Christopher Doyle
Christopher Doyle ( Chinese 杜 可 風 / 杜 可 风 , Pinyin Dù Kěfēng , Jyutping Dou 6 Ho 2 fung 1 , Cantonese To Ho-Fung ; born May 2, 1952 in Sydney , Australia ) is a Hong Kong- based cameraman , photographer , director , screenwriter and occasionally also actors . During his collaboration with director Wong Kar-Wai , he developed an improvising and extremely agile film style and thus shaped a generation of filmmakers in Asia.
life and work
Christopher Doyle first worked as an oil prospector in Thailand, was a seaman in the Norwegian merchant navy and cowherd in an Israeli kibbutz , theater director in Taiwan and later a doctor for Chinese medicine in Thailand. In 1978 he and friends founded the Lanling Theater Workshop in Taipei , the first modern theater company in Taiwan. He also produced travel films for television ( Traveling Images ).
In 1983 he began his career as a cameraman in Asia. Edward Yang asked him to lead the camera for his debut feature That Day on the Beach, despite protests from full-time cinematographers. Fearing work restrictions afterward, Doyle left Taiwan. In 1986 he went to Paris to work as cameraman for Claire Devers' feature film Noir et Blanc , which was nominated for the César in 1987 in the category Best First Work . Doyle returned to Asia in 1986, when he realized that this was his home. Word of his unusual camerawork got around, so that he found employment in Hong Kong's film industry. He achieved his artistic and commercial breakthrough with Wong Kar-wai's feature film Days of Being Wild (1991). Since then he has shot all of Wong's films except for My Blueberry Nights (2007) and impressed the international audience with his extraordinary camera perspectives, drives and lighting.
In addition to his cooperation with Wong, he has also worked with renowned directors such as Chen Kaige , Stanley Kwan and Zhang Yimou . After a few feature films, he became a sought-after cameraman in Asia and internationally. In 1998 he went to Hollywood , where he was commissioned to film Barry Levinson's drama Liberty Heights (1999) before he ventured to direct a film for the first time. With his debut film Away with Words (1999), for which he also wrote the screenplay, he achieved a respectable success.
Today Doyle works primarily as a photographer and cameraman. His life and work partner is the Chinese camerawoman Rain Kathy Li (* 1983). He is fluent in Standard Chinese , Cantonese , English and French.
Quote
“Chris determines the design of a scene with his ideas, but only if the director himself doesn't know what to do next. He's a very strong personality. [...] Chris is a master at building scenes that breathe a certain anticipation and hold unforeseen possibilities. He would never pan with the movement of the actors like most cameramen do. He lets them go completely or partially out of the picture: What happens now? Sometimes he follows the actors with a little delay without re-centering them, sometimes he cuts them off. In this way, the cinematic space becomes a field full of tension for the audience, over which they never have control. This gives the film its rhythm: It looks as if the camera is reacting to the event and not determining it. "
Filmography (selection)
As a cameraman
- 1983: That Day on the Beach by Edward Yang
