Lucia Bihler

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Lucia Bihler (born January 22, 1988 in Munich ) is a German theater director .

Artistic career

Bihler studied acting directing at the Ernst Busch Academy of Dramatic Arts in Berlin as well as a master's semester in choreography . During her studies she founded the company gold & hiebe and realized projects at the bat studio theater , the Ballhaus Ost and the Maxim Gorki Theater . This was followed by productions at the Deutsches Theater Göttingen , the Theater Lübeck , the Schauspiel Leipzig , the Staatstheater Oldenburg , the Schauspiel Hannover and the Schauspielhaus Wien , where she recently brought out an adaptation of Robert Menasse's novel Die Hauptstadt . With this production, she is invited to the Munich Festival in 2019 at Radikal Jung. As in-house director at the Volksbühne Berlin, she has also been a member of the artistic direction there since 2019 .

Productions

Individual evidence

  1. ↑ Invitations to the "Radikal Jung" festival , nachtkritik.de of February 27, 2019, accessed May 19, 2019
  2. ↑ There is another ensemble on Rosa-Luxemburg-Platz. Retrieved April 14, 2019 .
  3. ↑ Profile Lucia Bihler , Volksbühne Berlin, accessed May 19, 2019
  4. ↑ Jan Fischer: Biedermann and the arsonists - Lucia Bihler's Göttingen radical dedusting of the classic textbook by Max Frisch. In: www.nachtkritik.de. Nachtkritik.de , April 18, 2015, accessed on February 5, 2019 .
  5. ↑ Peter Krüger-Lenz: Lucia Bihler stages “Biedermann and the Arsonists” in the Deutsches Theater Göttingen. In: www.goettinger-tageblatt.de. Göttinger Tageblatt, April 19, 2015, accessed on February 8, 2019 .
  6. ↑ Theresa Luise Gindlstrasser: The green cockatoo - Lucia Bihler enriches the end of the world theater by Arthur Schnitzler at the Vienna Schauspielhaus with texts by Bernhard Studlar. In: www.nachtkritk.de. Nachtkritik.de , January 14, 2016, accessed February 5, 2019 .
  7. ↑ Michael Berger: The burden of love in the terrarium. In: www.kn-online.de. Kieler Nachrichten , May 6, 2016, accessed on February 5, 2019 .
  8. ↑ Jorid Engler: friendship among enemies. In: www.goettinger-tageblatt.de. Göttinger Tageblatt, September 30, 2015, accessed on February 8, 2019 .
  9. ↑ Peter Intelmann: A strong piece: Premiere of Franz Kafka's “Der Bau” at the Lübeck Theater. In: www.ln-online.de. Lübecker Nachrichten , February 10, 2017, accessed on February 5, 2019 .
  10. ↑ Tobias Prüwer: Princess Hamlet - In Leipzig, Lucia Bihler poses the question of identities with EL Karhu's Shakespeare override. In: www.nachtkritik.de. Nachtkritik.de , December 2, 2017, accessed February 5, 2019 .
  11. ↑ Falk Schreiber: Medea or The Golden Fleece - Lucia Bihler artificially designs Grillparzer's world in Lübeck. In: www.nachtlkritik.de. Nachtkritik.de , November 25, 2017, accessed on February 5, 2019 .
  12. ↑ Ronald Meyer-Arlt: A director wants to go up. In: www.haz.de. Hannoversche Allgemeine Zeitung , January 22, 2018, accessed on February 5, 2019 .
  13. ↑ Jörg Worat: Welcome to the dance of death. In: www.kreiszeitung.de. Kreiszeitung, February 2, 2018, accessed on February 8, 2019 .
  14. ↑ Jens Fischer: On the beautiful view - Lucia Bihler stages Ödön von Horváth in the Fritsch style in Oldenburg. In: www.nachtkritik.de. Nachtkritik.de , April 14, 2018, accessed on February 5, 2019 .
  15. ↑ Reinhard Tschapke: A sticky thing in the state theater. In: www.nwzonline.de. Nordwestzeitung , April 16, 2018, accessed February 5, 2019 .
  16. ↑ Lucia Bihler stages “To the beautiful view” in Oldenburg. In: www.kreiszeitung.de. Kreiszeitung , April 18, 2018, accessed on February 5, 2019 .
  17. ↑ Theresa Luise Gindlstrasser: The Capital - Lucia Bihler staged the EU novel by Robert Manasseh at the Schauspielhaus Vienna. In: www.nachtkritik.de. Nachtkritik.de , September 26, 2018, accessed on February 5, 2019 .
  18. ↑ Thomas Trenker: Crazy Zombie Ball: "The Capital" in the theater. In: www.kurier.at. Courier, September 28, 2018, accessed February 8, 2019 .
  19. ↑ Michaela Mottinger: Menasses Inside-Brussels-Roman as a stage satire. In: www.mottingers-meinung.at. Michaela Mottinger-Mašín, September 27, 2018, accessed on February 8, 2019 .
  20. ↑ Frank Kurzhals: People's Destruction or My Liver is Pointless - Lucia Bihler directs Werner Schwab's radical comedy at the Hanover Theater. In: www.nachtkritik.de. Nachtkritik.de , November 12, 2018, accessed on February 5, 2019 .
  21. ↑ Stefan Gohlisch: Terribly beautiful “People's Destruction” Crass theater, well staged: director Lucia Bihler brings Werner Schwab's “People's Destruction or My Liver is Pointless” into the here and now in Cumberland. In: www.neuepresse.de. Neue Presse , November 12, 2018, accessed February 5, 2019 .
  22. ↑ Ronald Meyer-Arlt: Zombies in the circus: Lucia Bihler staged Werner Schwab's “People's Destruction or My Liver is Pointless” on the Cumberland stage. In: www.haz.de. Hannoversche Allgemeine Zeitung , November 14, 2018, accessed on February 5, 2019 .
  23. ↑ "Vampires don't cry" confusions of the pupil Törless - Staatstheater Mainz - Lucia Bihler's production sends Robert Musil's characters on a horror trip , nachtkritik.de of May 17, 2019, accessed May 19, 2019
personal data
SURNAME Bihler, Lucia
BRIEF DESCRIPTION German theater director
DATE OF BIRTH January 22, 1988
PLACE OF BIRTH Munich