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{{Infobox Artist
CHRIS WANTS MCRUM
| name = Diego Rivera
| Born =
| image = Frida_Kahlo_Diego_Rivera_1932.jpg
| imagesize = 200px
| caption = [[Frida Kahlo]] and Diego Rivera in 1932, Photo by: [[Carl Van Vechten]]
| birthname =Diego María de la Concepción Juan Nepomuceno Estanislao de la Rivera y Barrientos Acosta y Rodríguez
| birthdate = {{birth date|mf=yes|1886|12|8|mf=y}}
| location = [[Guanajuato, Guanajuato]], [[Mexico]]
| deathdate = {{death date and age|mf=yes|1957|11|24|1886|12|8}}
| deathplace = [[Mexico City, Mexico]]
| nationality = [[Mexican]]
| field = [[Painting]], [[Muralist]]
| training = San Carlos Academy
| movement = [[Social Realism]]
| spouse(s) = [[Guadalupe Marín]], 1922–1929<br>[[Frida Kahlo]], 1929-1939 and 1940-1954 (her death)
|
| patrons =
| awards =
}}

'''Diego Rivera''' (December 8, 1886 &ndash; November 24, 1957) was born '''Diego María de la Concepción Juan Nepomuceno Estanislao de la Rivera y Barrientos Acosta y Rodríguez''' in [[Guanajuato City|Guanajuato, Gto.]]). He was a world-famous [[Mexican]] [[Painting|painter]], an active [[Communist]], and husband of [[Frida Kahlo]], 1929-1939 and 1940-1954 (her death). Rivera's large wall works in [[fresco]] helped establish the Mexican Mural Renaissance. Between 1922 and 1953, Rivera painted [[mural]]s in [[Mexico City]], [[Chapingo]], [[Cuernavaca]], [[San Francisco]], [[Detroit]], [[New York City]].<ref>{{cite web |title=Diego Rivera |url=http://www.abcgallery.com/R/rivera/rivera.html |publisher=Olga's Gallery |accessdate=2007-09-24}}</ref> His 1931 retrospective exhibition at the [[Museum of Modern Art]] in [[New York City]] was their [[second]].

==Early life==

Diego Rivera was born in [[Guanajuato, Guanajuato|Guanajuato City]], [[Guanajuato]], to a well-off family. Rivera claimed to be descended, on his mother's side, from [[Jew]]s who converted to [[Roman Catholic Church|Roman Catholicism]]<ref>{{Citation
|url=http://www.adherents.com/people/pr/Diego_Rivera.html
|title=The Religious Affiliation of Mexican Painter
|publisher=adherents.com
|accessdate=[[2007-12-14]]}}</ref>, and, on his father's side, from Spanish nobility. Since he was ten years of age, Rivera studied art at the Academy of San Carlos in [[Mexico City]]. He was sponsored to continue study in [[Europe]] by [[Teodoro A. Dehesa Méndez]], the governor of the State of [[Veracruz]].

After arrival in Europe in 1907, Rivera initially went to study with Eduardo Chicharro in [[Madrid]], [[Spain]], and from there went to [[Paris]], [[France]], to live and work with the great gathering of artists in [[Montparnasse]], especially at [[La Ruche]], where his friend [[Amedeo Modigliani]] painted his portrait in 1914.<ref>[http://www.imageartsetc.com/stock-images/detail.asp?pid=1430]{{Dead link|date=December 2007|url=http://www.imageartsetc.com/stock-images/detail.asp?pid=1430}}</ref> His circle of close friends, which included [[Ilya Ehrenburg]], [[Chaim Soutine]], Modigliani's wife [[Jeanne Hébuterne]], [[Max Jacob]], gallery owner Leopold Zborowski, and [[Moise Kisling]], was captured for posterity by [[Marie Vorobieff]]-Stebelska ([[Marevna]]) in her painting "Homage to Friends from Montparnasse" What A Crazy Man
(1962).<ref>{{Citation
|url=http://www.rusmuseum.ru/eng/exhibitions/?id=140&year=2003&pic=4
|title=M.Marevna, 'Homage to Friends from Montparnasse', 1962, A private collection, Moscow
|publisher=The State Russian Museum
|accessdate=[[2007-12-14]]}}</ref>

In those years, Paris was witnessing the beginning of [[cubism]] in paintings by such eminent painters as [[Pablo Picasso]] and [[Georges Braque]]. From 1913 to 1917, Rivera enthusiastically embraced this new school of art. Around 1917, inspired by [[Paul Cézanne]]'s paintings, Rivera shifted toward [[Post-Impressionism]] with simple forms and large patches of vivid colors. His paintings began to attract attention, and he was able to display them at several exhibitions.