- 1986: Soul ( 老娘 夠 騷 , lǎo niáng gòu sāo , Cantonese Lou neung gau sou )
- 1986: Noir et blanc by Claire Devers
- 1986: That Day, on the Beach ( 海灘 的 一天 , hǎi tān de yī tiān , Cantonese Hoi taan dik yat tin )
- 1989: Her Beautiful Life Lies ( 說謊 的 女人 , shuō huǎng de nǚ rén , Cantonese Syut fong dik neui yan )
- 1989: My Heart Is That Eternal Rose ( 殺手 蝴蝶 夢 , shā shǒu hú dié mèng , Cantonese Saat sau wu dip mung )
- 1991: Days of Being Wild ( 阿飛正傳 , ā fēi zhèng zhuàn , Cantonese A fei jing juen ) by Wong Kar-wai
- 1992: The Peach Blossom Land ( 暗戀 桃花源 , àn liàn táo huā yuán , Cantonese Ngam lyun tou fa yun )
- 1992: Awakening ( 夢醒 時分 , mèng xǐng shí fēn , Cantonese Mungsing Sifan )
- 1994: Red Rose White Rose ( 紅 玫瑰 白 玫瑰 , hóng méi guī, bái méi guī , Cantonese hung mui gwai baak mui gwai )
- 1994: Dōngxié Xīdú ( 東邪西毒 , Dōngxié Xīdú , Cantonese Dung che sai duk )
- 1994: The Red Lotus Society (Feixia Ahda)
- 1994: Chungking Express ( 重慶 森林 , Chóngqìng Sēnlín , Cantonese Chung hung sam lam ) by Wong Kar-wai
- 1995: The Peony Pavilion ( 我 的 美麗與哀愁 , wǒ de měi lì yǔ āi chóu , Cantonese Ngo dik mei lai yu oi sau )
- 1995: Fallen Angels ( 墮落 天使 , duò luò tiān shǐ , Cantonese Do lok tin si )
- 1996: 4 Faces of Eve ( 四面 夏娃 , sì miàn xià wá , Cantonese Sei min ha wa )
- 1996: wkw / tk / 1996 @ 7'55 ″ hk.net (short film)
- 1996: Yang ± Yin: Gender in Chinese Cinema ( 男生 女 相 : 中国 电影 之 性别 )
- 1996: Seductive Moon ( 月 風 , fēng yuè , Cantonese Fung yut )
- 1997: First Love. The Litter on the Breeze ( 初 纏 戀 后 的 二人 世界 , chū chán liàn hòu de èr rén shì jiè , Cantonese Choh chin luen hau dik yi yan sai gaai )
- 1997: Motel Cactus (Motel Seoninjang)
- 1997: Happy Together ( 春光乍泄 , chūn guāng zhà xiè , Cantonese Cheun gwong tsa sit )
- 1998: Psycho (1998) (remake)
- 1999: Liberty Heights
- 1999: Away with Words ( 三條 人 , sān tiao rén , Cantonese Saam tiu yan )
- 2000: In the Mood for Love ( 花樣 年華 , huā yàng nián huá , Cantonese Fa yeung nin wa ) by Wong Kar-wai
- 2001: Made
- 2002: Hero ( 英雄 , yīng xióng , Cantonese Ying hung )
- 2002: The Quiet American
- 2002: Three… Nightmares ( 三更 , sān gēng , Cantonese Saam gaang ) - Going Home segment
- 2002: Long Walk Home (Rabbit-Proof Fence)
- 2002: Following the Rabbit-Proof-Fence (TV documentary)
- 2002: Infernal Affairs ( 無間道 , wú jiān dào , Cantonese Mou gaan dou )
- 2003: Green Tea ( 綠茶 , Lǜ chá , Cantonese Luk cha )
- 2003: Last Life in the Universe ( Thai .เรื่อง รัก น้อย นิด มหาศาล, ruang rak noi nid mahasan)
- 2004: Eros - The Hand segment
- 2004: Dumplings - Delicate Temptation ( 餃子 , jiǎo zi , Cantonese Gaau ji )
- 2004: Three… Extremes ( 三更 2 , sān gēng èr , Cantonese Saam gaang yi ) - segment Dumplings ( 餃子 , jiǎo zi , Cantonese Gaau ji )
- 2004: 2046
- 2005: The White Countess by James Ivory
- 2005: Perhaps Love ( 如果 愛 , Rú guǒ • ài , Cantonese Yu gwo • ngoi )
- 2006: Invisible Waves ( Thai .คำพิพากษา ของ มหาสมุทร)
- 2006: The girl from the water
- 2006: Paris, je t'aime - Porte de Choisy segment
- 2007: Paranoid Park by Gus Van Sant
- 2008: Downloading Nancy
- 2009: The Limits of Control by Jim Jarmusch
- 2009: Ondine - The Sea Girl by Neil Jordan
- 2011: Underwater Love - A Pink Musical by Shinji Imaoka
- 2013: a good story
- 2014: Ruined Heart: Another Lovestory Between A Criminal & A Whore by Khavn
- 2016: Endless Poetry (Poesía sin fin)
- 2017: Human Flow (documentary)
As a director
