Carl Orff
Carl Orff (born July 10, 1895 in Munich ; † March 29, 1982 ibid) was a German composer and music teacher . His best-known work is the scenic cantata Carmina Burana , which became one of the most popular choral works of the 20th century.
Life
Carl Orff, born in 1895 at Maillingerstraße 16 (today: house no. 30) in the Neuhausen district of Munich , was the son of the professional officer Heinrich Orff and received piano , cello and organ lessons from 1900 . His first composition was also published that year. He gained early experience in making music in a group as a student at the Wittelsbacher Gymnasium , where he accompanied the school orchestra on the organ, piano or harmonium and took over solo parts as soprano in the school choir. He also sang in the church choir on Sundays and at home, accompanied by his mother on the piano, opera parts based on piano reductions. At the age of 14, after visiting the opera Der Fliegende Holländer by Richard Wagner, he was so excited for days that he soon had to visit it again with a piano reduction in order to be approachable again.
After Carl Orff had set poems by Hölderlin and Heine to music for voice and piano in 1911 , he studied from 1913 to 1914 at the Royal Academy of Music in Munich and also devoted himself to music education. After a short military service in 1917/18 he was Kapellmeister in Munich, Mannheim and Darmstadt until 1919 . Orff studied with Heinrich Kaminski in Munich in 1921 and 1922 . In 1924, together with Dorothee Günther , he founded the "Günther School Munich - Training Center of the Federation for Free and Applied Movement e. V. ”, which trained in the areas of gymnastics, rhythm, music and dance. Carl Orff himself took over the management of the music department there. The basis of his work was the idea of developing the musical-rhythmic feeling out of movement. From this idea he and his colleague Gunild Keetman developed a new model for music and movement education: the Orff-Schulwerk . The first publications on this were made between 1930 and 1934.
Relationship to the Nazi state
Carl Orff's behavior in the time of National Socialism has come under increasing discussion in recent years, especially through the publications of the Canadian historian Michael H. Kater . The result is the image of an apolitical composer who was also not interested in politics, who nevertheless knew how to come to terms with those in power in order to be able to pursue his artistic path unhindered, and who enjoyed being courted as an important German composer of his time .
Orff accepted two orders from the rulers: His entry and dance of the children was performed for the opening of the 1936 Olympic Games in Berlin. On behalf of the City of Frankfurt, he revised his stage work for Shakespeare's A Midsummer Night's Dream in 1939 , the first version of which was published in 1917 and which was now to serve as a replacement for the Midsummer Night's Dream music by the ostracized Jewish composer Felix Mendelssohn Bartholdy . In 1944, in the final phase of the Second World War, Orff was named by Hitler on the " Gottbegnadeten-list ", whereby he was exempted from the Wehrmacht and labor on the home front , not least because of the "German cultural heritage", which from the point of view of the rulers was absolutely worth protecting. .
Orff was a personal friend of Kurt Huber , one of the founders of the “ White Rose ” resistance group, who was executed in 1943 for resisting the Nazi regime. After the end of National Socialism, Orff is said to have tried to take advantage of this friendship retrospectively by claiming to the denazification commission, according to Michael Kater, that he himself was a member of the "White Rose", which was not the case. There is, however, no evidence for this claim in the files of the denazification proceedings, which the Viennese historian Oliver Rathkolb regards as a refutation of Kater's thesis. After consulting his assigned American officer and former student, Newell Jenkins, Orff was classified as a follower. He was allowed to practice his profession again. In an interview with Michael Kater on March 3, 1993, Jenkins said that Orff claimed to have founded a youth group with Huber (they had "founded some kind of youth group" together) .
further activities
For the Olympic Games of Berlin 1936, he composed the piece feeder and dancing children . He repeated this at the 1972 Summer Olympics in Munich . Here he composed the greeting of the youth . With Gunild Keetman he edited five volumes of music for children from 1950 to 1954 (new version of the Orff school work). The children should also find themselves through musical education. His teachings are also used in curative education to this day.
