Maria Forescu
Maria Forescu , born Maria Füllenbaum (born January 15, 1875 in Chernivtsi , then Austro-Hungarian monarchy , now Ukraine ; † 1942 or 1943 in Berlin?) Was an Austrian operetta singer and film actress .
Life
After completing boarding school in Paris , Maria Forescu studied singing, music and acting at the Prague Conservatory .
At the turn of the century she made her debut as an operetta singer and soon appeared at the renowned Vienna Carltheater . After she rose to star there, she made guest appearances on stages all over Europe. She then went to Berlin, where she appeared at the Theater des Westens , the Operetta Theater and the Metropoltheater.
From this time there are references to recordings on the "Parlophone" label of the Lindström concern. The advertisement in the “Parlophone” catalog (approx. 1910) mentions z. B. "P.1375 Puppen-Aria", adOptte "The Doll" (Audran), P.1351 Tarantella adOptte "Gasparone" (Millöcker). Maria Forescu, Berlin, with orchestra accompaniment Kapellmeister F [riedrich] Kark.
After she had worked in a film for the first time in 1911, she gave up singing in 1915 in favor of her film career. The best-known films in which Maria Forescu has worked - mostly as a supporting actress - include Veritas vincit ( Joe May , 1918), Peer Gynt ( Richard Oswald , 1919), The Indian Tomb Part 2: The Tiger of Eschnapur (Joe May , 1921), Marizza, called the Smuggler Madonna ( Friedrich Wilhelm Murnau , 1922), Hanneles Himmelfahrt ( Urban Gad , 1922), Nju ( Paul Czinner , 1924), Die joyllose Gasse ( Georg Wilhelm Pabst , 1925) and The Gypsy Baron ( Friedrich Zelnik , 1927).
Her type was preferably that of the lightly apron gypsy. At the turn to the sound film she appeared several times in films of her friend Harry Piel (e.g. his best friend , Bobby goes , shadow of the underworld ). The last well-known films in which Maria Forescu appeared were Gerhard Lamprecht's Between Night and Morning and Hans Behrendt's Danton (both 1931).
After the NSDAP came to power , Maria Forescu, who was of Jewish origin, did not find any more engagements and was expelled from the Reich Film Department in 1938 .
Most recently she found refuge with Maria Hirschburg in Motzstrasse in Berlin-Wilmersdorf. On August 15, 1942, she was supposed to be deported to the Riga ghetto on the 18th Osttransport (serial number 469) . She probably never arrived there because she was on the deportation list (“Füllenbaum called Forescu, Maria, January 15th 1875, Chernivtsi, single, unable to work ”) was deleted again. In all probability, the seriously ill and no longer transportable artist died in Berlin between summer 1942 and the end of 1943, possibly of natural causes.
Filmography
- 1912: crown and fetter
- 1912: duty
- 1912: Your flotsam
- 1913: The wanted poster
- 1915: Martyr of love
- 1916: strange heads
- 1916: On the edge
- 1917: Professor Nissen's strange death
- 1918: Veritas vincit
- 1918: Peer Gynt
- 1918: delusional
- 1918: The daughter of the Rajah
- 1918: Dida Ibsen's story
- 1918: the path that leads to damnation. 1. The fate of the Aenne Wolter
- 1918: Colomba
- 1919: Phantoms of Life
- 1919: night asylum
- 1919: Whipped
- 1919: The red duchess
- 1919: the bruise
- 1919: the dancer . Part 2
- 1919: The man on the bottle
- 1919: The Medallion of Lady Sington
- 1920: Under the spell of the other
- 1920: Humanity unleashed
- 1920: The guilt of the other
- 1920: Alfred von Ingelheim's life drama
- 1921: Marizza, known as the Smuggler Madonna
- 1921: Terpsichore. The power of dance
- 1921: Tanja, the woman on the chain
- 1921: raid
- 1921: Pirates of Beauty
- 1921: Könnyved, the great stranger
- 1921: Hapura, the dead city. 1. The struggle for the million dollar will
- 1921: The Indian tomb 1st part: The mission of Yoghi
- 1921: The stranger from Elstergasse
- 1921: The beggar countess from Kurfürstendamm
- 1921: The dance of death
- 1921: The Indian tomb 2nd part: The tiger of Esnapur
- 1921: The man in the advertising pillar
- 1921: the adventurer
- 1922: Tabea, get up!
- 1922: You and the three
- 1922: Marie Antoinette
- 1922: Lola Montez, the king's dancer
- 1922: Queen Caroline of England
- 1922: Jimmy, a fate of humans and animals
- 1922: Hanneles Ascension
- 1922: the fate of women
- 1922: The Call of Fate
- 1922: The Count of Charolais
- 1922: Bummellotte
- 1923: His most dangerous game
- 1923: people and masks. 1. The wrong emir
- 1923: people and masks. 2. A dangerous game
- 1923: Esterella
- 1923: The princess's puppets
- 1923: The big industrialist
- 1923: Katyusha Maslowa
- 1924: Nju
- 1924: Dangerous friendship
- 1925: Little Lilo's ordeal
- 1925: In the jug with the green wreath
- 1925: Hanseatic League
- 1925: Götz von Berlichingen named with the iron hand
- 1925: The Notorious
- 1925: The heiress of St. Alban
- 1925: The love cage
- 1925: The King and the Little Girls
- 1925: The adventure of Sibylle Brandt
- 1926: tips
- 1926: people among each other
- 1926: Fedora
- 1926: May we be silent?
