vorarlberg museum

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vorarlberg museum
Vorarlberg museum in Bregenz 5.jpg
The vorarlberg museum on the Bregenz Kornmarktplatz
Data
place Bregenz
Art
Art and culture museum
architect Andreas Cukrowicz,
Anton Nachbaur-Sturm
(renovation 2007)
opening 1857
Website

The vorarlberg museum (formerly Vorarlberger Landesmuseum , abbreviated VLM ) in Bregenz is the art and cultural history state museum of the Austrian state Vorarlberg . It was founded in 1857 and since then has been a central place where evidence of the state's art and culture is collected, preserved, researched and made accessible to the public. In terms of content, the museum's work focuses on topics related to Vorarlberg. At the same time, it integrates them into a cross-border context. The extensive collections with a focus on archeology , history , art history and folklore of Vorarlberg, which the vorarlberg museum currently deepens and expands to the present, form the basis of the museum's work. The museum sees itself as a place of sensual experience and intellectual knowledge and conveys its topics using original evidence from the past and present. A special interest is the cooperation with national, international and regional cultural institutions. Andreas Rudigier has been heading the vorarlberg museum since April 1, 2011 .

history

Board on the history of the museum

The State Museum was founded in 1857 by the private Vorarlberg State Museum Association . Its collections and the museum building were handed over to the State of Vorarlberg in 1947/48. Since 1997 it has been supported in matters of administration, together with the Kunsthaus Bregenz and the Vorarlberger Landestheater, by the business service facility Vorarlberger Kulturhäuser BetriebsGmbH .

On October 5, 2009, the house was closed for a three-year new construction and renovation period. The existing museum was torn down in the following months and rebuilt in the same place with the addition of the neighboring building, the old district authority . Star designer Stefan Sagmeister was commissioned to create a new corporate design and a new corporate identity for the museum, and he presented the new appearance of the house in Bregenz at the beginning of 2011. In the course of this, the museum was renamed from Vorarlberger Landesmuseum to vorarlberg museum . The new house was reopened in June 2013 with twice the exhibition space.

Vorarlberg State Museum Association

On November 15, 1857, the Vorarlberg State Museum Association - with the later Governor of Vorarlberg Sebastian Ritter von Froschauer , Ernst von Pöllnitz and others - held its founding meeting. This was also the hour of birth of the Vorarlberg State Museum. Sebastian von Froschauer remained the first chairman of the Vorarlberger Landesmuseumsverein until 1873.

The main concern of the association was to safeguard Vorarlberg's cultural assets, to protect important works from being transported abroad and, if possible, to bring them back to Vorarlberg. The establishment of the "Vorarlberger Landesmuseum" was the earliest museum to be founded in the Lake Constance area , because until then there was only one joint "Museum for Tyrol and Vorarlberg" in Innsbruck. With the establishment of a new state museum in Bregenz, an independent institution was brought into being. With a great deal of commitment and enthusiasm from the members of the State Museum Association, the museum's holdings have been continuously expanded and increased.

Management of the museum

Before 1907, the respective board of directors of the Vorarlberger Landesmuseumsverein acted in personal union as a representative of the Vorarlberger Landesmuseum without, however, explicitly operating as its director.

The museum building

First building from 1905

Just one year after it was founded, the Landesmuseumsverein opened three museum rooms to interested visitors on Sunday mornings in a private house in Bregenz. In 1860 the objects moved into their first own house at Kaspar-Hagen-Straße 2. Archeology took up almost the entire ground floor, the first floor housed fine arts, coins and the library, and the second floor zoology, technology, botany and mineralogy and the works of Angelika Kauffmann . After a short time, it soon became apparent that the building would not be able to accommodate the rapidly growing collections for long. The textile manufacturer Samuel Jenny founded a museum building fund in which the city of Bregenz also participated. It also provided a plot of land directly on Lake Constance free of charge. The groundbreaking ceremony for the first “real” museum was delayed until 1902 for financial reasons.

