Everything that comes
| Movie | |
|---|---|
| German title | Everything that comes |
| Original title | L'Avenir |
| Country of production | France , Germany |
| original language | French |
| Publishing year | 2016 |
| length | 100 minutes |
| Age rating | FSK 0 |
| Rod | |
| Director | Mia Hansen-Løve |
| script | Mia Hansen-Løve |
| production |
Charles Gillibert , Fabian Gasmia |
| music | Raphael Hamburger |
| camera | Denis Lenoir |
| cut | Marion Monnier |
| occupation | |
| |
All that comes (original title: L'Avenir ) is a French movie from 2016 , directed by Mia Hansen-Løve . The French tragicomedy tells of the life of the Paris philosophy teacher Nathalie, played by Isabelle Huppert , who experiences a feeling of freedom after the sudden end of her marriage and has to rearrange her life. The screenplay for the film was also written by Mia Hansen-Løve. The film premiered at the 66th Berlin International Film Festival , where it received the Silver Bear for Best Director. The German theatrical release was on August 18, 2016.
action
Nathalie has her life firmly under control: she teaches philosophy at a Parisian lycée , has been happily married for 25 years, has two grown children and also publishes school books and philosophical essays in a small publishing house. Together with her husband Heinz she lives a full, middle-class life. Everyday life is broken only by the daily dramas of her eccentric mother. However, everything changes suddenly when Heinz reveals to her that he is leaving her because of another woman. When her publications are to be discontinued and her mother moves into a retirement home and dies shortly afterwards, she is faced with a sudden, unprecedented freedom. Nathalie, who has only taught the big ideas so far, goes on a search for new ways and not least learns from her former student Fabien what it means to unite philosophy and lived freedom.
production
All that comes is the fifth feature film by French director Mia Hansen-Løve. Unlike in her previous films, she does not deal with the subject of youth, but with the difficulties of aging from a female perspective. The director already had Isabelle Huppert in mind as the female lead when she was drafting the script . Denis Lenoir , who was behind the camera for Hansen-Løves Film Eden , was able to be won as cameraman .
The film was shot in various locations in Paris , in Saint-Malo , in Saint-Méloir-des-Ondes , a small municipality in Brittany , in Meudon La Foret and in Vassieux-en-Vercors , a town in the French Alps .
Trivia
The protagonist looks at the cinema the film Copie of Abbas Kiarostami at.
synchronization
The German dubbing was done at Hermes Synchron in Berlin . The dialogue book was written by Andreas Pollak , who was also responsible for the dubbing .
| actor | role | Voice actor |
|---|---|---|
| Isabelle Huppert | Nathalie | Susanna Bonaséwicz |
| Roman Kolinka | Fabien | Timmo Niesner |
| André Marcon | Heinz | Stefan Gossler |
| Edith Scob | Yvette | Luise Lunow |
| Sarah Le Picard | Chloé | Lydia Morgenstern |
| Solal Forte | Johann | Sebastian Fitzner |
criticism
Everything that comes up received mostly positive reviews, with Isabelle Huppert's acting performance and the directorial work of Mia Hansen-Løve particularly praised. The Rotten Tomatoes review collection lists 143 reviews, 99 percent of which are positive; the average rating is 8.2 out of 10 points.
Jan Schulz-Ojala from Tagesspiegel emphasized that Everything That Comes was one of the highlights of the 2016 Berlinale: “ L'Avenir is an impressive study about loneliness and getting older.” Ekkehard Knörer from TAZ was also enthusiastic: “And so is L'Avenir a very French, pleasantly subtle and light tragicomedy in educated circles. Mia Hansen-Løve knows the big thoughts and the big feelings and the big (a bit allegorical) cats of this not very big world as well as one can. It's nice that the title promises the future. What that can mean, the film leaves pleasantly open. "
The portal femundo described the film as a sensitive film about getting older and praised its leading actress: “Isabelle Huppert […] is elegant, quick-witted and sometimes very snappy. Your Nathalie vacillates between rebellion and fatalism, between intellectual sharpness and emotional fragility. "
Everything came from kino-zeit.de received mixed reviews . Joachim Kurz wrote : “If you want to put it pointedly, L'Avenir is target group-optimized cinema for the audience of 50+ with an affinity for program cinema, predominantly female. A first and quite mature work by the actually quite young filmmaker Mia Hansen-Løve - and that's exactly what surprises. "
Web links
- Everything comes in the Internet Movie Database (English)
Individual evidence
- ↑ Release certificate for everything that comes . Voluntary self-regulation of the film industry (PDF; test number: 160201 / K).
- ↑ Berlinale Prize Winner. Berlinale , accessed on June 21, 2016 .
- ↑ Information on Berlinale.de. Berlinale , accessed on June 21, 2016 .
- ↑ a b L'AVENIR - Un film de MIA HANSEN-LØVE (press dossier). Les Films du Losange, accessed on June 21, 2016 (French).
- ↑ Things to Come (L'avenir) (2016). In: Rotten Tomatoes . Retrieved on August 23, 2020 (English).
- ↑ Criticism in the Tagesspiegel. http://www.tagesspiegel.de/kultur/lavenir-auf-der-berlinale-wer-verliert-gewinnt/12960166.html , February 13, 2016, accessed on June 21, 2016 .
- ↑ Critique in the Taz. http://www.taz.de/Wettbewerb-der-Berlinale-2016/!5277681/ , February 21, 2016, accessed on June 21, 2016 .
- ↑ femundo: Encountering life with acuteness . November 17, 2018, accessed January 15, 2019 .
- ↑ criticism Kino-zeit.de. https://www.kino-zeit.de/blog/berlinale-2016/l-avenir-von-mia-hansen-l-ve , February 14, 2016, accessed on June 21, 2016 .