His best known work was the Carmina Burana , a piece of music that set 24 texts from the medieval manuscript Carmina Burana to music . He also used literary models (in particular by Aeschylus , Catullus , Friedrich Hölderlin and the Brothers Grimm ) for other works.
In addition to his compositional work, he also took on management positions in various musical institutions. From 1950 to 1960 he was the head of a master class at the Musikhochschule in Munich. In 1961 he was head of the Orff Institute in Salzburg . From 1962 Wilhelm Keller was its director; Together with the Dutch musician and music teacher Pierre van Hauwe , he is one of the greatest supporters of Orff's school work in Europe.
Private life
Carl Orff was married four times, from 1920 to 1927 with Alice Solscher, from 1939 to 1953 in his second marriage with the music therapist Gertrud Willert , from 1954 to 1959 in his third marriage with the writer and teacher Luise Rinser and from 1960 in his fourth marriage Liselotte Schmitz (1930–2012). Orff had a daughter from his first marriage, the actress Godela Büchtemann-Orff (1921-2013).
Orff died after a long illness on March 29, 1982 in Munich. The funeral service led by Abbot Odilo Lechner took place on April 2nd in the Theatinerkirche , the musical framework was Mozart's Requiem . On April 3, Orff was buried in close family and friends in the "Sorrowful Chapel" of the Andechs monastery church, according to his wishes . This is an unusual honor for a non-noble and non-cleric. His ashes are under a plate with his name and a cross on it. The inscription on the plaque above the grave reads “Summus finis” ( Latin for “the highest goal”).
Works
Stage works
- Gisei - The Sacrifice (based on the Japanese drama Terakoya), music drama, op.20 (youth work from 1913; premiere: January 30, 2010 at the Staatstheater Darmstadt )
- "Trionfi"
- Carmina Burana (1937)
- Catulli Carmina (1943)
- Trionfo di Afrodite (1953)
- "Fairy tale pieces"
- The moon , a small world theater (1939)
- The Clever (1943)
- A Midsummer Night's Dream (1917, 1939, 1952, final version 1962, premiere: 1964)
- "Bavarian World Theater"
- The Bernauerin (1947)
- Astutuli , a Bavarian comedy (1953)
- Comoedia de Christi Resurrectione , Osterspiel (1956)
- Ludus de nato Infante mirificus , Christmas play (1960)
- "Theatrum Mundi"
- Antigonae (1949)
- Oedipus the Tyrant (1959)
- Prometheus (1968)
- De temporum fine comoedia - The game of the end of times (1973, new version 1977)
Other works
- Orff-Schulwerk : Music for Children (together with Gunild Keetman; 1930–1935, new version 1950–1954)
- Cantatas
- Three cantatas based on Franz Werfel (1929/30, new version 1968)
- Two cantatas after Bertolt Brecht (1930/31, new version 1973/1968)
- Edits
-
Lamenti after Claudio Monteverdi :
- Orpheus (1924; revised 1939)
- Ariadne's Lament (1925, revised 1940)
- Dance of the Brittle (1925, revised 1940)
- Entrata for orchestra, based on "The Bells" by William Byrd (1928, revised 1941)
-
Lamenti after Claudio Monteverdi :
- The Christmas story (1948), text by Carl Orff, music by Gunild Keetman
Honors (selection)
- Honorary member of the University of Regensburg
- Honorary doctorate from the University of Tübingen
- 1947: Music Prize of the City of Munich
- 1949: National Prize of the GDR III. Art and literature class for Die Kluge , which he later returned.
- 1956: Awarded the "pour le mérite" medal
- 1959: Bavarian Order of Merit
- 1962: Honorary member of the Academy of Fine Arts in Nuremberg
- 1965: Bavarian poet thaler
- 1965: Goethe plaque from the city of Frankfurt am Main
- 1965: Large Cross of Merit with Star of the Federal Republic of Germany
- 1971: Golden Medal of the Humboldt Society
- 1972: Honorary doctorate from the Ludwig Maximilians University in Munich
- 1972: Great Cross of Merit with Star and Shoulder Ribbon of the Federal Republic of Germany
- 1974: Romano Guardini Prize
- 1974: Austrian Decoration for Science and Art
- 1975: Honorary citizen of the city of Munich
- 2001: Naming of the asteroid (21125) Orff
In the Upper Bavarian town of Dießen am Ammersee ( Landsberg am Lech district ), where he lived in the Sankt Georgen district from 1955, the Carl Orff Museum has been remembering him since 1991. The community has awarded the Carl Orff Prize since 2009 .