The first state museum building

In a construction period of almost four years, the new building was erected according to designs by Georg Baumeister . The house on Bregenz Kornmarkt was technologically state-of-the-art in terms of flood protection, fire protection, heating and construction details. In 1905, the collections moved to the historic building and were open to the public there from June 9th. The building was designed to grow the collection, but the rapidly growing holdings required additional space after a short time.

As early as the 1930s, the museum again complained of a lack of space. Comprehensive renovations did not begin until the mid-1950s, under the museum director Elmar Vonbank . The building was raised by one floor and the historicist facade decoration was removed. In 1960 the newly designed museum was open to the public again. The period of major renovations was followed by fifty years in which hardly any investments were made and the gap between the museological demands on the building and the structural reality widened. The gap between an aging house and the massive increase in visitor expectations over the past few decades has grown.

The old building in 2009

The new building in 2013

In March 2007, the state government passed the fundamental decision on the architectural redesign of the museum, which was based on the spatial-museological concept "VLM Neu" by Tobias G. Natter. Concerning the authorship of the concept, a copyright dispute broke out shortly after the museum opened, which ended with a court settlement. The Bregenz architecture firm Cukrowicz Nachbaur Architekten emerged as the winner of the architecture competition advertised across Europe . The cost of the new building, which opened on June 21, 2013, amounted to 35.3 million euros.

In the new building of the museum building, the materials oak , clay and brass are predominant in the publicly accessible area . In the atrium of the house, which partly extends to the top floor, is the largest continuous clay plaster wall in Europe with a height of 23 meters , according to the museum management .

Panorama room © HanspeterSchiess

used material

In the new building of the museum building, the materials oak , clay and brass are predominant in the publicly accessible area . In the atrium of the house, which partially extends to the top floor, is the largest continuous clay plaster wall in Europe with a height of 23 meters , according to the museum management .

technology

Ventilation system

The museum building has nine ventilation systems , three of which are intended exclusively for the exhibition rooms .

Electrical engineering

The Vorarlberg Museum has its own transformer station . On average there is a connected load of 20 to 25  kW , in peak load times up to 95 kW. 95% of the lighting is based on LED technology. A lighting management system from Zumtobel is used to control the light scenes in the building , through which each luminaire in the house can be controlled individually.

Air conditioning

Two heat pumps are available for air conditioning the house, which draw the heat from the ground via 18 geothermal probes deepened to 200 m below the Kornmarktplatz . Each Cofely heat pump has an output of 153.5 kW. One of the heat pumps is only used for heating , one only for cooling .

The exhibition rooms are ventilated through many very small ventilation openings in the ceiling and partly in the thresholds of the doors.

safety

55 surveillance cameras are in operation throughout the new building .

The new building does not have a sprinkler system . The emergency exhaust system is designed to keep the entire interior of the building free of smoke for at least half an hour in order to rescue people.

Collections

The collection of the vorarlberg museum includes around 160,000 objects of various types - archaeological artefacts, sacred and secular art from the early days to the present, folklore objects and much more. Some holdings - such as the collection of works by the artist Angelika Kauffmann - are of great value, other objects are characterized by their historical significance for the country and its people. Recently, non-material collection objects such as eyewitness interviews and the media have become increasingly important.

A specialist library with a stock of around 15,000 volumes on the areas of collection is attached to the museum.

archeology

The archaeological collection of the museum is not only the most important in terms of the number of objects, it also holds a special place in the history of the museum because the founders of the museum and the long-standing directors of the museum association Samuel Jenny and Carl von Schwerzenbach , who While she was on the board, she was also responsible for the management of the museum, excellent and passionate amateur archaeologists who made a significant contribution to the exploration of the ancient brigantium through their excavations. For many decades they shaped the collection, the self-image and the research of the museum, its publications and exhibitions. Her work was continued by the long-time museum administrator, curator and director Adolf Hild, who worked from 1907 to 1948. The directors Elmar Vonbank (museum director from 1954 to 1986) and Helmut Swozilek (museum director 1986-2006) were trained prehistoric and early historians and archaeologists and continued the tradition, which includes all archaeological finds in Vorarlberg - with a few exceptions - come to the museum's collection. The archaeological collection is well networked through many activities with the archaeological research facilities in the neighboring countries of Liechtenstein, Switzerland and Germany.

