Giuseppe Maria Orlandini

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Giuseppe Maria Orlandini ( April 4, 1676 in Florence - October 24, 1760 there ) was an Italian opera composer . He worked mainly in Florence and Bologna.

Life

Orlandini's first work, the oratorio Il martirio di S Sebastiano, was performed in Florence in 1694. In 1711 at the latest, he called himself Kapellmeister of the Prince and later Grand Duke of Tuscany Gian Gastone de 'Medici . This position was not officially confirmed until April 1732. On April 5 of this year he also took over the position of Kapellmeister at the cathedral in Florence. From 1719 he became a member of the Accademia Filarmonica of Bologna, where he mainly lived between 1717 and 1731. There he married the singer Maria Maddalena Buonavia. Afterwards he worked mainly in Florence, as can be seen from the premiere dates of his serious operas composed afterwards. At the Teatro della Pergola he worked as an impresario in the seasons of 1722 and 1751 and as a resident composer in the 1730s. From 1734 to 1757 he also worked as Kapellmeister in S. Michele Berteldi.

Orlandini's activity as a teacher has not yet been fully explored. Domenico Zipoli was one of his students .

effect

In his time, Orlandini enjoyed a great reputation as an opera composer. Padre Martini described him as "molto celebre nel comporre la musica drammatica". By 1720 at the latest, his fame must have reached Venice, as Benedetto Marcello satirized his name on the title page of his satire Il teatro alla moda as "Orlando". Both his serious operas and his comical interludes were extremely popular. The latter can be compared in importance with those of Giovanni Battista Pergolesi . His Bacocco e Serpilla from 1715 is probably the most frequently performed musical stage work in the 18th century. During the performances it had different titles and was often edited and supplemented with music by other composers. But Orlandini was also successful with oratorios. La Costanza trionfante nel martirio di S. Lucia (Florence 1705) should be mentioned in particular .

Works

Only a few of his works have preserved the music. These include the operas Bacocco e Serpilla (1715), Arsace (1721, adaptation of Amore e maestà from 1715), Antigona (1718), Nerone (1721), Berenice (1725), Massimiano (1731) and Le nozze di Perseo e Andromeda (1738).

Orlandini's modern style is already evident in his early opera Antigona . She uses a light orchestral accompaniment, which is often supported by "drum basses". There are slow, simple harmony sequences, regular phrasing after every two bars and often reversed rhythms. The Intermezzo Bacocco e Serpilla is already characterized by the characteristics typical of the later works of this genre, such as short, simple arias with syllabic text distribution, large interval jumps, tone repetitions, lively rhythms, static harmonies and only hinted accompanying clauses. Orlandini had a keen sense for the instrumentation. For example, in Clodimiro's aria “La tua fortuna o bella” in his opera Adelaide, two oboes and a bassoon perform with the string orchestra. In the same opera, the treatment of the trumpets, a concertante bassoon and the string tour in the scene of Adelaide in act two are also worth mentioning.