Numerous public traffic areas and schools were named after him. B. a primary school in Landshut (1971), the secondary school in Bad Dürkheim (1976) and the grammar school in Unterschleißheim (since April 28, 1982).
The Andechs Carl Orff Festival took place in the Andechs Monastery from 1998 to 2015 in the summer months .
The "Association of Bavarian Singing and Music Schools" named the medal created in 1980 for people and institutions who have made outstanding contributions after Carl Orff.
On July 10, 1990, the composer's 95th birthday, the opening ceremony of the Orff Center in Munich by the Bavarian State Minister for Education and Culture, Science and Art, Dr. . hc Hans Zehetmair, as well as Ms. Liselotte Orff and the Carl Orff Foundation. On the occasion of the opening, the press headlined “A house for music” and “The students should do research here”.
After-effects and reception
- From the late 1930s, Gerhard Lenssen became his student. With his one-man theater he realized Orff plays such as Die Kluge , Der Mond and Antigonae - based on Dresden.
- In the mid-1960s, director Stanley Kubrick Orff tried to win over his new feature film project in 2001 as a film composer, because he particularly liked his Carmina Burana . Orff declined because of his age.
- In 1973, the then unknown director Terrence Malick chose a piece from Orff's school work as the main and final music for his first feature film Badlands - Zerschossene Träume : Musica Poetica / Gassenhauer from 4 pieces for xylophone . The soft and harmonious xylophone sounds stand in contrast to the blood trail that the two main actors Martin Sheen and Sissy Spacek draw on their way through the Badlands .
- In 1975 Jean-Pierre Ponnelle realized the television film Carmina Burana for ZDF . The scenes of the cantata were implemented here one to one in places. So there is a swan who mourns his fate when fried. The idea of the eternal cycle is embodied in a huge wheel of return .
- 1981 - The film Excalibur uses the rhythmic choir singing O Fortuna from Orff's Carmina Burana , when the knights go into decisive battle at the climax of the film. Contemporary film composers are now consciously borrowing from Orff and using this style in other films.
- The Carl Orff Ensemble existed in Hanover from 1983 to 2013 .
- In Munich, the Carl-Orff-Bogen and the Carl-Orff-Bogen-Park were named after him.
- 1993 - The German film composer Hans Zimmer uses the theme from Musica Poetica again for the film True Romance . It pays homage to the film Badlands made 20 years earlier - as does the music.
- 2000 - In Forrester - Found! One of the key scenes of the film is deposited with the xylophone sounds from Musica Poetica : You see the author, who suffers from a public phobia, overcome his fear and cycle through New York on a bicycle.
- 2018 - Against the backdrop of the Forbidden City in Beijing, China, a performance of Carmina Burana with the Wiener Singakademie is recorded by 3sat .
student
- Karl Marx (1897–1985)
- Werner Egk (1901–1983)
- Paul Kurzbach (1902–1997)
- Gunild Keetman (1904–1990)
- Heinrich Sutermeister (1910–1995)
- Helmut Eder (1916-2005)
- Werner Schmidt (1925-2007)
- Petar Zwetkow (1925–2012)
- Wilhelm Killmayer (1927-2017)
- Nikos Mamangakis (1929-2013)
- Josef Anton Riedl (1927-2016)
- Gustav Gunsenheimer (* 1934)
- Wilfried Hiller (* 1941)
See also
literature
- Nicole Coppey: Carl Orff's pedagogy. In: Swiss music newspaper. No. 9, September 2011.
- Frohmut Dangel-Hofmann: Orff, Carl. In: New German Biography (NDB). Volume 19, Duncker & Humblot, Berlin 1999, ISBN 3-428-00200-8 , pp. 588-591 ( digitized version ).
