Werner Schramm (artist)

from Wikipedia, the free encyclopedia
"Self-portrait" by Werner Schramm, 1970

Werner Schramm (born September 21, 1898 in Duisburg , † July 24, 1970 in Düsseldorf ) was a German portrait , figure and landscape painter and set designer . He was a member of the artists' association Das Junge Rheinland , which between 1919 and 1933 represented the interests of young Rhenish artists and organized exhibitions. After the Second World War, he and his wife, the artist Liselotte Schramm-Heckmann, belonged to the international artist group of the Peintres de la Réalité , which later developed into the Mouvement Trompe-l'œil / Réalité .

Life

Werner Schramm was already an artist as a schoolboy. For example, in 1915 the 16-year-old made a drawing showing Liselotte Heckmann, his future wife. Schramm drew this work under his early teacher Fritz Linde, who later died in the First World War . Since he valued his drawing teacher very much, Schramm supported a commemorative exhibition and created a portfolio with linoleum cuts in memory of Linde.

After studying at the Düsseldorf School of Applied Arts and the Munich Art Academy , Schramm worked from 1920 to 1922 as a set designer under Louise Dumont and Gustav Lindemann at the Düsseldorf Schauspielhaus as the sole artistic advisor. In 1922 his portfolio of lithographs, Encounters, was published by the Alfred Flechtheim Gallery , which he dedicated to Louise Dumont. From 1922 he worked on stages in Hamborn, Mönchengladbach, Oberhausen and Gladbeck. In 1925 Schramm decided to devote himself only to free painting. Since this was not compatible with his successful work on the stage, he gave it up.

In 1925 Schramm married the artist Liselotte Schramm-Heckmann and lived with her from 1925 to 1926 for study purposes in Fiesole near Florence and from 1926 to 1931 in Meudon near Paris. In 1931 the couple moved back to Düsseldorf and exhibited their art at home and abroad in the years that followed. As part of the defamation as “ degenerate art ”, the National Socialists also confiscated 13 works of art by Schramm in public art collections in 1937. During the war, Werner Schramm was also called up for military service and served as a medic from 1939 to 1945. In 1945 he moved to the Waldecksche, in 1948 he returned to Düsseldorf.

Works

Werner Schramm saw an obligation in his painting and drawing gifts very early on, which he has consistently endeavored to satisfy throughout his life. Disappointed with the training at the academies, he joined the experiments in expression and abstraction. He renounced his successful career as a set designer and, together with his wife, turned to an attempt at a new objectivity . A mixed technique developed over many years, in which the possibilities of tempera , oil paint and resin essence glazes are combined, similar to that used by the old German masters, served as the basis. This technique interacted with the inner form of his work, which was the magic of reality in color and drawings, and which he brought to perfection against all odds of the day and fashion. His painterly works were supplemented by extensive drawings and graphic works.

Selected Works:

See also

Publications

  • Otto Brües , Maximilien Gauthier: Werner Schramm and Liselotte Schramm-Heckmann. Henn, Ratingen 1965, ISBN 978-3-929944-99-0 .
  • Werner Schramm: Encounters II. 20 portrait drawings. Düsseldorf, around 1970.
  • Liselotte Schramm-Heckmann , Otto Brües: Werner Schramm and Liselotte Schramm-Heckmann. Henn, 2nd edition. Ratingen 1976, ISBN 978-3-929945-07-2 .
  • Liselotte Schramm-Heckmann, Ilka Kügler: Werner Schramm, Liselotte Heckmann - stage sets and figurines 1920–1925. Düsseldorf 1991, ISBN 978-3-929945-04-1 .

