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{{short description|Italian composer|bot=PearBOT 5}}
'''Mauro Cardi''' (born July 22, 1955 in [[Rome]], [[Italy]]) is an Italian composer.
{{Use mdy dates|date=April 2018}}
[[File:Mauro Cardi.jpg|250px|right|Mauro Cardi]]
'''Mauro Cardi''' (born July 22, 1955, in Rome, Italy) is an Italian composer.


==Biography==
==Biography==
Trained at the "Santa Cecilia" Conservatoire of Rome, under the guidance of [[Irma Ravinale]], [[Gino Marinuzzi (1920-1996)|Gino Marinuzzi jr.]], [[Guido Turchi]], he graduated in composition, instrumentation for wind orchestra and choral music.<ref name="Deumm90">"Cardi, Mauro", in AA.VV., ''Dizionario Enciclopedico della Musica e dei Musicisti'', diretto da Alberto Basso, volume Appendice; Utet, Torino, 1990, {{ISBN|978-88-02-04396-8}}, p.14</ref> In 1982, he received his first international recognition, winning the "[[Valentino Bucchi]] Prize"<ref>Landa Ketoff, "Una voce per il canto del 900. Conclusa con un concerto la V edizione del premio Valentino Bucchi", ''La Repubblica'', November 27, 1982</ref><ref>E.M., "Ecco i vincitori del Premio Bucchi", ''L'Avanti'', November 25, 1982</ref> with ''Melos'', for soprano and orchestra. Crucial was the encounter with [[Franco Donatoni]], with which he furthered his education at the [[Accademia Nazionale di Santa Cecilia]] and the [[Accademia Musicale Chigiana]] of [[Siena]].<ref name="Deumm90"/><ref>"Cardi, Mauro", in AA.VV., ''Enciclopedia della Musica'', diretta da Marco Drago e Andrea Boroli, Istituto Geografico De Agostini, Novara, 1995, {{ISBN|978-88-415-2055-0}}, p.184</ref> In 1984, he attended the [[Darmstädter Ferienkurse]].<ref name="Deumm90"/> In the same year his composition ''Les Masques, Quattro Bagatelle for flute viola and guitar'', was awarded the prestigious Gaudeamus Prize in Amsterdam.<ref>"Amsterdam: Mauro Cardi vince il Gaudeamus 1984", in ''Rivista Musicale Italiana'', n.4/Ottobre 1984, ERI-Edizioni RAI</ref><ref>R.Hazendonk, "Mauro Cardi goede Gaudeamus winnaar", ''De Telegraaf'', Amsterdam, October 7, 1984</ref><ref>Hein Calis, Frits van der Waa, "Mauro Cardi wint met bescheiden compositie Gaudeamus-prijs", ''De Volkskrant'', Amsterdam, October 7, 1984</ref><ref>https://gaudeamus.nl/en/winners-of-the-gaudeamus-award/ URL Retrieved January 12, 2018</ref> In 1987, he was selected to represent Italy at the [[International Rostrum of Composers]] by UNESCO. In 1988, he won the second prize at the International Competition [[Gian Francesco Malipiero]] with ''In Corde'', for orchestra.<ref>"I premi del G.F. Malipiero", ''Il Giornale della Musica'', N.29, Giugno 1988</ref><ref name="Deumm90"/> He composed also several works commissioned by institutions and associations such as: [[RAI]], [[Accademia Nazionale di Santa Cecilia]], [[Biennale di Venezia]], [[Ravenna Festival]], [[Ville de Genève]], Fondazione Malipiero, Centro Studi Armando Gentilucci, [[Maggio Musicale Fiorentino]], [[Nuova Consonanza]].
Trained at the “Santa Cecilia” Conservatoire of Rome, under the guidance of [[Irma Ravinale]], [[Gino Marinuzzi (1920-1996)|Gino Marinuzzi jr.]], [[Guido Turchi]], he graduated in Composition, Instrumentation for Wind Orchestra and Choral Music.<ref name="Deumm90">"Cardi, Mauro", in AA.VV., ''Dizionario Enciclopedico della Musica e dei Musicisti'', diretto da Alberto Basso, volume Appendice; Utet, Torino, 1990, ISBN 88-02-04396-5, p.14</ref>


While his early works have been influenced by Donatoni, to which he devoted also an extensive analytical study,<ref>Mauro Cardi, "Atono conforta grandi. Uno studio su Argot di Franco Donatoni e di alcune problematiche della composizione algoritmica" (in due parti), in ''Suono Sonda'', Anno 4, N° 7, Febbraio 2009, Anno 4, N° 8, Novembre 2009, Joker, Genova 2009</ref> Mauro Cardi soon developed his individual style,<ref name="Pagotto">Mario Pagotto, "Recensione del CD "Manao Tupapau", ''CD Classica'' – Marzo 1999</ref><ref>Mario Gamba, "I concetti sonori Modern", ''Il manifesto'', Roma, December 6, 1993</ref> focusing his research on "musical forms moulded by timbre and sound intuitions, with unexpectedly expressive moments".<ref name="Garzantina">"Cardi, Mauro", in AA.VV., ''Enciclopedia della musica Garzanti'', Milano, 1996, {{ISBN|978-88-11-50467-2}}, p.141</ref>
In [[1982]], he received his first international recognition, winning the “[[Valentino Bucchi]] Prize”<ref>Landa Ketoff, “Una voce per il canto del 900. Conclusa con un concerto la V edizione del premio Valentino Bucchi”, ''La Repubblica'', 27.11.1982</ref> <ref>E.M., “Ecco i vincitori del Premio Bucchi”, ''L'Avanti'', 25.11.1982</ref> with ‘’Melos’’, for soprano and orchestra.
His poetics reflects his natural aptitude to contrapuntal writing and his fascination with logic and the symbolic value of numbers, attracted to the playful dimension involved in composing.<ref>Marco Spada, "Compositori Oggi/Incontro con Mauro Cardi: Metto a fuoco le emozioni", ''l'Unità'', Roma, March 17, 1990</ref><ref>Ornella Rota, "L'alternanza di giochi e regole", in ''Suono'', N° 370, Roma, Luglio-Agosto 2004, p.87</ref><ref>Luca Conti, "Mauro Cardi: l'artigianato del comporre", in ''Idea'', Anno XXVI, N.6–7, Roma, Giugno-Luglio 1990, pp.33–39</ref>


He composed two radio operas commissioned by RAI: in 1994 ''Temperatura esterna'' on a text by Michele Mari and, in 1996, ''La mia puntualità fu un capolavoro'' on a text by Marco Lodoli. In 1995, on a commission by the [[Accademia Filarmonica Romana]], he composed his first opera, ''Nessuna Coincidenza'', one-act stage action with music.<ref name="Garzantina"/> In 1998 BMG Ricordi published the monographic CD ''Manao Tupupau'',<ref name="Pagotto"/> containing his major works of the 1990th. From 2000 to 2008, on a commission of the 52nd Biennale di Venezia, he composed ''Oggetto d'amore'',<ref>Carla di Lena, "Liszt per banda e piano", in ''Il Giornale della Musica'', n.287, dicembre 2011, p.6,</ref> a cycle of seven musical scenes on texts by Pasquale Panella, premiered in [[Venezia]] and published in CD format by RAI Trade in 2009, which concludes his long collaboration with [[Sonia Bergamasco]]<ref>Olga D'Alì, "L'amore al tempo di Sonia: a Venezia la Bergamasco porta in scena l'opera sperimentale di Panella e Cardi", in ''D di Repubblica'', October 4, 2008</ref> and the Freon Ensemble. In 2019 Mauro Cardi returns to musical theater with ''Il Diario di Eva'', a semi-scenic opera for dancer / actress, soprano and ensemble, on a text freely taken from the homonymous story by [[Mark Twain]] (GAMO International Festival, Certosa di Firenze) and in 2021 he composed, on a libretto by Guido Barbieri, the one-act and six chapters opera ''Le ossa di Cartesio'', for actor, three singers and large ensemble, commissioned by Opera InCanto, performed in Terni and Rome for Nuova Consonanza.
Crucial was the encounter with [[Franco Donatoni]], with which he furthered his education at the [[Accademia Nazionale di Santa Cecilia]] and the [[Accademia Musicale Chigiana]] of [[Siena]].<ref name="Deumm90"/> <ref> "Cardi, Mauro", in AA.VV., ''Enciclopedia della Musica'', diretta da Marco Drago e Andrea Boroli, Istituto Geografico De Agostini, Novara, 1995, ISBN 88-415-2055-8, p.184</ref>


Since the 1990s, he has been involved in electroacoustic and computer music, collaborating with the electroacoustic music centres Agon in Milan, [[Centro Ricerche Musicali]] in Rome, Istituto Gramma in L'Aquila. In 1995 was chosen by [[Institut de recherche et coordination acoustique/musique|IRCAM]]<ref name=Utet2005>"Cardi, Mauro", in AA.VV., ''Dizionario Enciclopedico della Musica e dei Musicisti'', diretto da Alberto Basso, volume Appendice 2005; Utet, Torino, 2004, {{ISBN|978-88-02-06216-7}}, p.105</ref> for the international stage, in 1997 ''Manao Tupupao'' has been selected as a finalist at the 24th Electroacustique Music Competition of Bourges, and in 2009 ''Alba'', for zarb and electronics, was chosen by the [[International Computer Music Conference]] of Belfast. In 2001, he joined the composers collective [[Edison Studio]]<ref name="Utet2005"/> in Rome, one of the most active centres for production of electroacoustic music in Italy, with which he experimented a collective composing practice.<ref>Cipriani A., Cifariello Ciardi F., Ceccarelli L., Cardi M., "Collective composition: the case of Edison Studio", in ''Organised Sound'', Cambridge University Press, 2004, 9, pp.261–270, {{ISSN|1355-7718}}</ref><ref>Cardi M., Ceccarelli L., Cifariello Ciardi F., Cipriani A., "Nuove tecnologie e composizione collettiva per il cinema muto", in ''Close Up'', Anno X, N°18, Marzo-Giugno 2006, Kaplan, Torino, 2006, {{ISBN|978-88-89908-01-3}}, pp.81–102</ref> In 2008, [[Edison Studio]] published its first DVD, resulting from the collaboration with the video makers Latini and Di Domenico. In the following years it realized the live soundtracks for the silent movies: ''[[The Last Days of Pompeii (1913 film)|Gli ultimi giorni di Pompei]]'' (1913) by Eleuterio Rodolfi, ''[[Ricatto]]'' (''Blackmail'', 1929) by [[Alfred Hitchcock]], ''Inferno'' (1911)<ref>http://cinestore.cinetecadibologna.it/bookshop/dettaglio/47/ URL Retrieved January 12, 2018</ref> by Francesco Bertolini, Giuseppe de Liguoro e Adolfo Padovan (awarded the "Premio speciale AITS per il migliore suono anno 2011"‚<ref>http://www.aits.it/index.php?&lang=it&section=edizioni-premio-aits&Anno=2011 URL consultato il January 12, 2018</ref> by the Associazione Italiana Tecnici del Suono), ''[[Das Cabinet des Dr. Caligari]]''<ref>http://cinestore.cinetecadibologna.it/bookshop/dettaglio/105 URL consultato il January 12, 2018</ref><ref>David Kim-Boyle – recensione della prima esecuzione di "Das Cabinet des Dr.Caligari" all'ICMC di Singapore, in ''Computer Music Journal'', volume 28, N°2 Summer 2004 – MIT Press, Cambridge, Massachusetts, U.S.A.</ref> (1919) by Robert Wiene. In 2011 and 2016 these two soundtracks have been published on DVD in 5.1 surround version by the Cineteca di Bologna in the "Il Cinema ritrovato" series. A study has been published on Edison Studio's works: "Il silent film e l'elettronica in relazione intermediale", edited by Marco Maria Gazzano.<ref>Marco Maria Gazzano (a cura di), ''Edison Studio. Il Silent Film e l'Elettronica in Relazione Intermediale'', Roma, Exorma, 2014, {{ISBN|978-88-95688-89-3}}.</ref> With Edison Studio, Mauro Cardi participated in the [[International Computer Music Conference]] 2002 ([[Gothenburg]]) and 2003 (Singapore).
In [[1984]], he attended the [[Darmstädter Ferienkurse]]<ref name="Deumm90"/> .


