Bernhard Gobiet

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Bernhard Gobiet (born November 18, 1892 in Düsseldorf ; † June 20, 1945 there ) was a German landscape and figure painter.

Life

Farm (1926)
Portrait of a girl (1939)
Portrait of Bernhard Gobiet
Werner Schramm , 1935

Link to the picture
(please note copyrights )

At the age of one , Gobiet left high school and studied at the Düsseldorf Art Academy from 1911 to 1914 . During the First World War he was drafted into military service in 1914, served as a soldier in the Balkans, Constantinople, Asia Minor and in 1917 on the Palestine front . There he was able to pursue his art further and expanded the spectrum of his painting with motifs from the Orient. After the war he returned to the art academy and became a master student of August Deusser .

Gobiet liked to paint in watercolor or pastel ; especially nudes . In 1920 he received a prize from the Grand State Prize for a large oil painting with female nudes in the studio, but the associated trip to Italy was canceled. Landscapes, nudes, gypsies were among his favorite subjects. He captured motifs from the Hofgarten , the Malkastenpark and the Grafenberg Forest in his pictures, but also often moved to nearby Flanders , from which his ancestors came , to paint . Numerous study trips between the wars took him to Italy, Dalmatia, Hungary, Switzerland, southern France, Spain, North Africa and Palestine.

Bernhard Gobiet was a member of the Malkasten artists' association and later chaired it for a long time. In 1920, 1922 and 1926 he was represented with several representations at the Düsseldorf Great Art Exhibition in the Museum Kunstpalast .

In 1927/28 Gobiet participated several times in exhibitions of the Young Rhineland and the "Rhenish Secession". For the " Rheinhalle " (multi-purpose hall and planetarium) of the GeSoLei , which took place in Düsseldorf in 1926, Bernhard Gobiet made one of the gusset pictures with two female files, which hangs in today's Tonhalle . In 1930 Gobiet took part in the German Art Exhibition in the Glaspalast (Munich) .

In the 1930s, Gobiet traveled extensively in the Mediterranean region. Numerous works were created with motifs from Monte Carlo, the Italian mainland and Sicily and he took part in the annual exhibition of the "Rhenish Secession" in the Städtische Kunsthalle Düsseldorf , with the picture "Cassis" in 1935 Werner Schramm portrayed Gobiet in a painter's smock.

As a representative of late impressionism , he had only loose contact with the circle around Mother Ey , but he was acquainted with Otto Dix , whom he visited in Hemmenhofen on Lake Constance during the Second World War .

As part of the defamation as degenerate art, the National Socialists also confiscated works of art by Gobiet in 1937, including the picture Gypsy Children , from the public art collection of the city of Düsseldorf . In 1940 one of his paintings was then shown in the Great German Art Exhibition in the House of German Art in Munich . In 1943 Bernhard Gobiet lived at Hompeschstrasse 6 in Düsseldorf. In the last year of the war, Gobiet was called up for military service and became a prisoner of war and died shortly after being released from the prison camp in June 1945 in Düsseldorf.

Christa Gobiet, Bernhard's wife, managed his estate. In 1948, the Kurt Hackmann gallery in Düsseldorf , then located at 47 Schadowstrasse, organized a memorial exhibition for the Rhenish painter Bernhard Gobiet.

literature

  • In the beginning: The Young Rhineland. On the art and contemporary history of a region 1918–1945. Ulrich Krempel (Ed.), Municipal Art Hall and Authors. Claassen, Düsseldorf 1985, ISBN 3-546-47771-5 , p. 326
  • Anja Tiedemann: The "degenerate" modernity and its American market: Karl Buchholz and Curt Valentin as dealers of ostracized art (writings of the research center, volume 8). 2013, ISBN
  • Sandra Labs: Johanna Ey and the avant-garde of the Düsseldorf art scene . GRIN Verlag , 2013, ISBN 3-656-18246-9
  • Gobiet, Bernhard . In: Ulrich Thieme , Fred. C. Willis (Ed.): General lexicon of visual artists from antiquity to the present . Founded by Ulrich Thieme and Felix Becker . tape 14 : Giddens-Gress . EA Seemann, Leipzig 1921, p. 282 ( Textarchiv - Internet Archive ).
  • Adolf Uzarski (preface): Rhenish secession. Anniversary exhibition . Municipal Art Gallery Düsseldorf May / June 1929, A. Bagel (1929)
  • Ute Haug: The Cologne Art Association during National Socialism Structure and development of an art institution in the cultural and political landscape of the “Third Reich” . Dissertation, 1998, pp. 96, 502, 615, 622, 625, 709, 718, 743, 757, 1056, 1057, 1155, 1213, 1217

Web links

Commons : Bernhard Gobiet  - Collection of images, videos and audio files

Individual evidence

  1. ^ Participant Bernhard Gobiet at the annual exhibition "Junge Rheinland", Städtische Kunsthalle Düsseldorf, October 1928
  2. Tonhalle artworks: the "Zwickelbilder" in the large round room inside ( memento of the original from June 23, 2015 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. @1@ 2Template: Webachiv / IABot / www.tonhalle.de
  3. ^ Annual exhibition Rhenish Secession May / June 1930
  4. ^ Research center "Degenerate Art", Art History Institute of the Free University of Berlin, inventory of origin: 1932/22 N 68
  5. ^ Bernhard Gobiet listed in the main annual catalog 1940; Lists of participants in the "Great German Art Exhibitions 1937-1944"
  6. Ute Haug: The Cologne Art Association under National Socialism Structure and development of an art institution in the cultural and political landscape of the “Third Reich” . Dissertation, p. 804, address Bernhard Gobiet
  7. ^ Kurt Hackmann Gallery
  8. Mentioning Bernhard Gobiet