Web links

Commons : Werner Schramm  - Collection of images, videos and audio files

swell

  1. a b Schramm, Werner . In: Hans Vollmer (Hrsg.): General Lexicon of Fine Artists of the XX. Century. tape 4 : Q-U . EA Seemann, Leipzig 1958, p. 218 . , ISBN 978-3-42305909-1 .
  2. Peter Barth: The Young Rhineland. Artists - works - documents. Düsseldorf 1996, catalog for the exhibition in the Remmert und Barth gallery.
  3. Annette Baumeister u. a. (Ed.): The Young Rhineland, forerunners - friends - successors. Hatje Cantz Verlag , Ostfildern 2008, ISBN 978-3-7757-1989-6 , series of publications by the Stadtmuseum Landeshauptstadt Düsseldorf : exhibition catalog, September 30th to December 30th, 2006 ( Link )
  4. ^ Jean Giono : Peintres de la Réalité du XXe siècle. Paris 1958.
  5. a b Dieter Breuer: Modernism in the Rhineland. Rheinland-Verlag, 1994, ISBN 978-3-792713-91-4 , p. 183.
  6. Peter Barth: Big Ey we praise you: Johanna Ey and her circle of artists. Exhibition from September 4 to November 17, 2007, Galerie Remmert and Barth, 2007, p. 150 ( Link )
  7. ^ Cora Fassbender: The expressionist stage design of the 1920s in the Rhineland using the example of Düsseldorf and Cologne. Master's thesis at Heinrich Heine University, Düsseldorf.
  8. ^ Sandra Labs: Johanna Ey and the avant-garde of the Düsseldorf art scene. 2012, ISBN 978-3-84288121-1 , p. 70.
  9. a b Werner Schramm encounters. 12 lithographs, 1922 . Retrieved April 1, 2014.
  10. Sidney Jackson Jowers: Theatrical Costume, Masks, Make-Up and Wigs: A Bibliography and Iconography. Routledge, 2000, pp. 170f, ISBN 978-0-415247-74-0 .
  11. Werner Schramm, Liselotte Schramm-Heckmann, Otto Brües : Werner Schramm and Liselotte Schramm-Heckmann. Ratingen 1965, Henn, 2nd edition. Ratingen 1976, ISBN 978-3-929944-99-0 .
  12. Werner Schramm. Alfred Flechtheim, avant-garde art dealer, accessed on January 8, 2014 .
  13. Werner Schramm, The Suicide. In: Lempertz. Retrieved September 23, 2018 .
  14. ^ Thomas Matuszak, Jutta Penndorf, Lindenau-Museum Altenburg : ... restless and without the gift of sleep. Catalog of the German print portfolios, illustrated books and magazines with original graphics edited between 1903/1904 and 1932 in the Lindenau Museum Altenburg. The original holdings of the Lindenau Museum, the Hoh Collection acquired in 1994/1995 and the acquisitions since 1995. Hoh Collection, Volume 2. Mitteldeutsche Editions Verlagsgesellschaft, Leipzig 2000, ISBN 978-3934967007 .
  15. ^ Image index of art and architecture. Retrieved July 29, 2015 .
  16. Stage design for Eichendorff: The suitors. Digital Art and Culture Archive Düsseldorf, accessed on August 28, 2014 .
  17. ^ Costume design for Eichendorff: The suitors. Digital Art and Culture Archive Düsseldorf, accessed on August 28, 2014 .
  18. Tobias Timm: This Greek has no problem. Die Zeit , July 11, 2012, accessed on August 15, 2014 .
  19. See the exhibition Moments of Art in Shanghai. Theatermuseum Düsseldorf, June 22, 2010, accessed on April 1, 2014 .
  20. ^ Kirmes in Lohausen  in the German Digital Library , accessed on September 3, 2014
  21. The sculptor Peter Stammen. Deutsche Fotothek , accessed on September 3, 2014 .
  22. ^ Salon Comparaisons : Comparaisons, Peinture Sculpture , exhibition catalog for the exhibition at the Musée d'art moderne de la Ville de Paris from March 7 to 27, 1966, Paris 1966, pp. 104 + 120
  23. Colmar Schulte-Goltz in Bares for Rares : Painting by Werner Schramm 1967. July 4, 2018, accessed on September 22, 2018 .