Ionic vase painting
The Ionian vase painting was a regional style of Greek vase painting .
The Ionic space was first perceived as an independent region within Eastern Greek vase painting when, coming from Northern Ionia , the black-figure Ritz style spread during the final phase of the Orientalizing style in Eastern Greece. In the final phase of the animal frieze style , Northern Ionian artists imitated Corinthian models. High quality vases were being produced in Ionia as early as the 7th century. Since around 600 BC The black-figure style was used in whole or as part of the decoration of vases. In addition to regional styles ( Klazomenai , Ephesus , Miletus , Chios , Samos ), which gradually developed, there were styles that could not be localized more precisely, especially in northern ions. Vessels of anointing oil based on the Lydian model ( Lydion ) are widespread, but are usually only decorated with stripes. There are also original images, such as a Scythian with a Bactrian camel or a satyr and a ram. For some styles, the assignment is very controversial. The Northampton Group, for example, has strong Ionic influences, but it was probably created in Italy - possibly by immigrants from Ionia.
literature
- Thomas Mannack : Greek vase painting. An introduction. Theiss, Stuttgart 2002, ISBN 3-8062-1743-2 , pp. 81 f., 90-94, 134 f.
- Matthias Steinhart : Black-figure vase painting II. Outside table. In: The New Pauly (DNP). Volume 11, Metzler, Stuttgart 2001, ISBN 3-476-01481-9 , Sp. 276-281 (commentary).