Georges Limbour

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Georges Limbour (born August 11, 1900 in Courbevoie , France , † May 17, 1970 in Chiclana de la Frontera near Cádiz , Spain ) was a French writer , philosopher and poet .

Life

The son of a military man spent his childhood in Le Havre . The desire to travel arose in him early on. He began to write around 1915. He was friends with Pierre Bost , Jean Dubuffet , Jean Piel , Raymond Queneau and Armand Salacrou . In 1918 he moved to Paris with Dubuffet to study philosophy. From 1926 to 1929 he studied in Albania , Egypt and Warsaw . In André Masson's studio he met Antonin Artaud , Michel Leiris , Joan Miró and other surrealists, after which he became a member of the surrealist movement . In 1930 he separated from the group around André Breton and joined the surrealist splinter group around Georges Bataille . He had previously published essays in Bataille's dissident surrealist magazine Documents , including reflections on Paul Klee (Issue 1, 1929). In January 1930 he was a signatory of the protest pamphlet Un Cadavre directed against Breton . In the following years he wrote under several pseudonyms (as "Garance", "Antimoine Chevalet" or "André Lacombe") essays on artists. He was a regent of the Collège de 'Pataphysique (appointed before 1969).

Limbour, who throughout his life felt a strong bond with the sea, which he also expressed in poetry, died in May 1970 in a swimming accident on the beach in Cádiz.

Works

Poems
  • 1924: Soleils bas . Galerie Simon, Paris 1924
Novels and short stories
  • 1930: L'Illustre cheval blanc . Gallimard, Paris
  • 1938: Les Vanilliers . Gallimard, Paris 1938; German: The scent of vanilla . Novel. From the French by Maria Schewe; Manholt, Bremen 1992, ISBN 3-924903-92-1
  • 1939: La Pie voleuse . Gallimard, Paris 1939
  • 1945: L'Enfant polar . Fontaine, Paris 1945
  • 1948: Le Bridge de Madame Lyane , Gallimard, Paris 1948
  • 1959: Le Calligraphe . Galerie Louise Leiris, Paris 1959
  • 1963: La Chasse au mérou . Gallimard, Paris 1963

Posthumously

  • 1986: Le Carnaval et les civilisés (magazine article 1930–1968; foreword by Michel Leiris, drawings by André Masson) L'Elocoquent, Paris 1986, ISBN 2-86826-000-4 .
Plays
  • 1966: Les Espagnols à Venise . Hatje, Stuttgart 1966
  • 1967: Élocoquente . Gallimard, Paris 1967
About painting
  • 1947: André Masson et son univers ; with Michel Leiris, Les Trois collines, Lausanne 1947
  • 1951: André Masson dessins . Editions Braun, Paris 1951
  • 1953: L' Art brut de Jean Dubuffet , Editions René Drouin, Paris 1953
  • 1958: Foreword to André Masson: Entretiens avec Georges Charbonnier , Julliard, Paris 1958
  • 1961: André Beaudin , Verve, Paris 1961
  • 1962: Hayter , Le Musée de Poche, Editions Georges Fall, Paris 1962

Posthumously

literature

Web links

Individual evidence

  1. ^ Gerhard Habarta: Lexicon of the fantastic artists . Books on Demand, 2009, ISBN 978-3-8370-8427-6 , pp. 273-274