==Career in Mexico==

[[Image:Rivera-the-arsenal.jpg|thumb|left|''En el Arsenal'' detail, 1928]]
In 1920, urged by [[Alberto J. Pani]], the Mexican ambassador to France, Rivera left France and traveled through [[Italy]] studying its art, including [[Renaissance]] [[frescoes]]. After [[Jose Vasconcelos]] became Minister of Education, Rivera returned to Mexico in 1921 to become involved in the government sponsored Mexican mural program planned by Vasconcelos.<ref>{{cite web |title=Diego Rivera: Biography |url=http://www.leninimports.com/diego_rivera.html |publisher=lenin@netcomuk.co.uk |accessdate=2007-09-22}}</ref> The program included such [[Mexican people|Mexican]] artists as [[José Clemente Orozco]], [[David Alfaro Siqueiros]], and [[Rufino Tamayo]], and the French artist [[Jean Charlot]]. In January 1922<ref name=chronology>{{cite web |title=Diego Rivera: Chronology |url=http://www.geocities.com/laboronita/dr2.html |publisher=Yahoo! GeoCities |accessdate=2007-09-21}}</ref>, he painted - experimentally in [[encaustic]] - his first significant mural ''Creation''<ref>{{Citation
|url=http://www.abcgallery.com/R/rivera/rivera128.html
|title=Diego Rivera. Creation. / La creación. 1922-3.
|publisher=Olga's Gallery
|accessdate=[[2007-12-14]]}}</ref> in the Bolívar Auditorium of the [[National Preparatory School]] in Mexico City guarding himself with a pistol against [[right-wing]] students.

In the autumn of 1922, Rivera participated in the founding of the Revolutionary Union of Technical Workers, Painters and Sculptors, and later that year he joined the [[Mexican Communist Party]]<ref>{{cite web |title=Diego Rivera |url=http://www.fbuch.com/diego.htm |publisher=Fred Buch |accessdate=2007-09-22}}</ref> (including its [[Central Committee]]). His murals, subsequently painted in fresco only, dealt with Mexican society and reflected the country's [[Mexican Revolution|1910 Revolution]]. Rivera developed his own native style based on large, simplified figures and bold colors with an [[Aztec]] influence clearly present in murals at the [[Secretariat of Public Education]] in Mexico City<ref>{{Citation
|url=http://www.abcgallery.com/R/rivera/rivera-2.html
|title=Diego Rivera
|publisher=Olga's Gallery
|accessdate=[[2007-12-14]]}}</ref> begun in September 1922, intended to consist of one hundred and twenty-four frescoes, and finished in 1928.<ref name=chronology />

His art, in a fashion similar to the [[stele]]s of the [[Maya]], tells stories. The mural “En el Arsenal” (''In the Arsenal'')<ref>{{Citation
|url=http://www.abcgallery.com/R/rivera/rivera25.html
|title=Diego Rivera. From the cycle: Political Vision of the Mexican People (Court of Fiestas): Insurrection aka The Distribution of Arms. / El Arsenal - Frida Kahlo repartiendoarmas.
|publisher=Olga's Gallery
|accessdate=[[2007-12-14]]}}</ref> shows on the right hand side [[Tina Modotti]] holding an ammunition belt and facing [[Julio Antonio Mella]], in a light hat, and [[Vittorio Vidale]] behind in a black hat. Rivera's [[radicalism|radical]] political beliefs, his attacks on the church and clergy, as well as his flirtations with [[Trotskyists]] and [[left-wing]] assassins made him a controversial figure even in communist circles. Some of Rivera's most famous murals are featured at the National School of Agriculture at [[Chapingo]] near [[Texcoco]] (1925–27), in the Cortés Palace in [[Cuernavaca]] (1929-30), and the National Palace in Mexico City (1929–30, 1935).<ref>{{cite web |title=Diego Rivera |url=http://www.britannica.com/hispanic_heritage/article-9063801 |publisher=Encyclopædia Britannica |accessdate=2007-09-21}}</ref> <ref>{{cite web |title=Diego Rivera |url=http://www.answers.com/topic/diego-rivera |publisher=Answers.com |accessdate=2007-09-21}}</ref> After returning to Mexico in 1934, the quality of his mural works began to gradually decline.{{Fact|date=August 2008}}

