 to 1903 | Hermann Zumpe | |
1904 to 1911 | Felix Mottl | Court Opera Director |
1913 to 1922 | Bruno Walter | |
1922 to 1935 | Hans Knappertsbusch | |
1937 to 1944 | Clemens Krauss | |
1945 | Hans Knappertsbusch | |
1946 to 1952 | Sir Georg Solti | |
1952 to 1954 | Rudolf Kempe | |
1956 to 1958 | Ferenc Fricsay | |
1959 to 1968 | Joseph Keilberth | |
1971 to 1992 | Wolfgang Sawallisch | |
1993 to 1998 | Peter Schneider | Chief conductor |
1998 to 2006 | Zubin Mehta | |
2006 to 2013 | Kent Nagano | |
since 2013 | Kirill Petrenko |
Ensemble members of the past
literature
- Bavarian State Opera (ed.): Power plant of passion - The Bavarian State Opera . Prestel-Verlag, Munich 2001, ISBN 3-7913-2628-7 .
- Max Zenger , History of the Munich Opera. Posthumous work ed. by Theodor Kroyer , Munich 1923.
- Jürgen Schläder u. a. (Ed.): How to become what you are . The Bavarian State Opera before and after 1945. Henschel, Leipzig 2017, ISBN 978-3-89487-796-5 .
See also
Web links
- Official website of the Bavarian State Opera
- Bavarian State Opera at Operabase (productions, artists and calendar)
- Article about the stage technology of the Bavarian State Opera
- Historical performance material from the Bavarian State Opera in the Bavarian State Library
References and comments
- ^ Power plant of passion - The Bavarian State Opera . Pp. 129-132
Coordinates: 48 ° 8 ′ 22.6 " N , 11 ° 34 ′ 45.6" E