Since 2021 Mauro Cardi has been on the executive committee of [[Nuova Consonanza]] from 1988,<ref>Daniela Tortora, ''Nuova Consonanza – Trent'anni di musica contemporanea in Italia'' (1959–1988), Libreria Musicale Italiana, Lucca, 1990, {{ISBN|978-88-7096-019-8}},</ref> of which he has been President from 1999 to 2001. Founding member of the "Scuola popolare di musica di Testaccio" (Rome), he has taught Composition at the Conservatories of L'Aquila and Florence and from 2021 at the [[Conservatorio Santa Cecilia|Conservatory “Santa Cecilia”]] in Rome. He gives seminars and composition workshops in Italy and abroad.<ref name="Utet2005"/>
In the same year his composition ‘’Les Masques, Quattro Bagatelle for flute viola and guitar’’, was awarded the prestigious Gaudeamus Prize in Amsterdam.<ref>“Amsterdam: Mauro Cardi vince il Gaudeamus 1984”, in ''Rivista Musicale Italiana'', n.4/Ottobre 1984, ERI-Edizioni RAI</ref> <ref>R.Hazendonk, “Mauro Cardi goede Gaudeamus winnaar”, ''De Telegraaf'', Amsterdam, 7.10.1984</ref> <ref>Hein Calis, Frits van der Waa, “Mauro Cardi wint met bescheiden compositie Gaudeamus-prijs”, ''De Volkskrant'', Amsterdam, 7.10.1984</ref> <ref> https://gaudeamus.nl/en/winners-of-the-gaudeamus-award/ URL Retrieved 12.01.2018</ref>

In 1987, he was selected to represent Italy at the [[International Rostrum of Composer]] by UNESCO.
In 1988, he won the second prize at the International Competition [[Gian Francesco Malipiero]] with ‘’In Corde’’, for orchestra.<ref>“I premi del G.F. Malipiero”, ''Il Giornale della Musica'', N.29, Giugno 1988</ref> <ref name="Deumm90"/>

He composed also several works commissioned by institutions and associations such as: [[RAI]], [[Accademia Nazionale di Santa Cecilia]], [[Biennale di Venezia]], [[Ravenna Festival]], [[Ville de Genève]], Fondazione Malipiero, Centro Studi Armando Gentilucci, [[Maggio Musicale Fiorentino]], [[Nuova Consonanza]].

While his early works have been influenced by Donatoni, to which he devoted also an extensive analytical study,<ref> Mauro Cardi, "Atono conforta grandi. Uno studio su Argot di Franco Donatoni e di alcune problematiche della composizione algoritmica" (in due parti), in ''Suono Sonda'', Anno 4, N° 7, Febbraio 2009, Anno 4, N° 8, Novembre 2009, Joker, Genova 2009</ref> Mauro Cardi soon developed his individual style, <ref name="Pagotto">Mario Pagotto, “Recensione del CD “Manao Tupapau”, ''CD Classica'' – Marzo 1999</ref> <ref>Mario Gamba, “I concetti sonori Modern”, ''Il manifesto'', Roma, 6.12.1993</ref> focusing his research on "musical forms moulded by timbre and sound intuitions, with unexpectedly expressive moments".<ref name="Garzantina">"Cardi, Mauro", in AA.VV., ''Enciclopedia della musica Garzanti'', Milano, 1996, ISBN 88-11-50467-8, p.141</ref>
His poetics reflects his natural aptitude to contrapuntal writing and his fascination with logic and the symbolic value of numbers, attracted to the playful dimension involved in composing..<ref> Marco Spada, “Compositori Oggi/Incontro con Mauro Cardi: Metto a fuoco le emozioni”, ''l’Unità'', Roma, 17.3.1990</ref> <ref>Ornella Rota, “L’alternanza di giochi e regole”, in ''Suono'', N° 370, Roma, Luglio-Agosto 2004, p.87</ref> <ref>Luca Conti, “Mauro Cardi: l’artigianato del comporre”, in ''Idea'', Anno XXVI, N.6-7, Roma, Giugno-Luglio 1990, pp.33-39</ref>

In 1995, on a commission by the [[Accademia Filarmonica Romana]], he composed his first opera, ‘’Nessuna Coincidenza’’, one-act stage action with music<ref name="Garzantina"/> In [[1998]] BMG Ricordi published the monographic CD ‘’Manao Tupupau’’<ref name="Pagotto"/>, containing his major works of the 1990th.

From [[2000]] to [[2008]], on a commission of the 52<sup>nd</sup> Biennale di Venezia, he composed ‘’Oggetto d'amore’’, <ref>Carla di Lena, “Liszt per banda e piano”, in ''Il Giornale della Musica'', n.287, dicembre 2011, p.6,</ref> a cycle of seven musical scenes on texts by Pasquale Panella, premiered in [[Venezia]] and published in CD format by RAI Trade in 2009, which concludes his long collaboration with [[Sonia Bergamasco]]<ref>Olga D’Alì, “L’amore al tempo di Sonia: a Venezia la Bergamasco porta in scena l’opera sperimentale di Panella e Cardi”, in ''D di Repubblica'', 4.10.2008</ref> and the Freon Ensemble.

Since the 1990s, he has been involved in electroacoustic and computer music, collaborating with the electroacoustic music centres Agon in Milan, [[Centro Ricerche Musicali]] in Rome, Istituto Gramma in L’Aquila.

In [[1995]] was chosen by [[Institut de recherche et coordination acoustique/musique|IRCAM]]<ref name=Utet2005>"Cardi, Mauro", in AA.VV., ''Dizionario Enciclopedico della Musica e dei Musicisti'', diretto da Alberto Basso, volume Appendice 2005; Utet, Torino, 2004, ISBN 88-02-06216-1, p.105</ref> for the international stage, in [[1997]] ‘’Manao Tupupao’’ has been selected as a finalist at the 24th Electroacustique Music Competition of Bourges, and in [[2009]] ‘’Alba’’, for zarb and electronics, was chosen by the [[International Computer Music Conference]] of Belfast.

In [[2001]], he joined the composers collective [[Edison Studio]] <ref name="Utet2005"/> in [[Rome]], one of the most active centres for production of electroacoustic music in [[Italy]], with which he experimented a collective composing practice.<ref> Cipriani A., Cifariello Ciardi F., Ceccarelli L., Cardi M., “Collective composition: the case of Edison Studio”, in ''Organised Sound'', Cambridge University Press, 2004, 9, pp.261-270, ISSN 1355-7718</ref> <ref>Cardi M., Ceccarelli L., Cifariello Ciardi F., Cipriani A., “Nuove tecnologie e composizione collettiva per il cinema muto”, in ''Close Up'', Anno X, N°18, Marzo-Giugno 2006, Kaplan, Torino, 2006, ISBN 88-89908-01-7, pp.81-102</ref>

In [[2008]], [[Edison Studio]] published its first DVD, resulting from the collaboration with the video makers Latini and Di Domenico. In the following years it realized the live soundtracks for the silent movies: ''[[Gli ultimi giorni di Pompei (film 1913)|Gli ultimi giorni di Pompei]]'' (1913) by Eleuterio Rodolfi, ''[[Ricatto (film 1929)|Ricatto]]'' (''Blackmail'', 1929) by [[Alfred Hitchcock]], ''Inferno'' (1911)<ref> http://cinestore.cinetecadibologna.it/bookshop/dettaglio/47/ URL Retrieved 12.01.2018</ref> by Francesco Bertolini, Giuseppe de Liguoro e Adolfo Padovan (awarded the “Premio speciale AITS per il migliore suono anno 2011”‚ <ref> http://www.aits.it/index.php?&lang=it&section=edizioni-premio-aits&Anno=2011 URL consultato il 12.01.2018</ref> by the Associazione Italiana Tecnici del Suono), ''[[Das Cabinet des Dr. Caligari]]''<ref> http://cinestore.cinetecadibologna.it/bookshop/dettaglio/105 URL consultato il 12.01.2018</ref> <ref>David Kim-Boyle - recensione della prima esecuzione di "Das Cabinet des Dr.Caligari" all'ICMC di Singapore, in ''Computer Music Journal'', volume 28, N°2 Summer 2004 - MIT Press, Cambridge, Massachusetts, U.S.A.</ref> (1919) by Robert Wiene.
In 2011 and 2016 these two soundtracks have been published on DVD in 5.1 surround version by the Cineteca di Bologna in the "Il Cinema ritrovato" series.

A study has been published on Edison Studio's works: “Il silent film e l’elettronica in relazione intermediale”, edited by Marco Maria Gazzano.<ref> Marco Maria Gazzano (a cura di), ''Edison Studio. Il Silent Film e l'Elettronica in Relazione Intermediale'', Roma, Exorma, 2014, ISBN 978-88-95688-89-3.</ref> With Edison Studio, Mauro Cardi participated in the [[International Computer Music Conference]] [[2002]] ([[Gotheborg]]) and [[2003]] ([[Singapore]]).

Founding member of the “Scuola popolare di musica di Testaccio” (Rome), where he taught until 1998, he is a member of [[Nuova Consonanza]] from 1988<ref>Daniela Tortora, ''Nuova Consonanza – Trent’anni di musica contemporanea in Italia'' (1959-1988), Libreria Musicale Italiana, Lucca, 1990, ISBN 88-7096-019-6,</ref>, of which he has been President from 1999 to 2001. He has been professor at the [[Luigi Cherubini]] Firenze State Conservatoire, and he currently teaches at the [[Alfredo Casella]] State Conservatoire of L'Aquila. He gives seminars and composition workshops in Italy and abroad.<ref name="Utet2005"/>


Mauro Cardi's compositions have been published by: [[Casa Ricordi]], [[RAI Trade]], [[Curci]], [[Edipan]], Ut Orpheus, Semar, Sconfinarte, Taukay; and have been recorded by the labels: [[Dischi Ricordi|Ricordi]], [[Radio Corporation of America|RCA]], [[BMG Ariola]], [[Nuova Fonit Cetra]], [[RAI Trade]], Edipan, Adda Records, Happy New Ears, [[Il manifesto]], CNI, [[Taukay]].
Mauro Cardi's compositions have been published by: [[Casa Ricordi]], [[RAI Trade]], [[Curci]], [[Edipan]], Ut Orpheus, Semar, Sconfinarte, Taukay; and have been recorded by the labels: [[Dischi Ricordi|Ricordi]], [[Radio Corporation of America|RCA]], [[BMG Ariola]], [[Nuova Fonit Cetra]], [[RAI Trade]], Edipan, Adda Records, Happy New Ears, [[Il manifesto]], CNI, [[Taukay]].


