Pseudo-Chalcidian vase painting

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Herakles kills the Nemean lion , front of a neck amphora of the Polyphemus group, around 560/40 BC Chr.
Runner on the back of the same amphora

The pseudo-chalkidian pottery is an important genus of black-figure Greek vase painting in the 6th century. Chr.

The pseudo-Chalcidian vase painting is based strongly on the Chalcidian vase painting . But it also shows strong references to Attic and Corinthian vase painting . The artists here do not use the Chalcidian but the Ionic alphabet for inscriptions. In addition, the vases have a different tone quality. Today around 70 vases of the genus are known, which were first put together by Andreas Rumpf . The artisans may be the successors of the Chalcidian vase painters and potters who immigrated to Etruria . Another explanation for the differences between Chalcidian and pseudo-Chalcidian vases would be different workshop traditions and access to other clay deposits, which made certain technical variations necessary.

The pseudo-Chalcidian vase painting can be divided into two groups. The older of the two groups is the Polyphemus group . It also represents the greater part of the surviving works. The preferred vase shapes were mainly neck amphorae and oinochoa . Usually groups of animals are shown, rarely mythical images ( Herakles , Hephaestus ). The vessels were found in Etruria and Sicily, but also in Marseille and Vix . The younger and less productive Memnon group , to which 12 vessels are currently assigned, had a much smaller distribution area, which was limited exclusively to Etruria and Sicily. Except for one oinochoe, they only produced neck amphoras, which were mostly painted with animals and riders. Once a carriage ride is shown, as well as an amphora with Odysseus and Kirke .

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