De temporum fine comoedia - The game of the end of times

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Work data
Title: De temporum fine comoedia - The game of the end of times
Shape: Oratorio opera
Original language: ancient Greek , Latin , German
Music: Carl Orff
Libretto : Carl Orff
Literary source: Sibylline prophecies , Orphic hymns
Premiere: 20th August 1973
Place of premiere: Salzburg
Playing time: approx. 1 hour 15 minutes
people
  • 9 Sibyls (3 dramatic sopranos , 4 mezzo- sopranos , 1 alto , 1 low alto)
  • 9 anchors ( tenor , 5 baritones , 2 basses , 1 deep bass)
  • The last people (three large mixed choirs , small choir in the orchestra [sopranos / mezzo-sopranos])
  • Choir leader (speaker)
  • Lucifer (speaker)
  • Alto solo, tenor solo, boy's voices

De temporum fine comoedia - The game from the end of times (also: De temporum fine comœdia) is an oratorio opera by Carl Orff .

De temporum fine comoedia is Orff's last major work in which he deals intensively with the chorale rhythm, the percussive structure and the contrast between polyphony, homophony and antiphony.

layout

construction

The work is divided into three images :

  1. The Sibyls
  2. The anchorites
  3. "Dies illa"

Instrumentation

history

Emergence

The work was premiered in 1973 at the Salzburg Festival by Herbert von Karajan with a group of renowned soloists (including Christa Ludwig and Josef Greindl ). Due to the complexity of her writing, the high demands on numbers, and the unrewarding nature of her extremely violent but repetitive music, she is very rarely played these days. In contrast, and all the better, there are two sublime moments because of the peace: Satan's threefold call "Father, Peccavi" ("Father, I have sinned"), punctuated by muffled trumpets, and the last canon for violas.

In 1977 the composer revised his work. This new version was in 1977 in Stuttgart, Ferdinand Leitner and 1980 in Munich under Rafael Kubelik concert listed. Orff revised the work again for the printing of the score in 1981. This last version was staged for the first time on May 15, 1994 in the Ulm Theater.

Recordings / discography

literature

  • Alberto Fassone: Carl Orff . 2nd Edition. Libreria Musicale Italiana, Lucca 2009, ISBN 978-88-7096-580-3 .
  • Horst Leuchtmann (Ed.): Carl Orff. A memorial book . Hans Schneider, Tutzing 1985, ISBN 3-7952-0451-8 .
  • Andreas Liess: Two essays on Carl Orff: De Temporum Fine Comoedia. Böhlau, Vienna / Cologne / Graz 1981.
  • Carl Orff and his work. Documentation . Volume VIII: Theatrum Mundi . Hans Schneider, Tutzing 1983, ISBN 3-7952-0373-2 .
  • Reinhard Raffalt : The game of the end of times. In: ders .: Western culture and Christianity. Essays. Piper, Munich 1981, ISBN 3-492-02470-X , pp. 229-240.
  • Thomas Rösch (ed.): Text, music, scene ─ The music theater by Carl Orff. Symposium Orff Center Munich 2007 . Schott, Mainz 2015, ISBN 978-3-7957-0672-2 .
  • Thomas Rösch: On the meaning of the »hypocryphic quotations« in the last part »Dies illae« of Carl Orff's »De temporum fine comoedia« . In: ders. (Ed.): Text, Music, Scene ─ Das Musiktheater von Carl Orff. Symposium Orff Center Munich 2007 . Schott, Mainz 2015, ISBN 978-3-7957-0672-2 , pp. 247-299.
  • Werner Thomas: Carl Orff, De temporum fine comoedia. The game of the end of times - Vigilia. An interpretation. Hans Schneider, Tutzing 1973, ISBN 3-7952-0132-2 .
  • Werner Thomas: Das Rad der Fortuna ─ Selected essays on the work and impact of Carl Orff . Schott, Mainz 1990, ISBN 3-7957-0209-7 .
  • Werner Thomas: De temporum fine comoedia. In: Carl Dahlhaus (Ed.): Piper's Enzyklopädie des Musiktheater . Volume 4. Piper, Munich 1991, ISBN 3-492-02414-9 , p. 581 ff.
  • Werner Thomas: To the unknown god. An unexecuted choral work by Carl Orff . Schott, Mainz 1997, ISBN 3-7957-0323-9 .

Web links