==Works==
==Works==
===Musical Theatre and Movies===
===Musical theatre and movies===
*2021 ''Le ossa di Cartesio'', for actor, three singers and large ensemble, libretto by Giulio Barbieri
*[[2014]] ''En dirigeable sur le champs de bataille'', live computer soundtrack for the BBC's documentary of the same name, with [[Edison Studio]]
*2019 ''Il Diario di Eva'', for female dancer/actress, soprano and ensemble, libretto by composer and Cristina Papi, based on [[Mark Twain]]'s story of the same name
*[[2013]] ''Blackmail'', live computer soundtrack for the 1929 movie of the same name by [[Alfred Hitchcock]], with [[Edison Studio]]
*2014 ''En dirigeable sur le champs de bataille'', live computer soundtrack for the BBC's documentary of the same name, with [[Edison Studio]]
*[[2008]] ''Oggetto d'amore'', for female voice, ensemble, video and electronics, on texts by [[Pasquale Panella]]
*[[2008]] ''Inferno'', live computer soundtrack for the movie of the same name by F.Bertolini, G.De Liguoro e A.Padovano, with [[Edison Studio]]
*2013 ''Blackmail'', live computer soundtrack for the 1929 movie of the same name by [[Alfred Hitchcock]], with [[Edison Studio]]
*2008 ''Oggetto d'amore'', for female voice, ensemble, video and electronics, on texts by [[Pasquale Panella]]
*[[2008]] ''Medea incontra Norma'', based loosely on ''[[Médée (Cherubini)|Medea]]'' of [[Luigi Cherubini]] and ''[[Norma (opera)|Norma]]'' of [[Vincenzo Bellini]], with [[Luigi Ceccarelli]], ideazione e regia di Cristina Mazzavillani Muti
*2008 ''Inferno'', live computer soundtrack for the movie of the same name by F.Bertolini, G.De Liguoro e A.Padovano, with [[Edison Studio]]
*[[2004]] ''Trash'', "musicalopera" for actors, singers and electronics, on texts by Francesca Angeli, music co-author: Roberta Vacca
*2008 ''Medea incontra Norma'', based loosely on ''[[Médée (Cherubini)|Medea]]'' of [[Luigi Cherubini]] and ''[[Norma (opera)|Norma]]'' of [[Vincenzo Bellini]], with [[Luigi Ceccarelli]], ideazione e regia di Cristina Mazzavillani Muti
*[[2003]] ''Das cabinet des Dr.Caligari'', live computer soundtrack for the movie of the same name by, with [[Edison Studio]]
*2004 ''Trash'', "musicalopera" for actors, singers and electronics, on texts by Francesca Angeli, music co-author: Roberta Vacca
*[[2001]] ''Gli ultimi giorni di Pompei'', live computer soundtrack pfor the movie of the same name by, with [[Edison Studio]]
*2003 ''Das cabinet des Dr.Caligari'', live computer soundtrack for the movie of the same name by, with [[Edison Studio]]
*[[2000]] ''C'era una volta... la principessa dispettosa'', on text by Nicoletta Costa, for narrator and electronics, music co-authors: Maria Cristina De Amicis, Michelangelo Lupone, [[Alessandro Sbordoni]], Roberta Vacca
*2001 ''Gli ultimi giorni di Pompei'', live computer soundtrack pfor the movie of the same name by, with [[Edison Studio]]
*[[1995]] ''Nessuna Coincidenza'', one-act stage action with music, for 2 sopranos, [[tenore]]/narrator, [[actor]], [[Musical ensemble|ensemble]], tape and live electronics
*2000 ''C'era una volta... la principessa dispettosa'', on text by Nicoletta Costa, for narrator and electronics, music co-authors: Maria Cristina De Amicis, Michelangelo Lupone, [[Alessandro Sbordoni]], Roberta Vacca
*1995 ''Nessuna Coincidenza'', one-act stage action with music, for 2 sopranos, [[tenor]]e/narrator, actor, [[Musical ensemble|ensemble]], tape and live electronics


===Radio dramas===
===Radio dramas===
*[[1996]] ''La mia puntualità fu un capolavoro'', 20 radiofilm, for 2 narrators and tape, on texts by Marco Lodoli
*1996 ''La mia puntualità fu un capolavoro'', 20 radiofilm, for 2 narrators and tape, on texts by Marco Lodoli
*[[1994]] ''Temperatura esterna'', for narrator, flutes, percussions, MIDI and electronics, on texts by Michele Mari
*1994 ''Temperatura esterna'', for narrator, flutes, percussions, MIDI and electronics, on texts by Michele Mari


===Orchestra===
===Orchestra===
*[[2008]] ''Stanza 19'', for narrator and orchestra, on texts by [[Jorge Luis Borges]]
*2019 ''Sinfonia (après Haydn 104)'', for orchestra
*2008 ''Stanza 19'', for narrator and orchestra, on texts by [[Jorge Luis Borges]]
*[[2001]] ''Hallelujah'', for soli, choir and orchestra
*2001 ''Hallelujah'', for soli, choir and orchestra
*[[2000]] ''Timordime'', for narrator and orchestra, on texts by [[Pier Paolo Pasolini]]
*2000 ''Timordime'', for narrator and orchestra, on texts by [[Pier Paolo Pasolini]]
*[[1999]] ''Spleen'', for piano and orchestra
*1999 ''Spleen'', for piano and orchestra
*[[1997]] ''Lisbon revisited'', for narrator and orchestra, on texts by [[Fernando Pessoa]]
*1997 ''Lisbon revisited'', for narrator and orchestra, on texts by [[Fernando Pessoa]]
*[[1989]] ''Arcipelaghi'', for orchestra
*1989 ''Arcipelaghi'', for orchestra
*[[1983]]-85 ''In corde'', for orchestra
*1983–85 ''In corde'', for orchestra
*[[1982]] ''Melos'', for soprano and orchestra
*1982 ''Melos'', for soprano and orchestra


===Wind Orchestra===
===Wind orchestra===
*[[2011]] ''Parafrasi L (après Liszt)'', for piano and symphonic band
*2011 ''Parafrasi L (après Liszt)'', for piano and symphonic band
*[[2004]] ''Eikon'', for large wind orchestra and electronics
*2004 ''Eikon'', for large wind orchestra and electronics
*[[1995]] ''A Poison Pen'', for electric guitar, soli and wind orchestra
*1995 ''A Poison Pen'', for electric guitar, soli and wind orchestra