==Later work abroad==

[[Image:Rivera detroit industry north.jpg|thumb|280px|''[[Detroit Industry]], North Wall, 1932-33. [[Detroit Institute of Arts]].]]
[[Image:Rivera detroit industry south.jpg|thumb|280px|''[[Detroit Industry]], South Wall'', 1932-33. [[Detroit Institute of Arts]].]]
In the autumn of 1927, Rivera arrived in [[Moscow]], accepting an invitation to take part in the celebration of the 10th anniversary of the [[October Revolution]]. Subsequently, he was to paint a mural for the [[Red Army]] Club in Moscow, but in 1928 he was ordered out by the authorities because of involvement in [[anti-Soviet]] politics, and he returned to Mexico. In 1929, Rivera was expelled from the [[Mexican Communist Party]]. His 1928 mural ''In the Arsenal'' was interpreted by some as evidence of Rivera's prior knowledge of the murder of [[Julio Antonio Mella]] allegedly by [[Stalinism|Stalinist]] [[assassin]] [[Vittorio Vidale]]. After divorcing Guadalupe (Lupe) Marin, Rivera married [[Frida Kahlo]] in August 1929. Also in 1929, the first English-language book on Rivera, American journalist [[Ernestine Evans]]'s ''The Frescoes of Diego Rivera'', was published in [[New York]]. In December, Rivera accepted a commission to paint murals in the Palace of Cortez in [[Cuernavaca]] from the American Ambassador to Mexico.<ref name=commission>{{cite web |title=The Commission |url=http://www.sfai.edu/page.aspx?page=35&navID=79&sectionID=2 |publisher=San Francisco Art Institute |accessdate=2007-09-22}}</ref>

In 1930, Rivera accepted an invitation to the [[United States]], where he painted several significant works. After arriving in [[San Francisco]] in November, he painted a mural for the Stock Exchange and a fresco for the California School of Fine Art, which is now in the [[San Francisco Art Institute]]).<ref name=commission /> In November 1931, Rivera had a retrospective exhibition at the [[Museum of Modern Art]] in [[New York City]]. Rivera's wife, Frida Kahlo accompanied him to New York for the opening of the MoMA show. <ref>{{citation | title= Rivera Steals the Show at Sotheby's | author=Sarah Douglas | publisher=ARTINFO | year=2005 | date= May 25, 2005| url= http://www.artinfo.com/news/story/815/rivera-steals-the-show-at-sothebys/| accessdate=2008-04-17 }}</ref> Between 1932 and 1933, he completed a famous series of twenty-seven fresco panels entitled ''[[Detroit Industry]]'' on the walls of an inner court at the [[Detroit Institute of Arts]]. During the [[McCarthyism]] of the 1950s, a [http://commons.wikimedia.org/wiki/Image:Diego_Rivera_Mural_Sign.jpg large sign] was placed in the courtyard defending the artistic merit of the murals while attacking his politics as "detestable."

His mural ''[[Man at the Crossroads]]'', begun in 1933 for the [[Rockefeller Center]] in [[New York City]], was removed after a furor erupted in the press over a portrait of [[Vladimir Lenin]] it contained. As a result of the negative publicity, a further commission was cancelled to paint a mural for an exhibition at the [[Chicago]] [[World's Fair]]. In December 1933, Rivera returned to Mexico, and he repainted ''Man at the Crossroads'' in 1934 in the [[Palacio de Bellas Artes]] in Mexico City. This surviving version was called ''[[Man, Controller of the Universe]]''. On June 5, 1940 Rivera returned for the last time to the United States to paint a ten-panel mural for the Golden Gate International Exposition in San Francisco. ''Pan American Unity'' was unveiled November 29, 1940. The mural and its archives reside at [[City College of San Francisco]].<ref>{{Citation
|url=http://www.riveramural.org
|title=The Diego Rivera Mural Project
|publisher=City college of San Francisco
|accessdate=[[2007-12-14]]}}</ref>