- Frohmut Dangel-Hofmann, Carl Orff ─ Michel Hofmann. Letters on the creation of Carmina burana. Hans Schneider, Tutzing 1990, ISBN 3-7952-0639-1 .
- Bernd Edelmann: Carl Orff. In: Katharina Weigand (ed.): Great figures of Bavarian history. Herbert Utz Verlag, Munich 2011, ISBN 978-3-8316-0949-9 .
- Alberto Fassone: Carl Orff. Libreria Musicale Italiana, Lucca 1994. (2nd expanded edition. Lucca 2009, ISBN 978-88-7096-580-3 )
- Lilo Gersdorf: Carl Orff. Reinbek, Rowohlt 2002, ISBN 3-499-50293-3 .
- Michael H. Kater: Carl Orff in the Third Reich. In: Vierteljahrshefte für Zeitgeschichte . 43, 1 (January 1995), pp. 1-35, ifz-muenchen.de (PDF).
- Michael H. Kater: Composers under National Socialism: eight portraits. Parthas, Berlin 2004, ISBN 3-936324-12-3 .
- Harald Kaufmann : Carl Orff as an actor. In: Werner Grünzweig , Gottfried Krieger (Ed.): From inside and outside. Writings on music, musical life and aesthetics. Wolke, Hofheim 1993, pp. 35-40.
- Michael Kugler (Ed.): Elementary dance - elementary music: The Günther School Munich 1924 to 1944. Mainz a. a. 2002, ISBN 3-7957-0449-9 .
- Horst Leuchtmann (Ed.): Carl Orff. A memorial book , Hans Schneider, Tutzing 1985, ISBN 3-7952-0451-8 .
- Andreas Liess: Carl Orff. Idea and work. Revised edition. Goldmann, Munich 1980, ISBN 3-442-33038-6 .
- Hans Maier : Carl Orff in his time. Schott, Mainz 1995. Printed in: ders .: Cäcilia. Essays on Music. Insel, Frankfurt am Main / Leipzig 2005, ISBN 3-458-17276-9 .
- Kurt Malisch: Orff, Carl. In: Karl Bosl (ed.): Bosls Bavarian biography. Pustet, Regensburg 1983, ISBN 3-7917-0792-2 , p. 130 ( digitized version ).
- Pietro Massa: Carl Orff's antique dramas and the reception of Hölderlin in post-war Germany. Peter Lang, Bern / Frankfurt / New York 2006, ISBN 3-631-55143-6 .
- Carl Orff and his work. Documentation. 8 volumes. Schneider, Tutzing 1975–1983, ISBN 3-7952-0154-3 , ISBN 3-7952-0162-4 , ISBN 3-7952-0202-7 , ISBN 3-7952-0257-4 , ISBN 3-7952-0294- 9 , ISBN 3-7952-0308-2 , ISBN 3-7952-0308-2 , ISBN 3-7952-0373-2 .
- Godela Orff: My father and I. Piper, Munich 1995, ISBN 3-492-18332-8 .
- Thomas Rösch: The music in the Greek tragedies by Carl Orff. Hans Schneider, Tutzing 2003, ISBN 3-7952-0976-5 .
- Thomas Rösch: Carl Orff ─ Music to Skakespeare's "A Midsummer Night's Dream". Origin and interpretation. Orff Center, Munich 2009.
- Thomas Rösch (ed.): Text, music, scene ─ The music theater by Carl Orff. Symposium Orff Center Munich 2007. Schott, Mainz 2015, ISBN 978-3-7957-0672-2 .
- Jürgen Schläder : Carl Orff . In: Jürgen Schläder (Ed.): How one becomes what one is. The Bavarian State Opera before and after 1945 . Henschel, Leipzig 2017, ISBN 978-3-89487-796-5 , pp. 283-296 .
- Reinhard Schulz: Old snow? In: nmz. 3, 1999.
- Werner Thomas: Carl Orff, De temporum fine comoedia. The game of the end of times. Vigilia , Hans Schneider, Tutzing 1973, ISBN 3-7952-0132-2 .