===Chamber Music===
===Chamber music===
*[[2017]] ''R.Bow'', for two electric guitar and bass guitar
*2020 ''Toy (Piano) Stories'', Games #4, for [[Toy piano|Toy Piano]] and obbligato flute
*2019 ''Quanto pesa una lacrima?'', for female voice, violin, guitar, double bass and percussion, on "A inventare i numer" from "Favole al telefono" by [[Gianni Rodari]]
*[[2017]] ''La Follia'', for viola (and viola d'amore) and string orchestra
*[[2017]] ''Berceuse'', for flute, guitar, viola and cello
*2018 ''Miroir'', for six percussionists and two marimbas
*2018 ''Arethusa'', for narrator, soprano and ensemble, on texts by [[Ovid]]
*[[2016]] ''QO'', Games #2, for piccolo quartet
*[[2016]] ''ES'', for flute and piano
*2017 ''R.Bow'', for two electric guitar and bass guitar
*2017 ''La Follia'', for viola (and viola d'amore) and string orchestra
*[[2015]] ''Stelutis'', for ensemble of 15 instruments
*[[2015]] ''Item'', for two flutists
*2017 ''Berceuse'', for flute, guitar, viola and cello
*2016 ''QO'', Games #2, for piccolo quartet
*[[2014]] ''Zone 2.0'', for sax alto and electronics
*[[2014]] ''Zone'', for sax contralto
*2016 ''ES'', for flute and piano
*2015 ''Stelutis'', for ensemble of 15 instruments
*[[2014]] ''Il vento, dopo l'ultimo treno'', extract from “Badenheim 1939″ by [[Aharon Appelfeld]], for narrator and ensemble
*[[2013]] ''Asa nisi masa'', for narrator and ensemble
*2015 ''Item'', for two flutists
*[[2013]] ''Bazzle!'', Games #1, for piano four-hands
*2014 ''Zone 2.0'', for sax alto and electronics
*2014 ''Zone'', for sax contralto
*[[2012]] ''I luoghi comuni non sono segnati sulle carte'', for horn, violin, double bass, piano, recorded voices, dancers and live electronics, music co-authors: [[Luigi Ceccarelli]], [[Fabio Cifariello Ciardi]]
*2014 ''Il vento, dopo l'ultimo treno'', extract from "Badenheim 1939″ by [[Aharon Appelfeld]], for narrator and ensemble
*[[2012]] ''Venenum'', for cella and piano
*[[2011]] ''Pastelli sul Pack 2'', for flutes and live electronics
*2013 ''Asa nisi masa'', for narrator and ensemble
*[[2011]] ''Timordime 2'', for ensemble
*2013 ''Bazzle!'', Games #1, for piano four-hands
*2012 ''I luoghi comuni non-sono segnati sulle carte'', for horn, violin, double bass, piano, recorded voices, dancers and live electronics, music co-authors: [[Luigi Ceccarelli]], [[Fabio Cifariello Ciardi]]
*[[2011]] ''Arabesque'', for flute (piccolo, G flute), oboe and piano
*[[2010]] ''Bagatella'', for guitar
*2012 ''Venenum'', for cello and piano
*[[2009]] ''Tellus 6.3'', for eight strings and four percussionists
*2011 ''Pastelli sul Pack 2'', for flutes and live electronics
*2011 ''Timordime 2'', for ensemble
*[[2009]] ''Due pezzi futuristi'', for baritone, oboe and accordion
*[[2008]] ''Breamptu'', for accordion and guitar
*2011 ''Arabesque'', for flute (piccolo, G flute), oboe and piano
*2010 ''Bagatella'', for guitar
*[[2007]] ''Non si parla che d'aria'', from the cycle ''Oggetto d'amore'', for narrator, trumpet, percussions, double bass, on texts by [[Pasquale Panella]]
*2009 ''Tellus 6.3'', for eight strings and four percussionists
*[[2007]] ''Noi siamo la materia che sussulta'', from the cycle ''Oggetto d'amore'', for narrator, trumpet, electric guitar, percussions, double bass and electronics on texts by [[Pasquale Panella]]
*2009 ''Due pezzi futuristi'', for baritone, oboe and accordion
*[[2007]] ''Un gioco a incastro'', from the cycle ''Oggetto d'amore'', for vocalist, trumpet, electric guitar, percussions, double bass and electronics on texts by [[Pasquale Panella]]
*2008 ''Breamptu'', for accordion and guitar
*[[2007]] ''Le Parole da sola'', from the cycle ''Oggetto d'amore'', for narrator, trumpet, electric guitar, percussions and double bass on texts by [[Pasquale Panella]]
*[[2007]] ''Caro cara'', from the cycle ''Oggetto d'amore'', for two narrators, tape and electronics on texts by [[Pasquale Panella]]
*2007 ''Non si parla che d'aria'', from the cycle ''Oggetto d'amore'', for narrator, trumpet, percussions, double bass, on texts by [[Pasquale Panella]]
*2007 ''Noi siamo la materia che sussulta'', from the cycle ''Oggetto d'amore'', for narrator, trumpet, electric guitar, percussions, double bass and electronics on texts by [[Pasquale Panella]]
*[[2007]] ''Breath'', for accordion and live electronics
*2007 ''Un gioco a incastro'', from the cycle ''Oggetto d'amore'', for vocalist, trumpet, electric guitar, percussions, double bass and electronics on texts by [[Pasquale Panella]]
*[[2006]] ''Sarastro'', for flute, clarinet, violin and cello
*2007 ''Le Parole da sola'', from the cycle ''Oggetto d'amore'', for narrator, trumpet, electric guitar, percussions and double bass on texts by [[Pasquale Panella]]
*[[2006]] ''I Piatti della Bilancia'', actress, tape and electronics, on a text by Rosaria Lo Russo
*2007 ''Caro cara'', from the cycle ''Oggetto d'amore'', for two narrators, tape and electronics on texts by [[Pasquale Panella]]
*[[2006]] ''Pastelli sul Pack'', for flutes
*2007 ''Breath'', for accordion and live electronics
*[[2005]] ''No sap chantar qui so non di'', for female voice and ensemble, on a text by [[Jaufré Rudel]]
*[[2004]] ''Souffle 1.2'' (from Petrassi), for flute and ensemble
*2006 ''Sarastro'', for flute, clarinet, violin and cello
*2006 ''I Piatti della Bilancia'', actress, tape and electronics, on a text by Rosaria Lo Russo
*[[2004]] ''Musica mundana'', for narrator and plucked trio, on a text taken from ''De Institutione Musica'' of [[Severino Boezio]]
*2006 ''Pastelli sul Pack'', for flutes
*[[2003]] ''Polvere di luna'', for narrator and electronics, on texts by [[Sonia Bergamasco]]
*2005 ''No sap chantar qui so non-di'', for female voice and ensemble, on a text by [[Jaufré Rudel]]
*[[2003]] ''Child'', for bass clarinet
*2004 ''Souffle 1.2'' (from Petrassi), for flute and ensemble
*[[2003]] ''Fil'', for bass clarinet
*2004 ''Musica mundana'', for narrator and plucked trio, on a text taken from ''De Institutione Musica'' of [[Severino Boezio]]
*[[2003]] ''Le parole e il sale'', from the cycle ''Oggetto d'amore'', for voice and electric guitar, on texts by [[Pasquale Panella]]
*[[2002]] ''Alba'', for zarb and electronics
*2003 ''Polvere di luna'', for narrator and electronics, on texts by [[Sonia Bergamasco]]
*[[2002]] ''Prima Sonata'', for piano
*2003 ''Child'', for bass clarinet
*2003 ''Fil'', for bass clarinet
*[[2002]] ''The Moving Moon'', for coloratura soprano and strings on texts by [[Samuel Taylor Coleridge|Samuel T. Coleridge]]
*[[2001]] ''Su questa trama (per non dire l'Otello)'', for narrator and ensemble, drama and libretto by Vittorio Sermonti
*2003 ''Le parole e il sale'', from the cycle ''Oggetto d'amore'', for voice and electric guitar, on texts by [[Pasquale Panella]]
*2002 ''Alba'', for zarb and electronics
*[[2001]] ''Allegoria dell'isola'', for soprano and harpsichord, on texts by [[Francesco Pennisi]]
*2002 ''Prima Sonata'', for piano
*[[2001]] ''Klon'', for trumpet, percussions and double bass
*[[2000]] ''Altrove con il suo nome'', from the cycle ''Oggetto d'amore'', for actress and electronics, on texts by [[Pasquale Panella]]
*2002 ''The Moving Moon'', for coloratura soprano and strings on texts by [[Samuel Taylor Coleridge|Samuel T. Coleridge]]
*2001 ''Su questa trama (per non-dire l'Otello)'', for narrator and ensemble, drama and libretto by Vittorio Sermonti
*[[2000]] ''Altre Geografie'', for five instruments
*2001 ''Allegoria dell'isola'', for soprano and harpsichord, on texts by [[Francesco Pennisi]]
*[[2000]] ''Impromptu'', for guitar
*2001 ''Klon'', for trumpet, percussions and double bass
*[[2000]] ''Il fondo dell'acqua è disseminato di stelle'', for two pianos
*[[1998]] ''Das Papier'', for soprano, baritone, string quartet and electronics, on texts by [[Wolfgang Amadeus Mozart]]
*2000 ''Altrove con il suo nome'', from the cycle ''Oggetto d'amore'', for actress and electronics, on texts by [[Pasquale Panella]]
*2000 ''Altre Geografie'', for five instruments
*[[1998]] ''...plena timoris amor'', for soprano and piano, on texts by[[Ovidio]]
*[[1998]] ''Chat'', for clarinet and cello
*2000 ''Impromptu'', for guitar
*2000 ''Il fondo dell'acqua è disseminato di stelle'', for two pianos
*[[1998]] ''Luz'', for jazz trio and ensemble
*1998 ''Das Papier'', for soprano, baritone, string quartet and electronics, on texts by [[Wolfgang Amadeus Mozart]]
*[[1997]] ''Levar'', for ensemble
*[[1997]] ''Fil rouge'', for piano and string trio
*1998 ''...plena timoris amor'', for soprano and piano, on texts by [[Ovid]]
*1998 ''Chat'', for clarinet and cello
*[[1996]] ''Manao tupapau'', for flute, percussions, tape and live electronics, finalist at the 24° Electroacustique Music Competition of Bourges
*[[1996]] ''Luna lunae...'', for six instruments
*1998 ''Luz'', for jazz trio and ensemble
*[[1996]] ''The Spark to the Flame'', for seven instruments
*1997 ''Levar'', for ensemble
*[[1996]] ''Fado'', for six instruments
*1997 ''Fil rouge'', for piano and string trio
*1996 ''Manao tupapau'', for flute, percussions, tape and live electronics, finalist at the 24° Electroacustique Music Competition of Bourges
*[[1995]] ''Stream'', for sax quartet
*[[1995]] ''Vocativo'', for cello
*1996 ''Luna lunae...'', for six instruments
*[[1994]] ''Nuages'', for seven instruments
*1996 ''The Spark to the Flame'', for seven instruments
*1996 ''Fado'', for six instruments
*[[1993]] ''E la notte rischiarava la notte'', for three MIDI keyboards and live electronics
*1995 ''Stream'', for sax quartet
*[[1993]] ''Al di sopra del lago è il vento'', for viola and piano
*[[1992]] ''Wind'', for recorders and harp
*1995 ''Vocativo'', for cello
*[[1992]] ''Horus'', for three percussionists
*1994 ''Nuages'', for seven instruments
*1993 ''E la notte rischiarava la notte'', for three MIDI keyboards and live electronics
*[[1992]] ''Fantasie'', for string orchestra
*[[1991]] ''Lettura di un'onda'', for viola and guitar
*1993 ''Al di sopra del lago è il vento'', for viola and piano
*[[1991]] ''Certo moto d'ignoto tormento'', for piano and double quintet
*1992 ''Wind'', for recorders and harp
*1992 ''Horus'', for three percussionists
*[[1991]] ''Das Alte Jahr Vergangen ist'', for two harpsichords
*[[1991]] ''Gusci di mago'', for string orchestra
*1992 ''Fantasie'', for string orchestra
*1991 ''Lettura di un'onda'', for viola and guitar
*[[1990]] ''Calendari indiani'', for female voice and ten instruments, on traditional texts by [[Native Americans]]
*[[1990]] ''Libra (vers.b)'', for vibraphone and tape
*1991 ''Certo moto d'ignoto tormento'', for piano and double quintet
*[[1990]] ''Per il Teatro di Documenti'', for clarinet
*1991 ''Das Alte Jahr Vergangen ist'', for two harpsichords
*[[1990]] ''Ottetto (après Stravinsky)'', for wind instruments
*1991 ''Gusci di mago'', for string orchestra
*1990 ''Calendari indiani'', for female voice and ten instruments, on traditional texts by [[Indigenous peoples of the Americas|Native Americans]]
*[[1989]] ''Der Trank (ist's, der mir taugt!)'', for piano and six instruments
*[[1989]] ''Effetto Notte'', for eight instruments
*1990 ''Libra (vers.b)'', for vibraphone and tape
*[[1988]] ''Terza Texture'', for flute, bass clarinet and piano
*1990 ''Per il Teatro di Documenti'', for clarinet
*1990 ''Ottetto (après Stravinsky)'', for wind instruments
*[[1987]] ''Libra'', for vibraphone
*[[1987]] ''Gotico'', for harpsichord and string quartet
*1989 ''Der Trank (ist's, der mir taugt!)'', for piano and six instruments
*[[1987]] ''Mizar'', for double bass
*1989 ''Effetto Notte'', for eight instruments
*1988 ''Terza Texture'', for flute, bass clarinet and piano
*[[1986]] ''Promenade: Variazioni sul blu'', for seven instruments, works premiered at the Tribuna Internazionale dei Compositori 1987
*[[1986]] ''Texture'', for two guitars
*1987 ''Libra'', for vibraphone
*[[1986]] ''Myricae'', for flute, cello and piano
*1987 ''Gotico'', for harpsichord and string quartet
*[[1986]] ''Silete Venti'', for guitar and ensemble
*1987 ''Mizar'', for double bass
*1986 ''Promenade: Variazioni sul blu'', for seven instruments, works premiered at the Tribuna Internazionale dei Compositori 1987
*[[1985]] ''Bianco'', for guitar
*[[1985]] ''Trama'', for violin
*1986 ''Texture'', for two guitars
*[[1985]] ''Volute'', for wind quintet and piano
*1986 ''Myricae'', for flute, cello and piano
*1986 ''Silete Venti'', for guitar and ensemble
*[[1984]] ''Filigrana'', for eight instruments, selected by ''International Gaudeamus MusicWeek 1986''
*1985 ''Bianco'', for guitar
*[[1984]] ''Trio (le claire sillage)'', for violin, cello and piano
*1985 ''Trama'', for violin
*[[1984]] ''Quartetto per archi''
*[[1984]] (rev. [[1992]]) ''Sciarada'', for clarinet, viola, cello and piano
*1985 ''Volute'', for wind quintet and piano
*1984 ''Filigrana'', for eight instruments, selected by ''International Gaudeamus MusicWeek 1986''
*[[1983]] ''Natura morta'', for piano
*1984 ''Trio (le claire sillage)'', for violin, cello and piano
*[[1983]] ''Partita per nove'', for nine instruments
*1984 ''Quartetto per archi''
*[[1983]] ''Les Masques: Quattro Capricci for flute, viola and guitar, International Gaudeamus Preize 1984
*1984 (rev. 1992) ''Sciarada'', for clarinet, viola, cello and piano
*[[1982]] ''R.I.B.E.S.'', for femal voice
*[[1982]] ''Aube'', for guitar
*1983 ''Natura morta'', for piano
*1983 ''Partita per nove'', for nine instruments
*1983 ''Les Masques: Quattro Capricci'' for flute, viola and guitar, International Gaudeamus Preize 1984
*1982 ''R.I.B.E.S.'', for female voice
*1982 ''Aube'', for guitar


===A cappella choir===
===A cappella choir===
*[[1992]] ''M’al vento ne portava le parole'', for vocal quartet on a text by [[Francesco Petrarca]]
*1992 ''M'al vento ne portava le parole'', for vocal quartet on a text by [[Francesco Petrarca]]


=== Transcriptions===
=== Transcriptions ===
*[[1998]] ''Il fanciullo e gli incantesimi'', transcription from ''L'Enfant et les Sortileges'' of [[Maurice Ravel]], for narrator, choir and ensemble, co-authors: [[Giulio Castagnoli]], [[Matteo D'Amico]]
*1998 ''Il fanciullo e gli incantesimi'', transcription from ''L'Enfant et les Sortileges'' of [[Maurice Ravel]], for narrator, choir and ensemble, co-authors: [[Giulio Castagnoli]], [[Matteo D'Amico]]
*[[2000]] ''Canoni 1-5'', transcription from ''L'offerta musicale'', ''Canoni enigmatici'', of [[Johann Sebastian Bach]], for ensemble, co-authors: [[Giulio Castagnoli]], [[Gabriele Manca]]
*2000 ''Canoni 1–5'', transcription from ''L'offerta musicale'', ''Canoni enigmatici'', of [[Johann Sebastian Bach]], for ensemble, co-authors: [[Giulio Castagnoli]], [[Gabriele Manca]]


==Discography==
==Discography==
===DVD with Edison Studio===
===Dvd with edison studio===
*[[2016]] ''Das Cabinet des Dr.Caligari'', a movie by Robert Wiene (1920), DVD Cineteca di Bologna 2016, "Il cinema ritrovato", DVD-Booklet, soundtrack by [[Edison Studio]]
*2016 ''Das Cabinet des Dr.Caligari'', a movie by Robert Wiene (1920), DVD Cineteca di Bologna 2016, "Il cinema ritrovato", DVD-Booklet, soundtrack by [[Edison Studio]]
*[[2011]] ''Inferno'', by Francesco Bertolini, Adolfo Padovan
 and Giuseppe De Liguoro (1911), DVD Cineteca di Bologna 2011, "Il cinema ritrovato", DVD-Booklet, soundtrack by [[Edison Studio]]
*2011 ''Inferno'', by Francesco Bertolini, Adolfo Padovan and Giuseppe De Liguoro (1911), DVD Cineteca di Bologna 2011, "Il cinema ritrovato", DVD-Booklet, soundtrack by [[Edison Studio]]
*[[2007]] ''Altrove con il suo nome'', video by Silvia di Domenico and Giulio Latini, in "Edison Studio" (2007) – DVD Auditorium EdiLDC278 1139/40, co-production [[Edison Studio]] - Cemat
*2007 ''Altrove con il suo nome'', video by Silvia di Domenico and Giulio Latini, in "Edison Studio" (2007) – DVD Auditorium EdiLDC278 1139/40, co-production [[Edison Studio]] – Cemat


