James Ivory
James Francis Ivory (born June 7, 1928 in Berkeley , California ) is an American film director , film producer and screenwriter . He became known as the director of award-winning literary adaptations such as Room with a View , Howards End Again and What Was Left of the Day . Ivory received an Oscar in 2018 for his screenplay for the film Call Me by Your Name .
life and career
The son of a wealthy lumberjack family grew up in Oregon . He attended USC Film School , where he also made his first documentary, which he was able to finance thanks to donations from his father. While showing a documentary about Indian miniature painting at the Indian Consulate in New York , Ivory met the more experienced filmmaker Ismail Merchant . In addition to a professional partnership, this also resulted in a private community . In total, over 20 films were made with Merchant as producer and Ivory as director. This private and professional relationship lasted until Merchant's death in 2005. Except for the role of Olive Chancellor ( Vanessa Redgrave ) in The Ladies from Boston and the film Maurice , homosexual characters or themes do not play a special role in the joint productions.
In 1961 they founded the production company Merchant Ivory Productions , which still exists today. Ruth Prawer Jhabvala wrote the screenplay for the first joint project, The Householder (1963), who worked as a writer for almost all joint productions. Jhabvala wrote the script for Heat and Dust (1983), starring Julie Christie, based on her own novel, which had previously won the Booker Prize in 1975 . After The Europeans (1979), a film adaptation of the novel by Henry James , Ivory practically only worked with the American composer Richard Robbins in his films .
Ivory became known to a broader cinema audience from the 1980s onwards with elaborate and stylish film adaptations of literary originals, especially from England. The first worldwide success of Merchant Ivory Productions was Zimmer mit Aussicht (1985), a film adaptation of the novel of the same name by EM Forster , which became an unexpected box-office hit and brought Helena Bonham Carter the acting breakthrough. Room with a View was nominated for eight Academy Awards and won three of the awards. In 1987 Ivory directed another EM Forster novel with Maurice , which focuses on a gay love affair. The film was not very successful with the audience at the time, but is now regarded as one of their best films. The comedy Big City Slaves (1988), which was set in New York's artistic milieu, was not very successful either . In Mr. & Mrs. Bridge (1990), the actor couple Paul Newman and Joanne Woodward played the leading role. Ivory reached the peak of his career with the films Reunion in Howards End (1992), which won four Academy Awards and was the third Forster film, and What Was Left of the Day (1993) based on the novel by Kazuo Ishiguro . In both films played Anthony Hopkins and Emma Thompson leading roles, the latter by the two films her acting breakthrough had. He was nominated for an Oscar for best director for Zimmer mit Aussicht , Bye in Howards End and What Was Left Of The Day .
After Jefferson in Paris in 1995, in which Nick Nolte played the leading role as Thomas Jefferson , the success of Merchant Ivory Productions and the boom in historical film adaptations in general slowly waned. Nevertheless, Ivory remained connected to the staging of such materials, for example with the Henry James film The Golden Bowl (2000) and the drama The White Countess (2005), for which Ishiguro wrote the script. After Merchant's death in 2005, Ivory only directed the less publicized drama The City of Your Final Destination with Anthony Hopkins and Laura Linney , which is largely set in Uruguay .
His script for the romantic drama Call Me by Your Name (2017), which he also co-produced, earned him an Oscar , the British Film Award , the Critics' Choice Movie Award and an award from the Writers Guild of America . At the age of 89, Ivory became the oldest person to ever win an Oscar in a competition through his award at the 2018 Academy Awards .
style
In the English-speaking world, the term Merchant Ivory film stands in film circles for a certain genre, namely costume films with famous British actors as well as literary and historical references. The mostly finely nuanced literary adaptations were unmistakable and very similar, but they had "high standards", and Ivory had directed "more good films than bad ones".
Many of the films by Merchant Ivory Productions play with intelligent figures of the middle and upper classes in an elegant setting and are often set historically in the early 20th century. Although many of the films appear well-produced, the budgets were mostly low, and Ivory was therefore able to direct film projects with great artistic freedom. He was particularly interested in intercultural conflicts (e.g. between Indians and British or British and Americans), the oppression of individuals (especially women) and social class differences (e.g. in reunion in Howards End and Was vom Tage, where characters with different Status and different political views clash). Houses and furniture are often the focus of the film plot and take on a symbolic role, which is also attributable to Ivory's personal interest in architecture.