Operas

  • La costanza fra gl'inganni; Libretto: Apostolo Zeno .
  • La Giuditta di Baviera, dramma per musica; Date of premiere unknown; Revised (?) 1713 in Forlì.
  • Artaserse, dramma per musica; Libretto: Apostolo Zeno and Pietro Pariati ; 1706, Livorno, Teatro San Sebastiano; February (?) 1707 in the Teatro Cocomero in Florence; on July 2, 1708 at the Teatro San Bartolomeo in Naples with additional music by Francesco Mancini ; Carnival 1710 at the Teatro Sant'Agostino in Genoa.
  • Catulla e Lardone; Libretto: Pietro Pariati; December 27, 1707, Venice, Teatro San Cassiano; Resumptions in 1708 and 1709
  • L'amor generoso, dramma per musica (together with Rocco Ceruti); Libretto: Apostolo Zeno; Autumn 1708, Florence, Teatro del Cocomero.
  • L'odio e l'amore, dramma per musica; Libretto: Matteo Noris and Cesare Buonazzoli; 1709, Genoa, Teatro Sant'Agostino; in autumn 1721 at King's Theater on Haymarket in London, libretto edited by Paolo Antonio Rolli
  • La fede tradita e vendicata, dramma per musica; Libretto: Francesco Silvani ; Autumn 1709, Genoa, Teatro Sant'Agostino; August 15, 1712 in the Teatro Marsigli-Rossi in Bologna with additional music by Francesco Gasparini ; Winter fair 1726 in Braunschweig; around 1730 in Saltzthal; Winter 1730 in Braunschweig as Rodoaldo, re di Norvegia ; September 27, 1730 at the Opera am Gänsemarkt in Hamburg as Ernelinda with recitatives by Georg Philipp Telemann ( TWV 22,9)
  • Ataulfo ​​re de'Goti, ovvero La forza della virtù, dramma; Libretto: Anonymous after Domenico David ; Carnival 1712, Rome, Teatro Capranica.
  • Madama Dulcinea e il cuoco del marchese del Bosco, intermezzi comici musicali; Libretto: Marchese Trotti; Carnival 1712, Rome, Teatro Capranica (together with Ataulfo ​​re de'Goti ); many other performances in Italian cities; on February 10, 1746 as La preziosa ridicola in the opera on Gänsemarkt in Hamburg; 1751 as La preziosa ridicola in Potsdam.
  • L'innocenza difesa; Libretto: Francesco Silvani; Spring 1712, Ferrara, Teatro Bonacossi; several other performances in Italian cities, also as L'innocenza giustificata or Carlo, re d'Alemagna
  • Teuzzone, dramma per musica ( pasticcio ); Libretto: Apostolo Zeno; May 25, 1712, Ferrara, Teatro Bonacossi; already on January 3, 1712 as La costanza fra gl'inganni in Florence; in the autumn of 1712 in Sant'Agostino in Genoa.
  • L'amor tirannico, dramma per musica; Libretto: Domenico Lalli ; January 19, 1713, Rome, Teatro Capranica; on October 20, 1720 at the Teatro Formagliari in Bologna as Il Farasmane ; on January 10, 1722 in Pesaro with additional music by Agostino Tinazzoli
  • Nerone fatto Cesare, dramma per musica (arias in a pasticcio with music by many composers); Libretto: Matteo Noris; around February 19, 1715, Venice, Teatro Sant'Angelo ; Carnival 1716 at the Teatro dell'Accademia degli Erranti in Brescia.
  • Lisetta e Delfo, intermezzi per musica; Libretto: Domenico Lalli (?); January 19, 1713, Rome, Teatro Capranica (with L'amor tirannico ); several other performances in Italian cities.
  • Bacocco e Serpilla, intermezzi comici-musicali; Libretto: Antonio Salvi ; 5/1715, Verona; many other performances in Italian cities, also as Serpilla e Bacocco or Il marito giocatore e la moglie bacchettona ; 1730 in Prague; on November 26, 1736 in the opera on the Gänsemarkt in Hamburg as The Couple Worth One Another or Bacocco and Serpilla ; January 1, 1737 at the King's Theater on the Haymarket , London as The Gamester ; 1744 in Prague; revised on August 22, 1752 in the Paris Opera as Il giocatore and around 1752 as Les ariettes du Joueur (attributed to a Signore Doletti) and. v. m.
  • Amore e maestà, tragedia per musica; Libretto: Antonio Salvi; June 30, 1715, Florence, Teatro del Cocomero; further performances in Italian cities; on February 1, 1721 at the King's Theater am Haymarket in London as Arsace , libretto arranged by Paolo Antonio Rolli; on May 18, 1722 in the opera at the Gänsemarkt in Hamburg as Der Ehrsüchtige Arsaces in a translation by Johann Mattheson with arias by Filippo Amadei.
  • La pastorella al soglio, dramma per musica; Libretto: Giulio Cesare Corradi ; January 1717, Mantua.
  • Griselda, dramma per musica; Libretto: Apostolo Zeno; Carnival 1716, Brescia, Teatro dell'Accademia degli Erranti; 1717 in Mantua; further performances in Italian cities, also as La virtù al cimento or La costanza trionfante ; on August 29, 1728 at La Monnaie in Brussels.
  • Merope, dramma per musica; Libretto: Apostolo Zeno; October 24, 1717, Bologna, Teatro Formagliari; 1719 in Recenati
  • Lucio Papirio, dramma per musica (doubtful, possibly by Francesco Gasparini), arias and buffo scenes by Francesco Feo ; Libretto: Antonio Salvi; December 11, 1717, Naples, Teatro San Bartolomeo; Summer 1718 in the Teatro Formagliari in Bologna; Carnival 1721 in Pesaro with additional music by Agostino Tinazzoli.
  • Antigona, tragedia da cantarsi; Libretto: Benedetto Pasqualigo ; February 13, 1718, Venice, Teatro San Cassiano ; further performances in Italian cities, also as La fedeltà coronata ; Summer 1724 in Braunschweig; on October 1, 1728 in Breslau as Antigona vendicata
