Il bravo

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Work data
Title: Il bravo
Original title: Il bravo, ossia La veneziana
Title page of the libretto, Milan 1839

Title page of the libretto, Milan 1839

Shape: Opera in three acts
Original language: Italian
Music: Saverio Mercadante
Libretto : Gaetano Rossi
Literary source: Acting La Vénitienne by Auguste Ancient-Bourgeois
Premiere: March 9, 1839
Place of premiere: Teatro alla Scala , Milan
Playing time: approx. 3 ¼ hours
Place and time of the action: Venice, 16th century
people
  • Foscari, patrician ( bass )
  • Capello ( tenor )
  • Pisani, an exiled patrician (tenor)
  • the "Bravo" (tenor)
  • Marco, Teodora's gondolier (bass)
  • Luigi, Foscari's servant (bass)
  • Teodora, a courtesan ( soprano )
  • Violetta, her secret daughter (soprano)
  • Michelina, Teodora's servant (soprano)
  • Maffeo (silent role)
  • the doge (silent role)
  • Senators, knights of the Golden Star, councilors, patricians, gentlemen, ladies, citizens, craftsmen, gondoliers, women from the people, night guards, henchmen, various masks, Dalmatian guards, soldiers, the Doge's arms bearer, Teodora's servants ( choir , extras)

Il bravo, ossia La veneziana (literally: "The hired murderer or The Venetian") is an opera in three acts by Saverio Mercadante . Gaetano Rossi wrote the text based on the play Le Vénitienne by Auguste Ancient-Bourgeois. The premiere took place on March 9, 1839 at the Teatro alla Scala in Milan .

action

Prehistory: Because Carlo once murdered his wife, he has to wear a black mask as a punishment as "the Bravo" to serve the council of Venice as a contract killer . His father was taken prisoner as a pledge for his loyalty.

first act

Foscari has fallen in love with a girl who is kept hidden in Maffeo's house. Since Maffeo had denied him entry, Foscari instructs his henchmen to kill Maffeo. Meanwhile, the Bravo receives a visit from Pisani. Although he was banished from Venice, he has returned to look for his lover. He persuades Bravo to lend him his mask for two days. Maffeo's body is found. Violetta, the girl from Maffeo's house, joins them. Both the Bravo, now dressed as a nobleman, and Foscari offer her protection. Pisani, in the mask of Bravo, recognizes the girl as his lover. Violetta accepts the help of Bravo, who protects her from Foscari's intrusiveness.

Second act

Teodora learns of Maffeo's death and that her daughter Violetta is in the care of a stranger. She asks the Bravo (in this case the masked Pisani) for help. The real Bravo tells Violetta that Teodora is her mother and leads the girl to her. When a fire breaks out in Teodora's Palazzo, they all flee.

Third act

Teodora and her daughter Violetta get closer. The Bravo recognizes in Teodora his wife, who was supposedly killed by him. Pisani asks for Violetta's hand. Bravo urges the young couple to flee. Before he and Pisani swap masks again, Pisani gives the real Bravo a new assignment that he had received. This says that the Bravo should kill Teodora, which he does not have the heart. Finally Teodora snatches his dagger from him and kills himself. Shortly afterwards, the Bravo receives the message that his criminal service is over because his father died in dungeon.

Instrumentation

The orchestral line-up for the opera includes the following instruments:

Work history

Costume for the title role, Naples 1840

The first performance of Il bravo on March 9, 1839 at the Teatro alla Scala in Milan was one of Mercadante's greatest successes. Eugenio Cavallini was the first violinist to conduct the music. Directed by Bartolomeo Merelli . The set was designed by Baldassarre Cavallotti and Domenico Menozzi. The cast included the two singing stars Domenico Donzelli in the title role and Eugenia Tadolini as Violetta as well as Pietro Balzar (Foscari), Antonio Benciolini (Capello), Andrea Castellan (Pisani), Eutimio Polonini (Marco), Luigi Quattrini (Luigi), Sofia Dall ' Oca-Schoberlechner (Teodora) and Angela "Angiolina" Villa (Michelina).

It followed u. a. Performances in Naples and Berlin in 1840 , Vienna , Lisbon and Barcelona in 1841 , Hanover in 1851 , Paris in 1853 and again in Milan in 1893. More recently, performances have taken place in Rome in 1976 and at the Martina Franca Festival in 1990 . The latter performance in particular, which was enthusiastically received by both critics and audiences, initiated a new preoccupation with Mercadante's work.

Total recordings

  • 1976 with Shigemi Matsumoto, Maria Parazzini, William Johns, Antonio Savastano, Orchestra del Teatro dell'Opera di Roma, Gabriele Ferro (Cetra)
  • 1990 with Janet Perry , Adelisa Tabaidon, Dino di Domenico, Sergio Bertocchi, Orchestra Internazionale d'Italia, Bruno Aprea (Nuovo Era)

swell

Web links

Commons : Il bravo  - collection of images, videos and audio files

Individual evidence

  1. ^ Rein A. Zondergeld : Il bravo. In: Piper's Encyclopedia of Musical Theater . Volume 4: Works. Massine - Piccinni. Piper, Munich / Zurich 1991, ISBN 3-492-02414-9 , pp. 79-83.
  2. ^ March 9, 1839: "Il bravo". In: L'Almanacco di Gherardo Casaglia ., Accessed on July 28, 2019.