- 1926: give me life
- 1926: trafficking in girls
- 1926: The Lord of Death
- 1926: Kubinke, the barber and the three maids
- 1926: a great night
- 1926: The black Hanne
- 1926: The Wiskottens
- 1926: The pirates of the Baltic seaside resorts
- 1926: Love's lust and suffering. Basement cavaliers
- 1926: The good reputation
- 1926/27: The Frauengasse in Algiers
- 1926/27: The Gypsy Baron
- 1926/27: The victory of the youth
- 1927: Cheer up, Charly!
- 1927: Vice of humanity
- 1927: who throws the first stone?
- 1927: Valencia, you most beautiful of all roses
- 1927: Previous conditions
- 1927: break-in
- 1927: The hell of the virgins
- 1927: The false prince
- 1927: bigamy
- 1927: Poor little Colombine
- 1928: The man with the tree frog
- 1928: Anastasia, the false daughter of the Tsar
- 1928: A girl and three clowns
- 1928/29: The provincial girl
- 1929: two brothers (rivals of love)
- 1929: Inherited drives. The fight for the new gender
- 1929: his best friend
- 1929: Men without a job
- 1929: Perjury
- 1929: Madame Lu, the woman for discreet advice
- 1929: Le meneur de joies
- 1929: The caviar princess
- 1929: The devil reporter. In the fog of the big city
- 1929: The moral judge (§ 218)
- 1929: The golden crown
- 1929: Who will cry when you part?
- 1930: Faded dreams
- 1930: Susanne puts things in order
- 1930: Lui et moi
- 1930: love clover leaf
- 1930: He or I
- 1930: the old song
- 1930: The secret of the five keys
- 1931: The way to Rio
- 1931: Danton
- 1931: Between night and morning
- 1931: Shadow of the Underworld
- 1931: Ombres des bas fund
- 1931: L'Auberge du père Jonas
- 1931: a boiled boy
- 1931: The suitcase of Mr. OF
- 1931: Bobby goes
- 1932: The cheeky badger
- 1932: The ship without a port
- 1932: The child's first right
literature
- Hans-Michael Bock (Ed.): CineGraph. Lexicon for German-language films. Edition Text + Criticism, München 1984 ff. (Loseblattausgabe).
- Martin Koerber: Maria Forescu, phone Neukölln 1329. A search for clues. In: Dorothea Stanić (Red.): Close-up Neukölln. Cinemas, cameras, copier. Argon-Verlag, Berlin 1989, ISBN 3-87024-153-5 , pp. 79-82.
- Ulrich Liebe: adored, persecuted, forgotten. Actor as a Nazi victim (= Beltz-Taschenbuch. Vol. 168). With audio CD. Beltz, Weinheim 2005, ISBN 3-407-22168-1 , pp. 228-229.
- Kay Less : Between the stage and the barracks. Lexicon of persecuted theater, film and music artists from 1933 to 1945 . With a foreword by Paul Spiegel . Metropol, Berlin 2008, ISBN 978-3-938690-10-9 , p. 120.
Web links
- Maria Forescu in the Internet Movie Database (English)
- Maria Forescu at filmportal.de
- Biography on cineartists.com (French)
- Biography with detailed. Bibliography on KinoTV.com
- Pauline goes dancing! Duet from the operetta "Grosse Raisinen" (W. Kollo / Bernauer & Schanzer) - Hermann Wehling, Maria Forescu with orchestra under the personal direction of the composers Willy Bredschneider, Beka Grand, Record No. 13 999 (Germany, Berlin, 1911, acoustic recording)
Individual evidence
- ↑ For more information, see Kay Less: Zwischen Bühne und Baracke , Berlin 2008, p. 121. There it says: "A deportation to the Buchenwald concentration camp can be ruled out, as can often be read"
- ↑ The Holocaust Survivors and Victims Database of the US-American Holocaust Memorial Museum comes to the same conclusion and states in the case of the misspelled artist ("Maria Frotescu") that there was no deportation
personal data | |
---|---|
SURNAME | Forescu, Maria |
ALTERNATIVE NAMES | Füllenbaum, Maria (maiden name) |
BRIEF DESCRIPTION | Austrian-born operetta singer and film actress |
DATE OF BIRTH | January 15, 1875 |
PLACE OF BIRTH | Chernivtsi , then Austria-Hungary , now Ukraine |
DATE OF DEATH | 1942 or 1943 |
Place of death | Berlin |