==Work in museum collections==
*[[Arizona State University]] Art Museum, [[Phoenix]], [[Arizona]]
*[[Art Institute of Chicago]], [[Illinois]]
*Arthur Ross Gallery, [[University of Pennsylvania]]
*[[Birmingham Museum & Art Gallery]], [[Great Britain]]
*[[DePaul University]] Museum, [[Chicago]], Illinois
*[[Detroit Institute of Arts]], [[Michigan]]
*[[Fine Arts Museums of San Francisco]], [[California]]
*Fundación Proa, [[Buenos Aires]], [[Argentina]]
*Guilford College Art Gallery, [[North Carolina]]
*[[Harvard University Art Museums]], [[New Haven, Connecticut]]
*[[Hermitage Museum]], [[Saint Petersburg]], [[Russia]]
*[[Honolulu Academy of Arts]], [[Hawaii]]
*[[Los Angeles County Museum of Art]], California
*[[Metropolitan Museum of Art]], [[New York City]]
*[[Milwaukee Art Museum]], [[Wisconsin]]
*[[Museo Nacional de Bellas Artes]], Buenos Aires, Argentina
*[[Museum of Modern Art]], [[New York City]]
*[[National Gallery of Art]], [[Washington, D.C.]]
*[[Phoenix Art Museum]], Arizona
*[[Rhode Island School of Design Museum|Museum of the Rhode Island School of Design]], [[Providence, Rhode Island]]
*[[San Diego Museum of Art]], California
*[[São Paulo Art Museum]], [[Brazil]]
*[[Tehran Museum of Contemporary Art]], [[Iran]]

==Personal life==
[[Image:San-Angel-Casa-Rivera-Kahlo.jpg|thumb|House of Diego Rivera and Frida Kahlo, San Ángel, [[Mexico City]] (built by [[Juan O'Gorman]] in 1930)]]
Rivera was a notorious womanizer who had fathered at least two illegitimate children by two different women. Angeline Beloff gave birth to a son, Diego (1916-1918). Maria Vorobieff-Stebelska gave birth to a daughter in 1918. He married his first wife, [[Guadalupe Marín]], in June 1922, with whom he had two daughters. He was still married when he met an art student known as [[Frida Kahlo]]. They married on August 21, 1929 when he was forty-two and she was twenty-two. Their mutual infidelities and his violent temper led to divorce in 1939, but they remarried December 8, 1940 in [[San Francisco]]. After Kahlo's death, Rivera married Emma Hurtado, his agent since 1946, on July 29, 1955. He died on November 24, 1957.<ref>{{Citation
|url=http://www.artinthepicture.com/artists/Diego_Rivera/biography.html
|title=Diego Rivera &mdash; Biography
|publisher=artinthepicture.com
|accessdate=[[2007-12-14]]}}</ref>

==Fictional portrayals==

Diego Rivera was portrayed by [[Ruben Blades]] in 1999's ''[[Cradle Will Rock]]'', and by [[Alfred Molina]] in 2002's ''[[Frida]]''.

==See also==

*[[Frida Kahlo]]
*[[Elaine Hamilton]]
*[[María Izquierdo]]
*[[José Clemente Orozco]]
*[[David Alfaro Siqueiros]]
*[[Rockefeller Center]]