  • Le amazzoni vinte da Ercole, dramma per musica; Libretto: Antonio Salvi; April 30, 1718, Reggio nell'Emilia, Teatro del Pubblico.
  • Ifigenia in Tauride, tragedia da cantarsi; Libretto: Benedetto Pasqualigo; January 21, 1719, Venice, Teatro San Giovanni Crisostomo
  • Il carceriero di se stesso, dramma per musica; Libretto: Antonio Salvi; Carnival 1720, Turin, Teatro Carignano.
  • Paride, dramma per musica; Libretto: Francesco Muazzo; January 13th 1720, Venice, Teatro San Giovanni Grisostomo.
  • Melinda e Tiburzio, intermezzo; December 27, 1720, Venice; further performances in Italian cities, also as La donna nobile
  • Nerone, tragedia per musica; Libretto: Agostino Piovene ; February 11, 1721, Venice, Teatro San Giovanni Grisostomo; on November 17, 1723 in Hamburg (German recitatives by Johann Mattheson)
  • L'artigiano gentiluomo, intermezzo; Libretto: Antonio Salvi; 1722, Florence; Carnival 1723 in the Teatro Regio Ducale in Milan; the libretto was also set to music by Johann Adolf Hasse as Il bottegaro gentiluomo or Larinda e Vanesio
  • Nino, dramma per musica; Libretto: Ippolito Zanelli ; January 7, 1722, Rome, Teatro Capranica; further performances in Italian cities, also as semiramide
  • Ormisda, dramma per musica; Libretto: Apostolo Zeno; May 16, 1722, Bologna, Teatro Malvezzi; Carnival 1723 in the Teatro Regio in Turin as Artenice with additional music by Giovanni Antonio Giay and others.
  • Alessandro Severo , dramma per musica; Libretto: Apostolo Zeno; Carnival 1723, Milan, Regio Ducal Teatro.
  • L'Oronta, dramma per musica; Libretto: Claudio Nicola Stampa ; Carnival 1724, Milan, Regio Ducal Teatro.
  • Amor ringiovenito tra Canoppo e Lisetta, intermezzo in musica; Autumn 1724, Venice, Teatro San Samuele .
  • Il malato immaginario, intermezzo; Libretto: Antonio Salvi after Molieres The Imaginary Sick ; 1/1725, Florence, Teatro della Pergola ; Resumption on December 26th, 1731
  • Un vecchio innamorato, intermezzo; Libretto: Damiano Marchi; Carnival 1725, Florence, Teatro della Pergola.
  • Berenice, dramma da cantarsi; Libretto: Benedetto Pasqualigo after Jean Racine ; January 20, 1725, Venice, Teatro San Giovanni Grisostomo; processed in Handel's pasticcio L'Elpidia, ovvero Li rivali generosi
  • Monsieur de Porsugnacco; intermezzi per musica; Libretto: Anonymous after Molières Monsieur de Pourceaugnac ; May 21, 1727, Venice, Teatro San Samuele; further performances in Italian cities; 1732 in Prague; in January 1737 at the King's Theater on the Haymarket in London as Pourceaugnac and Grilletta ; on July 28, 1745 in the opera on Gänsemarkt in Hamburg.
  • Berenice (= Farnace ) dramma per musica; Libretto: Antonio Maria Lucchini ; 17th January 1728, Milan, Regio Ducal Teatro.
  • L'impresario dell'isole Canarie , intermezzo; Libretto: Pietro Metastasio ; 1729, Venice?, Teatro San Cassiano; Carnival 1741 in Bergamo; on January 14, 1742 in Gorizia; around 1750 in the Kongelige Teater in Copenhagen.
  • Adelaide, dramma per musica; Libretto: Antonio Salvi; February 8, 1729, Venice, Teatro San Cassiano; Carnival 1731 in Mantua.
  • La fida Ninfa; Libretto: Scipione Maffei ; planned for the reopening of the Teatro Filarmonico in Verona, but not performed; Vivaldi set the libretto to music two years later.
  • Il fratricida innocente, dramma per musica; Libretto: Apostolo Zeno; December 26th 1730, Florence, Teatro del Cocomero.
  • Massimiano, dramma per musica; Libretto: Giovanni Boldini after Apostolo Zeno and Pietro Pariatii; around January 6, 1731, Venice, Teatro San Giovanni Grisostomo.
  • Grullo e Moschetta, intermezzo; December 27, 1731, Venice, Teatro Sant'Angelo ; 1740 in Lucca; 1737 at the King's Theater on Haymarket, London; 1749 Carnival in Brescia.
  • Ifigenia in Aulide, dramma per musica; Libretto: Apostolo Zeno; February 4, 1732, Florence, Teatro della Pergola.
  • Il marito geloso, intermezzo; 1734, Saint Petersburg; on December 26, 1741 at the Teatro Sant'Angelo in Venice.
  • Temistocle , dramma per musica; Libretto: Pietro Metastasio; February 3, 1737, Florence, Teatro della Pergola.
  • L'olimpiade , dramma per musica; Libretto: Pietro Metastasio; Summer 1737, Florence, Teatro della Pergola
  • Le nozze di Perseo e d'Andromeda, azione drammatica; Libretto: Antonio Marchi ; April 9, 1738, Florence, Teatro della Pergola.
  • Balbo e Dalisa, intermezzo, doubtful; Libretto: Antonio Salvi; January 23, 1740, Rome, Teatro Capranica.
  • La Fiammetta, commedia per musica; September 29, 1743, Florence, Teatro del Cocomero; on January 15, 1744 at the Teatro San Moisè in Venice; in autumn 1744 in the Teatro San Sebastiano in Livorno; in November 1747 in Parma.
  • Lo scialacquatore, commedia per musica; Libretto: Alessandro Borghesi; September 14, 1744, Florence, Teatro del Cocomero; on October 4, 1745 at the Teatro San Cassiano in Venice with additional music by other composers.