art

The art history collection spans from the Middle Ages through Gothic, Baroque and the 19th century to the present day. As a special feature, the vorarlberg museum has a unique Angelika Kauffmann collection and an exquisite Gothic collection. Modern art includes works by Rudolf Wacker, Herbert Reyl-Hanisch, Albert Bechtold and Edmund Kalb. Paintings, drawings, graphic works, photographs, sculptures, room installations and handicraft objects reflect the artistic creation of the individual epochs. Since the museum was founded in 1857 until today, the focus of the collection has been on the regional area of ​​Vorarlberg and its surroundings. In addition to continuously updating the collection through purchases and donations, the museum is working on a continuous processing and documentation of the existing holdings.

European ethnology / folklore

The following collections of the multi-branch house are assigned to European ethnology / folklore: The costume and textile collection, the printing blocks and models, the toy collection, the technical collection with exhibits from the fields of rural, industrial and craft culture. Furthermore the inventory area iron, clay, earthenware, porcelain; the church utensils and the ethnographic collection. The central tasks of the European Ethnology / Folklore Department at the vorarlberg museum include looking after and digitally recording the existing inventory groups, as well as the forced collection of material culture and intangible cultural assets with the aim of contributing to the most comprehensive possible representation of the diverse forms of life in Vorarlberg.

history

The historical collection includes pamphlets, autographs, certificates and documents, badges, maps, postcards, reproductions (from devotional pictures to posters), photos, weapons and guild symbols.

Architecture / building culture

The architecture / building culture collection group forms a focus of the vorarlberg museum collection, which - as the collection strategy provides - is being actively expanded. In addition to individual objects as well as entire holdings and legacies of Vorarlberg architects and builders, the holdings also include interviews with contemporary witnesses and objects relating to so-called “anonymous architecture”. In cooperation with the in-house departments, other scientific institutions as well as freelance experts, historical and current topics are dealt with, reflected on, presented and conveyed in a building culture context.

archive

The archive of the vorarlberg museum (formerly Vorarlberger Landesmuseum) contains documents on the collections, the state museum association and the museum administration. So far, the archive has not been publicly accessible due to a lack of space and staff, but it is available for scientific research. Certain central documents (such as the minutes of the committee meetings of the museum association) have been and are continuously digitized.

Library

The library of the vorarlberg museum has around 30,000 books and forms an important basis for the scientific work of the staff. The holdings are continuously supplemented by the relevant new publications in the fields of archeology, history, art history and folklore. In addition, numerous professionally relevant periodicals are archived. Since January 2013 the holdings have been included in a professional library database with technical and professional support from the Vorarlberg State Library.

Core exhibitions

literally Vorarlberg

The exhibition, literally Vorarlberg, presents objects from the museum's rich holdings, illustrating a piece of collection and contemporary history in alphabetical order and in 26 object groups. It starts with a series of engravings by the artist Angelika Kauffmann, whose father came from the Bregenzerwald, under a for "angelicamad". The Sonderberg coin treasure - “z wie zahla” - closes the exhibition. In between there are architectural models, photographs, figures of saints, sword knobs, traditional hoods and much more, strictly in alphabetical order.

vorarlberg. A making-of

This exhibition sees itself as a critical reflection on the history of Vorarlberg. Its aim is to bring people into conversation, to initiate a dialogue about history and thus to make dealing with the past a living part of dealing with the present. Vorarlberg. A making-of invites you to get to know the directors and leading actors of the country's history, but also the actors in the background and to discuss their roles. In addition, pieces of jewelery from the collection such as a late Gothic altar, a threading machine from a textile factory or a painting by Rudolf Wacker are confronted and staged with new exhibits. The individual chapters are not determined by the dates, but rather by surprising content-related confrontations - the cup of the Ski World Cup winner Marc Girardelli stands next to the model of the Islamic cemetery in Altach, the convict suit of the Nazi victim and poet Max Riccabona near the Sunday suit of a Turkish immigrant . This raises questions, invites discussion and is also intended to provoke. A quickly changeable system of modules as exhibition design makes it possible to change the focus again and again, to rearrange the narratives, to keep the exhibition changeable.