==References==

{{reflist|2}}

==External links==

{{Commons|Diego Rivera}}
{{wikisource author|Diego Rivera}}
*[http://www.nga.gov/exhibitions/2004/rivera/intro.shtm The Cubist Paintings of Diego Rivera: Memory, Politics, Place at the National Gallery of art, Washington]
* [http://www.artcyclopedia.com/artists/rivera_diego.html Artcyclopedia] - Links to Rivera's works
* [http://www.artchive.com/artchive/ftptoc/rivera_ext.html Artchive] - Biography and images of Rivera's works
*[http://www.nndb.com/people/263/000024191/ Short biography with photograph]
*[http://www.geocities.com/laboronita/dr2.html?200516 "Chronology & photographs"] (year by year, animated)
*[http://www.diego-rivera.org/biography.html Detailed biography] (with timeline and paintings)
*[http://www.pbs.org/wnet/americanmasters/database/rivera_d.html Biographical note with photographs]
*[http://home.hccnet.nl/att.leurs/kbb036.html Short illustrated biography] (in Dutch)
*[http://www.mexonline.com/diegorivera.htm Biographical note] (with self-portrait and photographs with [[Trotsky]] and [[Frida Kahlo]])
*[http://www.fbuch.com/painting.htm Self-portrait from 1941 and other paintings]
*[http://www2.kenyon.edu/Depts/Mll/Spanish/Projects/Trejo-Zacarias/english.htm Marela Trejo Zacarías: "Visual Biography of Diego Rivera"]
*[http://www.dia.org/asp/search/ExecuteSearch.asp?artist=Diego+M%2E+Rivera&AID=9621 Diego Rivera at the Detroit Institute of Arts]
* [http://www.riveramural.com/ Diego Rivera Mural Project]
* [http://www.guanajuatocapital.com/guanajuato/index.php?option=com_content&view=article&id=81&Itemid=29 Diego Rivera House Museum]
* [http://www.diegorivera.com/ Virtual Diego Rivera Web Museum]
* [http://www.abcgallery.com/R/rivera/rivera.html Diego Rivera's paintings and bio at Olga's Gallery]
* [http://fbuch.com/cubism.htm "Diego Rivera: Master Cubist"] (12th painting in sequence: "Motherhood – Angelina and the Child Diego" (1916) depicting his common-law wife with their baby son.)
* [http://www.rusmuseum.ru/eng/exhibitions/?id=140&year=2003&pic=4 Painting by Marie Vorobieff-Stebelska] ([[Marevna]]) depicting on the very left herself, Diego Rivera and their daughter Marika, and on the right their mutual friends from Montparnasse, namely (top left to right:) [[Ilya Ehrenburg]], [[Chaim Soutine]], [[Amedeo Modigliani]] and his wife [[Jeanne Hébuterne]], [[Max Jacob]], the gallery owner Leopold Zborowski, and (bottom right corner:) [[Moise Kisling]].
*[http://tierra.free-people.net/artes/paintings-diego-rivera.php Life and paintings of Diego Rivera]
* {{findagrave|18404}}
*[http://www.aaa.si.edu/collections/findingaids/weatjohn.htm John Weatherwax Papers Relating to Frida Kahlo and Diego Rivera at the Smithsonian's Archives of American Art]

{{DEFAULTSORT:Rivera, Diego}}
[[Category:Mexicans of Jewish descent]]
[[Category:Members of El Colegio Nacional]]
[[Category:Cubism]]
[[Category:Mexican painters]]
[[Category:Muralists]]
[[Category:Rockefeller Center]]
[[Category:Mexican atheists]]
[[Category:People from Guanajuato, Guanajuato]]
[[Category:Social realist artists]]
[[Category:1886 births]]
[[Category:1957 deaths]]
[[Category:Mexican Trotskyists]]

[[bs:Diego Rivera]]
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Revision as of 12:59, 10 October 2008

Diego Rivera
Frida Kahlo and Diego Rivera in 1932, Photo by: Carl Van Vechten
Born
Diego María de la Concepción Juan Nepomuceno Estanislao de la Rivera y Barrientos Acosta y Rodríguez
NationalityMexican
EducationSan Carlos Academy
Known forPainting, Muralist
MovementSocial Realism
Spouse(s)Guadalupe Marín, 1922–1929
Frida Kahlo, 1929-1939 and 1940-1954 (her death)

Diego Rivera (December 8, 1886 – November 24, 1957) was born Diego María de la Concepción Juan Nepomuceno Estanislao de la Rivera y Barrientos Acosta y Rodríguez in Guanajuato, Gto.). He was a world-famous Mexican painter, an active Communist, and husband of Frida Kahlo, 1929-1939 and 1940-1954 (her death). Rivera's large wall works in fresco helped establish the Mexican Mural Renaissance. Between 1922 and 1953, Rivera painted murals in Mexico City, Chapingo, Cuernavaca, San Francisco, Detroit, New York City.[1] His 1931 retrospective exhibition at the Museum of Modern Art in New York City was their second.

Early life

Diego Rivera was born in Guanajuato City, Guanajuato, to a well-off family. Rivera claimed to be descended, on his mother's side, from Jews who converted to Roman Catholicism[2], and, on his father's side, from Spanish nobility. Since he was ten years of age, Rivera studied art at the Academy of San Carlos in Mexico City. He was sponsored to continue study in Europe by Teodoro A. Dehesa Méndez, the governor of the State of Veracruz.

