Julia Stoschek

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Julia Stoschek, 2018

Julia Stoschek (born June 10, 1975 in Coburg ) is a German billionaire and collector of media art .

Life

Schanzenstraße 54, on Greifweg, Düsseldorf-Oberkassel (2018)

Stoschek was born into a family of industrialists, her father is Michael Stoschek , her great-grandfather Max Brose was the founder of the company - from June 1933 he was a member of the NSDAP and a military economic leader. Julia Stoschek is a partner in Brose Fahrzeugteile GmbH & Co. KG, one of the largest automotive suppliers in the world with 24,000 employees and six billion euros in annual sales. After graduating from the Casimirianum in Coburg, she studied business administration with a focus on the automotive industry at the University of Bamberg and finished her studies with a degree in business administration. After graduating, she became involved in cultural management .

The Julia Stoschek Collection is an international private collection of contemporary art with a focus on time-based media. The private collection, which was opened in 2007, contains over 700 works by around 200 mainly European and US artists. For the opening of the house, Olafur Eliasson developed the permanent, site-specific installation When Love Is Not Enough Wall for one of the interior walls of the 2nd exhibition floor .

The various content-related aspects of the Julia Stoschek Collection are shown and documented in regularly changing exhibitions and their publications. The concept of the steadily growing collection focuses primarily on the moving image from the 1960s to the present day and encompasses a number of disciplines: video, single and multiple projections of analog and digital film material, multimedia environments as well as computer and network-based installations, but also ephemeral art forms such as performances. The collection in Düsseldorf has two exhibition floors with over 3000 m² available for public presentation . The main focus of the collection activity is the scientific elaboration of the contents, the presentation of art historical references within the collection and the disclosure of references between the individual works. Expansion and completion of the collection, restoration and conservation care are also central points of the collection activity. The orientation of the program includes not only the presentation of its own holdings, but also cooperative projects with other international institutions, curators or artists.

In addition to the Düsseldorf location, a temporary presence in Berlin was opened to the public on June 2, 2016 . The exhibition area covers 2500 m² and is located in Berlin-Mitte at Leipziger Strasse 60, in the building complex of the former Czech cultural center of the former GDR. In May 2020 it was announced that the collection would be withdrawn from Berlin due to an expiring lease and a lack of alternatives.

For several years, the photo artist Andreas Gursky was her life partner. Stoschek has a son (* 2016), Mathias Döpfner , CEO of Axel Springer SE .

Exhibitions (selection)

  • Just project grant (2003–2006) , artist funding project
  • Number One: Destroy, she said (June 18, 2007 to August 2, 2008)
  • Number Two: Fragile (October 18, 2008 to August 1, 2009)
  • Out of Space 1: Cao Fei - Whose Utopia (April 25 - June 27, 2009), Gloriahalle, Düsseldorf
  • Number Three: Here and Now (October 10, 2009 to July 31, 2010)
  • Julia Stoschek Collection I want to see how you see (April 16 - July 25, 2010), Deichtorhallen Hamburg
  • Number Four: Derek Jarman - Super8 (September 11, 2010 to February 26, 2011)
  • Number Five: Cities of Gold and Mirrors (July 2, 2011 - Summer 2012)
  • Number Six: Flaming Creatures (September 8, 2012 to February 28, 2013)
  • Number Seven: Ed Atkins / Frances Stark (September 7, 2013 to February 22, 2014)
  • Number Eight: Sturtevant (April 4 - August 10, 2014)
  • Number Nine: Elizabeth Price (September 5, 2014 - February 2015)
  • Number Ten: Trisha Donnelly (February 7th - August 29th 2015).
  • Number Eleven: Cyprien Gaillard (September 26, 2015 to July 31, 2016).
  • Number Twelve: Hello Boys (February 13 - July 31, 2016).
  • Welt am Draht , Julia Stoschek Collection Berlin, 2017.
  • Generation Loss. 10 Years of the Julia Stoschek Collection (2017-2018).
  • Ian Cheng-Emissaries, Julia Stoschek Collection, Berlin (April 27 - July 1, 2018)
  • New Metallurgists (October 7, 2018 to April 28, 2019)

engagement

In addition to her work as a collector, Julia Stoschek is also involved in several curatorial committees. Since 2004 she has been a member of the Kuratorium der Kunst-Werke Berlin ( KW Institute for Contemporary Art ), Berlin. She has been a member of the Board of Management since May 2015 and Deputy Chairwoman since 2017. In addition, she is a member of the board of directors of the Kunstverein für die Rheinlande und Westfalen , Düsseldorf, since 2011 she has been a member of the purchasing committee of the Kunstsammlung Nordrhein-Westfalen , and since 2012 she has been on the supervisory board of the Kunsthalle Düsseldorf , the Tate Council and the Committee of Performance at Whitney Museum of American Art in New York. From 2012 to 2018 she was a member of the board of directors of MoMA PS1 , New York. Since November 2018 she has been a member of the Board of Trustees at the MOCA Museum of Contemporary Art in Los Angeles. The focus of her collection of over 600 works is in the area of ​​time-based media, especially video art , photography and installations .

