Anne-Kathrin Reulecke

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Anne-Kathrin Reulecke (* 1961 in Hildesheim ) is a German literary scholar and professor for modern German-language literature at the Karl-Franzens-Universität Graz.

Life

Reulecke studied German literature and history in Hamburg . She was a doctoral scholarship holder of the German National Academic Foundation and did her doctorate at the Technical University of Berlin with the dissertation Written Pictures: On Art and Media Discourse in Contemporary Literature (2000) with studies on Walter Benjamin, Peter Handke, Peter Weiss, Gert Hofmann, Anne Duden, EA Poe, ETA Hoffmann, Balzac and others. She then worked as a research assistant to Sigrid Weigel at the Institute for Literary Studies , German Philology and General and Comparative Literature at the TU Berlin . In 2009 she completed her habilitation with the thesis Deceptive, similar. Forgery and plagiarism as figures of knowledge in literature and science. A philological and cultural studies study . In 2010 Reulecke went to the German University of Virginia in Charlottesville ( USA ) as Max Kade Distinguished Visiting Professor . From 2010 to 2012 she devoted herself to the research project "Blindness as a figure of knowledge in literature and film" at the Center for Literary and Cultural Research Berlin .

Since 2012 she has held the university professorship for modern German-language literature at the Institute for German Studies at the Karl-Franzens-Universität Graz , focusing on "literary theory and history and the theory of literary aesthetics". She was nominated for the Ars Docendi State Prize for Excellent Teaching in 2016 for her series of courses, Frontiers of the Human .

Together with Klaus Kastberger , she leads the Graz lectures on the art of writing and is a founding member of the Forum for Literary Studies at the Karl-Franzens University in Graz . Reulecke is co-editor of the literature - culture - gender series at Vandenhoeck and Ruprecht . She lives in Graz and Hamburg.

Research priorities

  • Theories of authorship, forgery and plagiarism
  • Limits of the Human: Contemporary Literature and Medicine
  • Blindness and Visuality in Literature and Film
  • Media and intermediality in literature from the 18th to the 21st century
  • Theories of cultural studies ( Walter Benjamin , Roland Barthes, etc.)
  • 19th Century Realism Literature ( Fontane , Storm )

Publications

Monographs

  • The Poetics of Bilingualism. Autobiography and translation with Georges-Arthur Goldschmidt. Poétique du bilinguisme. Autobiography et traduction chez Georges-Arthur Goldschmidt series Conférences. Traduit de l'allemand by Franck Lemonde. (Series: Franz Hessel Lectures / Conférences Franz Hessel). Ed. V. Stephan Braese / Celine Trautmann-Waller. Paris: Editions de l'éclat 2018.
  • Deceptively similar. Forgery and plagiarism as figures of knowledge in literature and science. A philological and cultural studies study (2009). Munich: Fink Verlag 2016. Contents full text
  • Written pictures. On the art and media discourse in contemporary literature. Munich: Fink Verlag 2002. Contents full text

Editing

  • as editor with Johanna Zeisberg: Speaking to the dead. Beyond narratives in contemporary literature and art. Cologne-Vienna: Böhlau 2020.
  • as ed. with Margarete Vöhringer: Sehörening. Limits of the Visual in Arts and Sciences ”. Berlin: Kadmos Kulturverlag 2019.
  • as ed. with Ulrike Vedder: Limits of the Human. Biotechnology and Medicine in Contemporary Literature. Special issue of the "Journal for German Studies", New Series XXVIII (2018), H.3.
  • as ed. with Mona Körte: Mythen des Alltags - Mythologies. Roland Barthes' classics of cultural studies. Berlin: Kadmos Kulturverlag 2014. Contents
  • as ed. with Stephan Braese: Realien des Realismus. Science - Technology - Media in Theodor Fontane's narrative prose. Berlin: Vorwerk8 2010. Contents
  • as ed. with Corina Caduff and Ulrike Vedder: Passionen. Objects - locations - styles of thinking. Munich: Fink 2010. Contents
  • as editor: From zero to infinity. Literary presentations of scientific knowledge. Cologne - Weimar - Vienna: Böhlau 2008. Contents
  • as editor: forgeries. Authorship and Evidence in Science and the Arts. Frankfurt / M .: Suhrkamp 2006. (= stw 1781) Contents

Articles (selection)

  • New pathographies. Transplantation as a borderline experience in David Wagner's text "Leben". In: Journal for German Studies, New Series XXVIII (2018), H.3., Pp. 465-485. Full text
  • Limits of the human. Biotechnology and Medicine in Contemporary Literature. Preface. (together with Ulrike Vedder) In: Zeitschrift für Germanistik, Neue Reihe XXVIII (2018), H.3., pp. 459-464. Full text
  • Writing loss: Roland Barthes' “Diary of Mourning” and the photography essay “The Bright Chamber”. In: Journal for German Studies, New Series XXV (2015), H.3., Pp. 565-575. Full text
  • "A cultural monument of our time". Secret and psychoanalysis in the “Diary of an Adolescent Girl” (1919). In: Weimar Contributions. 4/2013. Vienna 2014, pp. 485-504.
  • Passion for cinema, shared (Haneke, Ang Lee, Daldry, Folman). In: Passions. Objects - locations - styles of thinking. Ed. V. Corina Caduff / Anne-Kathrin Reulecke / Ulrike Vedder. Munich: Fink 2010, pp. 219-225.
  • City map and family tree. On the topographical-autobiographical spelling in Walter Benjamin's “Berliner Chronik”. In: Benjamin Studien 1 (2008), pp. 127-145.
  • Pictures for nothing. Image disturbances in ETA Hoffmann's “Der Artushof” and Honoré de Balzac's “The Unknown Masterpiece”. In: Totality and Decay in Modern Art. Ed. V. Reto Sorg / Bodo Würffel. Munich: Fink 2006, pp. 103-116. Full text

Web links

Individual evidence

  1. Hedwig Röckelein : Biography as a story. Diskord, Tübingen 1993, ISBN 3-89295-571-9 , p. 349.
  2. a b Reulecke, Anne-Kathrin, Univ.-Prof. Dr. phil. Retrieved June 22, 2020 .
  3. Limits of the human. Retrieved July 3, 2020 .