===Monographic CD===
===Monographic cd===
*[[2009]] ''Oggetto d’amore'', seven musical scenes for voices, instruments, video and electronics, [[Sonia Bergamasco]], voice, [[Freon ensemble]], on texts by [[Pasquale Panella]], RTC023 - 2009 - RAI Trade
*2009 ''Oggetto d'amore'', seven musical scenes for voices, instruments, video and electronics, [[Sonia Bergamasco]], voice, [[Freon ensemble]], on texts by [[Pasquale Panella]], RTC023 – 2009 – RAI Trade
*[[1998]] ''Manao Tupapau'', CMRCD1053, Ricordi Oggi - BMG Ricordi
*1998 ''Manao Tupapau'', CMRCD1053, Ricordi Oggi – BMG Ricordi


===Works included in CD===
===Works included in cd===
*[[2017]] ''Pastelli sul Pack'', in "Fabula ut", Stradivarius STR 37067, Arcadio Baracchi, flutes
*2017 ''Pastelli sul Pack'', in "Fabula ut", Stradivarius STR 37067, Arcadio Baracchi, flutes
*[[2017]] ''Arabesque'', in "New music for flute, oboe and piano", Edizioni Taukay 162, Ecoensemble Trio
*2017 ''Arabesque'', in "New music for flute, oboe and piano", Edizioni Taukay 162, Ecoensemble Trio
*[[2014]] ''Bagatella'', in "Paganini 2013 - Ghiribizzi", Edizioni Sinfonica A - 337, Luigi Attademo, guitar
*2014 ''Bagatella'', in "Paganini 2013 – Ghiribizzi", Edizioni Sinfonica A – 337, Luigi Attademo, guitar
*[[2010]] ''Breath'', Edizioni Curci Milano E.C. 11695, Francesco Gesualdi, accordion, Mauro Cardi, elettronics
*2010 ''Breath'', Edizioni Curci Milano E.C. 11695, Francesco Gesualdi, accordion, Mauro Cardi, elettronics
*[[2009]] ''Pastelli sul Pack'', Edizioni Curci Milano E.C. 11667 , Arcadio Baracchi, flutes
*2009 ''Pastelli sul Pack'', Edizioni Curci Milano E.C. 11667, Arcadio Baracchi, flutes
*[[2008]] ''Melos'', in "Dedicated to Pierrot", Puncta PNCD 0308, Joan Logue, soprano, Orchestra Sinfonica della RAI di Roma, cond. D.Shallon
*2008 ''Melos'', in "Dedicated to Pierrot", Puncta PNCD 0308, Joan Logue, soprano, Orchestra Sinfonica della RAI di Roma, cond. D.Shallon
*[[2006]] ''Klon'', in "Italian News", RAI Trade RTC 012, [[Freon Ensemble]]
*2006 ''Klon'', in "Italian News", RAI Trade RTC 012, [[Freon Ensemble]]
*[[2006]] ''Alba'', in "Zarbing", Edizioni LaFrontiera (LFDL 19401) e Rai Trade (RTP0090), Mahamad Ghavi-Helm, zarb
*2006 ''Alba'', in "Zarbing", Edizioni LaFrontiera (LFDL 19401) e Rai Trade (RTP0090), Mahamad Ghavi-Helm, zarb
*[[2005]] ''Polvere di luna'', Armando Curcio Editore & Eurografica, [[Sonia Bergamasco]], voice
*2005 ''Polvere di luna'', Armando Curcio Editore & Eurografica, [[Sonia Bergamasco]], voice
*[[2005]] ''Child'', in "Suono Sonda N.3 - Giugno 2004", Rocco Parisi, bass clarinet
*2005 ''Child'', in "Suono Sonda N.3 – Giugno 2004", Rocco Parisi, bass clarinet
*[[2001]] ''Vocativo'', in "Musica per la Resistenza 1995", Rocco Parisi, bass clarinet
*2001 ''Vocativo'', in "Musica per la Resistenza 1995", Rocco Parisi, bass clarinet
*[[1996]] ''The Spark to the Flame'', in "Scuola popolare di Musica di Testaccio - Musica per la Libertà", Il Manifesto CD 004, [[Freon ensemble]]
*1996 ''The Spark to the Flame'', in "Scuola popolare di Musica di Testaccio – Musica per la Libertà", Il Manifesto CD 004, [[Freon ensemble]]
*[[1994]] ''Al di sopra del lago è il vento'', in "Musica Presente 4 - CDC 503", 1994 Nuova Fonit Cetra – Dischi Ricordi, [[Ensemble Contrechamps]]
*1994 ''Al di sopra del lago è il vento'', in "Musica Presente 4 – CDC 503", 1994 Nuova Fonit Cetra – Dischi Ricordi, [[Ensemble Contrechamps]]
*[[1993]] ''Wind'', in "‘900 Musica - 74321 16229-2", 1993 BMG Ariola, Alterego ensemble
*1993 ''Wind'', in "'900 Musica – 74321 16229-2", 1993 BMG Ariola, Alterego ensemble
*[[1992]] ''Effetto notte'', in "Garden of earthly desire", CRMCD 1020 1992 Dischi Ricordi, [[Elision ensemble]], conductor [[Sandro Gorli]]
*1992 ''Effetto notte'', in "Garden of earthly desire", CRMCD 1020 1992 Dischi Ricordi, [[Elision ensemble]], conductor [[Sandro Gorli]]
*[[1991]] ''Aube'', PAN CDC 3009 1990 CD Edipan, Stefano Cardi, guitar
*1991 ''Aube'', PAN CDC 3009 1990 CD Edipan, Stefano Cardi, guitar
*[[1990]] ''Volute'', in "L’Artisanat furieux ensemble", PAN CDC 3010 1990 CD Edipan, [[L'Artisanat Furieux]] Ensemble, conductor [[Tonino Battista]]
*1990 ''Volute'', in "L'Artisanat furieux ensemble", PAN CDC 3010 1990 CD Edipan, [[L'Artisanat Furieux]] Ensemble, conductor [[Tonino Battista]]
*[[1989]] ''Filigrana'', in "Musique Transalpines vol.2 ", CCS 590014 1990 - Centre de Crèation Sonore, Adda Records, Gruppo strumentale Musica d’oggi, conductor [[Fabio Maestri]]
*1989 ''Filigrana'', in "Musique Transalpines vol.2 ", CCS 590014 1990 – Centre de Crèation Sonore, Adda Records, Gruppo strumentale Musica d'oggi, conductor [[Fabio Maestri]]
*[[1989]] ''Terza Texture'', in "Musica nuova in Italia", CD Happy New Ears 2 - CA 911, [[Het Trio]]
*1989 ''Terza Texture'', in "Musica nuova in Italia", CD Happy New Ears 2 – CA 911, [[Het Trio]]


===Works included in LP===
===Works included in lp===
*[[1987]] ''Texture'', ''Bianco'' in "Contempolinea Due – La chitarra ", SP 10098 1987 Disco RCA, Duo Chitarristico Romano, Stefano Cardi, guitar
*1987 ''Texture'', ''Bianco'' in "Contempolinea Due – La chitarra ", SP 10098 1987 Disco RCA, Duo Chitarristico Romano, Stefano Cardi, guitar
*[[1986]] ''Trio (le claire sillage)'', in "1986 La Musica – n.12 – LM 86-2", 1986 Dischi Edipan, Nuove Forme Sonore ensemble
*1986 ''Trio (le claire sillage)'', in "1986 La Musica – n.12 – LM 86-2", 1986 Dischi Edipan, Nuove Forme Sonore ensemble


==References==
==References==
Line 215: Line 201:
==Bibliography==
==Bibliography==
*Issues on Mauro Cardi
*Issues on Mauro Cardi
**"Cardi, Mauro", in AA.VV., ''Dizionario Enciclopedico della Musica e dei Musicisti'', diretto da Alberto Basso, volume Appendice; Utet, Torino, 1990, ISBN 88-02-04396-5, p.14
**"Cardi, Mauro", in AA.VV., ''Dizionario Enciclopedico della Musica e dei Musicisti'', diretto da Alberto Basso, volume Appendice; Utet, Torino, 1990, {{ISBN|978-88-02-04396-8}}, p.&nbsp;14
**"Cardi, Mauro", in AA.VV., ''Dizionario Enciclopedico della Musica e dei Musicisti'', diretto da Alberto Basso, volume Appendice 2005; Utet, Torino, 2004, ISBN 88-02-06216-1, p.105
**"Cardi, Mauro", in AA.VV., ''Dizionario Enciclopedico della Musica e dei Musicisti'', diretto da Alberto Basso, volume Appendice 2005; Utet, Torino, 2004, {{ISBN|978-88-02-06216-7}}, p.&nbsp;105
**"Cardi, Mauro", in AA.VV., ''Enciclopedia della musica Garzanti'', Milano, 1996, ISBN 88-11-50467-8, p.141
**"Cardi, Mauro", in AA.VV., ''Enciclopedia della musica Garzanti'', Milano, 1996, {{ISBN|978-88-11-50467-2}}, p.&nbsp;141
**"Cardi, Mauro", in AA.VV., ''International Who's who in Music'', 12.a ed.1990; AAVV., consultant editor David Cummings, IBC Cambridge, ISBN 0-948875-20-8, p.120
**"Cardi, Mauro", in AA.VV., ''International Who's who in Music'', 12.a ed.1990; AAVV., consultant editor David Cummings, IBC Cambridge, {{ISBN|978-0-948875-20-5}}, p.&nbsp;120
**"Cardi, Mauro", in AA.VV., ''Enciclopedia della Musica'', diretta da Marco Drago e Andrea Boroli, Istituto Geografico De Agostini, Novara, 1995, ISBN 88-415-2055-8, p.184
**"Cardi, Mauro", in AA.VV., ''Enciclopedia della Musica'', diretta da Marco Drago e Andrea Boroli, Istituto Geografico De Agostini, Novara, 1995, {{ISBN|978-88-415-2055-0}}, p.&nbsp;184
**"Cardi, Mauro", in AA.VV., ''Autoanalisi dei compositori italiani contemporanei'', vol.I, a cura di Alberta Cataldi, Flavio Pagano, Napoli, 1992, ISBN 88-85228-16-X, pp.148-152
**"Cardi, Mauro", in AA.VV., ''Autoanalisi dei compositori italiani contemporanei'', vol.I, a cura di Alberta Cataldi, Flavio Pagano, Napoli, 1992, {{ISBN|978-88-85228-16-0}}, pp.&nbsp;148–152
**Marco Maria Gazzano (a cura di), con scritti di G.Barbieri, R.Calabretto, S.Miceli e altri, ''Edison Studio. Il Silent Film e l'Elettronica in Relazione Intermediale'', Exorma, Roma, 2014, ISBN 978-88-95688-89-3
**Marco Maria Gazzano (a cura di), con scritti di G.Barbieri, R.Calabretto, S.Miceli e altri, ''Edison Studio. Il Silent Film e l'Elettronica in Relazione Intermediale'', Exorma, Roma, 2014, {{ISBN|978-88-95688-89-3}}
**Carlo Boschi, “Presence of Romantic Elements in the Work of Contemporary Italian Composers”, in ''Romanticism as an Attitude. Actes du séminaire organisé dans le cadre du projet européen Roads of Romanticism'', Strasbourg, Èditions du Conservatoire 2007, ISBN 978-2-9515197-8-7, pp. 35-50
**Carlo Boschi, "Presence of Romantic Elements in the Work of Contemporary Italian Composers", in ''Romanticism as an Attitude. Actes du séminaire organisé dans le cadre du projet européen Roads of Romanticism'', Strasbourg, Èditions du Conservatoire 2007, {{ISBN|978-2-9515197-8-7}}, pp.&nbsp;35–50
**Renzo Cresti, ''Verso il 2000'', Dick Peerson, Napoli-Pisa, 1990, pp.34-35
**Renzo Cresti, ''Verso il 2000'', Dick Peerson, Napoli-Pisa, 1990, pp.&nbsp;34–35
**Renzo Cresti, ''Mauro Cardi, Scrittura e artigianato'', in ''Musica presente. Tendenze e compositori di oggi'', LIM, Lucca, 2019, ISBN 978-88-5543-001-2, pp.174-178
**Luca Conti, “Mauro Cardi: l’artigianato del comporre”, in ''Idea'', Anno XXVI, N.6-7, Roma, Giugno-Luglio 1990, pp.33-39
**Luca Conti, "Mauro Cardi: l'artigianato del comporre", in ''Idea'', Anno XXVI, N.6–7, Roma, Giugno-Luglio 1990, pp.&nbsp;33–39