Cooperation with international institutions

  • Rhine on the Dnipro: Julia Stoschek Collection / Andreas Gursky, PinchukArtCentre , Kiev, Ukraine (September 28 - December 14, 2008)
  • Video Koop, KIT - Kunst im Tunnel, Düsseldorf (May 3 - July 27, 2008)
  • 100 Years (Version # 1, Duesseldorf), Julia Stoschek Collection, Düsseldorf. October 10, 2009 to July 29, 2010) Cooperation with PS1 / MoMA, NY and the Performance Biennale PERFORMA, NY
  • I want to see how you see - Julia Stoschek Collection, Deichtorhallen, Hamburg (April 16 - July 25, 2010)
  • Entropy of a City, Julia Stoschek Collection @ Műcsarnok / Kunsthalle, Budapest (November 23, 2013 to February 23, 2014)
  • High performance. Time-based media art since 1996. The Julia Stoschek Collection visits the ZKM, Karlsruhe (March 16 - June 22, 2014)
  • Turn on - time-based media art from the Julia Stoschek Collection at the Tel Aviv Museum of Art, Israel (March 31 - August 29, 2015)
  • The new Human - You and I in global Wonderland (March 14 - October 18, 2015, Moderna Museet, Malmö, Sweden
  • The new Human-Knock, Knock is anyone at home? (February 26 - September 18, 2016), Moderna Museet, Malmo, Sweden
  • The new Human (May 20 - December 4, 2016), Moderna Museet, Stockholm, Sweden
  • Arthur Jafa: A Series of Utterly Improbable, Yet Extraordinary Renditions - with contributions by Ming Smith, Frida Orupabo, and Missylanyus; curated by Hans-Ulrich Obrist and Amira Gad. In cooperation with the Serpentine Galleries, London. Julia Stoschek Collection, Berlin (February 11 - November 25, 2018).

Awards

Julia Stoschek accepted the Art Cologne Prize 2018

literature

Web links

Interviews

Individual evidence

  1. ↑ Gregory Schöllgen: BROSE - A German family from 1908 to 2008 . ECON, Berlin 2008, ISBN 978-3-430-20053-0 , p. 201.
  2. ↑ a b Gregor Schöllgen: BROSE - A German family from 1908 to 2008 . ECON, Berlin 2008, ISBN 978-3-430-20053-0 , p. 287.
  3. ↑ a b Jobst-Ulrich Brand: Your name: Julia Stoschek Your story: Shareholder of the Brose Group Your concern: the art of moving images. Your nickname: The volcano. In: Focus 22 (2016), May 28, 2016, accessed April 18, 2018.
  4. ↑ Alfons Kaiser: The art of time. In: Frankfurter Allgemeine magazin , November 2015, p. 32 ( PDF , interview).
  5. ↑ Gregory Schöllgen: BROSE - A German family from 1908 to 2008 . ECON, Berlin 2008, ISBN 978-3-430-20053-0 , p. 288.
  6. ^ DLD Conference Speaker: Julia Stoschek . Digital Life Design , accessed April 18, 2018.
  7. ↑ Annette Bosetti: Julia Stoschek opens a branch in Berlin. In: Rheinische Post , January 30, 2016, accessed on April 18, 2018.
  8. ^ Branch of the Julia Stoschek Collection from June in Berlin . art-in-berlin.de, March 12, 2016, accessed April 18, 2018.
  9. ↑ Julia Stoschek closes her media art house. Retrieved May 11, 2020 .
  10. ↑ https://www.zeit.de/zeit-magazin/2016/22/julia-stoschek-kunstsammlerin-einsamkeit/seite-2
  11. ↑ Ürük Bülend: Ürück's notes: From our circles. From: kress.de , May 30, 2016, accessed April 18, 2018.
  12. ↑ Let me love you Who is the art collector Julia Stoschek? , Der Tagesspiegel , May 3, 2019
  13. ↑ Magdalena Kröner: Walls are not enough for this passion. In: Frankfurter Allgemeine Zeitung , July 19, 2011, accessed on April 18, 2018.
  14. ↑ The art of the hour . In: Frankfurter Allgemeine Zeitung , June 7, 2016, page 11.
  15. ↑ https://www.julia-stoschek-collection.net/ausstellungen/aktuell.html , accessed on November 2, 2018
  16. ↑ Berliner Morgenpost from August 7, 2007 (Memento from July 3, 2007 in the Internet Archive)
  17. ↑ a b 100 women of tomorrow: Julia Stoschek, art collector. Germany - Land of Ideas , 2014, archived from the original on December 7, 2014 ; accessed on April 14, 2018 .
  18. ↑ New Director Expands MOCA's Board With Four Global Members . ( nytimes.com [accessed November 26, 2018]).
  19. ^ The New Human. Moderna Museet, Malmö website, accessed April 18, 2018.
  20. ↑ Arthur Jafa. A Series of Utterly Improbable, Yet Extraordinary Renditions. In: Julia Stoschek Foundation. Retrieved July 1, 2018 .
  21. ↑ Christian Steinmetz: 100 Years Version # 1 . Anna Maria Luisa de 'Medici eV - An initiative from the Art City of Düsseldorf, April 1, 2009, accessed on April 18, 2018.
personal data
SURNAME Stoschek, Julia
BRIEF DESCRIPTION German art collector
DATE OF BIRTH June 10, 1975
PLACE OF BIRTH Coburg