Presumably revised by Orlandini

  • Arianna e Teseo, dramma per musica; Libretto: Pietro Pariati; Carnival 1739, Florence, Teatro della Pergola.
  • Venceslao, dramma per musica; Libretto: Apostolo Zeno; December 27, 1741, Florence, Teatro della Pergola.
  • Vologeso re de 'Parti , dramma per musica; Libretto: after Apostolo Zeno; January 1742, Florence, Teatro della Pergola.

Oratorios and sacred cantatas

  • Il martirio di S. Sebastiano; Libretto: A. Ghirizzani; 1694, Florence.
  • I fanciulli babilonesi, 1696, Florence.
  • La costanza trionfante nel martirio di S Lucia; Libretto: B. Colzi; 1705, Florence.
  • Sara in Egitto (together with other composers); Libretto: D. Cavanese; 1708, Florence.
  • Il figliuol prodigo; Libretto: B. Pamphili; 1709, Siena.
  • Gli amori infelici di Ammone; Libretto: Berzini; 1711, Florence.
  • L'Assalone ovvero l'infedeltà punita; 1713, Florence.
  • Dal trionfo le perdite ovvero Jefte che sagrifica la sua figlia (together with other composers); Libretto: Cavanese; 1716, Florence.
  • Componimento per musica da cantarsi la notte del SSmo Natale; Libretto: GB Pontici; 1721, Rome.
  • L'Ester; Libretto: G. Melani; 1723, Bologna.
  • Giuditta; 1726, Castel S Pietro.
  • Jaele; Libretto: D. Marchi; 1735, Florence.
  • Assuero, 1738, Florence.
  • Davidde trionfante; Libretto: GM Medici; 1738, Florence.
  • Il Gioas re di Giuda ; Libretto: Pietro Metastasio; 1744, Florence.
  • Giuseppe riconosciuto ; Libretto: Pietro Metastasio; 1745, Florence.
  • Tobia; Libretto: Zeno; 1749, Florence.
  • Componimento da cantarsi nel venerabile monastero di S. Apollonia in Firenze; Libretto: F. Casorri; 1750, Florence.
  • Isacco figura del redentore ; Libretto: Pietro Metastasio; 1752, Florence.
  • La deposizione dalla croce di Gesù Cristo Signor Nostro; Libretto: Giovanni Claudio Pasquini ; 1760, Florence.

Other works

  • A spiritual canzone in La Ricreazione spirituale nella musica delle sagre canzoni, Bologna 1730, Sassi.
  • Grazie agl'inganni tuoi, Canzonzetta.
  • Donne se avete in sen pietate, Canzonzetta.
  • Vedo ben mia bella Dori, Canzonzetta.
  • Numerous arias, cantatas and duets.
  • 22 trio sonatas.
  • A sinfonia for harpsichord.