After arrival in Europe in 1907, Rivera initially went to study with Eduardo Chicharro in Madrid, Spain, and from there went to Paris, France, to live and work with the great gathering of artists in Montparnasse, especially at La Ruche, where his friend Amedeo Modigliani painted his portrait in 1914.[3] His circle of close friends, which included Ilya Ehrenburg, Chaim Soutine, Modigliani's wife Jeanne Hébuterne, Max Jacob, gallery owner Leopold Zborowski, and Moise Kisling, was captured for posterity by Marie Vorobieff-Stebelska (Marevna) in her painting "Homage to Friends from Montparnasse" What A Crazy Man (1962).[4]

In those years, Paris was witnessing the beginning of cubism in paintings by such eminent painters as Pablo Picasso and Georges Braque. From 1913 to 1917, Rivera enthusiastically embraced this new school of art. Around 1917, inspired by Paul Cézanne's paintings, Rivera shifted toward Post-Impressionism with simple forms and large patches of vivid colors. His paintings began to attract attention, and he was able to display them at several exhibitions.

Career in Mexico

En el Arsenal detail, 1928

In 1920, urged by Alberto J. Pani, the Mexican ambassador to France, Rivera left France and traveled through Italy studying its art, including Renaissance frescoes. After Jose Vasconcelos became Minister of Education, Rivera returned to Mexico in 1921 to become involved in the government sponsored Mexican mural program planned by Vasconcelos.[5] The program included such Mexican artists as José Clemente Orozco, David Alfaro Siqueiros, and Rufino Tamayo, and the French artist Jean Charlot. In January 1922[6], he painted - experimentally in encaustic - his first significant mural Creation[7] in the Bolívar Auditorium of the National Preparatory School in Mexico City guarding himself with a pistol against right-wing students.

In the autumn of 1922, Rivera participated in the founding of the Revolutionary Union of Technical Workers, Painters and Sculptors, and later that year he joined the Mexican Communist Party[8] (including its Central Committee). His murals, subsequently painted in fresco only, dealt with Mexican society and reflected the country's 1910 Revolution. Rivera developed his own native style based on large, simplified figures and bold colors with an Aztec influence clearly present in murals at the Secretariat of Public Education in Mexico City[9] begun in September 1922, intended to consist of one hundred and twenty-four frescoes, and finished in 1928.[6]

His art, in a fashion similar to the steles of the Maya, tells stories. The mural “En el Arsenal” (In the Arsenal)[10] shows on the right hand side Tina Modotti holding an ammunition belt and facing Julio Antonio Mella, in a light hat, and Vittorio Vidale behind in a black hat. Rivera's radical political beliefs, his attacks on the church and clergy, as well as his flirtations with Trotskyists and left-wing assassins made him a controversial figure even in communist circles. Some of Rivera's most famous murals are featured at the National School of Agriculture at Chapingo near Texcoco (1925–27), in the Cortés Palace in Cuernavaca (1929-30), and the National Palace in Mexico City (1929–30, 1935).[11] [12] After returning to Mexico in 1934, the quality of his mural works began to gradually decline.[citation needed]

Later work abroad

Detroit Industry, North Wall, 1932-33. Detroit Institute of Arts.
Detroit Industry, South Wall, 1932-33. Detroit Institute of Arts.

In the autumn of 1927, Rivera arrived in Moscow, accepting an invitation to take part in the celebration of the 10th anniversary of the October Revolution. Subsequently, he was to paint a mural for the Red Army Club in Moscow, but in 1928 he was ordered out by the authorities because of involvement in anti-Soviet politics, and he returned to Mexico. In 1929, Rivera was expelled from the Mexican Communist Party. His 1928 mural In the Arsenal was interpreted by some as evidence of Rivera's prior knowledge of the murder of Julio Antonio Mella allegedly by Stalinist assassin Vittorio Vidale. After divorcing Guadalupe (Lupe) Marin, Rivera married Frida Kahlo in August 1929. Also in 1929, the first English-language book on Rivera, American journalist Ernestine Evans's The Frescoes of Diego Rivera, was published in New York. In December, Rivera accepted a commission to paint murals in the Palace of Cortez in Cuernavaca from the American Ambassador to Mexico.[13]

In 1930, Rivera accepted an invitation to the United States, where he painted several significant works. After arriving in San Francisco in November, he painted a mural for the Stock Exchange and a fresco for the California School of Fine Art, which is now in the San Francisco Art Institute).[13] In November 1931, Rivera had a retrospective exhibition at the Museum of Modern Art in New York City. Rivera's wife, Frida Kahlo accompanied him to New York for the opening of the MoMA show. [14] Between 1932 and 1933, he completed a famous series of twenty-seven fresco panels entitled Detroit Industry on the walls of an inner court at the Detroit Institute of Arts. During the McCarthyism of the 1950s, a large sign was placed in the courtyard defending the artistic merit of the murals while attacking his politics as "detestable."

