Julius Noerr

from Wikipedia, the free encyclopedia

Julius Noerr (born November 6, 1827 in Munich , † May 28, 1897 in Starnberg ) was a German landscape and genre painter .

Julius Noerr: Rest
An election day in the Bavarian mountains. Recorded after nature by Julius Noerr in Munich. In: The Gazebo (1869)

Life

Julius Noerr began his artistic training at the Munich Academy in 1847, initially with the battle painter Feodor Dietz , but then changed genre and turned to landscape under the Swiss painter Johann Gottfried Steffan . With Steffan, who mainly captured the Berchtesgadener Land in his pictures, he made various study trips through Bavaria. He then went on further study trips through Germany, Switzerland and Northern Italy.

Eduard Schleich the Elder Ä. had a great influence on Noerr, as did Adolf Lier , with whom he was friends. Noerr came to the Chiemsee for the first time around 1865 , where he joined the circle of local painters around Hugo Kauffmann , who organized joint meetings in Prien as "Bears and Lions". Like Hugo Kauffmann, with whom he was also close friends, he then went to Prien and settled there in the early 1870s.

“In Partenkirchen my father got to know the Munich painter Julius Noerr, who became a dear friend to him in the years that followed.
Noerr's landscapes have recently caused a sensation among critics, who are now discovering Munich art of the sixties and are amazed at the high values ​​they offer; Perhaps the landscapes such as Noerr's animal pictures, his charming watercolors and drawings, his genre paintings can show you how versatile this artist was, who knew the alpine world like no other and who never stopped enjoying the painterly aversed every specialty. "

- Ludwig Thoma (1919)

student

On the mediation of Adolf Heinrich Lier, Carl Malchin , later Mecklenburg's most famous landscape painter, had lessons from Noerr. Malchin had attended the Polytechnic in Munich from 1860 to attend lectures in geodesy and engineering.

Works (selection)

  • Farmer family with a hay boat on the Chiemsee. 1862
  • Chiemsee morning. 1867
  • Evening atmosphere. 1869
  • Autumn mood. 1869
  • Rider and wagon in the moor. 1875
  • Picnic at the Chiemsee. 1875
  • Chiemseefischer at rest. 1878
  • Return from the field. 1879
  • Welcome prey (morning mood). 1883
  • Dispersed troops (evening mood). 1883
  • Rider and wagon in the moor. 1875
  • Picnic at the Chiemsee. 1875
  • Chiemseefischer at rest. 1878
  • at vesper time. 1888
  • Rest in the hunt. 1888
  • Midday in the forest. 1891
  • Spring at Lake Starnberg.
  • Potato harvest.
  • Landscape with horsemen from the Thirty Years War.
  • Game at the Chiemsee.
  • Midday in the quarry.

Illustrations for the magazines:

literature

Web links

Commons : Julius Noerr  - collection of images, videos and audio files

Individual evidence

  1. ^ Matriculation of Julius Noerr, matriculation book 1847. Academy of Fine Arts Munich, accessed on August 1, 2015 .
  2. ^ Ludwig Thoma: Memories. Deutsche Hausbücherei, Hamburg 1919, p. 24. Project Gutenberg EBook # 30097, accessed on August 1, 2015 .
  3. ↑ a b c d e f g Catalogs of the art exhibitions in the Munich Glass Palace 1869-1931. bavarikon, accessed on January 28, 2020 .
  4. ↑ International art exhibition. Berlin 1891. Catalog. Common Library Network (GBV), accessed on August 1, 2015 .
personal data
SURNAME Noerr, Julius
ALTERNATIVE NAMES Nörr, Julius
BRIEF DESCRIPTION German landscape and genre painter
DATE OF BIRTH November 6, 1827
PLACE OF BIRTH Munich
DATE OF DEATH May 28, 1897
Place of death Starnberg