Web links

Commons : Giuseppe Maria Orlandini  - Collection of images, videos and audio files

Digital copies

  1. ^ La Giuditta di Baviera. Libretto (Italian), Forlì 1713. Digitized in the Corago information system of the University of Bologna .
  2. ↑ Artaserse. Libretto (Italian), Naples 1708. Digitized in the Corago information system of the University of Bologna .
  3. ↑ Catulla e Lardone. Libretto (Italian), Venice 1708. Digitized in the Museo internazionale e biblioteca della musica di Bologna .
  4. ↑ L'amor generoso. Libretto (Italian), Florence 1708. Digitized in the Museo internazionale e biblioteca della musica di Bologna .
  5. ↑ Ernelinda. Libretto (Italian), Bologna 1712. Digitized in the Museo internazionale e biblioteca della musica di Bologna .
  6. ↑ Ernelinda. Libretto (German / Italian), Hamburg 1730. Digital copy from the Berlin State Library .
  7. ↑ Ataulfo ​​re de'Goti. Libretto (Italian), Rome 1712. Digitized in the Internet Archive .
  8. ↑ Madama Dulcinea e il cuoco del marchese del Bosco. Libretto (Italian), Rome 1712. Digitized in the Internet Archive .
  9. ↑ The ridiculously magnificent. Libretto (Italian / German), Berlin 1751. Digitized version of the Berlin State Library .
  10. ^ Carlo, re d'Alemagna. Libretto (Italian), Bologna 1713. Digitized in the Museo internazionale e biblioteca della musica di Bologna .
  11. ↑ Teuzzone. Libretto (Italian), Ferrara 1712. Digitized in the Museo internazionale e biblioteca della musica di Bologna .
  12. ↑ La costanza fra gl'inganni. Libretto (Italian), Florence 1711. Digitized in the Museo internazionale e biblioteca della musica di Bologna .
  13. ↑ L'amor tirannico. Libretto (Italian), Rome 1713. Digitized at Google Books .
  14. ^ Nerone fatto Cesare. Libretto (Italian), Venice 1715. Digitized in the Museo internazionale e biblioteca della musica di Bologna .
  15. ↑ Lisetta e Delfo. Libretto (Italian), Florence 1715. Digitized in the Museo internazionale e biblioteca della musica di Bologna .
  16. ↑ Il marito giocatore e la moglie bacchettona. Libretto (Italian), Modena 1719. Digitized in the Corago information system of the University of Bologna .
  17. ↑ Il marito ciocatore e la moglie bacchettona. Libretto (Italian / German), Prague 1744. Digitized version of the Lower Saxony State and University Library Göttingen .
  18. ↑ Amore e maestà. Libretto (Italian), Florence 1715. Digitized in the Museo internazionale e biblioteca della musica di Bologna .
  19. ↑ The ardent Arsaces. Libretto (German / Italian), Hamburg 1722. Digitized version of the Berlin State Library .
  20. ↑ Griselda. Libretto (Italian), Macerata 1720. Digitized in the Museo internazionale e biblioteca della musica di Bologna .
  21. ↑ Merope. Libretto (Italian), Bologna 1717. Digitized in the Museo internazionale e biblioteca della musica di Bologna .
  22. ↑ Lucio Papirio. Libretto (Italian), Bologna 1718. Digital copy from the Biblioteca Nazionale Braidense .
  23. ↑ Antigona. Libretto (Italian), Venice 1718. Digitized in the Museo internazionale e biblioteca della musica di Bologna .
  24. ↑ Antigona. Libretto (Italian / German), Wolfenbüttel 1732. Digitized version of the Munich digitization center .
  25. ↑ Le amazzoni vinte da Ercole. Libretto (Italian), Reggio nell'Emilia 1718. Digitized in the Internet Archive .
  26. ↑ Ifigenia in Tauride. Libretto (Italian), Venice 1719. Digitized in the Internet Archive .
  27. ↑ Il carceriero di se stesso. Libretto (Italian), Turin 1720. Digitized at Google Books .
  28. ↑ Paride. Libretto (Italian), Venice 1720. Digitized version of the Munich digitization center .
  29. ↑ Venice 1721 Melinda e Tiburzio. Libretto (Italian), Venice 1721. Digitized at Google Books .
  30. ↑ Nerone. Libretto (Italian), Venice 1721. Digitized in the Museo internazionale e biblioteca della musica di Bologna .
  31. ↑ Nerone. Libretto (German with Italian arias), Hamburg 1723. Digitized in the Museo internazionale e biblioteca della musica di Bologna .
  32. ↑ Nerone. Score. Digitized at the International Music Score Library Project .
  33. ↑ Il bottegaro gentiluomo. Libretto (Italian), Venice 1739, setting by Johann Adolf Hasse. Digitized by the Biblioteca Nazionale Braidense .
  34. ↑ Nino. Libretto (Italian), Rome 1722. Digitized in the Museo internazionale e biblioteca della musica di Bologna .
  35. ↑ Ormisda. Libretto (Italian), Bologna 1722. Digitized at Google Books .
  36. ↑ Alessandro Severo. Libretto (Italian), Milan 1723. Digitized at Google Books .
  37. ↑ L'Oronta. Libretto (Italian), Milan 1724. Digitized in the Museo internazionale e biblioteca della musica di Bologna .
  38. ↑ Berenice. Libretto (Italian), Venice 1725. Digitized in the Museo internazionale e biblioteca della musica di Bologna .
  39. ↑ Monsieur de Porsugnacco. Libretto (Italian), Venice 1727. Digitized version of the Biblioteca Nazionale Braidense .
  40. ↑ Monsieur de Porsugnacco. Libretto (Italian / German), Hamburg 1745. Digitized version of the Munich digitization center .
  41. ↑ Milan 1728 Berenice. Libretto (Italian), Milan 1728. Digitized at Google Books .
  42. ^ L'impresario dell'isole Canarie. Libretto (Italian), Bergamo 1741. Digital copy from the Biblioteca Nazionale Braidense .
  43. ↑ Adelaide. Libretto (Italian), Venice 1729. Digitized in the Museo internazionale e biblioteca della musica di Bologna .
  44. ↑ Massimiano. Libretto (Italian), Venice 1731. Digitized in the Museo internazionale e biblioteca della musica di Bologna .
  45. ↑ Grullo e Moschetta. Libretto (Italian), Venice 1732. Digitized in the Museo internazionale e biblioteca della musica di Bologna .
  46. ↑ Ifigenia in Aulide. Libretto (Italian), Florence 1732. Digitized in the Museo internazionale e biblioteca della musica di Bologna .
  47. ↑ Il marito geloso. Libretto (Italian), Venice 1742. Digital copy from the Biblioteca Nazionale Braidense .
  48. ↑ Le nozze di Perseo e d'Andromeda. Libretto (Italian), Florence 1738. Digitized in the Internet Archive .
  49. ↑ La Fiammetta. Libretto (Italian), Florence 1743. Digitized version of the Biblioteca Nazionale Braidense .
  50. ↑ Lo scialacquatore. Libretto (Italian), Florence 1744. Digitized in the Museo internazionale e biblioteca della musica di Bologna .