*Issues by Mauro Cardi
*Issues by Mauro Cardi
**“Il computer per il compositore: slave o master? Su alcune risorse, e le conseguenti problematiche, che pongono le nuove tecnologie applicate alla composizione musicale”, in ''Musica/Tecnologia'', n.4 - 2010, Firenze University Press, ISSN 1974-0042, pp.63-67
**"Il computer per il compositore: slave o master? Su alcune risorse, e le conseguenti problematiche, che pongono le nuove tecnologie applicate alla composizione musicale", in ''Musica/Tecnologia'', n.4 – 2010, Firenze University Press, {{ISSN|1974-0042}}, pp.&nbsp;63–67
**“Condividere la tela. Il live cinema di Edison Studio per Inferno”, (con Ceccarelli L., Cifariello Ciardi F., Cipriani A.,), in ''Le arti del suono'' n.3/2010, Edizioni Orizzonti Meridionali, Napoli, 2010, ISBN 978-88-89064-16-1, pp.103-123
**"Condividere la tela. Il live cinema di Edison Studio per Inferno", (con Ceccarelli L., Cifariello Ciardi F., Cipriani A.,), in ''Le arti del suono'' n.3/2010, Edizioni Orizzonti Meridionali, Napoli, 2010, {{OCLC|706856436}}, pp.&nbsp;103–123
**"Atono conforta grandi. Uno studio su Argot di Franco Donatoni e di alcune problematiche della composizione algoritmica" (in due parti), in ''Suono Sonda'', Anno 4, N° 7, Febbraio 2009, Anno 4, N° 8, Novembre 2009, Joker, Genova, 2009
**"Atono conforta grandi. Uno studio su Argot di Franco Donatoni e di alcune problematiche della composizione algoritmica" (in due parti), in ''Suono Sonda'', Anno 4, N° 7, Febbraio 2009, Anno 4, N° 8, Novembre 2009, Joker, Genova, 2009
**“Nuove tecnologie e composizione collettiva per il cinema muto”, (con Ceccarelli L., Cifariello Ciardi F., Cipriani A.), in ''Close Up'', Anno X, N°18, Marzo-Giugno 2006, Kaplan, Torino, 2006, ISBN 88-89908-01-7, pp.81-102
**"Nuove tecnologie e composizione collettiva per il cinema muto", (con Ceccarelli L., Cifariello Ciardi F., Cipriani A.), in ''Close Up'', Anno X, N°18, Marzo-Giugno 2006, Kaplan, Torino, 2006, {{ISBN|978-88-89908-01-3}}, pp.&nbsp;81–102
**"Notazione e pensiero musicale", in ''Progetto Grafico'', Anno 4, N°7, Gennaio 2006, Associazione italiana progettazione per la comunicazione visiva, Roma, 2006, pp.27-29
**"Notazione e pensiero musicale", in ''Progetto Grafico'', Anno 4, N°7, Gennaio 2006, Associazione italiana progettazione per la comunicazione visiva, Roma, 2006, pp.&nbsp;27–29
**“Collective composition: the case of Edison Studio”, (con Ceccarelli L., Cifariello Ciardi F., Cipriani A.), in ''Organised Sound'' 9/3, Cambridge University Press, 2004, pp.261-270
**"Collective composition: the case of Edison Studio", (con Ceccarelli L., Cifariello Ciardi F., Cipriani A.), in ''Organised Sound'' 9/3, Cambridge University Press, 2004, pp.&nbsp;261–270
**"Child", in ''Suono Sonda'', Anno 2, N° 1, Giugno 2004, Genova, 2004, pp.25-33
**"Child", in ''Suono Sonda'', Anno 2, N° 1, Giugno 2004, Genova, 2004, pp.&nbsp;25–33
**“Il live electronics”, (con Ceccarelli L.), in ''Il complesso di Elettra'', Cidim, Roma, 1995, ISBN 88-85765-05-X, pp.49-52
**"Il live electronics", (con Ceccarelli L.), in ''Il complesso di Elettra'', Cidim, Roma, 1995, {{ISBN|978-88-85765-05-4}}, pp.&nbsp;49–52
**“Il grado Xerox della cultura”, in ''Suonosud'', N° 22, Autunno 1994, Ismez, Roma, 1994, ISBN pp.20-26
**"Il grado Xerox della cultura", in ''Suonosud'', N° 22, Autunno 1994, Ismez, Roma, 1994, pp.&nbsp;20–26


==External links==
==External links==
* [http://www.edisonstudio.it/mauro-cardi/| Sito web ufficiale di Mauro Cardi]
* [http://www.edisonstudio.it/mauro-cardi/ Sito web ufficiale di Mauro Cardi]
* [http://www.edisonstudio.it/|Edison Studio]
* [http://www.edisonstudio.it/ Edison Studio]
* [http://www.nuovaconsonanza.it/|Nuova Consonanza]
* [http://www.nuovaconsonanza.it/ Nuova Consonanza]
* [https://www.gaudeamus.nl/|Stichting Gaudeamus Muziekweek]
* [https://www.gaudeamus.nl/ Stichting Gaudeamus Muziekweek]
* [http://www.imd.darmstadt.de/|IMD Internationales Musikinstitut Darmstadt]
* [http://www.imd.darmstadt.de/ IMD Internationales Musikinstitut Darmstadt]


{{Gaudeamus International Composers Award}}
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{{DEFAULTSORT:Cardi, Mauro}}
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Latest revision as of 22:24, 3 October 2023

Mauro Cardi
Mauro Cardi

Mauro Cardi (born July 22, 1955, in Rome, Italy) is an Italian composer.

Biography[edit]

Trained at the "Santa Cecilia" Conservatoire of Rome, under the guidance of Irma Ravinale, Gino Marinuzzi jr., Guido Turchi, he graduated in composition, instrumentation for wind orchestra and choral music.[1] In 1982, he received his first international recognition, winning the "Valentino Bucchi Prize"[2][3] with Melos, for soprano and orchestra. Crucial was the encounter with Franco Donatoni, with which he furthered his education at the Accademia Nazionale di Santa Cecilia and the Accademia Musicale Chigiana of Siena.[1][4] In 1984, he attended the Darmstädter Ferienkurse.[1] In the same year his composition Les Masques, Quattro Bagatelle for flute viola and guitar, was awarded the prestigious Gaudeamus Prize in Amsterdam.[5][6][7][8] In 1987, he was selected to represent Italy at the International Rostrum of Composers by UNESCO. In 1988, he won the second prize at the International Competition Gian Francesco Malipiero with In Corde, for orchestra.[9][1] He composed also several works commissioned by institutions and associations such as: RAI, Accademia Nazionale di Santa Cecilia, Biennale di Venezia, Ravenna Festival, Ville de Genève, Fondazione Malipiero, Centro Studi Armando Gentilucci, Maggio Musicale Fiorentino, Nuova Consonanza.

While his early works have been influenced by Donatoni, to which he devoted also an extensive analytical study,[10] Mauro Cardi soon developed his individual style,[11][12] focusing his research on "musical forms moulded by timbre and sound intuitions, with unexpectedly expressive moments".[13] His poetics reflects his natural aptitude to contrapuntal writing and his fascination with logic and the symbolic value of numbers, attracted to the playful dimension involved in composing.[14][15][16]

He composed two radio operas commissioned by RAI: in 1994 Temperatura esterna on a text by Michele Mari and, in 1996, La mia puntualità fu un capolavoro on a text by Marco Lodoli. In 1995, on a commission by the Accademia Filarmonica Romana, he composed his first opera, Nessuna Coincidenza, one-act stage action with music.[13] In 1998 BMG Ricordi published the monographic CD Manao Tupupau,[11] containing his major works of the 1990th. From 2000 to 2008, on a commission of the 52nd Biennale di Venezia, he composed Oggetto d'amore,[17] a cycle of seven musical scenes on texts by Pasquale Panella, premiered in Venezia and published in CD format by RAI Trade in 2009, which concludes his long collaboration with Sonia Bergamasco[18] and the Freon Ensemble. In 2019 Mauro Cardi returns to musical theater with Il Diario di Eva, a semi-scenic opera for dancer / actress, soprano and ensemble, on a text freely taken from the homonymous story by Mark Twain (GAMO International Festival, Certosa di Firenze) and in 2021 he composed, on a libretto by Guido Barbieri, the one-act and six chapters opera Le ossa di Cartesio, for actor, three singers and large ensemble, commissioned by Opera InCanto, performed in Terni and Rome for Nuova Consonanza.

Since the 1990s, he has been involved in electroacoustic and computer music, collaborating with the electroacoustic music centres Agon in Milan, Centro Ricerche Musicali in Rome, Istituto Gramma in L'Aquila. In 1995 was chosen by IRCAM[19] for the international stage, in 1997 Manao Tupupao has been selected as a finalist at the 24th Electroacustique Music Competition of Bourges, and in 2009 Alba, for zarb and electronics, was chosen by the International Computer Music Conference of Belfast. In 2001, he joined the composers collective Edison Studio[19] in Rome, one of the most active centres for production of electroacoustic music in Italy, with which he experimented a collective composing practice.[20][21] In 2008, Edison Studio published its first DVD, resulting from the collaboration with the video makers Latini and Di Domenico. In the following years it realized the live soundtracks for the silent movies: Gli ultimi giorni di Pompei (1913) by Eleuterio Rodolfi, Ricatto (Blackmail, 1929) by Alfred Hitchcock, Inferno (1911)[22] by Francesco Bertolini, Giuseppe de Liguoro e Adolfo Padovan (awarded the "Premio speciale AITS per il migliore suono anno 2011"‚[23] by the Associazione Italiana Tecnici del Suono), Das Cabinet des Dr. Caligari[24][25] (1919) by Robert Wiene. In 2011 and 2016 these two soundtracks have been published on DVD in 5.1 surround version by the Cineteca di Bologna in the "Il Cinema ritrovato" series. A study has been published on Edison Studio's works: "Il silent film e l'elettronica in relazione intermediale", edited by Marco Maria Gazzano.[26] With Edison Studio, Mauro Cardi participated in the International Computer Music Conference 2002 (Gothenburg) and 2003 (Singapore).

Since 2021 Mauro Cardi has been on the executive committee of Nuova Consonanza from 1988,[27] of which he has been President from 1999 to 2001. Founding member of the "Scuola popolare di musica di Testaccio" (Rome), he has taught Composition at the Conservatories of L'Aquila and Florence and from 2021 at the Conservatory “Santa Cecilia” in Rome. He gives seminars and composition workshops in Italy and abroad.[19]

Mauro Cardi's compositions have been published by: Casa Ricordi, RAI Trade, Curci, Edipan, Ut Orpheus, Semar, Sconfinarte, Taukay; and have been recorded by the labels: Ricordi, RCA, BMG Ariola, Nuova Fonit Cetra, RAI Trade, Edipan, Adda Records, Happy New Ears, Il manifesto, CNI, Taukay.