Cosmopolitan city or something

The archaeological exhibition Römer oder so on the burial ground in Brigantium followed in the footsteps of science and took a new look at the finds that have been made in one of the largest burial fields in the region over the past 150 years. It turned out that many questions remain open. Quite a few answers are speculative. In the exhibition with finds from Brigantium, visitors of all ages dealt with the world of Roman times and with the world of research. Everyone was invited to get to know the findings, interpretations and question marks about this cemetery and the people buried here. With a twinkle in his eye, Römer or so met the visitors' ideas of how it could have been. In January 2020 the new core exhibition Weltstadt oder so ... Brigantium in the 1st century AD replaced or updated the exhibition Römer oder so .

very close. Popular stories of touching

After “Sein & Mein”, “Ganznah” is the second exhibition in the SICHTEN format, which is about Vorarlberg and aims to take a different look at the country. The focus is on the subject of "touch". For example, touch connects the stories of the trapeze artist Karl Zauser from Feldkirch, who performed in the world-famous Sarrasani circus in the 1930s, of the midwife who helped more than 4,000 children into the world, and of the imam who carries out ritual washing of the dead. "Contact diaries" offer an introduction to the exhibition. Vorarlberg residents send photographs of what they have touched in the course of a day.

Special exhibitions

Special exhibitions 2019

  • Getting Things Done. Evolution of the Built Environment in Vorarlberg March 16, 2019 to May 5, 2019.
  • City-Country-River. Römer am Bodensee April 13, 2019 to August 25, 2019.
  • Angelika Kauffmann. Unknown treasures from Vorarlberg private collections June 15, 2019 to October 6, 2019.
  • Reinhold "Nolde" Luger. Graphic provocation November 23, 2019 to February 2020 (due to Corona extended to August 2020).

Exhibitions in the atrium 2019

  • Grid Marrisonie: Marienheim. Photographs | Installations March 30, 2019 to June 16, 2019.
  • Christoph Lissy: My eight fathers July 6th to September 1st 2019.
  • The myth of the idyllic Maisäß. Artist residencies on the Montafon Maize from 21 September to 17 November 2019.
  • Alfred Seiland : Imperium Romanum December 7, 2019 to February 2020.

Exhibitions in the atrium 2018

  • "The bells down in iron Time" bells declines in the First World War . December 7, 2018 to March 17, 2019.
  • Otto Ender 1875-1960. Governor, Chancellor and Putschist? October 6, 2018 to November 18, 2018.

Special exhibitions 2018

  • "Wacker during the war. An artist's experiences" Rudolf Wacker . June 9, 2018 to February 17, 2019.
  • "3-D around 1930. The photographer Norbert Bertolini " February 17, 2018 to April 15, 2018.
  • “ Richard Bösch . Painter " November 25, 2017 to February 25, 2018.
  • "Pantaleon, Giraffe & Co" December 11, 2017 to January 21, 2018.

Exhibitions in the atrium 2017

Special exhibitions 2016

  • The Riccabona case. December 3, 2016 to April 17, 2017.
  • Up and down the hill. 10,000 years of mining in the Eastern Alps. June 11 to October 26, 2016 (in cooperation with the German Mining Museum Bochum ).
  • Time signals. The draftsman Egon Goldner. January 30th to May 1st, 2016.

Exhibitions in the atrium 2016

  • Search for clues. Vorarlberg prisoners of war in Russian Turkestan. September 17 to November 20, 2016.
  • Bregenz Festival 1946 | 2016. July 14th to September 11th, 2016.
  • Luminous pictures. Stained glass windows of the churches in Vorarlberg. May 21 to June 26, 2016.
  • There was something! Dementia up close. April 2 to May 16, 2016.
  • Modest heroes. February 27 to March 28, 2016.
  • The Swabian children . January 16 to February 21, 2016.