His mural Man at the Crossroads, begun in 1933 for the Rockefeller Center in New York City, was removed after a furor erupted in the press over a portrait of Vladimir Lenin it contained. As a result of the negative publicity, a further commission was cancelled to paint a mural for an exhibition at the Chicago World's Fair. In December 1933, Rivera returned to Mexico, and he repainted Man at the Crossroads in 1934 in the Palacio de Bellas Artes in Mexico City. This surviving version was called Man, Controller of the Universe. On June 5, 1940 Rivera returned for the last time to the United States to paint a ten-panel mural for the Golden Gate International Exposition in San Francisco. Pan American Unity was unveiled November 29, 1940. The mural and its archives reside at City College of San Francisco.[15]

Work in museum collections

Personal life

House of Diego Rivera and Frida Kahlo, San Ángel, Mexico City (built by Juan O'Gorman in 1930)

Rivera was a notorious womanizer who had fathered at least two illegitimate children by two different women. Angeline Beloff gave birth to a son, Diego (1916-1918). Maria Vorobieff-Stebelska gave birth to a daughter in 1918. He married his first wife, Guadalupe Marín, in June 1922, with whom he had two daughters. He was still married when he met an art student known as Frida Kahlo. They married on August 21, 1929 when he was forty-two and she was twenty-two. Their mutual infidelities and his violent temper led to divorce in 1939, but they remarried December 8, 1940 in San Francisco. After Kahlo's death, Rivera married Emma Hurtado, his agent since 1946, on July 29, 1955. He died on November 24, 1957.[16]

Fictional portrayals

Diego Rivera was portrayed by Ruben Blades in 1999's Cradle Will Rock, and by Alfred Molina in 2002's Frida.

See also

References

  1. ^ "Diego Rivera". Olga's Gallery. Retrieved 2007-09-24.
  2. ^ The Religious Affiliation of Mexican Painter, adherents.com, retrieved 2007-12-14 {{citation}}: Check date values in: |accessdate= (help)
  3. ^ [1][dead link]
  4. ^ M.Marevna, 'Homage to Friends from Montparnasse', 1962, A private collection, Moscow, The State Russian Museum, retrieved 2007-12-14 {{citation}}: Check date values in: |accessdate= (help)
  5. ^ "Diego Rivera: Biography". lenin@netcomuk.co.uk. Retrieved 2007-09-22.
  6. ^ a b "Diego Rivera: Chronology". Yahoo! GeoCities. Retrieved 2007-09-21.
  7. ^ Diego Rivera. Creation. / La creación. 1922-3., Olga's Gallery, retrieved 2007-12-14 {{citation}}: Check date values in: |accessdate= (help)
  8. ^ "Diego Rivera". Fred Buch. Retrieved 2007-09-22.
  9. ^ Diego Rivera, Olga's Gallery, retrieved 2007-12-14 {{citation}}: Check date values in: |accessdate= (help)
  10. ^ Diego Rivera. From the cycle: Political Vision of the Mexican People (Court of Fiestas): Insurrection aka The Distribution of Arms. / El Arsenal - Frida Kahlo repartiendoarmas., Olga's Gallery, retrieved 2007-12-14 {{citation}}: Check date values in: |accessdate= (help)
  11. ^ "Diego Rivera". Encyclopædia Britannica. Retrieved 2007-09-21.
  12. ^ "Diego Rivera". Answers.com. Retrieved 2007-09-21.
  13. ^ a b "The Commission". San Francisco Art Institute. Retrieved 2007-09-22.
  14. ^ Sarah Douglas (May 25, 2005), Rivera Steals the Show at Sotheby's, ARTINFO, retrieved 2008-04-17{{citation}}: CS1 maint: date and year (link)
  15. ^ The Diego Rivera Mural Project, City college of San Francisco, retrieved 2007-12-14 {{citation}}: Check date values in: |accessdate= (help)
  16. ^ Diego Rivera — Biography, artinthepicture.com, retrieved 2007-12-14 {{citation}}: Check date values in: |accessdate= (help)

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