- 1999: Away with Words ( 三條 人 , sān tiao rén , Cantonese Saam tiu yan )
- 2006: Paris, je t'aime - Port de Choisy segment
- 2008: Warsaw Dark (Izolator)
- 2015: Hong Kong Trilogy: Preschooled Preoccupied Preposterous
As a screenwriter
- 1999: Away with Words ( 三條 人 , sān tiao rén , Cantonese Saam tiu yan )
- 2006: Paris, je t'aime - Port de Choisy segment
As an actor
- 1993: Another Stakeout (Another Stakeout)
- 1996: Comrades: Almost a Love Story ( 甜蜜 蜜 , tián mì mì , Cantonese Tim mat mat )
- 1998: Andoromedia
- 2002: Marshall Law (TV series)
- 2006: McDull, the Alumni (Chun tian hua hua tong xue hui)
- 2007: Paranoid Park
Awards
- 2002 Best camera work at Hero
- 1995 Best camera work with Fallen Angels
- 1994 Best camera work with Ashes of Time
- 1990 Best camera work at Days of Being Wild
- 1986 Best camera work with Soul
- 2000 Best camera work for In the Mood for Love
- 1994 Best camera work with Ashes of Time
- 1994 Osella d'Oro for best camera work with Ashes of Time
- 2000 Grand Technical Prize for best camera work at In the Mood for Love
- 2005 Best camera work in 2046
- 2004 Best camera work at Hero
- 2001 Best camera work for In the Mood for Love
- 2005 Best camera work in 2046
- 2004 Best camera work at Hero
- 2001 Best camera work for In the Mood for Love
- 2005 Best camera work in 2046
- 2005 Best camera work in 2046
- 2001 Best camera work for In the Mood for Love
- 2004 Best camera work at Hero
bibliography
- Angel Talk. London 1996, ISBN 4-9900557-0-5 .
- Backlit by the moon. Tokyo 1996, ISBN 4-947648-39-2 .
- Buenos Aires. London 1997, ISBN 4-7952-8066-5 .
- Cloud in Trousers. Santa Monica 1998, ISBN 1-889195-33-2 .
- Motel Cactus. Kyoto 1999, ISBN 4-7713-0360-6 .
- Shincho mook 061. Tokyo 2004, ISBN 4-10-790131-9 .
Web links
- Christopher Doyle in the Internet Movie Database (English)
- Christopher Doyle , New York Times , biography (English)
- Portrait of Christopher Doyle , kino.de, 2009
- Interview: "Chris Doyle's unleashed camera" , DRS 2 , March 11, 2008, as an mp3 file , 30 min., With Michael Sennhauser in Cannes
swell
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↑ Michael Sennhauser: "Chris Doyle's Unleashed Camera" , DRS 2 , March 11, 2008
Portrait of Christopher Doyle , kino.de, 2009 - ↑ Christopher Doyle , New York Times
- ^ Photo by Rain Kathy Li and Doyle and Kurz-Bio , cinematographers.nl
- ↑ "Panasiatisches Wunderwerk" ( Memento of the original dated December 2, 2013 in the Internet Archive ) Info: The archive link was inserted automatically and not yet checked. Please check the original and archive link according to the instructions and then remove this notice. , fluter.de, December 7, 2006, interview with the Thai director Pen-Ek Ratanaruang
- ↑ Christopher Doyle in the Internet Movie Database (English), transcriptions: cinemasie.com ( Memento from September 30, 2007 in the Internet Archive )
- ↑ Information on the Golden Horse Film Festival and the Hong Kong Movie Awards : Cinemasie.com ( memento of September 30, 2007 in the Internet Archive ), information on all other awards: New York Times ( memento of August 20, 2003 in the Internet Archive ), accessed on March 12, 2019
personal data | |
---|---|
SURNAME | Doyle, Christopher |
BRIEF DESCRIPTION | Australian cameraman |
DATE OF BIRTH | May 2, 1952 |
PLACE OF BIRTH | Sydney , Australia |