Special exhibitions 2015

  • I'm me. Mira Lobe and Susi Weigel. November 28th to May 1st, 2016.
  • This is Austria! June 20 to October 11, 2015.
  • Nicholas Walter. Encounters. 17th January to 3rd May 2015.
  • Romans, Alemanni, Christians - The early Middle Ages on Lake Constance. December 5, 2014 to April 19, 2015.

Exhibitions in the atrium 2015

  • Nativity scenes. A creative cross-section from the work of Vorarlberg crib associations. December 2, 2015 to January 10, 2016.
  • Death. October 29 to November 22, 2015.
  • Capital of Culture 2024 - touring exhibition of the planning universities of Austria. October 16 to October 30, 2015.
  • Bright ideas. 10 years of AdWin. May 28 to June 14, 2015.
  • Women, cultures & art. May 9th to May 25th 2015.

Special exhibitions 2014

  • I, fields. Poet and rebel. June 28 to November 16, 2014.
  • Beyond the postcard. The Alps in photography. February 8 to May 25, 2014.

Exhibitions in the atrium 2014

  • Rudolf Sagmeister: Wild Flowers Old Masters. Art and nature. December 10, 2014 to January 11, 2015.
  • Architecture is life - the Aga Khan Award for Architecture 2013. November 28th to December 8th.
  • The Holocaust in Europe. October 22 to November 23, 2014.
  • Mariella Scherling Elia: An olive tree and me. July 16 to October 2014.
  • best architects May 14th to June 29th, 2014.
  • The sculpture “Colonne Pascale”. January 25 to April 27, 2014.

Special exhibitions 2013

  • Lustenau Lagos African Lace. June 21, 2013 to January 6, 2014.
  • Tone Fink “tangible impulses”. November 12, 2013 to January 21, 2014.