- Werner Thomas: Das Rad der Fortuna ─ Selected essays on the work and impact of Carl Orff. Schott, Mainz 1990, ISBN 3-7957-0209-7 .
- Werner Thomas: Orff's fairy tale pieces. The moon ─ the clever one. Schott, Mainz 1994, ISBN 3-7957-0266-6 .
- Werner Thomas: To the unknown god. An unexecuted choral work by Carl Orff. Schott, Mainz 1997, ISBN 3-7957-0323-9 .
Web links
- Works by and about Carl Orff in the catalog of the German National Library
- Works by and about Carl Orff in the German Digital Library
- Anja Tschierschke, Irmgard Zündorf: Carl Orff. Tabular curriculum vitae in the LeMO ( DHM and HdG )
- Carl Orff in the Bavarian Musicians' Lexicon Online (BMLO)
- Literature on Carl Orff in the bibliography of music literature
- Carl Orff at Discogs (English)
- Biographical information and catalog raisonné at Schott Musik
- Website of the Carl Orff Foundation on the life and work of the composer.
- Orff Center Munich State Institute for Research and Documentation
- Alberto Fassone: Orff, Carl. In: Grove Music Online (English; subscription required).
- David B. Dennis: Review of Michael H. Katers Carl "Orff in the Third Reich" (English).
- Portrait of Carl Orff on the occasion of the 25th year of his death in 2007 on the KlassikInfo portal .
- Video: Carl Orff in his home near Diessen am Ammersee 1958 . Institute for Scientific Film (IWF) 1959, made available by the Technical Information Library (TIB), doi : 10.3203 / IWF / G-37 .
Individual evidence
- ^ Commemorative plaque Carl Orff , Stadtportal München, accessed on October 26, 2017.
- ^ Christian Lankes, Wolfram Funk : Munich as a garrison in the 19th century: the capital and residence city as the location of the Bavarian army of Elector Max IV Joseph until the turn of the century. Mittler, Berlin 1993, ISBN 3-8132-0401-4 , p. 503 ( limited preview in the Google book search).
- ↑ Ulrich Rühle: The youth of great composers: How they became what they were. dtv junior, Munich 1983, ISBN 3-423-70011-4 .
- ↑ Bayerisches Hauptstaatsarchiv IV , war log roll No. 13657 (1st field artillery regiment / II. Replacement department)
- ^ Michael H. Kater: Composers under National Socialism: eight portraits. Parthas, Berlin 2004, ISBN 3-936324-12-3 .
- ↑ Michael H. Kater: Carl Orff in the Third Reich. In: Vierteljahrshefte für Zeitgeschichte. Issue 1, 1995, pp. 1-35.
- ^ Ernst Klee : The culture lexicon for the Third Reich. Who was what before and after 1945. S. Fischer, Frankfurt am Main 2007, ISBN 978-3-10-039326-5 , p. 443.
- ↑ Was Orff a member of the "White Rose"? Klassik.com, February 11, 1999.
- ↑ Quarterly Books for Contemporary History , Issue 1, 1995, pp. 1–35.
- ↑ Compilation of the life data by the Carl Orff Foundation .
- ↑ Orff-Schulwerk-Informations , Issue No. 29, May 1982 (PDF; 3.7 MB) accessed January 11, 2013.
- ↑ Weimar National Theater. In three classes . In: Der Spiegel . No. 36 , 1949, pp. 12 ( online ).
- ^ Carl Orff: life data. Retrieved June 3, 2018 .
- ^ Homepage of the Dießen Carl Orff Museum
- ^ The Carl Orff Medal of the Association of Bavarian Singing and Music Schools e. V. with awards since 1980
- ^ Orff Center Munich
- ↑ Hans Böhm: A great memory / To the death of Gerhard Lenssen . In: Dresdner Latest News . January 26, 1992, p. 15 .
personal data | |
---|---|
SURNAME | Orff, Carl |
BRIEF DESCRIPTION | German composer and music teacher |
DATE OF BIRTH | July 10, 1895 |
PLACE OF BIRTH | Munich |
DATE OF DEATH | March 29, 1982 |
Place of death | Munich |