Individual evidence

  1. ↑ a b c d Luigi Ferdinando Tagliavini:  Orlandini, Giuseppe Maria. In: Friedrich Blume (Hrsg.): The music in past and present (MGG). First edition, Volume 10 (Opera - Rappresentazione). Bärenreiter / Metzler, Kassel et al. 1962, DNB 550439609 , Sp. 398-400 (= Digital Library Volume 60, pp. 57043-57051).
  2. ^ A b c d e John Walter Hill, Francesco Giuntini:  Orlandini, Giuseppe Maria. In: Grove Music Online (English; subscription required).
  3. ^ A b c Angela Romagnoli:  Orlandini, Giuseppe Maria. In: Ludwig Finscher (Hrsg.): The music in past and present . Second edition, personal section, volume 12 (Mercadante - Paix). Bärenreiter / Metzler, Kassel et al. 2004, ISBN 3-7618-1122-5 , Sp. 1421–1422 ( online edition , subscription required for full access).
  4. ^ Benedetto Marcello : Title page of the satire Il teatro alla moda. Digitization of the Munich digitization center .
  5. ↑ Michael Collins, Bise K. Kirk: Opera and Vivaldi. University of Texas Press, 2014, p. 305 ( limited preview in Google Book search).
personal data
SURNAME Orlandini, Giuseppe Maria
BRIEF DESCRIPTION Italian opera composer
DATE OF BIRTH April 4, 1676
PLACE OF BIRTH Florence
DATE OF DEATH October 24, 1760
Place of death Florence