Works[edit]

Musical theatre and movies[edit]

  • 2021 Le ossa di Cartesio, for actor, three singers and large ensemble, libretto by Giulio Barbieri
  • 2019 Il Diario di Eva, for female dancer/actress, soprano and ensemble, libretto by composer and Cristina Papi, based on Mark Twain's story of the same name
  • 2014 En dirigeable sur le champs de bataille, live computer soundtrack for the BBC's documentary of the same name, with Edison Studio
  • 2013 Blackmail, live computer soundtrack for the 1929 movie of the same name by Alfred Hitchcock, with Edison Studio
  • 2008 Oggetto d'amore, for female voice, ensemble, video and electronics, on texts by Pasquale Panella
  • 2008 Inferno, live computer soundtrack for the movie of the same name by F.Bertolini, G.De Liguoro e A.Padovano, with Edison Studio
  • 2008 Medea incontra Norma, based loosely on Medea of Luigi Cherubini and Norma of Vincenzo Bellini, with Luigi Ceccarelli, ideazione e regia di Cristina Mazzavillani Muti
  • 2004 Trash, "musicalopera" for actors, singers and electronics, on texts by Francesca Angeli, music co-author: Roberta Vacca
  • 2003 Das cabinet des Dr.Caligari, live computer soundtrack for the movie of the same name by, with Edison Studio
  • 2001 Gli ultimi giorni di Pompei, live computer soundtrack pfor the movie of the same name by, with Edison Studio
  • 2000 C'era una volta... la principessa dispettosa, on text by Nicoletta Costa, for narrator and electronics, music co-authors: Maria Cristina De Amicis, Michelangelo Lupone, Alessandro Sbordoni, Roberta Vacca
  • 1995 Nessuna Coincidenza, one-act stage action with music, for 2 sopranos, tenore/narrator, actor, ensemble, tape and live electronics

Radio dramas[edit]

  • 1996 La mia puntualità fu un capolavoro, 20 radiofilm, for 2 narrators and tape, on texts by Marco Lodoli
  • 1994 Temperatura esterna, for narrator, flutes, percussions, MIDI and electronics, on texts by Michele Mari

Orchestra[edit]

  • 2019 Sinfonia (après Haydn 104), for orchestra
  • 2008 Stanza 19, for narrator and orchestra, on texts by Jorge Luis Borges
  • 2001 Hallelujah, for soli, choir and orchestra
  • 2000 Timordime, for narrator and orchestra, on texts by Pier Paolo Pasolini
  • 1999 Spleen, for piano and orchestra
  • 1997 Lisbon revisited, for narrator and orchestra, on texts by Fernando Pessoa
  • 1989 Arcipelaghi, for orchestra
  • 1983–85 In corde, for orchestra
  • 1982 Melos, for soprano and orchestra

Wind orchestra[edit]

  • 2011 Parafrasi L (après Liszt), for piano and symphonic band
  • 2004 Eikon, for large wind orchestra and electronics
  • 1995 A Poison Pen, for electric guitar, soli and wind orchestra

Chamber music[edit]

  • 2020 Toy (Piano) Stories, Games #4, for Toy Piano and obbligato flute
  • 2019 Quanto pesa una lacrima?, for female voice, violin, guitar, double bass and percussion, on "A inventare i numer" from "Favole al telefono" by Gianni Rodari
  • 2018 Miroir, for six percussionists and two marimbas
  • 2018 Arethusa, for narrator, soprano and ensemble, on texts by Ovid
  • 2017 R.Bow, for two electric guitar and bass guitar
  • 2017 La Follia, for viola (and viola d'amore) and string orchestra
  • 2017 Berceuse, for flute, guitar, viola and cello
  • 2016 QO, Games #2, for piccolo quartet
  • 2016 ES, for flute and piano
  • 2015 Stelutis, for ensemble of 15 instruments
  • 2015 Item, for two flutists
  • 2014 Zone 2.0, for sax alto and electronics
  • 2014 Zone, for sax contralto
  • 2014 Il vento, dopo l'ultimo treno, extract from "Badenheim 1939″ by Aharon Appelfeld, for narrator and ensemble
  • 2013 Asa nisi masa, for narrator and ensemble
  • 2013 Bazzle!, Games #1, for piano four-hands
  • 2012 I luoghi comuni non-sono segnati sulle carte, for horn, violin, double bass, piano, recorded voices, dancers and live electronics, music co-authors: Luigi Ceccarelli, Fabio Cifariello Ciardi
  • 2012 Venenum, for cello and piano
  • 2011 Pastelli sul Pack 2, for flutes and live electronics
  • 2011 Timordime 2, for ensemble
  • 2011 Arabesque, for flute (piccolo, G flute), oboe and piano
  • 2010 Bagatella, for guitar
  • 2009 Tellus 6.3, for eight strings and four percussionists
  • 2009 Due pezzi futuristi, for baritone, oboe and accordion
  • 2008 Breamptu, for accordion and guitar
  • 2007 Non si parla che d'aria, from the cycle Oggetto d'amore, for narrator, trumpet, percussions, double bass, on texts by Pasquale Panella
  • 2007 Noi siamo la materia che sussulta, from the cycle Oggetto d'amore, for narrator, trumpet, electric guitar, percussions, double bass and electronics on texts by Pasquale Panella
  • 2007 Un gioco a incastro, from the cycle Oggetto d'amore, for vocalist, trumpet, electric guitar, percussions, double bass and electronics on texts by Pasquale Panella
  • 2007 Le Parole da sola, from the cycle Oggetto d'amore, for narrator, trumpet, electric guitar, percussions and double bass on texts by Pasquale Panella
  • 2007 Caro cara, from the cycle Oggetto d'amore, for two narrators, tape and electronics on texts by Pasquale Panella
  • 2007 Breath, for accordion and live electronics
  • 2006 Sarastro, for flute, clarinet, violin and cello
  • 2006 I Piatti della Bilancia, actress, tape and electronics, on a text by Rosaria Lo Russo
  • 2006 Pastelli sul Pack, for flutes
  • 2005 No sap chantar qui so non-di, for female voice and ensemble, on a text by Jaufré Rudel
  • 2004 Souffle 1.2 (from Petrassi), for flute and ensemble
  • 2004 Musica mundana, for narrator and plucked trio, on a text taken from De Institutione Musica of Severino Boezio
  • 2003 Polvere di luna, for narrator and electronics, on texts by Sonia Bergamasco
  • 2003 Child, for bass clarinet
  • 2003 Fil, for bass clarinet
  • 2003 Le parole e il sale, from the cycle Oggetto d'amore, for voice and electric guitar, on texts by Pasquale Panella
  • 2002 Alba, for zarb and electronics
  • 2002 Prima Sonata, for piano
  • 2002 The Moving Moon, for coloratura soprano and strings on texts by Samuel T. Coleridge
  • 2001 Su questa trama (per non-dire l'Otello), for narrator and ensemble, drama and libretto by Vittorio Sermonti
  • 2001 Allegoria dell'isola, for soprano and harpsichord, on texts by Francesco Pennisi
  • 2001 Klon, for trumpet, percussions and double bass
  • 2000 Altrove con il suo nome, from the cycle Oggetto d'amore, for actress and electronics, on texts by Pasquale Panella
  • 2000 Altre Geografie, for five instruments
  • 2000 Impromptu, for guitar
  • 2000 Il fondo dell'acqua è disseminato di stelle, for two pianos
  • 1998 Das Papier, for soprano, baritone, string quartet and electronics, on texts by Wolfgang Amadeus Mozart
  • 1998 ...plena timoris amor, for soprano and piano, on texts by Ovid
  • 1998 Chat, for clarinet and cello
  • 1998 Luz, for jazz trio and ensemble
  • 1997 Levar, for ensemble
  • 1997 Fil rouge, for piano and string trio
  • 1996 Manao tupapau, for flute, percussions, tape and live electronics, finalist at the 24° Electroacustique Music Competition of Bourges
  • 1996 Luna lunae..., for six instruments
  • 1996 The Spark to the Flame, for seven instruments
  • 1996 Fado, for six instruments
  • 1995 Stream, for sax quartet
  • 1995 Vocativo, for cello
  • 1994 Nuages, for seven instruments
  • 1993 E la notte rischiarava la notte, for three MIDI keyboards and live electronics
  • 1993 Al di sopra del lago è il vento, for viola and piano
  • 1992 Wind, for recorders and harp
  • 1992 Horus, for three percussionists
  • 1992 Fantasie, for string orchestra
  • 1991 Lettura di un'onda, for viola and guitar
  • 1991 Certo moto d'ignoto tormento, for piano and double quintet
  • 1991 Das Alte Jahr Vergangen ist, for two harpsichords
  • 1991 Gusci di mago, for string orchestra
  • 1990 Calendari indiani, for female voice and ten instruments, on traditional texts by Native Americans
  • 1990 Libra (vers.b), for vibraphone and tape
  • 1990 Per il Teatro di Documenti, for clarinet
  • 1990 Ottetto (après Stravinsky), for wind instruments
  • 1989 Der Trank (ist's, der mir taugt!), for piano and six instruments
  • 1989 Effetto Notte, for eight instruments
  • 1988 Terza Texture, for flute, bass clarinet and piano
  • 1987 Libra, for vibraphone
  • 1987 Gotico, for harpsichord and string quartet
  • 1987 Mizar, for double bass
  • 1986 Promenade: Variazioni sul blu, for seven instruments, works premiered at the Tribuna Internazionale dei Compositori 1987
  • 1986 Texture, for two guitars
  • 1986 Myricae, for flute, cello and piano
  • 1986 Silete Venti, for guitar and ensemble
  • 1985 Bianco, for guitar
  • 1985 Trama, for violin
  • 1985 Volute, for wind quintet and piano
  • 1984 Filigrana, for eight instruments, selected by International Gaudeamus MusicWeek 1986
  • 1984 Trio (le claire sillage), for violin, cello and piano
  • 1984 Quartetto per archi
  • 1984 (rev. 1992) Sciarada, for clarinet, viola, cello and piano
  • 1983 Natura morta, for piano
  • 1983 Partita per nove, for nine instruments
  • 1983 Les Masques: Quattro Capricci for flute, viola and guitar, International Gaudeamus Preize 1984
  • 1982 R.I.B.E.S., for female voice
  • 1982 Aube, for guitar

A cappella choir[edit]

Transcriptions[edit]

Discography[edit]

Dvd with edison studio[edit]

  • 2016 Das Cabinet des Dr.Caligari, a movie by Robert Wiene (1920), DVD Cineteca di Bologna 2016, "Il cinema ritrovato", DVD-Booklet, soundtrack by Edison Studio
  • 2011 Inferno, by Francesco Bertolini, Adolfo Padovan and Giuseppe De Liguoro (1911), DVD Cineteca di Bologna 2011, "Il cinema ritrovato", DVD-Booklet, soundtrack by Edison Studio
  • 2007 Altrove con il suo nome, video by Silvia di Domenico and Giulio Latini, in "Edison Studio" (2007) – DVD Auditorium EdiLDC278 1139/40, co-production Edison Studio – Cemat

Monographic cd[edit]

  • 2009 Oggetto d'amore, seven musical scenes for voices, instruments, video and electronics, Sonia Bergamasco, voice, Freon ensemble, on texts by Pasquale Panella, RTC023 – 2009 – RAI Trade
  • 1998 Manao Tupapau, CMRCD1053, Ricordi Oggi – BMG Ricordi

Works included in cd[edit]