Filmography (selection)
- 1959: The Sword and the Flute (short film, also screenplay)
- 1963: The Householder
- 1965: Shakespeare-Wallah
- 1970: Hollywood in Bombay (Bombay Talkie)
- 1972: Unterwilden (Savages)
- 1974: Wild Party (The Wild Party)
- 1975: Autobiography of a Princess
- 1977: The Dance Palace (Roseland)
- 1978: The hustle and bustle around Georgie's and Bonnie's pictures (Hullaballo over Georgie's and Bonnie's Pictures)
- 1979: The Europeans (The Europeans) - a novel by Henry James
- 1980: Jane Austen in Manhattan
- 1981: Quartett (Quartet) - based on a novel by Jean Rhys
- 1982: Heat and Dust (Heat and Dust)
- 1984: The Bostonians (The Bostonians) - a novel by Henry James
- 1985: Room with a View (A Room with a View) - after the novel by Edward Morgan Forster
- 1987: Maurice - based on the novel of the same name by Edward Morgan Forster
- 1988: Big City Slaves (Slaves of New York)
- 1989: Mr. & Mrs. Bridge
- 1991: Reunion in Howards End (Howards End) - based on the novel of the same name by Edward Morgan Forster
- 1993: What is left of the day remained (The Remains of the Day) - a novel by Kazuo Ishiguro
- 1994: Jefferson in Paris
- 1996: My husband Picasso (Surviving Picasso)
- 1998: A Soldier's Daughter Never Cries
- 2000: The Golden Bowl (The Golden Bowl) - a novel by Henry James
- 2003: An Affair in Paris (Le Divorce) (also screenplay, the latter together with Ruth Prawer Jhabvala)
- 2005: The White Countess
- 2009: The City of Your Final Destination
- 2017: Call Me by Your Name (script only)
Awards
- 1984: Nomination for Best Director for Heat and Dust
- 1987: Nomination for Best Director for Rooms with a View
- 1987: Award for the best film for rooms with a view (with Ismail Merchant)
- 1993: Nomination for Best Director, Howards End Again
- 1993: Award for Best Film for Howards End (with Ismail Merchant)
- 1993: Nomination for Best Director for Was vom Tage Left
- 1994: Nomination for the best film for What was left of the day (with Ismail Merchant)
- 2018: Award for the best adapted screenplay for Call Me by Your Name
- 2018: Award for the best adapted screenplay for Call Me by Your Name
- 1987: Award for Best Film and Best Director for Rooms with a View
Directors Guild of America Award
- 1995: Lifetime achievement award
- 1987: Nomination for Best Director for Rooms with a View
- 1993: Nomination for Best Director, Howards End Again
- 1994: Nomination for Best Director for Was vom Tage Left
Berlin International Film Festival
- 1965: Nomination for the Golden Bear for Shakespeare-Wallah
Cannes International Film Festival
- 1992: Awarded the anniversary prize at the 45th film festival for reunion in Howards End
Venice International Film Festival
- 1987: Awarded the Silver Lion for Maurice (together with the film Lunga vita alla signora)
- 1992: Award for Best Director, Howards End Again
- 1987: Nomination for Best Director for Rooms with a View
- 1993: Nomination for Best Director, Howards End Again
- 1994: Nomination for Best Director for Was vom Tage Left
- 2018: Award for the best adapted screenplay for Call Me by Your Name
Writers Guild of America Award
- 2018: Award for the best adapted screenplay for Call Me by Your Name
Web links
- James Ivory in the Internet Movie Database (English)
- Ivory's relationship with Merchant ( Memento from October 30, 2005 in the Internet Archive )
- James Ivory in the Munzinger archive ( beginning of article freely accessible)
- Grateful on the big stage - for the 90th birthday of Oscar winner James Ivory. In title culture magazine (June 7, 2018)
Individual evidence
- ↑ a b c Axel Schock & Karen-Susan Fessel: OUT! - 800 famous lesbians, gays and bisexuals , Querverlag, Berlin 2004, ISBN 3-89656-111-1
- ^ Merchant Ivory Productions (website). Accessed March 8, 2018 .
- ↑ Guy Lodge: Maurice at 30: the gay period drama the world wasn't ready for . In: The Guardian . May 19, 2017, ISSN 0261-3077 ( theguardian.com [accessed October 16, 2019]).
- ↑ Jake Nevins: James Ivory is oldest Oscar winner ever with screenplay award for Call Me by Your Name. March 5, 2018, accessed March 5, 2018 .
- ↑ Mick LaSalle: Merchant-Ivory's final film a refined delight. Naturally. January 13, 2006, accessed October 16, 2019 .
- ^ Roger Ebert: Ismail Merchant: In Memory | Interviews | Roger Ebert. Accessed March 8, 2018 .
- ↑ James Ivory | Biography, Movie Highlights and Photos | AllMovie. Retrieved March 8, 2018 .
- ^ Roger Ebert: Howards End movie review & film summary (1992) | Roger Ebert. Retrieved October 16, 2019 .
- ^ Condé Nast: How James Ivory's Love of Architecture Impacts Cinema History. Retrieved October 16, 2019 .
personal data | |
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SURNAME | Ivory, James |
ALTERNATIVE NAMES | Ivory, James Francis (full name) |
BRIEF DESCRIPTION | American film director |
DATE OF BIRTH | June 7, 1928 |
PLACE OF BIRTH | Berkeley (California) , California |