Publications

  • vorarlberg museum Schriften 41 / Martina Pfeifer Steiner , Rastlos: Architect Werner Pfeifer 1919–1972, park books, Zurich 2018.
  • vorarlberg museum Schriften 40 / Michael Kasper , Robert Rollinger , Andreas Rudigier , Die in der Berge . Reality - Staging - Processing, Böhlau Verlag 2018.
  • vorarlberg museum Schriften 39 / Peter Melichar , Otto Ender 1875–1960. Governor, Chancellor, Minister. Investigations into the inner life of a politician, Vienna, Cologne, Weimar 2018.
  • vorarlberg museum Schriften 22 / ed. by Peter Melichar and Nikolaus Hagen (ed.), The Riccabona case . A family story between acceptance and threat in the 20th century, 1875–1960, Vienna, Cologne, Weimar 2017.
  • vorarlberg museum Schriften 17 / series of artists in conversation, volume 5 / Egon Goldner. Time signals. Edited by Andreas Rudigier. Bucher Verlag, Hohenems / Vienna / Vaduz 2016.
  • vorarlberg museum Schriften 15 / Archeology in Vorarlberg. Edited by Gerhard Grabher and Andreas Rudigier. Kunstverlag Josef Fink, 2015.
  • vorarlberg museum Schriften 14 / Museum and the present. Places of negotiation and fields of action for social responsibility and social change. Edited by Robert Gander, Andreas Rudigier and Bruno Winkler. transcript Verlag, Bielefeld 2015.
  • vorarlberg museum Schriften 13 / This is Austria! Image strategies and spatial concepts 1914–1938. Edited by Christoph Bertsch. Gebr. Mann Verlag, Berlin 2015.
  • vorarlberg museum writings 12 / Georg Ligges. Edited by Bettina Schlorhaufer , Ute Pfanner, vorarlberg museum. Bucher Verlag, Hohenems / Vienna / Vaduz 2015.
  • vorarlberg museum Schriften 11 / series of publications Artists in Conversation, Volume 3 / Mariella Scherling Elia, Autoritratto. Edited by Andreas Rudigier. Bucher Verlag, Hohenems / Vienna / Vaduz 2015.
  • vorarlberg museum Schriften 10 / series of publications Artists in Conversation, Volume 2 / Tone Fink, tangible impulses. Edited by Andreas Rudigier. Bucher Verlag, Hohenems / Vienna / Vaduz 2015.
  • vorarlberg museum Schriften 9 / series of artists in conversation, volume 1 / Marbod Fritsch, the hour when we knew nothing about each other. Edited by Andreas Rudigier. Bucher Verlag, Hohenems / Vienna / Vaduz 2015.
  • vorarlberg museum Schriften 8 / Nikolaus Walter, encounters. Edited by Petra Zudrell, vorarlberg museum and Vorarlberg regional library. Kehrer Verlag, Heidelberg, January 2015
  • vorarlberg museum writings 7 / I, fields. Poet and rebel. Edited by Ulrike Längle, Jürgen Thaler and vorarlberg museum, Lengwil 2014
  • vorarlberg museum writings 6 / Adelheid Gnaiger. The first female architect in Vorarlberg. Edited by Ingrid Holzschuh. Park Books, Zurich 2014.
  • vorarlberg museum Schriften 5 / Search and find for archaeologists from 3 to 99. The game about Romans or something. An exhibition on the burial ground in Brigantium in the vorarlberg museum. Piatnik, Vienna 2014.
  • vorarlberg museum Schriften 4 / Beyond the picture postcard. The Alps in photography. Edited by Galerie Stihl Waiblingen / Stadt Waiblingen and the vorarlberg museum. Hirmer Verlag, Waiblingen / Bregenz / Munich 2013.
  • vorarlberg museum Schriften 3 / Bernhard Seiter, A land like a hand. A trip to Vorarlberg. Bucher Verlag, Hohenems / Vienna / Vaduz 2013.
  • vorarlberg museum Schriften 2 / Literally Vorarlberg. Edited by Andreas Rudigier and Gerhard Grabher. Bucher Verlag, Hohenems / Vienna / Vaduz 2013.
  • vorarlberg museum Schriften 1 / Erosion and monument protection on Lake Constance and Lake Zurich. Edited by Hansjörg Brem, Beat Eberschweiler, Gerhard Grabher, Helmut Schlichtherle and Heinz Gerd Schröder.
  • Writings of the Vorarlberger Landesmuseum / Series A, Landscape History and Archeology.
  • Writings of the Vorarlberger Landesmuseum / Series B Art History and Monument Preservation.
  • Writings of the Vorarlberger Landesmuseum / Series C, Folklore.
  • Gabriela Krist , Helmut Swozilek : Fritz Krcal (1888–1983) - the painter's estate in the Vorarlberg State Museum . Böhlau, Vienna, Cologne, Weimar 2005, ISBN 3-205-77471-X .
  • Tobias G. Natter , Ute Pfanner (eds.): Architectura practica - Baroque master builder and modern building school from Vorarlberg . Vorarlberger Landesmuseum, Bregenz 2006, ISBN 3-901802-26-6 .
  • Tobias G. Natter (Ed.): 150 years of donations . Vorarlberger Landesmuseum, Bregenz 2007, ISBN 3-901802-27-4 .
  • Tobias G. Natter (Ed.): "Canton Remaining" - When Vorarlberg wanted to belong to Switzerland . Vorarlberger Landesmuseum, Bregenz 2008, ISBN 3-901802-32-0 .
  • Tobias G. Natter (Ed.): Gold. Treasure art between Lake Constance and Chur . Hatje Cantz, Ostfildern 2008, ISBN 978-3-7757-2213-1 .
  • Tobias G. Natter (Ed.): Schappele, Chränsle & Co. 96 traditional headgear from the Agnes Kinz collection . Bucherverlag, Hohenems 2008, ISBN 978-3-902612-46-5 .
  • Tobias G. Natter (Ed.): Views. Early photography from Vorarlberg . Vorarlberger Landesmuseum, Bregenz 2008, ISBN 3-901802-29-0 .
  • Tobias G. Natter (Ed.): Angelika Kauffmann. A woman of tremendous talent . Hatje Cantz, Ostfildern 2007, ISBN 978-3-7757-1983-4 .
  • Tobias G. Natter (Ed.): Snow. The raw material of art . Hatje Cantz, Ostfildern 2009, ISBN 978-3-7757-2430-2 .
  • Tobias G. Natter , Michael Fehr , Bettina Habsburg-Lothringen (eds.): The Schaudepot. Between open magazine and staging . transcript, Bielefeld 2010, ISBN 978-3-8376-1616-3 .

