Crime scene: the right to worry
| Episode of the series Tatort | |
|---|---|
| Original title | The right to worry |
| Country of production | Germany |
| original language | German |
| Production company |
Bavarian radio |
| length | 89 minutes |
| classification | Episode 988 ( list ) |
| First broadcast | May 22, 2016 on Das Erste |
| Rod | |
| Director | Andreas Senn |
| script | Beate Langmaack |
| production |
Ulrike Putz Jakob Claussen |
| music | Fabian Römer |
| camera | Holly Fink |
| cut | Vera van Appeldorn |
| occupation | |
| |
The Right to Worry is a TV movie from the crime series Tatort . The contribution produced by Bayerischer Rundfunk under the direction of Andreas Senn is the 988th Tatort episode and was first broadcast on May 22, 2016 in the ARD's first program. The Franconian investigator duo Voss and Ringelhahn is investigating its second case.
action
The landlord's daughter Steffi Schwinn finds her mother dead in the restaurant in the morning. Everything looks like a relationship act and so the husband is considered an urgent suspect. Since he has disappeared without a trace and is very likely hiding in the surrounding forests, the search for Holger Schwinn is advertised. After a few days, the wanted person is admitted to hospital after deliberately scalding himself both forearms. The distraught man makes a vague confession to Commissioner Voss. On surveillance recordings in the inn, the forensic technicians had also discovered tapes that show a violent argument between the couple and as a result of which Schwinn strangled his wife.
At the same time, Ringelhahn and Voss have to take care of a second case. The head of the Institute for Anatomy at the University of Würzburg had turned to her old friend, Police President Dr. Mirko Kaiser after one of her doctoral students discovered a strange skull in the bone collection of body donors . Without further ado, Kaiser instructs his two investigators, Ringelhahn and Voss, to take care of the matter. They quickly realize that only someone from the institute could have replaced the skull and that it could well have been a murder. Due to the age of the skull and a cleft lip and palate operated on in early childhood, the investigators are trying to find out the identity of the victim. This succeeds and so Agnieszka Lies, who works as a cleaner at the institute, is suspected of killing the father of her little daughter, who recently had a large inheritance and wanted to emigrate to Australia with his daughter. Lies is a employed in the Institute taxidermist friend Lando bailiff who has obviously helped her. When the commissioners want to talk to him, he admitted without further ado that he had disposed of the body of the victim in the institute's maceration facility , in which the donated bodies are normally stripped of any tissue, and merely saved the skull. It was later to be used for DNA analysis to secure little Romy's inheritance, so he had hidden it under the bones of the body donors, where he thought it was safe. While the bailiff wants to take all the guilt on himself, Agnieszka Lies confesses to having stabbed her daughter's father with a large kitchen knife because she would not allow him to take the child away from her.
In a subplot, Commissioner Ringelhahn takes care of an elderly woman who is camping on Jakobsplatz in front of the Nuremberg police headquarters and who does not want to accept the fact that the police are not looking for her missing adult son. Ringelhahn gives the woman the right to worry and tries to help her. At the end of her research, she brings the slightly confused woman the news of the (fictional) accidental death of her son, to give her the opportunity to close, since in her opinion it is easier to mourn than to wait for a son who no longer calls want.
background
The film was shot from July 14, 2015 to August 13, 2015 in Nuremberg , in the Röthenbach district of Rockenbrunn and Würzburg .
The premiere of the film took place on May 9, 2016 at one of the locations, the Chair of Anatomy and Cell Biology II at the University of Würzburg, in front of 400 selected guests.
reception
Audience ratings
The first broadcast of Das Recht to Worry on May 22, 2016 was seen by 8.41 million viewers in Germany and achieved a market share of 25.3% for Das Erste . In the group of 14 to 49 year old viewers , 2.36 million viewers and a market share of 19.9% were achieved.
In Austria, due to the election of the Federal President , the broadcast did not take place until 10:50 p.m., contrary to the usual broadcasting time, where 187,000 viewers were reached and an average reach of 3% and a market share of 20% were achieved.
In Switzerland, 371,000 viewers over the age of three watched the first broadcast of the episode, giving it a market share of 20.2%. In the group of 15 to 59-year-old viewers, 215,000 viewers were counted and a market share of 19.3% was measured.
Reviews
Christian Buß from Spiegel Online writes about the crime scene: “This Franconian slaughter plate is anything but a horror number. More like a meditation on human finiteness. The calm tone of Max Färberböck's first Franconian 'crime scene' from last year is retained. Even if the filmmakers are different. Screenwriter Beate Langmaack has written some of the best Schwerin police calls, director Andreas Senn has shot some of the better crime scenes with Ulrike Folkerts. Now the two gently and cryptically put into the picture what was left of the person. Admittedly, the thriller plot sometimes falls apart. "
At the Süddeutsche Zeitung , Katharina Riehl evaluates: “The second crime scene from Franconia begins with blue-watery images, which fortunately at the beginning of the film you have no idea what they probably represent. And if you will, that is the secret of this very fine film: That as a viewer you constantly believe you understand things, but in truth only rarely really do it. "
Rainer Tittelbach from tittelbach.tv also rates positively and says: “The fascination of this crime drama results less from the tension that is usual in the genre; it is the stories that arouse curiosity, that touch and move. Locations, landscape and local color play a decisive role for the cinematic impression - time and again it is images that give Andreas Senn's film its (thoughtful) moods based on the life-wise book by Beate Langmaack. The camera and lighting are superb. But the human factor is not neglected either: The duo Manzel & Hinrichs is pretty unbeatable here. "
Web links
- The right to care in the Internet Movie Database (English)
- Summary of the plot of The Right to Worry on the ARD website
- The right to worry about the crime scene fund
- The right to worry at Tatort-Fans.de
Individual evidence
- ^ Tatort: The right to worry at crew united
- ^ Premiere in Würzburg. Second Franconian crime scene inspires viewers. In: News. Bayerischer Rundfunk, May 9, 2016, accessed on May 17, 2016 .
- ↑ Fabian Riedner: Primetime check: Sunday, May 22, 2016.quotemeter.de , May 23, 2016, accessed on May 23, 2016 .
- ↑ Meedia : Total / 14 to 49 years , Top 20: the TV ratings for Sunday, May 22, 2016, accessed on May 23, 2016.
- ↑ Medienforschung ORF , data from Sunday, May 22, 2016
- ↑ a b Swiss radio and television : SRF 1 - May 22, 2016 ( Memento of the original from May 24, 2016 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. (PDF), Mediapulse TV panel - German-speaking Switzerland, Overnight, people three years and older, accessed on May 24, 2016
- ^ Christian Buß: Anatomy "Tatort" with Fabian Hinrichs. Franconian slaughter plate. In: Culture. Spiegel Online, May 20, 2016, accessed on May 20, 2016 : "Rating: 7 out of 10"
- ↑ Katharina Riehl: A story bigger than chance. Süddeutsche Zeitung, May 23, 2016, accessed on May 23, 2016 .
- ^ Rainer Tittelbach: Manzel, Hinrichs, Langmaack, Senn, Fink. Friendly draft from Franconia film review at tittelbach.tv, accessed on August 28, 2016.
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Crime scene follow |
next episode June 5, 2016: We - You - You |
Heaven is a place on earth (2015) | The Right to Care (2016) | In the end you go naked (2017) | I don't kill anyone (2018) | A day like any other (2019) | The night is yours (2020)