  • 2017 Pastelli sul Pack, in "Fabula ut", Stradivarius STR 37067, Arcadio Baracchi, flutes
  • 2017 Arabesque, in "New music for flute, oboe and piano", Edizioni Taukay 162, Ecoensemble Trio
  • 2014 Bagatella, in "Paganini 2013 – Ghiribizzi", Edizioni Sinfonica A – 337, Luigi Attademo, guitar
  • 2010 Breath, Edizioni Curci Milano E.C. 11695, Francesco Gesualdi, accordion, Mauro Cardi, elettronics
  • 2009 Pastelli sul Pack, Edizioni Curci Milano E.C. 11667, Arcadio Baracchi, flutes
  • 2008 Melos, in "Dedicated to Pierrot", Puncta PNCD 0308, Joan Logue, soprano, Orchestra Sinfonica della RAI di Roma, cond. D.Shallon
  • 2006 Klon, in "Italian News", RAI Trade RTC 012, Freon Ensemble
  • 2006 Alba, in "Zarbing", Edizioni LaFrontiera (LFDL 19401) e Rai Trade (RTP0090), Mahamad Ghavi-Helm, zarb
  • 2005 Polvere di luna, Armando Curcio Editore & Eurografica, Sonia Bergamasco, voice
  • 2005 Child, in "Suono Sonda N.3 – Giugno 2004", Rocco Parisi, bass clarinet
  • 2001 Vocativo, in "Musica per la Resistenza 1995", Rocco Parisi, bass clarinet
  • 1996 The Spark to the Flame, in "Scuola popolare di Musica di Testaccio – Musica per la Libertà", Il Manifesto CD 004, Freon ensemble
  • 1994 Al di sopra del lago è il vento, in "Musica Presente 4 – CDC 503", 1994 Nuova Fonit Cetra – Dischi Ricordi, Ensemble Contrechamps
  • 1993 Wind, in "'900 Musica – 74321 16229-2", 1993 BMG Ariola, Alterego ensemble
  • 1992 Effetto notte, in "Garden of earthly desire", CRMCD 1020 1992 Dischi Ricordi, Elision ensemble, conductor Sandro Gorli
  • 1991 Aube, PAN CDC 3009 1990 CD Edipan, Stefano Cardi, guitar
  • 1990 Volute, in "L'Artisanat furieux ensemble", PAN CDC 3010 1990 CD Edipan, L'Artisanat Furieux Ensemble, conductor Tonino Battista
  • 1989 Filigrana, in "Musique Transalpines vol.2 ", CCS 590014 1990 – Centre de Crèation Sonore, Adda Records, Gruppo strumentale Musica d'oggi, conductor Fabio Maestri
  • 1989 Terza Texture, in "Musica nuova in Italia", CD Happy New Ears 2 – CA 911, Het Trio

Works included in lp[edit]

  • 1987 Texture, Bianco in "Contempolinea Due – La chitarra ", SP 10098 1987 Disco RCA, Duo Chitarristico Romano, Stefano Cardi, guitar
  • 1986 Trio (le claire sillage), in "1986 La Musica – n.12 – LM 86-2", 1986 Dischi Edipan, Nuove Forme Sonore ensemble

References[edit]

  1. ^ a b c d "Cardi, Mauro", in AA.VV., Dizionario Enciclopedico della Musica e dei Musicisti, diretto da Alberto Basso, volume Appendice; Utet, Torino, 1990, ISBN 978-88-02-04396-8, p.14
  2. ^ Landa Ketoff, "Una voce per il canto del 900. Conclusa con un concerto la V edizione del premio Valentino Bucchi", La Repubblica, November 27, 1982
  3. ^ E.M., "Ecco i vincitori del Premio Bucchi", L'Avanti, November 25, 1982
  4. ^ "Cardi, Mauro", in AA.VV., Enciclopedia della Musica, diretta da Marco Drago e Andrea Boroli, Istituto Geografico De Agostini, Novara, 1995, ISBN 978-88-415-2055-0, p.184
  5. ^ "Amsterdam: Mauro Cardi vince il Gaudeamus 1984", in Rivista Musicale Italiana, n.4/Ottobre 1984, ERI-Edizioni RAI
  6. ^ R.Hazendonk, "Mauro Cardi goede Gaudeamus winnaar", De Telegraaf, Amsterdam, October 7, 1984
  7. ^ Hein Calis, Frits van der Waa, "Mauro Cardi wint met bescheiden compositie Gaudeamus-prijs", De Volkskrant, Amsterdam, October 7, 1984
  8. ^ https://gaudeamus.nl/en/winners-of-the-gaudeamus-award/ URL Retrieved January 12, 2018
  9. ^ "I premi del G.F. Malipiero", Il Giornale della Musica, N.29, Giugno 1988
  10. ^ Mauro Cardi, "Atono conforta grandi. Uno studio su Argot di Franco Donatoni e di alcune problematiche della composizione algoritmica" (in due parti), in Suono Sonda, Anno 4, N° 7, Febbraio 2009, Anno 4, N° 8, Novembre 2009, Joker, Genova 2009
  11. ^ a b Mario Pagotto, "Recensione del CD "Manao Tupapau", CD Classica – Marzo 1999
  12. ^ Mario Gamba, "I concetti sonori Modern", Il manifesto, Roma, December 6, 1993
  13. ^ a b "Cardi, Mauro", in AA.VV., Enciclopedia della musica Garzanti, Milano, 1996, ISBN 978-88-11-50467-2, p.141
  14. ^ Marco Spada, "Compositori Oggi/Incontro con Mauro Cardi: Metto a fuoco le emozioni", l'Unità, Roma, March 17, 1990
  15. ^ Ornella Rota, "L'alternanza di giochi e regole", in Suono, N° 370, Roma, Luglio-Agosto 2004, p.87
  16. ^ Luca Conti, "Mauro Cardi: l'artigianato del comporre", in Idea, Anno XXVI, N.6–7, Roma, Giugno-Luglio 1990, pp.33–39
  17. ^ Carla di Lena, "Liszt per banda e piano", in Il Giornale della Musica, n.287, dicembre 2011, p.6,
  18. ^ Olga D'Alì, "L'amore al tempo di Sonia: a Venezia la Bergamasco porta in scena l'opera sperimentale di Panella e Cardi", in D di Repubblica, October 4, 2008
  19. ^ a b c "Cardi, Mauro", in AA.VV., Dizionario Enciclopedico della Musica e dei Musicisti, diretto da Alberto Basso, volume Appendice 2005; Utet, Torino, 2004, ISBN 978-88-02-06216-7, p.105
  20. ^ Cipriani A., Cifariello Ciardi F., Ceccarelli L., Cardi M., "Collective composition: the case of Edison Studio", in Organised Sound, Cambridge University Press, 2004, 9, pp.261–270, ISSN 1355-7718
  21. ^ Cardi M., Ceccarelli L., Cifariello Ciardi F., Cipriani A., "Nuove tecnologie e composizione collettiva per il cinema muto", in Close Up, Anno X, N°18, Marzo-Giugno 2006, Kaplan, Torino, 2006, ISBN 978-88-89908-01-3, pp.81–102
  22. ^ http://cinestore.cinetecadibologna.it/bookshop/dettaglio/47/ URL Retrieved January 12, 2018
  23. ^ http://www.aits.it/index.php?&lang=it&section=edizioni-premio-aits&Anno=2011 URL consultato il January 12, 2018
  24. ^ http://cinestore.cinetecadibologna.it/bookshop/dettaglio/105 URL consultato il January 12, 2018
  25. ^ David Kim-Boyle – recensione della prima esecuzione di "Das Cabinet des Dr.Caligari" all'ICMC di Singapore, in Computer Music Journal, volume 28, N°2 Summer 2004 – MIT Press, Cambridge, Massachusetts, U.S.A.
  26. ^ Marco Maria Gazzano (a cura di), Edison Studio. Il Silent Film e l'Elettronica in Relazione Intermediale, Roma, Exorma, 2014, ISBN 978-88-95688-89-3.
  27. ^ Daniela Tortora, Nuova Consonanza – Trent'anni di musica contemporanea in Italia (1959–1988), Libreria Musicale Italiana, Lucca, 1990, ISBN 978-88-7096-019-8,

Bibliography[edit]

  • Issues on Mauro Cardi
    • "Cardi, Mauro", in AA.VV., Dizionario Enciclopedico della Musica e dei Musicisti, diretto da Alberto Basso, volume Appendice; Utet, Torino, 1990, ISBN 978-88-02-04396-8, p. 14
    • "Cardi, Mauro", in AA.VV., Dizionario Enciclopedico della Musica e dei Musicisti, diretto da Alberto Basso, volume Appendice 2005; Utet, Torino, 2004, ISBN 978-88-02-06216-7, p. 105
    • "Cardi, Mauro", in AA.VV., Enciclopedia della musica Garzanti, Milano, 1996, ISBN 978-88-11-50467-2, p. 141
    • "Cardi, Mauro", in AA.VV., International Who's who in Music, 12.a ed.1990; AAVV., consultant editor David Cummings, IBC Cambridge, ISBN 978-0-948875-20-5, p. 120
    • "Cardi, Mauro", in AA.VV., Enciclopedia della Musica, diretta da Marco Drago e Andrea Boroli, Istituto Geografico De Agostini, Novara, 1995, ISBN 978-88-415-2055-0, p. 184
    • "Cardi, Mauro", in AA.VV., Autoanalisi dei compositori italiani contemporanei, vol.I, a cura di Alberta Cataldi, Flavio Pagano, Napoli, 1992, ISBN 978-88-85228-16-0, pp. 148–152
    • Marco Maria Gazzano (a cura di), con scritti di G.Barbieri, R.Calabretto, S.Miceli e altri, Edison Studio. Il Silent Film e l'Elettronica in Relazione Intermediale, Exorma, Roma, 2014, ISBN 978-88-95688-89-3
    • Carlo Boschi, "Presence of Romantic Elements in the Work of Contemporary Italian Composers", in Romanticism as an Attitude. Actes du séminaire organisé dans le cadre du projet européen Roads of Romanticism, Strasbourg, Èditions du Conservatoire 2007, ISBN 978-2-9515197-8-7, pp. 35–50
    • Renzo Cresti, Verso il 2000, Dick Peerson, Napoli-Pisa, 1990, pp. 34–35
    • Renzo Cresti, Mauro Cardi, Scrittura e artigianato, in Musica presente. Tendenze e compositori di oggi, LIM, Lucca, 2019, ISBN 978-88-5543-001-2, pp.174-178
    • Luca Conti, "Mauro Cardi: l'artigianato del comporre", in Idea, Anno XXVI, N.6–7, Roma, Giugno-Luglio 1990, pp. 33–39
  • Issues by Mauro Cardi
    • "Il computer per il compositore: slave o master? Su alcune risorse, e le conseguenti problematiche, che pongono le nuove tecnologie applicate alla composizione musicale", in Musica/Tecnologia, n.4 – 2010, Firenze University Press, ISSN 1974-0042, pp. 63–67
    • "Condividere la tela. Il live cinema di Edison Studio per Inferno", (con Ceccarelli L., Cifariello Ciardi F., Cipriani A.,), in Le arti del suono n.3/2010, Edizioni Orizzonti Meridionali, Napoli, 2010, OCLC 706856436, pp. 103–123
    • "Atono conforta grandi. Uno studio su Argot di Franco Donatoni e di alcune problematiche della composizione algoritmica" (in due parti), in Suono Sonda, Anno 4, N° 7, Febbraio 2009, Anno 4, N° 8, Novembre 2009, Joker, Genova, 2009
    • "Nuove tecnologie e composizione collettiva per il cinema muto", (con Ceccarelli L., Cifariello Ciardi F., Cipriani A.), in Close Up, Anno X, N°18, Marzo-Giugno 2006, Kaplan, Torino, 2006, ISBN 978-88-89908-01-3, pp. 81–102
    • "Notazione e pensiero musicale", in Progetto Grafico, Anno 4, N°7, Gennaio 2006, Associazione italiana progettazione per la comunicazione visiva, Roma, 2006, pp. 27–29
    • "Collective composition: the case of Edison Studio", (con Ceccarelli L., Cifariello Ciardi F., Cipriani A.), in Organised Sound 9/3, Cambridge University Press, 2004, pp. 261–270
    • "Child", in Suono Sonda, Anno 2, N° 1, Giugno 2004, Genova, 2004, pp. 25–33
    • "Il live electronics", (con Ceccarelli L.), in Il complesso di Elettra, Cidim, Roma, 1995, ISBN 978-88-85765-05-4, pp. 49–52
    • "Il grado Xerox della cultura", in Suonosud, N° 22, Autunno 1994, Ismez, Roma, 1994, pp. 20–26

External links[edit]

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