Self-parody: Difference between revisions

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*"Nephelidia",<sup>[http://eir.library.utoronto.ca/rpo/display/poem2096.html]</sup> a poem by [[Algernon Charles Swinburne|A. C. Swinburne]].
*"Nephelidia",<sup>[http://eir.library.utoronto.ca/rpo/display/poem2096.html]</sup> a poem by [[Algernon Charles Swinburne|A. C. Swinburne]].
*"Municipal", a poem by [[Rudyard Kipling]].
*"Municipal", a poem by [[Rudyard Kipling]].
*"L'Art" and "To Hulme (T. E.) and Fitzgerald (A Certain)", poems by [[Ezra Pound]].<ref>{{cite book | last = Gibson | first = Mary Ellis | year = 1995 | title = Epic Reinvented: Ezra Pound and the Victorians | publisher = Cornell University Press | pages = 71–72 | id = ISBN 0-8014-3133-6}}
*"L'Art" and "To Hulme (T. E.) and Fitzgerald (A Certain)", poems by [[Ezra Pound]].<ref>{{cite book | last = Gibson | first = Mary Ellis | year = 1995 | title = Epic Reinvented: Ezra Pound and the Victorians | publisher = Cornell University Press | pages = 71–72 | id = ISBN 0-8014-3133-6}}</ref>
*"Afternoon of a Cow", a short story by [[William Faulkner]].
*"Afternoon of a Cow", a short story by [[William Faulkner]].
*''[[Pale Fire]]'', a novel by [[Vladimir Nabokov]] in the form of a long, pedantic, self-centered commentary on a much shorter poem. It may parody his commentary on his translation of [[Aleksandr Pushkin|Pushkin]]'s ''[[Yevgeny Onegin]]'' (''Eugene Onegin''); the commentary was highly detailed and much longer than the poem.
*''[[Pale Fire]]'', a novel by [[Vladimir Nabokov]] in the form of a long, pedantic, self-centered commentary on a much shorter poem. It may parody his commentary on his translation of [[Aleksandr Pushkin|Pushkin]]'s ''[[Yevgeny Onegin]]'' (''Eugene Onegin''); the commentary was highly detailed and much longer than the poem.

Revision as of 20:57, 14 August 2007

Anti-art like Marcel Duchamp's Fountain is a parody by artists of art itself.

Self-parody is parody of oneself or one's own work. As an artist accomplishes it by imitating his or her own characteristics, self-parody is potentially difficult to distinguish from especially characteristic productions (exempli gratia: a situation in which a litterateur's mannerisms are typically ponderous, sesquipedalian, and Latinizing).

Sometimes critics use the word figuratively to mean the artist's style and preoccupations appear as strongly (and perhaps as ineptly) in some work as they would in a parody. Such works may result from habit, self-indulgence, or an effort to please an audience by providing something familiar. Ernest Hemingway has frequently been a target for such comments. An example from Paul Johnson's book Intellectuals:

Some [of Hemingway's later writing] was published nonetheless, and was seen to be inferior, even a parody of his earlier work. There were one or two exceptions, notably The Old Man and the Sea, though there was an element of self-parody in that too.

Political polemicists use the term similarly, as in this headline of a 2004 blog posting. "We Would Satirize Their Debate And Post-Debate Coverage, But They Are So Absurd At This Point They Are Their Own Self-Parody".[1]

Examples of self-parody

The following are deliberate self-parodies or are at least often considered to be so:

External links

References

  • Paul Johnson, Intellectuals (1988), ISBN 0-297-79395-0
  • Nancy Mason Bradbury, Writing Aloud: Storytelling in Late Medieval England (1998), ISBN 0-252-02403-6
  1. ^ Gibson, Mary Ellis (1995). Epic Reinvented: Ezra Pound and the Victorians. Cornell University Press. pp. 71–72. ISBN 0-8014-3133-6.