Editing

  • Editions digitized by the Austrian National Library : Montfort - magazine for history, local history and folklore of Vorarlberg. (Online at ANNO ). Template: ANNO / Maintenance / mft, since 1946
  • Quarterly magazine for the history and regional studies of Vorarlberg. 1917-1926
  • Yearbook of the Vorarlberg State Museum in Bregenz. 1928-1930
  • Yearbook of the Vorarlberger Museumverein. 1940-1941
  • Yearbook / Vorarlberger Landesmuseumsverein, friends of regional studies. 1948-

Awards

  • 2016 Austrian Museum Prize
  • Special Commendation in the competition "European Museum of the Year 2015"
  • ÖKOPROFIT® - certification (since 2015)
  • Austrian Museum Seal of Approval (2014-2019)

Design and layout

  • Red Dot Design Award for Kurt Dornig's "Artists in Conversation", 2016
  • State Prize for Design, shortlist for the exhibition design “Ich, Felder”, 2015
  • German Design Award 2015, Winner Signage. Sägenvier design communication
  • Austria's Most Beautiful Books 2014, Award for "I, Fields"
  • IIID Award 2014, gold signage. Sägenvier design communication
  • Iconic Award 2014, Winner Signage. Sägenvier design communication
  • ISTD International Typographic Awards 2014, Premier Award Signage. Sägenvier design communication
  • Joseph Binder Award 2014, bronze for the poster “Beyond the Alps”. Sägenvier design communication

architecture

  • State Prize for Architecture, Tourism and Leisure 2014, award cukrowicz nachbaur architects
  • Piranesi Award 2014, nomination. cukrowicz replica architects
  • Mies Van Der Rohe Award 2014, nomination. cukrowicz replica architects
  • International Architecture Award 2014. cukrowicz replica architects
  • Best Architects Award 2014, gold. cukrowicz replica architects
  • 7th Vorarlberger Hypo-Bauherrenpreis 2015. cukrowicz nachbaur architects

Web links

Commons : Vorarlberg Museum  - Collection of pictures, videos and audio files

Individual evidence

  1. ↑ http://www.vorarlbergmuseum.at/museum/architektur.html
  2. ^ Landesmuseumsverein and Landesmuseum celebrate their birthday (accessed on December 1, 2009)
  3. ^ Peter Melichar, On the Art of Founding a Museum. Or: who was Siegfried Fussenegger? In: museum magazine. Published by the Vorarlberger Landesmuseumsverein, Vol. 4 (2014), No. 8, 6-7.
  4. ↑ The Vorarlberger Landesmuseumsverein and the Vorarlberger Landesmuseum ( Memento of the original from April 5, 2015 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. (Accessed December 1, 2009) @1@ 2Template: Webachiv / IABot / www.vol.at
  5. ^ STANDARD Verlagsgesellschaft mbH: Vorarlberger Landesmuseum: Andreas Rudigier becomes the new director .
  6. ↑ Vorarlberg Online: Copyright dispute over an exhibition in the “vorarlberg museum”
  7. ^ "Vorarlberg museum": opening on June 21 , at vorarlberg.orf.at, accessed on April 14, 2015
  8. ↑ Information from the museum management on May 23, 2016.
  9. ↑ "World city or something?" This is what Bregenz was like in Roman times. Retrieved January 20, 2020 .
  10. ^ Traveling exhibition "The Swabian Children". Retrieved March 11, 2016 .
  11. ↑ Team Website @ Capital of Culture 2024: 100 students - 100 people - countless ideas - Capital of Culture 2024 .
  12. ↑ Salzburger Nachrichten of July 21, 2016: "vorarlberg museum" receives the Austrian Museum Prize , accessed on July 21, 2016
  13. ↑ International honor for the vorarlberg museum . Article on vorarlberg.ORF.at from May 17, 2015.

Coordinates: 47 ° 30 ′ 16 ″  N , 9 ° 44 ′ 48 ″  E